Toby Boothman, British painter, was born in Bristol, England. In 1994, her life changed when went to study under the direction of Master Patrick Betaudier in Monflanquin, France.
Il est souvent dit que lorsque l'âme s'envole, le corps, lui, reste. À travers sa série intitulée Sténocorpé, la photographe Julie Poncet nous propose une lecture quelque peu différente. Réalisées au sténopé numérique, ses images nous invitent à assister au ballet silencieux d'un corps nu prenant...
Bolshoi Ballet School, Moscow, 1958. Photo: Cornell Capa/Magnum Photos, courtesy of the International Center of Photography. Capa founded the International Center of Photography in New York after a...
Una bailarina es fácilmente detectable en mitad de una multitud. Esto se debe a la formación de su estructura ósea, una flexibilidad casi fluida y a su porte real, unas cualidades que solo se adquieren tras largos años de intenso trabajo, esmero y dedicación. Según dicen los entendidos en la materia, el momento perfecto para […]
In today's feature, as promised last week, I wanted to tell the story of THE ballerina that is changing the current ballet world - Anastasia Volochkova. Known as , probably, the most scandalizing ballerina of modern day, Anastasia, nonetheless is making a change. The criticism , so willingly poured over her by Russian ballet-masters and some of the current stars, I believe is there because of the unsightly exposure that a daring ballerina brought to the king of ballet schools. Here is her story. Russians love fairy tales. One could go so far to say it is their favorite type of fiction. What else is there to believe in, some Russians ask? Volochkova is Russia's living, indomitable fairy tale princess. In her book "A Story of a Russian Ballerina," Volochkova compares the chapters of her life with the plots of 12 major Russian ballets she has starred in. Of course, the heroine triumphs again and again and again. As a teenager, Volochkova heard from her teachers at Vaganova Academy, the notoriously harsh ballet school that also trained Vaslav Nijinsky and Rudolf Nureyev, that a big-boned ballerina like her would never dance on the best stages. The provinces, they said, beckoned. A few years later, Volockhova debuted as the Mariinsky's prima ballerina in Swan Lake at the Metropolitan Opera house in New York. A longtime survivor of backstage battles, surrounded by what she called "jealousy and evil insults," Volochkova describes the drama of the movie "Black Swan" as "little flowers" compared to the intrigues of the Bolshoi Ballet. It was the Bolshoi Theatre that threw the next "never" at Volochkova, firing her in 2003, a year after she won the prestigious Prix Benois de la Danse. The executives of Moscow's most famous theater pronounced Volochkova the "fat ballerina," too heavy to ever appear on the theater's stage again. She cried under the marble columns of the Bolshoi, she said. "Nobody had a word of support," she said. The ballerina remembers with bitterness the day she had to step onto a scale that a New York Times reporter brought to an interview for an independent measure of her weight - without fear or favor. That scale showed 109 pounds, a fine dancing weight for a 5-foot 6-inch woman. But her Bolshoi career was over in the most embarrassing fashion, after performing as a soloist in six major ballets and touring the world for more than five years. Here is a little "how it happened" Bolshoi insists that Anastasia Volochkova is simply too fat and and insists on a story, yet to be confirmed, that her regular partner has required hospital treatment for a hernia. Revealing that she now exists on a diet of not much more than spinach leaves and vegetables, Volochkova says : 'I don't even eat my favourite ice cream now. The situation with the Bolshoi is not about height or weight ... these are not the test of a great ballerina.' The dispute unfolded on September 4 when Miss Volochkova was informed by phone that she had been replaced in the following night's performance of Swan Lake. " Volochkova's partner, Yevgeny Ivanchenko, has resigned during the northern summer after suffering an injury. Iksanov said that other dancers had refused to dance with Volochkova. "I can't risk the artists' condition," he said, according to the daily Gazeta. Bolshoi's spokeswoman, Yekaterina Novikova, said that the problem wasn't rooted in Volochkova's excessive height or weight, but her skills. "A tall ballerina could be easy to lift," Novikova told The Associated Press. "The problem is that male dancers complained of her height and weight and refused to dance with her." As the dispute went on, Volochkova has resorted to political arguments, pointing at her membership in the top pro-Kremlin political party, the United Russia. The statement has drawn acerbic comments in many Russian media. The daily Vremya Novostei played on the United Russia's symbol, a bear, with a headline: "Not even bears could hold [her]." Some compared Volochkova's ambitions to those of Matilda Kshesinskaya, the famed Russian ballerina of the early 20th century and a favourite of Tsar Nicholas II. Kshesinskaya was so powerful that she once forced the tsar to fire the director of imperial ballet. Ballet lovers ... started making guesses on whether Iskanov would be able to hold onto his job for long. But the cold-headed manager apparently remembered that we no longer have a tsar and the president wasn't seen at Volochkova's performances - and fired her." {source, img} This feature is not about motherhood - though Anastasia has a daughter, and just as many others, came back to the bar just a few short months after the birth ( some do it after weeks , or ... days) , the story of this ballerina stirred the oh-so-traditional world of Russian Ballet. It unfolded the ugly - in my opinion - side that is so well-hidden: those too skinny to live ballerinas ARE true, the pressure to be thin IS there. Nobody knows how many broken LIVES and MINDS are produced by the best of the best Russian school of Ballet, simply because of their view of ballerinas as dainty little fairies, rather then ... actual women. And this is not even touching a subject of severe discrimination of those choosing motherhood, of those that are not of the standard look even if extremely talented, and more. Ballet schools of the former Soviet Union, while producing exceptional dancers, are also the source of anguish, tears, illness, disorder and broken lives. While I may or may not like Anastasia's personal dancing style ( and , honestly, there is nothing bad too it - we all have our preferences ) I admire her for that she is doing now for the world of Ballet. I admire her loud voice, her promotion of HEALTH and opposition to ridiculousness. I hope that many will take after HER. And to Anastasia Volochkova I wish success in all she does. Because she is creating a nation of healthy ballerinas. In every way. anastasia today with her daughter, arina What do you think about dancers and weight? Dancer or not - I'd love to know your thoughts.
Klaus Kampert, "Wrapped, 168.04.12", 2012. Archival Pigment Print 21" x 16", Edition of 15 with 3 A/P. Signed and Numbered on the Reverse. Klaus Kampert has built an international reputation for his nude photography. Working with dancers from Europe’s most respected Ballet Companies and Dance troupes, as well as with members of the famous Cirque de Soleil, Kampert’s photography has been featured in many publications where the elegance of the human form is celebrated.
Virtual Sheet Music® Premium High-Quality digital sheet music for string quartet or string orchestra, from "Nutcracker" ballet Op. 71a, Full Score & Single Parts, based on the original score, exclusive arrangements by Fabrizio Ferrari. These arrangements are delightful, my quartet and I have enjoyed them very much. During a year when it was not possible to play with a whole orchestra, this gave great joy to me and our audience. This worked very well as part of a scratch Christmas concert. Unless you've got lots of rehearsal time, the performers probably want to be grade 8+ since some parts are pretty quick. The arrangements are excellent: the dance of the sugar plum fairy is particularly fun! This is a very good arrangement made for String Orchestras! It balances out within the parts, and allows each section's unique colors to be shown. I'm starting my own chamber group very soon, and I'm glad I can get my orchestra to play this lovely piece. I sincerely hope soon there may be the string orchestra arrangement for "Swan Lake" as well. Thank you! The Nutcraker is the Most Popular Piece in the world I had the experience to see the Complete Ballet with the orquestra at the Bob Carr Performing Arts here in Orlando I was Seating in the First Row. I enjoyed so much. Recently I saw the Sleeping Beauty I met in Person Behind the Scenes the Entire Corps of Dancers. You have to have this Experience. Its magical Piece This is a splendid transcription of the Nutcracker Suite. The textures are rich, and the original score is faithfully reproduced. Well done! Well, was so a long time I was waiting for this arrangement (announced by VSM long time ago). It is the only complete arrangement of the Nutcracker for string quartet on the market and perfectly conforms to the original for full orchestra. I saw other arrangements around but they were incomplete and bad arranged.. this is really wonderful. Thank you!
Alessio Albi is an Italian portrait photographer known for the visual aesthetic puzzle he creates by the cast of a simple shadow over the model’s features.
At age 90 Irving Penn, the dean of American potrait photographers, continue his work in New York City. As did Richard Avedon, Penn began at Vogue magazine in the 1940s. Penn's portraits span time and subjects unmatched by any other photographer.
What do you get when you mix a dizzying amount of pirouettes with
Howard Schatz atrapa la plasticidad de los cuerpos
Dans la série "Mirage", Alexander Yakovlev photographie en noir et blanc des danseurs réalisant des figures pleines de grâce.
El fotógrafo ruso Alexander Yakovlev hace que las imágenes de estos bailarines cobren vida añadiendo como elemento dinámico ¡explosiones de harina! Las figuras de polvo blanco que se forman quedan perfectamente con el nombre que ha dado a esta serie, titulada "The Big Bang Theory". Yakovlev es grad
Dans la série "Mirage", Alexander Yakovlev photographie en noir et blanc des danseurs réalisant des figures pleines de grâce.
A retrospective opens in Paris
Electra.
Maestra del autorretrato, su obra esconde tanto como revela
Introducing 15 women with 15 unique causes – and ambitions for the planet and its people that know no bounds
The NYC Dance Project es una iniciativa diseñada para mostrarle al mundo entero la belleza y la magia de la danza y sus bailarines. Los precursores de este proyecto son los fotógrafos Ken Browar y Deborah Ory (además son esposos). Esta idea nació de una manera muy curiosa; querían decorar la habi
Deux amoureux de la photo rejouent 120 images cultes. Une réflexion sur la fabrique des icônes, entre hommage aux maitres, humour et tendresse. Exercice réjouissant!
Zwei Fotograf*innen luden die weltbesten Tänzer*innen in ihr Wohnzimmer ein und lichteten sie in ihren schönsten Tanzposen ab. Dabei entstanden beeindruckende Porträts über die Kunst der Bewegung.
A new book from NYC Dance Projects captures the stunning athleticism of ballet.
Quelques impressions d’œillets, avec Nelken de Pina Bausch au Théâtre du Châtelet Tout a été dit, écrit etc. sur Nelken de Pina Bausch, depuis la création de cette œuvre monumentale, le 30 décembre 1982. Il y avait en scène Anne Martin, Jan Minarik, Nazareth Panadero et autres légendes du Tanztheater Wuppertal, notamment Dominique Mercy. Aujourd’hui, c’est sa fille, Thusnelda, qui marche, court, vole ou valse à travers le champ d’œillets le plus célèbre qui soit. Galerie photo Laurent Philippe , À Paris, en 2015, la salle du Théâtre du Châtelet offre à Nelken un écrin sur mesure. Le satin rouge et les dorures répondent au rouge et rose des fleurs avec la même élégance, la même finesse. Aucune séparation entre la scène et la salle. Jamais on n’a vu un public de danse dans une attitude aussi vive et passionnée, directement impliqué dans l’action. Galerie photo Laurent Philippe , La cohésion ne s’explique pas (seulement) par le fait qu’au début les danseurs descendent du plateau pour s’asseoir dans la salle, même si ce geste reste aussi surprenant qu’en 1982. On a l’habitude de voir des acteurs se lever dans la salle pour aller sur le plateau, mais l’inverse, non. Quand à la fin le public est prié de se lever et d’exécuter quatre mouvement simples, tout le monde est si impliqué dans l’action que la salle se lève d’un trait. Le ton de l’invitation à bouger est de la même politesse et délicatesse que tout ce qui se déroule avant, quel que soit le degré de violence cachée. Galerie photo Laurent Philippe , Que représente le champ d’œillets dans le paysage de la danse ? On y reconnait évidemment la signature de Raimund Hoghe, responsable de la dramaturgie. Les solitudes, les musiques, les traversées, les présences… Tout est empreint du regard sur l’humain et les relations qu’ils entretiennent avec le temps et l’espace. Ils nous parlent de Raimund Hoghe journaliste qui écrivit des portraits de personnes célèbres ou anonymes pour l’hebdomadaire Die Zeit. Galerie photo Laurent Philippe , Les tableaux de groupe, quant à eux, révèlent tout ce que doit un Dave Saint-Pierre à Pina Bausch. Face à la vingtaine d’interprètes, leur jeu de travestissement permanent, la violence affective, les prises de parole etc., La Pornographie des âmes résonne telle une radicalisation de Nelken, tel un champ de ruines d’œillets façon 21e siècle, la délicatesse et l’élégance des costumes et robes de soirée en moins. Galerie photo Laurent Philippe , Au Théâtre du Châtelet, Nelken ne joue pas la carte du contraste, mais celle de la fusion, créant une seule image du fond de la salle jusqu’au fond du plateau, le public se reflétant dans les personnages et leur gestes, tout juste sublimés mais toujours dans le ton de la vie au quotidien, telle qu’on la vit ou qu’on la rêve. Thomas Hahn
