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The Oprah Magazine Collection for Talbots Embroidered Striped Sweater - Size 3X - NWT $99. Designed in collaboration with O, The Oprah Magazine, this gorgeous stripe cardigan is part of our limited-edition ladybug collection. With long lines and a clean cut, this flattering V-neck cardigan features contrast stripe tipping and pretty pearl buttons. The collection's signature embroidered ladybug motif decorates the side hem and offers authenticity. Navy striped sweater. V-neckline Long button-cuff sleeves Contrast stripe tipping accented with pearl buttons Embroidered ladybug at hem Hits below hip 60% cotton, 40% rayon. Hand wash cold. Pit to pit: 26". Length on back: 29". Cover photo is a Talbots stock photo of style. Not on Poshmark yet? Use my code PORTERVIEW to save $15
She snatched our wigs every time.
Winfrey said ending her TV chat show was a 'life-altering shift.' The media mogul tells O magazine that she knew her life would be forever different.
Oprah Winfrey unveiled O’s May cover, which marks the Hearst Magazines-owned title’s 15th year.
O The Oprah Magazine September 2014 32 Smart, Simple Makeovers! O The Oprah Magazine encourages confident, intelligent women to reach for their dreams, express their individual style and make wise choices, guided by the values of one of the most charismatic women in the world, dedicated to helping people live their best lives. Very good, has slight wear & tear on corners, spine & covers which includes creasing & wrinkling from prior postal handling. We strive to ensure that you always have a positive experience when you purchase one of our items. All orders ship by USPS w/Delivery Confirmation, within one business day of notification, with the exception of weekends and holidays. PayPal & Skrill accepted. International orders are handled by EBay's Global Shipping Program Please ask any questions before buying. Track Page Views With Auctiva's FREE Counter (https://pages.ebay.com/seller-center/listing/listing-advanced-sellers/third-party-listing-tools.html#auctiva)
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If there is a greater pleasure than reading, it is recommending to others works by writers one loves. During the holiday season, we're extra festive, figuring out which of the hundreds of books we've read since January we liked best.
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First time in magazine’s 20-year history it will not feature Winfrey on cover, as mogul says: ‘We have to use whatever megaphone we have to cry for justice’
From thrillers to memoirs, there's plenty to keep little bookworms like us busy
A “provocative and seductive debut” of desire and doubleness that follows the life of a young Palestinian American woman caught between cultural, religious, and sexual identities as she endeavors to lead an authentic life (O, The Oprah Magazine).On a hot day in Bethlehem, a 12–year–old Palestinian–American girl is yelled at by a group of men outside the Church of the Nativity. She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother’s response only intensifies a sense of shame: “You exist too much,” she tells her daughter.Told in vignettes that flash between the U.S. and the Middle East—from New York to Jordan, Lebanon, and Palestine—Zaina Arafat’s debut novel traces her protagonist’s progress from blushing teen to sought–after DJ and aspiring writer. In Brooklyn, she moves into an apartment with her first serious girlfriend and tries to content herself with their comfortable relationship. But soon her longings, so closely hidden during her teenage years, explode out into reckless romantic encounters and obsessions with other people. Her desire to thwart her own destructive impulses will eventually lead her to The Ledge, an unconventional treatment center that identifies her affliction as “love addiction.” In this strange, enclosed society she will start to consider the unnerving similarities between her own internal traumas and divisions and those of the places that have formed her.Opening up the fantasies and desires of one young woman caught between cultural, religious, and sexual identities, You Exist Too Much is a captivating story charting two of our most intense longings DETAILS ISBN-13: 9781646220595 Publisher: Catapult Publication Date: June 8, 2021 Pages: 272
If there is a greater pleasure than reading, it is recommending to others works by writers one loves. During the holiday season, we're extra festive, figuring out which of the hundreds of books we've read since January we liked best.
16 best books to pick up this winter, from O, The Oprah Magazine Reading Room February 2018.
If there is a greater pleasure than reading, it is recommending to others works by writers one loves. During the holiday season, we're extra festive, figuring out which of the hundreds of books we've read since January we liked best.
Book Synopsis "[A] future cult classic." --The New York Times Book Review "There's Borges and Bolaño, Kafka and Cortázar, Modiano and Murakami, and now Laura van den Berg." --The Washington Post Finalist for the NYPL Young Lions Award. Named a Best Book of 2018 by The Boston Globe, Huffington Post, Electric Literature and Lit Hub. An August 2018 IndieNext Selection. Named a Summer 2018 Read by The Washington Post, Vulture, Nylon, Elle, BBC, InStyle, Refinery29, Bustle, O, the Oprah Magazine, Entertainment Weekly, Harper's Bazaar, Conde Nast Traveler, Southern Living, Lit Hub, and Vol. 1 Brooklyn.In Havana, Cuba, a widow tries to come to terms with her husband's death--and the truth about their marriage--in Laura van den Berg's surreal, mystifying story of psychological reflection and metaphysical mystery. Shortly after Clare arrives in Havana, Cuba, to attend the annual Festival of New Latin American Cinema, she finds her husband, Richard, standing outside a museum. He's wearing a white linen suit she's never seen before, and he's supposed to be dead. Grief-stricken and baffled, Clare tails Richard, a horror film scholar, through the newly tourist-filled streets of Havana, clocking his every move. As the distinction between reality and fantasy blurs, Clare finds grounding in memories of her childhood in Florida and of her marriage to Richard, revealing her role in his death and reappearance along the way. The Third Hotel is a propulsive, brilliantly shape-shifting novel from an inventive author at the height of her narrative powers. Review Quotes "Always vivid . . . There's no denying [van den Berg's] skill at rendering this material; her sentences, at their best, are extraordinarily lucid, lodging places and people indelibly in memory . . . Read [The Third Hotel] as the inscrutable future cult classic it probably is, and let yourself be carried along by its twisting, unsettling currents." --J. Robert Lennon, The New York Times Book Review "There's Borges and Bolaño, Kafka and Cortázar, Modiano and Murakami, and now Laura van den Berg. The acclaimed author of two story collections and a novel, van den Berg has always been good, but with The Third Hotel she's become fantastic -- in every sense of the word . . . The fantastic plot is elevated by van den Berg's fantastic writing and unique twists of language . . . ." --Randy Rosenthal, The Washington Post "This is no Hitchcockian tale of a double life but an insightful portrait of grief's power to create 'a dislocation of reality.' Mischievous details and winningly bizarre characters . . . help the book avoid melodrama and memorably capture the 'thundering mystery' of marriage and heartbreak." --The New Yorker "Strange, unsettling, and profound from start to finish, The Third Hotel is a book teeming with the kind of chaos that can only emanate from the mind. It could be fairly described as a meditation on grief, or marriage, or travel; fresh insights on each materialize regularly, at enviable levels of nuance . . . [van den Berg] gets under your skin and hits bone." --David Canfield, Entertainment Weekly "Laura van den Berg is an artist of the uncanny. As with some surrealist painting, devour her work quickly and the trick will not snag . . . Clare's eerie perceptional wobbles are conjured beautifully by van den Berg, who sees like a painter and narrates like a crime reporter. To read The Third Hotel sometimes feels like following a character based on Joan Didion sinking deeper into a universe whose laws were written by Patricia Highsmith." --John Freeman, The Boston Globe "The Third Hotel contains all of the ingredients for a classic work of horror . . . Not every author can make a character both fly through supernatural events and remain grounded in a place the way van den Berg does with Clare. The strength of van den Berg's storytelling comes from Clare's attempts to solve the mystery of why Richard has hunkered down in a different country, layered with grief from back home that continues to haunt her. She's a "final girl" whose denouement horrifies in a modern, bloodless way." --Bethanne Patrick, TIME "Van Den Berg doesn't do neatness. She does elegance. She writes with off-kilter beauty and absolute relaxation; the less peaceful a sentence should be, the more peaceful it is . . . The Third Hotel is a novel that operates in symbols and layers, which means you can read it however you like."--Lily Meyer, NPR.org "Wonderful, lucid, mysterious." --James Wood, Conde Nast Traveler "Beautiful and unsettling . . . Julio Cortázar could see himself walking the partially erased and re-inscribed streets of van den Berg's imagination, but in the end those streets are, without a doubt, van den Berg's own." --Christian Kiefer, The Paris Review (Staff Pick) "The Third Hotel sets a creepy, unsettling mood . . . . Steeped in magical realism, The Third Hotel is a dreamy and lushly rendered study of bereavement, the loneliness of travel, and the intricacies of a marriage. This is a gorgeous and layered novel that will haunt you for days after you've finished." --Samantha Irby, Marie Claire "Eerie and uncanny, layered and sharp . . . Though subtly drawn, what it means to be a woman becomes just as central to The Third Hotel as the mystery of Richard's reappearance. Powerful and atmospheric, van den Berg's novel portrays a haunting descent into grief and the mysteries we can't quite solve while advancing a thought-provoking exploration of marriage, misogyny, and the loneliness that lurks within unwavering privacy." --Lauren Sarazen, Los Angeles Review of Books "A twisty exploration of grief and perception as well as the ways in which we contribute to our own undoing." --Julia Pierpont, O, the Oprah Magazine "Reading Laura van den Berg's disquieting new novel, The Third Hotel, is akin to walking out of a dark movie theater into bright sunlight. Part of you is still living in a cinematic dreamscape. The real world is what's imaginary . . . the writing is lovely and fluid. --Nancy Pate, Minneapolis Star Tribune " In evocative, lucid prose, van den Berg conjures the psyche of a woman unmoored, and examines how marriage and solitude, travel and domesticity, and other forces create and stabilize our identities. The Third Hotel is dense with everything that makes a novel memorable: psychological complexity, sensory vividness, narrative tension and ideas about humanity and art." --Claire Fallon, Huffington Post "The Third Hotel is both a meditation on sorrow and longing--for answers, insight, closure--and a haunted and haunting quest narrative whose slimness belies an ocean of eerie power . . . An utterly transfixing, dreamlike descent into the depths of a psyche stricken by grief and confusion, The Third Hotel is miniature marvel and the most unsettling book you'll read all year." --Dan Sheehan, LitHub "Laura van den Berg's brilliant new novel, The Third Hotel, is a quasi-supernatural tale of loss and grief, told with an exquisite flair for language . . . The Third Hotel is van den Berg's second novel and fourth book of fiction, and with it, she has firmly established herself as one of this country's premier stylists. A dreamy otherworldliness haunts these pages, and will, I wager, haunt you, as it did me, long after you finish this slim and masterful mood piece." --Nick White, Chicago Review of Books "Gorgeously eerie . . . Dense and uncompromisingly intelligent, The Third Hotel is uninterested in leading the reader to a simple answer. Buoyed by van den Berg's sinuous, marvelous sentences, the novel is instead a deep dive into memory, love, and loss as filtered through film theory, metaphysics, and the humid, sunstroked cityscape of Havana. A lesser writer might have lost themself in this byzantine world of maybe-doppelgangers and maybe-zombies and maybe-madness, but Laura van den Berg is one of our most accomplished storytellers--it is no surprise that she has elevated the uncannily horrifying into something achingly human." --Chase Burke, Ploughshares "It's a quicksilver novel -- just when you think you have a possible grip on its plot and meaning, it slithers out of grasp. The Third Hotel works its magic at the level of the subconscious, where nightmares are made." --Jenny Shank, The Dallas Morning News "The Third Hotel amounts to more than thrills and chills. Van den Berg has swapped out the stages of grief for an alternative recovery process, one that refreshes old notions of female power and identity . . . This story, adapting horror tropes to new ends, releases "the widow thrashing within." By catching and seducing her zombie--and then finally letting him go--Clare's stages of grief deliver her not to Zen-like acceptance, but to a place of potent new monsters. " --John Dimini, The Sewanee Review "Enter The Third Hotel like a portal, and surrender to a surreal, vivid, impossible yet clearly realistic adventure . . . Van Den Berg uses cinematic language, imagery and structure in this impressionistic portrait of a marriage that has come undone, a woman whose reality is skewed and a sea swept island filled with seductive art, strange vistas and unexpected danger." --Jane Ciabattari, BBC Culture "The Third Hotel will play tricks on you--and that's the point . . . The Third Hotel is a meditation on the thin fault line between imagination and reality, on grief, and on marriage. It's Twin Peaks meets literary fiction." --Elena Nicolaou, Refinery29 "Van den Berg's clean, descriptive prose brings full images and sensory detail to life without drawing attention to the writing. The shapeshifting city of Havana is a riveting character in itself, and contributes greatly to the atmosphere. The Third Hotel explores the oddities of travel and relationships; silence and noise; and the effects of past trauma. Like Clare, it is an engrossing, thought-provoking enigma." --Julia Kastner, Shelf Awareness "A reality-blurring rumination on the power of grief and alienation . . . Lush in description and
If there is a greater pleasure than reading, it is recommending to others works by writers one loves. During the holiday season, we're extra festive, figuring out which of the hundreds of books we've read since January we liked best.
If there is a greater pleasure than reading, it is recommending to others works by writers one loves. During the holiday season, we're extra festive, figuring out which of the hundreds of books we've read since January we liked best.
Chilewich woven floor mats are sleek, easy to clean, and safe with a sturdy latex backing that prevents curling and slipping (no rug pad required!). Made in the USA.
From thrillers to memoirs, there's plenty to keep little bookworms like us busy
THR’s Sherry Lansing Leadership Award winner opens up about counseling Queen Latifah and Steve Harvey, “the only thing” she questioned about leaving her daily talker and why “there won’t be a ‘next Oprah.’ ”