Pierre Bonnard (1867–1947) was a French painter known for his contributions to the Impressionist and Post-Impressionist movements. He was active in the late 19th and early 20th centuries and was associated with the Nabis group, a collective of artists emphasizing symbolic and decorative qualities in their works. Bonnard's art is characterized by rich, soft colors and a focus on everyday scenes. He often depicted interior scenes, family life, and natural landscapes, showcasing a keen sensitivity to the play of light and color. His works captured fleeting moments and conveyed a unique interpretation of the beauty in ordinary life. As a member of the Nabis, Bonnard was part of a group that emphasized detailed depictions of color and form to express true emotion. His style went beyond the ideas of Impressionism, placing a greater emphasis on internal emotions and personal experiences. Pierre Bonnard holds a significant place in the history of French painting, and his artworks continue to be celebrated for their unique aesthetic and emotional depth. Download and Start a Date with Classical Art.
Pierre Bonnard Pierre Bonnard in the studio Pierre Bonnard at work Pierre Bonnard Pierre Bonnard Pierre Bonnard at home in France Pierre Bonnard, Dusk or a Round of Croquet, 1892 Bonnard studio wall Pierre Bonnard, At Sea, 1924 Pierre Bonnard, Nude in the Bathtub, 1935 Pierre Bonnard, Fish in a Dish Pierre Bonnard, Nude by the Bath, 1931 Pierre Bonnard via A Long Time Alone www.alongtimealone.tumblr.com Pierre Bonnard, On the Red Carpet, c. 1943 Pierre Bonnard, Le Petit Dejeuner Pierre Bonnard, Jardin, 1915 Pierre Bonnard 1930 Pierre Bonnard, Still Life with Bottle of Wine, 1942 Pierre Bonnard in his Paris studio 1946 via Dionyssos Pierre Bonnard via A Long Time Alone Pierre Bonnard, Ciel d'Orange du Cannes, via A Long Time Alone Pierre Bonnard, Conversation in the Park, 1922, via A Long Time Alone Pierre Bonnard, Grand Mere via A Long Time Alone Pierre Bonnard, La Grande Baignoire, c. 1937 - 1939 Bonnard Pierre Bonnard, The Bath, 1925 Pierre Bonnard Pierre Bonnard Pierre Bonnard Pierre Bonnard Pierre Bonnard Pierre Bonnard Pierre Bonnard Pierre Bonnard Pierre Bonnard, Breakfast, via A Long Time Alone Pierre Bonnard Pierre Bonnard Pierre Bonnard Pierre Bonnard Pierre Bonnard Pierre Bonnard Sunny scenes of domesticity by French Post Impressionist painter, Pierre Bonnard (1867 - 1947)
Vintage Wall Art for you to download, print and frame at home. French Champagne by Pierre Bonnard (1891) This is a high-resolution reproduction print of an original artwork by French artist Pierre Bonnard. His first commercial work as an artist, French Champagne echoes the art nouveau style of the time and would make a stylish addition to your home. ABOUT THE ARTIST Pierre Bonnard (1867–1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of colour. Born in Fontenay-aux-Roses, Hauts-de-Seine he showed a talent for drawing and watercolour painting as a child, later attending École des Beaux-Arts in Paris. He was a founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colours and painting style usually took precedence over the subject. HOW DO I GET MY PRINT? Once your payment has processed your zip file will be available to download at http://www.etsy.com/your/purchases. If you have checked out as a guest, the link to your download will be sent to your e-mail address. If you don’t see the Etsy link in your inbox, please check your junk/spam mail folder. WHAT WILL I RECEIVE? You will receive two zip files containing a total of six high resolution pdf files (300 dpi). Each image file corresponds to each of the following aspect ratios: 2:3, 3:4, 4:5, 6:5, 7:5 and 11:14. For example, aspect ratio 2:3 can be scaled down to print the following size prints: • inches 4x6, 6x9, 8x12, 10x15, 12x18, 16x24, 20x30 • cms 10x15, 15x21, 20x30, 25x38, 30x45, 40x60, 50x76 An information sheet is provided in the file download which explains in more detail which file you will need to print for the size you want. If you have any questions, please don’t hesitate to contact me! You can also read more about digital downloads here: https://www.etsy.com/help/article/3949 Please note, this is a digital download only and no physical art print will be sent out. The image files are designed to a very high resolution so may take a while to download. NOT TO BE RESOLD, REDSTRIBUTED, REPRODUCED OR USED COMMERCIALLY.
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Listing for a ROLL OF CANVAS or PREMIUM PAPER You'll find a STRETCHED CANVAS for this Painting in our Store, or ask for a CUSTOM ORDER and/or ASSISTANCE Museum Quality Reproduction Painting: (1946) L’Amandier en fleurs "The Almond Tree in Blossom" Artist: Pierre Bonnard (1867 – 1947) was a French painter and printmaker, a founding member of the Post-Impressionist group of avant-garde painters Les Nabis MASTERPIECE WORKS OF ART REPRODUCED TO MUSEUM QUALITY PAINTINGS ARE PRINTED ON HEAVYWEIGHT PROFESSIONAL CANVAS AND/OR SATIN PAPER USING "GICLEE" TECHNIQUE ALL PAINTINGS HAVE A WHITE CANVAS AND/OR MATTE PAPER BORDER OF 1.75" AROUND THE IMAGE DIFFERENT SIZES AVAILABLE - CLICK ON SIZE TAB TO MAKE YOUR SELECTION - (ABOVE QUANTITY TAB) Canvas - (410g/m2, heavyweight bright white acid-free cotton) Satin Premium Paper - (190g/m2, print quality 1200 dpi) Almost any size is available, if you have another size in mind, contact us, and we'll give you the details. DETAILS Printed with vivera pigmented inks, designed to create vibrant color images that resist fading. Designed to meet galleries and museum longevity requirements and ensure consistency of shades 200 years old. GICLEE ART This giclée print delivers a vivid image with maximum color accuracy and exceptional resolution. The standard for museums and galleries around the world, giclée is a printing process where millions of ink droplets are "sprayed" onto high-quality surface. With the great degree of detail and smooth transitions of color gradients, giclée prints appear much more realistic than other reproduction prints. SHIPPING - TRACKING NUMBER WILL BE SUPPLIED - SHIPPED IN A STRONG CARDBOARD TUBE TO PROTECT THE CONTENTS FROM DAMAGE - FULLY INSURED USA - Expedited Parcel FREE SHIPPING (Any Size) - 2 - 10 Business Days Canada - Expedited Parcel FREE SHIPPING (Any Size) - 2 - 10 Business Days Outside USA & Canada $24.99 (Any Size) - 7 - 15 Business Days 100% SATISFACTION GUARANTEE - MONEY BACK GUARANTEE
Pierre Bonnard, 1916–20
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Пьер Боннар (Pierre Bonnard, 1867-1947) Пьер Боннар (Pierre Bonnard, 1867-1947) Автопортрет, 1889. Пьер Боннар (Pierre Bonnard, 1867-1947) Tte de Bonnard, vers 1899. Glatino-bromure d'argent, 63x50 cm. Muse d'Orsay, Paris. Пьер Боннар (Pierre Bonnard, 1867-1947) Self-Portrait…
terminusantequem: Pierre Bonnard (French, 1867-1947), Dans La Rue, Deux Figures, 1906. Oil on panel, 38.00 x 45.70 cm
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This is the first of a four-part post on the French artist Pierre Bonnard (1867 – 1947). The feature Bonnard’s paintings, lithographs, and lesser known commercial art. Bonnard was born in 1867 in Fontenay-aux-Roses, France. He began studying law in Paris in 1887. In the same year he also attended the Académie Julian, and in 1888 entered the Ecole des Beaux-Arts, where he met Ker-Xavier Roussel and Edouard Vuillard, who became his lifelong friends. Bonnard gave up law to become an artist, and, after brief military service, he joined the group of young painters called the Nabis (the prophets) in 1889, which was organized by Paul Sérusier and included Maurice Denis, Paul Ranson, Roussel, Vuillard, and others. The Nabis, influenced by Paul Gauguin and Japanese prints, experimented with arbitrary colour, expressive line, a wide range of mediums, and flat, patterned surfaces. In 1890 Bonnard shared a studio with Vuillard and Denis, and he began to make colour lithographs. In the following year, 1891, he met Henri de Toulouse-Lautrec, and had his first show at the Salon des Indépendants and in the Nabis’s earliest exhibitions at Le Barc de Boutteville. He exhibited with the Nabis until they disbanded in 1900. Bonnard worked in a variety of mediums – he frequently made posters and illustrations for La Revue blanche, and in 1895 he designed a stained-glass window for Louis Comfort Tiffany. His first solo show, at the Galerie Durand-Ruel in 1896, included paintings, posters, and lithographs. In 1897 Ambroise Vollard published the first of many albums of Bonnard’s lithographs and illustrated books. In 1903 Bonnard participated in the first Salon d’Automne and in the Vienna Secession, and from 1906 he was represented by Galerie Bernheim-Jeune, Paris. He travelled abroad extensively and worked at various locations in Normandy, the Seine valley, and the south of France (he bought a villa in Le Cannet near Cannes in 1925), as well as in Paris. The Art Institute of Chicago mounted a major exhibition of the work of Bonnard and Vuillard in 1933, and the Museum of Modern Art, New York, organized Bonnard retrospectives in 1946 and 1964. Bonnard died on January 23, 1947, in Le Cannet, France. 1891 Woman with Dog 1894 Woman Washing her Feet c1894 Two Dogs in a Deserted Street c1899 Table Setting under the Lamp 1907 In the Bathroom 1907 Woman Bending Over 1908 In the Mirror 1908 Table in the Garden c1908-12 Hambourg, Picnic c1909 Woman in front of a mirror 1910 Girl with Parrot 1912 La Place Clichy 1912 Saint-Tropez, Pier 1912 Summer in Normandy 1912 Summer, Dance 1912 Woman with Cat c1912-14 Lane at Vernonnet 1914 La Toilette 1915 Coffee c1916-20 Earthly Paradise 1919 Nude in Front of the Mantlepiece 1919 The Bowl of Milk c1919 Bathing Woman, Seen from the Back 1920 Balcony at Vernonnet 1920 Interior with a Woman in a Wicker Chair 1921 The Open Window In part 2: more paintings from 1921 and 1946.
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huariqueje: Sailboats - Pierre Bonnard French 1867-1947 gouache and graphite on paper , 25.4 x 32.6 cm. (10 x 12 7/8 in.)
The Art of Pierre Bonnard L'Estampe et l'affiche, 1897 Pierre Bonnard, (1867-1947) Fine Art Reproduction Reproduction Size: 16 x 11.5 inches This reproduction is a new, individually printed and proofed, superior quality giclee* process, fine art print. It is printed on 100% cotton rag acid-free, heavyweight fine art paper with a luxurious textured watercolor paper finish and archival pigment inks to ensure permanence. Created for collectors, it IS NOT A POSTER or mass produced print on low quality, inexpensive paper. Pierre Bonnard (1867-1947) was a French painter, printmaker and photographer. He is known particularly for the decorative qualities of his paintings and his individual use of colour. During his life he was associated with other artists, Edouard Vuillard being a good friend, and he was a member of the Nabis. Some of his most famous works were made early in his career during his involvement with Les Nabis (named after the Hebrew and Arabic term for “prophets”), an avant-garde group deeply influenced by the work of Paul Gauguin. Original Medium: Color Lithograph. Reproduction Medium: Fine Art Paper; colored pigment inks Image Size - 16 x 11.5 inches (printed on larger 18 x 13 inch paper to allow ample borders for matting and framing) Prints ship in a heavy protective cardboard tube. **the giclee process produces a high quality, fine art reproduction from a high-resolution digital file of an image. The file is then printed with a high-resolution photo generation printer on a fine art paper. Most artists and working photographers today use the giclee process to produce reproductions of their original artwork and photographs. As with any original art or fine art reproduction, it is recommended that prints are framed and displayed under glass to prevent color fade or shift over the years.
terminusantequem: Pierre Bonnard (French, 1867-1947), Jour Déclinant; Vernon, Le Soir, 1926. Oil on canvas, 78.00 x 74.50 cm
