Kelly Reemtsen prints for sale from leading galleries | Printed Editions

See pictures from Kelly Reemtsen's new exhibit, "Smashing."

Pop style portrait paintings.

I live in one of the best suburbs in the country. I mean, It’s the perfect place to raise a family and that’s why we chose it. We all know each other and

See pictures from Kelly Reemtsen's new exhibit, "Smashing."

Well, I always do yard work in my vintage party dress! Don’t you? I’m totally smitten with these vibrant paintings by Los Angeles based artist Kelly Reemtsen. I love that it’s not c…

Думаете, что женщина – это слабый пол? Существо, неспособное постоять за себя? Красивая куколка в нарядном платье? Ваше мнение может быть абсолютно неверным. Женщины намного сильнее, чем кажутся, и могут постоять за себя. И если вы привыкли видеть в руках своей благоверной, в худшем случае,…

Painter Kelly Reemtsen (previously) paints images of anonymous women in thick impasto. The pieces juxtapose high fashion with tools and other construction equipment, placing sequenced high heels alongside sledgehammers and hefty axes. The colorfully painted works are Reemtsen’s comment on modern femininity. By placing tools in each of her subjects’ hands, the LA-based artist showcases that having feminine identification doesn’t mean fitting into a predetermined role. Reemtsen is represented by Detroit-based David Klein Gallery and Lyndsey Ingram in London. More

See pictures from Kelly Reemtsen's new exhibit, "Smashing."

The influence of contemporary figurative oil painters is palpable, but Kelly Reemtsen”s own style and personality shine out with color palette and hints of abstraction. She is meticulous in process with clear intention of image and color, but loose and painterly in execution. Her subjects are transformed in oil on panel that are quintessentially Kelly.

In Salon Series Short & Sweet Ep. 3, artist Kelly Reemtsen shares the roots of her work’s explorations – traditional gender roles.

Los Angeles-based painter Kelly Reemtsen's newest works focus on the subject matter of well-dressed women toting household tools that range from mallets to power saws, each held in a causal position that demonstrates a comfortableness with the object in-hand. Each figure is anonymous, the head of the woman not included in the cropped images of dress, heels, and tool. The collective works question what makes the modern woman, flouncy dresses coordinating with more masculine tools to showcase the objects’ relatability rather than create a contrast between the woman and her wrenches and shears. More

See pictures from Kelly Reemtsen's new exhibit, "Smashing."

Думаете, что женщина – это слабый пол? Существо, неспособное постоять за себя? Красивая куколка в нарядном платье? Ваше мнение может быть абсолютно неверным. Женщины намного сильнее, чем кажутся, и могут постоять за себя. И если вы привыкли видеть в руках своей благоверной, в худшем случае,…

Painter Kelly Reemtsen (previously) paints images of anonymous women in thick impasto. The pieces juxtapose high fashion with tools and other construction equipment, placing sequenced high heels alongside sledgehammers and hefty axes. The colorfully painted works are Reemtsen’s comment on modern femininity. By placing tools in each of her subjects’ hands, the LA-based artist showcases that having feminine identification doesn’t mean fitting into a predetermined role. Reemtsen is represented by Detroit-based David Klein Gallery and Lyndsey Ingram in London. More

See pictures from Kelly Reemtsen's new exhibit, "Smashing."

Painter Kelly Reemtsen (previously) paints images of anonymous women in thick impasto. The pieces juxtapose high fashion with tools and other construction equipment, placing sequenced high heels alongside sledgehammers and hefty axes. The colorfully painted works are Reemtsen’s comment on modern femininity. By placing tools in each of her subjects’ hands, the LA-based artist showcases that having feminine identification doesn’t mean fitting into a predetermined role. Reemtsen is represented by Detroit-based David Klein Gallery and Lyndsey Ingram in London. More

Kelly Reemtsen mixes it up with 50's glam and hints of the macabre. Heroines are wielding an axe, shears, a hose or rubber gloves. These women dolled up in part

See pictures from Kelly Reemtsen's new exhibit, "Smashing."

Painter Kelly Reemtsen (previously) paints images of anonymous women in thick impasto. The pieces juxtapose high fashion with tools and other construction equipment, placing sequenced high heels alongside sledgehammers and hefty axes. The colorfully painted works are Reemtsen’s comment on modern femininity. By placing tools in each of her subjects’ hands, the LA-based artist showcases that having feminine identification doesn’t mean fitting into a predetermined role. Reemtsen is represented by Detroit-based David Klein Gallery and Lyndsey Ingram in London. More