Owenoke, from Compo
Our friends in the Assessor’s office started a new folder for July 2015 property transfers. It will get fat quickly.
Our friends in the Assessor’s office started a new folder for July 2015 property transfers. It will get fat quickly.
M.160303 is a heat reflective glass and half mirror sculpture by Japanese contemporary artist Toshio Iezumi, dimensions are 30 × 12 × 7 cm (11.8 × 4.7 × 2.8 in). The sculpture is signed and numbered, it is part of a limited edition of 8 editions and comes with a certificate of authenticity. Beginning in the 2000s, the artist presented vertical sculptures in the "Move" series that stood with a strong yet delicate presence. Toshio Iezumi focused particularly on the waves for the series, alternating convex and concave forms to give the sculptures a sense of motion. In order to emphasize the reflections and light diffusion even more, the artist also incorporates a partially transparent mirror inside the piece. The artist’s glass sculptures surprise viewers through their changing aspects and their elegant and poetic presence. Shades of highly intense or very clear green, real or illusionary volumes, internal spaces that one tries to decipher, unexpected distortions reflected on the surface, an impression of movement created by alternating concave and convex forms… Glass, with its ability to refract light, is the absolute protagonist in these pieces, brought out by the artist’s skill and experience. The sculpture’s organic form draws on nature’s elements: the waves made by the wind on the water or grass, the sea’s waves, the stones’ roundness and smoothness.
Beautiful, antique map of Sherwood Point, Connecticut and Long Island Sound. This is an authentic 1960 edition, 1962 print from the U.S. Geological Survey and NOT a computer reproduction. See what the Connecticut Coast looked like 60 years ago. Lots of intricate details and geological contours. Map even has little squares for every house that existed at the time. The USGS cartographers were very thorough back then! Perfect for the historian, map-lover, the curious or just as a conversation starter. Wonderful and rare. Vintage maps such as these make great gifts. Edition of 1960, printed 1962 Dimensions: 19" width x 27" height ---- Features Cities & Towns: Sherwood Point, Owenoke, Green Farms, Westport, Fairfield, Saugatuck, Saugatuck Shores, Cockenoe Island, Goose Island. Points of Interest: Saugatuck River, Grey Creek, Sherwood State Park, Sherwood Pond, Frost Point, Pine Creek Point, Long Island Sound, New York, New Haven and Hartford Railroad, Campo Hill, and more points. Condition: Good Vintage condition, commensurate with age. This map is in great shape for being over 55 years old. Has light wear, edges trimmed and an old flatten fold line as-issued, but this will add to vintage character when framed. ---- We will happily adjust shipping price for multiple purchases. Maps are rolled up and shipped in sturdy mailing tubes, never folded.
A first-of-its-kind collaboration, the Amber Lewis x Four Hands collection blends classic designs with unexpected details for practical comfort and attainable luxury.
I. About Rebeca Cors Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.? As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture. The materialized compositions embody simplicity and balance, inspired by anthropometric proportions and nature’s forms. Simplicity is not a lack of content – but the synthesis of the complex. A balanced and simple composition conveys peace. The art work’s origin comes from a place of inner peace, the materials and hands that materialize the piece add the same intention – as a result, the works emanate and propagates this serenity. Human beings surround themselves with objects through their existence, some for simple necessity or function, and -these others- that virtuate the space they inhabit, transmitting emotions that words simple fall short to describe; emotions that lead us to a state of contemplative meditation, in which the world around us seems to disappear for an instant, time vanishes and we enter this intimate human-object ritual, where a dialogue with the sculptural piece begins, words are not necessary. All hand-made in Mexico. All Mexican materials and craftsmanship. Preserve and treasure our traditions and culture is our core motive. II. Exhibitons (2022) – Galerie Philia – Acento Latino. (2022) – Design Week México. (2022) – Zona MACO Arte Contemporáneo. (2021) – Zona MACO Arte Contemporáneo. (2021) – Design Week México. (2020) – Zona MACO Arte Contemporáneo. (2020) – Design Week México. (2019) – Design Week México. (2018) – Design Week México. (2018) – Design Week NYC – Mexican Pavillion. (2017) – Design Week México. (2017) – Rufino Tamayo Museum – Inédito. (2016) – Museo Rufino Tamayo – Inédito. (2016) – Design Week México. (2016) – Design Week Venice – Mexican Pavillion. (2016) – Design Week Milán – Mexican Pavillion. (2015) – Museo Rufino Tamayo – Inédito. (2015) – Design Week México. (2014) – Design Week México. (2013) – Nómada by Another Company. (2012) – MUTEM Museum – Luminary Collection. III. Awards and recognitions (2021) – Architectural Digest: Design Icons. (2021) – Architectural Digest: AD 100. (2019) – MUAC Museum - 10 years, 10 Designers. IV. Education (2013) – Central Saint Martins (London, UK) – FESP in Studio Art. (2006 – 2010) Iberoamericana University (CDMX, Mexico) – Industrial Design.
M.160303 is a heat reflective glass and half mirror sculpture by Japanese contemporary artist Toshio Iezumi, dimensions are 30 × 12 × 7 cm (11.8 × 4.7 × 2.8 in). The sculpture is signed and numbered, it is part of a limited edition of 8 editions and comes with a certificate of authenticity. Beginning in the 2000s, the artist presented vertical sculptures in the "Move" series that stood with a strong yet delicate presence. Toshio Iezumi focused particularly on the waves for the series, alternating convex and concave forms to give the sculptures a sense of motion. In order to emphasize the reflections and light diffusion even more, the artist also incorporates a partially transparent mirror inside the piece. The artist’s glass sculptures surprise viewers through their changing aspects and their elegant and poetic presence. Shades of highly intense or very clear green, real or illusionary volumes, internal spaces that one tries to decipher, unexpected distortions reflected on the surface, an impression of movement created by alternating concave and convex forms… Glass, with its ability to refract light, is the absolute protagonist in these pieces, brought out by the artist’s skill and experience. The sculpture’s organic form draws on nature’s elements: the waves made by the wind on the water or grass, the sea’s waves, the stones’ roundness and smoothness.
This unique Madagascan blue celestite cluster exhibits large, gem crystals of remarkable quality, featuring prism faces and sharp chisel-terminations - surpassing the average blue-gray grains from the region. All shiny crystals are glassy and boast full terminations.
I. About Rebeca Cors Rebeca Cors (México, 1988). Her work oscillates between sculpture and utility object, studying the limits and meeting points between these two concepts. The intention of her work is to question paradigms in order to reinterpret objects from It’s established forms.? As a result, her practice approaches sculpture as: Abstract Sculpture - and - Utility Sculpture. The materialized compositions embody simplicity and balance, inspired by anthropometric proportions and nature’s forms. Simplicity is not a lack of content – but the synthesis of the complex. A balanced and simple composition conveys peace. The art work’s origin comes from a place of inner peace, the materials and hands that materialize the piece add the same intention – as a result, the works emanate and propagates this serenity. Human beings surround themselves with objects through their existence, some for simple necessity or function, and -these others- that virtuate the space they inhabit, transmitting emotions that words simple fall short to describe; emotions that lead us to a state of contemplative meditation, in which the world around us seems to disappear for an instant, time vanishes and we enter this intimate human-object ritual, where a dialogue with the sculptural piece begins, words are not necessary. All hand-made in Mexico. All Mexican materials and craftsmanship. Preserve and treasure our traditions and culture is our core motive. II. Exhibitons (2022) – Galerie Philia – Acento Latino. (2022) – Design Week México. (2022) – Zona MACO Arte Contemporáneo. (2021) – Zona MACO Arte Contemporáneo. (2021) – Design Week México. (2020) – Zona MACO Arte Contemporáneo. (2020) – Design Week México. (2019) – Design Week México. (2018) – Design Week México. (2018) – Design Week NYC – Mexican Pavillion. (2017) – Design Week México. (2017) – Rufino Tamayo Museum – Inédito. (2016) – Museo Rufino Tamayo – Inédito. (2016) – Design Week México. (2016) – Design Week Venice – Mexican Pavillion. (2016) – Design Week Milán – Mexican Pavillion. (2015) – Museo Rufino Tamayo – Inédito. (2015) – Design Week México. (2014) – Design Week México. (2013) – Nómada by Another Company. (2012) – MUTEM Museum – Luminary Collection. III. Awards and recognitions (2021) – Architectural Digest: Design Icons. (2021) – Architectural Digest: AD 100. (2019) – MUAC Museum - 10 years, 10 Designers. IV. Education (2013) – Central Saint Martins (London, UK) – FESP in Studio Art. (2006 – 2010) Iberoamericana University (CDMX, Mexico) – Industrial Design.
Beautiful, antique map of Sherwood Point, Connecticut and Long Island Sound. This is an authentic 1960 edition, 1962 print from the U.S. Geological Survey and NOT a computer reproduction. See what the Connecticut Coast looked like 60 years ago. Lots of intricate details and geological contours. Map even has little squares for every house that existed at the time. The USGS cartographers were very thorough back then! Perfect for the historian, map-lover, the curious or just as a conversation starter. Wonderful and rare. Vintage maps such as these make great gifts. Edition of 1960, printed 1962 Dimensions: 19" width x 27" height ---- Features Cities & Towns: Sherwood Point, Owenoke, Green Farms, Westport, Fairfield, Saugatuck, Saugatuck Shores, Cockenoe Island, Goose Island. Points of Interest: Saugatuck River, Grey Creek, Sherwood State Park, Sherwood Pond, Frost Point, Pine Creek Point, Long Island Sound, New York, New Haven and Hartford Railroad, Campo Hill, and more points. Condition: Good Vintage condition, commensurate with age. This map is in great shape for being over 55 years old. Has light wear, edges trimmed and an old flatten fold line as-issued, but this will add to vintage character when framed. ---- We will happily adjust shipping price for multiple purchases. Maps are rolled up and shipped in sturdy mailing tubes, never folded.
Jean-Philippe Richard has made several pieces for Daum in crystal paste, pieces of extreme natural beauty. The slender body emerging from the raw material with dignity and independence pays tribute to timeless femininity.
"Ruimte als voorwaarde voor creativiteit" Met deze slagzin in het achterhoofd gingen sterrenchef Tim Boury en gastvrouw Inge Waeles 2 jaar geleden op zoek naar een nieuwe locatie voor ‘Boury’. Een ni…
The off-cuts of wood are given new life as sculptures affixed on metal bases. Burnt to give a charred black finish, and sealed to protect it, these slender, simple sculptures add nice depth to any space. This piece is crafted from natural solid wood. Color and texture in wood will vary and natural holes and subtle openings add unique character to your piece. Wood "breathes" and it is normal for cracks to present themselves over time. This is not considered a defect.
The Dreamer is a bronze sculpture by contemporary artist Eric Valat, dimensions are 15 × 22 × 17 cm (5.9 × 8.7 × 6.7 in). The sculpture is signed and numbered, it is part of a limited edition of 8 editions + 4 artist’s proofs, and comes with a certificate of authenticity. The bear makes an appearance in Eric Valat's bestiary of sculptural vocabulary straight out of childhood. Eric Valat is attempting to reimagine the traditional bear representation with his Bear Benches, which feature extremely vivid and bright colors. The bear pulls its arms back as if it were trying to embrace someone or something. The sculpture displays an elaboration of the forms that leans toward harmony and simplification. The artwork has a refined and airy quality thanks to the green patina.
Beautiful, antique map of Sherwood Point, Connecticut and Long Island Sound. This is an authentic 1960 edition, 1962 print from the U.S. Geological Survey and NOT a computer reproduction. See what the Connecticut Coast looked like 60 years ago. Lots of intricate details and geological contours. Map even has little squares for every house that existed at the time. The USGS cartographers were very thorough back then! Perfect for the historian, map-lover, the curious or just as a conversation starter. Wonderful and rare. Vintage maps such as these make great gifts. Edition of 1960, printed 1962 Dimensions: 19" width x 27" height ---- Features Cities & Towns: Sherwood Point, Owenoke, Green Farms, Westport, Fairfield, Saugatuck, Saugatuck Shores, Cockenoe Island, Goose Island. Points of Interest: Saugatuck River, Grey Creek, Sherwood State Park, Sherwood Pond, Frost Point, Pine Creek Point, Long Island Sound, New York, New Haven and Hartford Railroad, Campo Hill, and more points. Condition: Good Vintage condition, commensurate with age. This map is in great shape for being over 55 years old. Has light wear, edges trimmed and an old flatten fold line as-issued, but this will add to vintage character when framed. ---- We will happily adjust shipping price for multiple purchases. Maps are rolled up and shipped in sturdy mailing tubes, never folded.
A seismic shift in the Earth's plates exposes these granite splinters, or Megaliths as they are commonly known. The beautiful un-enhanced shapes formed when the tectonic plates collide are then mounted on a stainless steel base and turned into sculptural art.