Ce 14ᵉ numéro de la collection des cahiers d'ariena vous propose d'aborder le thème du sol avec votre classe de cycle 3. Qu’est-ce qu’un sol, quels sont les éléments qui le composent, pourquoi est-il important de conserver des sols...
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F O R P E O P L E W H O L OV E TO S E W TA U N TO N ’ S Make TIME-SAVING Pattern Templates Hide the Zipper in a Dart A smart closure Create Shape maintains a circle skirt’s sweep, p. 54 with Easy Alterations Kenneth D. King’s French...
Detail Spotted at the NGV Joshua Reynolds Miss Susanna Gale c.1763-1764 oil on canvas 210 x 118.8cm Miss Susanna Gale could have stepped out of the pages of a Georgette Heyer novel. Like many of Miss Heyer's heroines, she is young, beautiful and an heiress. When Reynolds painted this portrait of her in 1763, she was fourteen years old. Three years later, she was a widow. Her full name was Susanna Hyde Gale, and she was the daughter of Francis Gale, a wealthy Jamaican plantation owner, and his wife, Susanna Hall. Susanna Gale's mother, the former Miss Hall of Hyde Hall, Jamaica, was an heiress in her own right, being the daughter of James Hall, who owned the only silver mine in Jamaica besides several other estates. Reynolds painted Miss Gale's portrait in London, where she had travelled from Jamaica to complete her education. I presume she stayed with her mother's brother and his wife: her Uncle Cossley and Aunt Florence Hall, at their family home in fashionable Albemarle Street. She had five cousins: Rebecca, Elizabeth and Florence were about her own age but the two boys, William and John, were older. The stay in a big London household would have been a totally new experience for Susanna, an only child. She was too young at 14 to "come out" in Society, but she would have been taken to the theatre and perhaps to private parties. Undoubtedly her aunt took her to some of the fashionable dressmakers and milliners of the day for ensembles like the pink one she is wearing in the painting. Money would not have been a problem! Lady Worsley We don't know how long she stayed in London, only that, after returning to Jamaica, she married Sabine Turner. I can find no trace of Sabine except that his Will was probated in Jamaica in 1766, when Susanna was 17 years old. They could not have been married for much more than a year when he died, if that. Perhaps he, too, was very young … he certainly had not had time to make his mark upon the world: that old gossip, Google, who usually has something to say about anybody who has the least claim to fame, only knows that he made a will. Lavinia Spencer Be that as it may, by 1769 Susanna had had three years to get over the loss of her first husband and she married 25-year-old Captain Alan Gardner, RN. This was a good move – the dashing captain certainly made his mark in the world. He had a meteoric career from Captain to Admiral and went on to become Commander-in-Chief of the Royal Navy in Jamaica. He was created the first Baron Gardner of Uttoxeter in 1806. He and Susanna, now Lady Gardner, had seven sons and a daughter: all of them fine, upstanding citizens who made advantageous marriages. One son followed in his father's footsteps by becoming an admiral and another had an illustrious career in the Royal Artillery. Three married into titled families. Miss Georgette Heyer, not to mention Miss Jane Austen, would have approved. Lady Frances Finch Lord Gardner died in 1809 at the age of 67, after an illustrious career. Lady Gardner, the former Miss Susanna Gale, outlived him by fourteen years and died in London at the age of 74. I looked to see if I could find a picture of the present baron, thinking it would be interesting to see whether Susanna's descendant resembles her at all, but I found that the title died with Alan Legge Gardner, the 3rd Baron, in 1883. His family tree shows a son, Herbert Coulston Gardner, who outlived him and only died in 1921, so I was a bit flummoxed about why the Barony should have lapsed, until I discovered (courtesy of Gossip Google) that the third baron hadn't actually married Herbert's mother until two years after his birth, so Herbert and his two older sisters, Florence and Evelyn, were illegitimate. A bit harsh, I thought, that the Lord Chancellor or Black Rod or whoever wouldn't let poor old Herb inherit the title, just because his parents fetched up a bit late at the altar. The stigma of the bend sinister didn’t seem to inhibit his sisters' marriage prospects, however. It helps to have pots of money! Florence married the Earl of Onslow and Evelyn married William Fuller-Maitland of Stansted Hall in Essex: no title, but a double-barreled surname and a Hall to live in doesn't sound like a mésalliance! In fact, Herb himself came out of it quite well: he went to Harrow and Cambridge, became and MP and a Privy Councillor, married the Earl of Carnarvon's daughter and was created 1st Baron Burghclere of Walden in 1895. So yah boo and sucks to the Lord Chancellor and/or Black Rod. By 1763, when Reynolds painted Susanna, he was in such demand that he fairly churned the portraits out, painting up to 150 sitters in one year, according to his notebooks. He required no more than three sittings: one sufficed for the face, and if it did not suit the subject's convenience to spend more time in sitting, then the rest of the portrait was finished using his servants and/or students as models. He also streamlined his business by using the same settings and poses over again. In the case of Susanna Gale, he painted her in the same year as Mrs Thomas Riddell. He put them in much the same pose in a portico and against a nearly identical background. There are insignificant differences: for example, Mrs Riddell is holding a small basket of flowers, while Susanna is holding a rose, pink to match her gown. The inspiration for both portraits was Anthony van Dyck's portrayal of the Marchesa Elena Grimaldi, a picture which Reynolds admired very much. Reynolds placed his sitters in a portico just as Van Dyck did, and they hold flowers as she does. However, Reynolds' garden background is not as formal as the garden in Van Dyck's portrait - more of a landscape, which was the fashion with British portraitists at the time. As we saw in Rupert Bunny's portrait of Melba, the landscape setting enjoyed a bit of a resurgence during the Victorian era. Next time you visit the NGV, drop in on fourteen-year-old Susanna, on the cusp of womanhood, looking serenely out of her frame with all the confidence of youth. Here is a postscript to this article, in the form of an e-mail I received from Ann Farrington-Alt: I'm an avid family genealogist and have been researching Susanna's first marriage to Sabine Turner. I wanted to commend Anna McClelland in her article that I read on your site. I was able, again thru Google, to find in an exerpt of the book 'The Records of the Honourable Society of Lincoln's Inn: Admissions Register: 1420-1893' the following information you might like to pass on to Anna. On May 9, 1757, Sabine Turner (gentleman) son of Robert T. Turner (late of Kingston, Jamaica) was admitted. In the National Archives online (under Documents Online) I was able to search for 'Robert Turner Kingston Jamaica' during the years 1700 to 1760 and found a 3 page lengthy Last Will and Testament to the tune of 710KB. It mentions Robert Turner being a merchant (probably very wealthy)...and that his Last Will and Testament was proved on 25 February 1756--the year before Sabine was accepted to Lincoln's Inn. I'm guessing that every wealthy merchant would want his son to become a leagal-eagle and know the laws..so my guess is that this was something planned by Robert for his son. How Sabine Turner died is another question that I have not been able to ascertain."Painting and Sculpture Before 1800" - NGV Publication http://en.wikipedia.org/wiki/Alan_Gardner,_1st_Baron_Gardner "A General and Heraldic Dictionary of the Peerrage and Baronetage of the British Empire" by John Burke, Esq
𝕓 𝕦 𝕖 𝕟 𝕠 𝕔 𝕠 𝕞 𝕠 𝕕 𝕚 𝕔 𝕖 𝕖 𝕝 𝕥 í𝕥 𝕦 𝕝 𝕠 𝕖 𝕤 𝕥 𝕠 𝕤 𝕤 𝕖 𝕣 á𝕟 𝕙 𝕖 𝕒 𝕕 𝕔 𝕒 𝕟 𝕠 𝕟 𝕤 , 𝕔 ó𝕞 𝕚 𝕔 𝕤 (𝕖 𝕟 𝕤 𝕦 𝕞 𝕒 𝕪 𝕠 𝕣 í𝕒 𝕟 𝕠 𝕞 í𝕠 𝕤 ) , 𝕚 𝕞 á𝕘 𝕖 𝕟 𝕖 𝕤 𝕪 𝕥 𝕒 𝕨 𝕠 𝕘 ‹personajes no mios› ‹portada editada por mi imágenes no mias› ×terminado×
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Butler Armsden Architects is an award-winning, high-end residential architecture firm in the Pacific Heights neighborhood of San Francisco. For over 30 years the firm has specialized in new and remodeled homes in San Francisco, Napa Valley, Sonoma, Stinson Beach and Atherton.
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JavaScript is currently disabled in this browser. Reactivate it to view this content. Things I did this week // * I tried out Magnetic Eyelashes! I loved them- check out my full review HERE , they're great if you've never tried false lashes! * Watched the new Jumanji movie. Have any of you seen it? I thought it was pretty funny! * Received the best PR package from Pixi Beauty . There are so many products I can't wait to test out. Have you used any Pixi products? Things I'm doing this weekend // * Saturday Mani- What color should I get? I always have a hard time picking a Spring color! It's finally starting to warm up here so I'm thinking something light & bright. * I want to pick up some plants for our house! Do any of you have any houseplants that are low maintenance? * Cooking! Now that I'm older & Kyle and I head to my parents on Easter I like to make some things to bring over. This year I'm making my favorite spinach dip served with fresh sourdough bread from the local bakery, and a lemon cheesecake- YUM! * Easter Sunday- Does your family have any traditions? Every Easter morning we've always had a Jelly Bean hunt in our house. Living in Vermont it was usually too cold to go outside to look for eggs so my parents would always hide jelly beans around the house- they still do it, you're never too old for candy! What are your plans for the Holiday Weekend? XO, Nicholle *This post contains affiliate links. Thank You for supporting Nicholle Sophia
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Jeremy Pang's claypot beef fillet recipe is cooked with heady flavours of oyster sauce, soy and ginger for a stunning sharing dish for two.
Charm Experience SURROUNDED BY BEAUTY, INSPIRED BY COLOR S U P E R I O R I TA L I A N S U R FA C E S
