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Willem Gerard Hofker (1902-1981) 'Ni Sadri Legong Klandis', signed and dated 1938 upper right and 'Sadri Legong Klandis Bali' upper left, oil on canvas. H. 92 cm. W. 66.5 cm. Exhibited: ‘Hoogovens’, Velsen-Noord, The Netherlands, May 1961. Provenance: acquired directly from the artist at the ‘Hoogovens’ exhibit, May 1961. Literature: Carpenter, B.; Willem Hofker; Painter of Bali, Pictures Publishers, 1993, black and white photo on page 39, as ‘Ni Sadri, Legong Kesiman’, 1938 oil on canvas, dimensions unknown, mentioned on page 209 as no. 876: Ni Sadri, Legong girl, Bali. 1938, drawing.Hofker lists this painting in 1961 in 'Delivered work' as no.- 876 LEGONG-meisje (girl) Bali (NI SADRI ), 1938, without indication, size ormedium, but mentions the name of the buyer. Hofker S., and Orsini G.: Willem Gerard Hofker (1902-1981), Uitgeverij de Kunst, 2013, p. 159 (full page including frame), p. 232 (plate 367). and p. 15 in a black and white photo dated 1953, with Willem Gerard Hofker in his studio in Amsterdam. PLEASE NOTE: WE DON'T ACCEPT ONLINE BIDS FOR THIS LOT DURING THE AUCTION.
Eh oui déjà trois ans que la CPB propose sa récap’ mensuelle ! Nous devions fêter ça ! Craie Hâtive a revisité le logo de cette action pour l’occasion… Déjà trois ans de participations pour moi ! J’a
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Are you searching for Joan Garrys Guide to Nonprofit Leadership Because Nonprofits Are Messy ? Author : Joan Garry Publisher : Wiley Total Pages : 256 Nonprofit leadership is messy Nonprofits leaders are optimistic by nature. They believe with time, energy, smarts, strategy and sheer will, they can change the world. But as staff or board leader, you know nonprofits present unique challenges. Too many cooks, not enough money, an abundance of passion. It's enough to make you feel overwhelmed and alone. The people you help need you to be successful. But there are so many obstacles: a micromanaging board that doesn't understand its true role; insufficient fundraising and donors who make unreasonable demands; unclear and inconsistent messaging and marketing; a leader who's a star in her sector but a difficult boss… And yet, many nonprofits do thrive. Joan Garry's Guide to Nonprofit Leadership will show you how to do just that. Funny, honest, intensely actionable, and based on her decades of experience, this is the book Joan Garry wishes she had when she led GLAAD out of a financial crisis in 1997. Joan will teach you how to: Build a powerhouse board Create an impressive and sustainable fundraising program Become seen as a 'workplace of choice' Be a compelling public face of your nonprofit This book will renew your passion for your mission and organization, and help you make a bigger difference in the world. Download Joan Garrys Guide to Nonprofit Leadership Because Nonprofits Are Messy Here Get Joan Garrys Guide to Nonprofit Leadership Because Nonprofits Are Messy PDF Here Download Joan Garrys Guide to Nonprofit Leadership Because Nonprofits Are Messy PDF Download Joan Garrys Guide to Nonprofit Leadership Because Nonprofits Are Messy Books Get This Joan Garrys Guide to Nonprofit Leadership Because Nonprofits Are Messy Book Free Download Joan Garrys Guide to Nonprofit Leadership Because Nonprofits Are Messy Books PDF Get this Joan Garrys Guide to Nonprofit Leadership Because Nonprofits Are Messy PDF Download Free
Details Artist Statement Artist Biography Art Centre Details Artist - Patricia Multa Community - Ikuntji (Haasts Bluff) Art Centre/Community organisation - Ikuntji Artists Catalogue number - 16-PM265 Materials - Acrylic on linen Size(cm) - H60 W60 D2 Postage variants - Artwork posted un-stretched and rolled for safe shipping Artist Statement This painting shows the bushflowers and seeds in and around the Haasts Bluff area after the rain. Artist Biography Patricia started painting her Dreaming Bushfire and Kungkayunti (Women Dancing, Brown’s Bore) in 2006. She is the sister of artist Alison Multa and married to Patrick Nolan, who also paints. In her work she experiments with colours, representing the fires latching onto the leaves and spreading. Art Centre A lot of stories are still being recounted of long journeys of people from various language groups, who travelled from rockholes and waterholes to caves and mountains finally arriving at Haasts Bluff. The locals, Luritja people of Haasts Bluff, were already here. Thus Haasts Bluff is a community rich of diversity in language and culture. Ikuntji Artists was first established in 1992, after a series of workshops with Melbourne artist Marina Strocchi, and under the influence of the then community president, the late Esther Jugadai. The art centre was initially set up to fulfil the role of women’s centre providing services such as catering for old people and children in the community. After first experiences made in printing T-shirts, the artists began producing acrylic paintings on linen and handmade paper, which quickly gained the attention of the Australian and international art world as well as earning the centre an impressive reputation for fine art. The focus changed from a women’s centre to an art centre in 2005 with the incorporation of the art centre as Ikuntji Artists Aboriginal Corporation. The artists draw their inspiration from their personal ngurra (country) and Tjukurrpa (Dreaming). They interpret the ancestral stories by using traditional symbols, icons and motifs. The artistic repertoire of Ikuntji Artists is diverse and includes for example: naive as well as highly abstract paintings told by each artist in their personal signature style. Throughout the 21 years of its existence the art movement in Ikuntji has flourished and constantly left its mark in the fine art world. At the same time the art centre has been the cultural hub of the community, maintaining, reinforcing and reinvigorating cultural practices through art-making. Today Ikuntji Artists has eight key artists, who exhibit in Australia and internationally. They are represented in major collections across the globe. Text: Melanie Greiner, Alison Multa and Dr Chrischona Schmidt
revelation to saint pius v by the victory of the holy league at lepanto
* Kunst-und-Auktionshaus Peter Karbstein, Dusseldorf, DE has recently listed a nude by the German Expressionist artist Christian Rohlfs (1849-1938) in their current catalog. Christian Rohlfs was a well known German painter and print maker who was active during the later 19th and early 20th centuries. According to his biography, he took up painting as a teenager while convalescing from an infection which ultimately cost him his leg. He began his formal studies in Weimar in 1870. His first painting examples were large-scale landscapes and he successively worked through academic, naturalist, Impressionist, and Neo-Impressionist styles. In 1901 he left Weimar for Hagen at the urging of art collector Karl Ernst Osthaus, who offered him a studio in the modern art museum he was establishing there. Through his exposure to the avant-garde movement, including meeting Edvard Munch in 1904 and Emil Nolde in 1905, seeing Van Gough's choppy brushstrokes and vibrant colors, his work moved into its final Expressionist phase. By the age of sixty, he had 185 prints in his oeuvre of masterworks. Aside from a few lithographs, he worked exclusively in woodcut and linoleum cut mediums. In 1937 the Nazis expelled him from the Prussian Academy of Arts and condemned his works as "degenerate." Some 412 examples of his works were ultimately removed from public collections. * ---------------------------------------------- Here is a tiny selection of his figurative works: ----------------------------------------------
A Gardner Museum show makes the case for this 19th century peer of John Singer Sargent.
Edouard Vuillard - The Flowered Dress 1891
