Completed in 2015 in Hà Tĩnh, Vietnam. Images by Nguyen Tien Thanh. As a part in a chain of Agritecture development projects, Terraces home adopts the combination of Architecture and Agriculture (Agriculture +...
5 high-quality FREE Holographic Textures for Photoshop to use for your Contemporary Artwork. Ideal for Projects that need an Iridescent Effect.
A revolutionary take on the relationship between cities and farms makes for a connectivity-focused master plan for a major city bordering Beijing, China
Image 17 of 21 from gallery of Redhill Barn / TYPE. Door detail
Thompson in Ibiza, 1962 (c) the respective photographer/ The Whitney Museum of American Art Ornette, 1960-61, 81 x 77 in. Black Monster, 1959, 57 x 66 in. I got into a groove...where the subject matter was monsters. The whole thing was involved in a sort of poetry and the relationship was like man and woman to nature and beasts. - Bob Thompson Le Poignarder (The Star), 1959, 50 x 60 in. Thompson in his studio on Rivington Street, NY, ca. 1964 Photo (c) Charles Rotmil 1961(?) in Paris...saw him in Left Bank hotel studio- we talked and turned on, I dug his new candy-bright colored style making Poussin-esque space, flat colors surface amorphism delineating 3-D figures...I thought him the most original visionary painter of his days, a first natural American psychedelic colorist. - Allen Ginsberg After El Greco's Annunciation, 1960, 12 1/4 x 9 1/4 in. Gouache on photo reproduction. Saint George and the Dragon, 1961-62, 89 1/2 x 81 1/2 in. I think painting should be like the...like the theatre... [T]he painters in the Middle Ages, and the Rennaissance...were employed to educate the people...they could walk, and see what was happening...I am not specifically trying to do that...but, in a certain way, I am trying to show what's happening, what's going on...in my own private way. - Bob Thompson Garden of Eden, 1963, 10 x 8 in. Thompson (l.) with Ornette Coleman in Thompson's studio, NYC, 1965 (c) the respective photographer/ The Whitney Museum of American Art Inferno, 1963, 24 x 20 in. I wish people would stop talking so much- always criticizing this, that...Tonight is consisted of putting down Balthus, science fiction or other far-fetched things - Why do we often...speak of things that would...take a grand amount of knowledge to discuss with any depth? Terms thrown about like clothes of an untidy boy. - Bob Thompson Parnassus, 1964, 20 x 30 in. St. Matthew's Description of the End of the World, 1964, 72 x 60 1/8 in. Bob and Carol Thompson in Ibiza, 1962 (c) the respective photographer/ The Whitney Museum of American Art One time I brought my students from the Dayton Art Institute to New York for a field trip. Bob gave a four hour lecture in his studio starting at three A.M., after we had been at the Five Spot listening to Thelonius [sic] Monk. After the lecture, Bob and I drove to Staten Island just to ride over the new Verazzano [sic] Bridge...Bob painted the whole next day and well into the night. No sleep for 36 hours... - Jay Milder Polyphemus, Acis and Galatea, 1964, 9 x 12 Satyr and Maiden, 1965, 10 x 20 in. LeRoi Jones and His Family, 1964, 36 3/8 x 48 1/2 in. Freedom is not something that anybody can be given; freedom is something people take. - James Baldwin In the studio, 1963 Image (c) Fred W. McDarrah ...it is neccessary for me to utterly repudiate so-called good painting in order to be free to express that which is visually true to me...My aim is to project images that seem vital to me...images...that seem to have meaning in terms of feeling... - Bob Thompson *Above images and text are taken from the catalog "Bob Thompson", published on the occasion of the exhibition "Bob Thompson" at the Whitney Museum of American Art, September 25, 1998 - January 3, 1999. All content (c) the Whitney Museum of American Art. catalog available here.
六位平均二十七歲的台大學生、各來自工管、財金等不同領域,卻「不務正業」地擠在台北市中華路的住商混合大樓、一間不到十坪的套房,靠著幾台電腦,牆上一塊記事白板,聯手創立台灣第一家資訊圖表(Infographic,一種將資訊圖像化的技術)公司Re-lab。
Competition proposal for the Sevenoaks Wildlife Trust Visitor Centre, Kent. A new building with a museum, gallery, lecture hall, canteen and dining hall.
真円くくりの背景10種。真円だけを組み合わせて背景を作りました。アイディアの参考に! 真円にワープ 真円に効果のワープ(上弦・下弦・アーチ等)をかけました。たまごのようなおにぎりのような、かわいい形になりました。 フォントは「秀英初号明朝」です。ひらがながおとな。漢字によっては頭でっかちでレトロかわいい形もあります。数字もアルファベットもまさに「活字」。かっこいい。 真円をドット風に並べて配置 真円をドット風に並べて配置。フォントが可愛いので、背景はシンプルに。 フォントは「あさご本丸ゴシック」です。あさご本丸には6種類のタイプが入っています。このサンプルでは使っていませんが、文字のしっぽが伸…
Source: bosch.capdeferro arquitectura Photography: José Hevia Turó de la Rovira is included in the last foothills of the Coastal Range before the change of slope that forms Barcelona’s plain. This geological formation includes a series of hills that emerge from the urban fabric with heights between 180 and 260 meters above the sea level and constitute one of Source: bosch.capdeferro arquitectura Photography: José Hevia Turó de la Rovira is included in the last foothills of the Coastal Range before the change of slope that forms Barcelona’s plain. This geological formation includes a series of hills that emerge from the urban fabric with heights between 180 and 260 meters above the sea level and constitute one of