When I was a young lad the bookshelves in our home were packed with reams of material related to my dad's work as a careers guidance counsellor. He had numerous worthy and wordy tomes by child psychologists from fascinating sounding locales like Kenosha, Wisconsin or Montreal in Canada. These described in terminology I couldn't understand then, nor scarcely would be interested in understanding now, child development and the many issues adolescents face. Several of these books were illustrated and included images of children and young adults at school, at play, and at home. To my young brain these images were like transmissions from an alternate universe. These children were like me but not like me, they wore strange attire and haircuts and played games I had never heard of. It was only when I was a bit older it dawned on me why I found the photos perplexing. These were North American kids and the stock photos of them had been taken years before I was born. Similarly, the Childcraft encyclopaedias my parents bought contained snapshots of children in every corner of the globe. These images were at once elegiac and exotic. I recall being intrigued by an image of kids in Vermont eating maple syrup, doughnuts, and pickles, with snow. Lots of other images come to mind from the encyclopaedias, like a kid using a public telephone in the Soviet Union, a Ghanaian child playing with a handcrafted toy lorry, and a gaggle of children in a Kindergarten in East Germany. There's no particular overarching theme to this post. It contains images of Dublin from the 1960s and the 1970s which I found interesting and I hope you find interesting too. When I saw these images, particularly the black and white ones, I was reminded again of those books and those images I had tried to comprehend as a child. The images below provide glimpses of the depths of poverty people lived in in Dublin during those years as well as the resourcefulness and joi-de-vivre of the children of the city at that time. These images originally appeared in Edna O'Brien's Mother Ireland, Young Ireland by Jack Manning, and Ireland Through The Looking Glass by Ted Smart. Unfortunately I can't find the source right now for the last couple of the images but if I find it again I'll edit this post to include it. This one was captioned "Boot Boys", Hardwicke St, Dublin, 1970s. Driving cattle down Great Denmark St, Dublin, 1960s. 14 year old lad just joined CIÉ, Dublin, 1960s. Young lady selling newspapers in Dublin, 1960s, the caption for which states that girls didn't typically do that job. The Irish Press she's selling is headlined "Ship Blaze In Dublin Port" so it may be possible to pinpoint the exact day this photo was taken on. Young lads kicking a ball around, somewhere in Dublin. Can anyone suggest where this might have been taken? It looks to me like somewhere around Thomas St but that's a guess. 1960s. Young man on a bike, Fownes St Lower, Dublin, 1960s. This street, in the heart of Temple Bar, has changed as much as any part of Dublin except maybe the Docklands. The concrete fortress that is the Central Bank now looms in the background and the whole row of buildings on the right of the shot appear to have been completely replaced. My eagle eyed brother is to thank for finding where the photo was taken. Young girls playing games, 1960s, in what looks to me to be Summerhill in Dublin, but again if anyone has a better idea of where this was taken please comment on the post. Boys paying close attention, or at least feigning close attention, to their Irish lesson, Dublin, 1960s. This shot and the next one confused me. Because of the colours and the year the book was published I assumed they were taken in the 1970s. However, it quickly became apparent that the pillar is present in both photos which of course dates them to 1966 at the latest. There's a John Hinde postcard that has a similar quality which I featured in a previous post. The shots are very reminiscent of the house style of National Geographic at the time. It's of course, O'Connell Bridge and O'Connell St. This lady waits on O'Connell Bridge, Dublin, 1960s, for someone or something. A sign exhorts all passersby to "Smoke Bendigo". This melancholy image was captioned the "Pickaroon". The girl is collecting coal that has fallen off trucks. I can't say for certain but I believe this image is from the 1970s. Sadly, it looks like it could have been taken any time in the previous hundred years. It was taken in Dublin's Docklands, an area that has seen huge change in its built environment in recent decades. Old ladies in the Liberties, 1970s. This beautiful image clearly shows the extent to which many parts of Dublin were let fall to rack and ruin in the 20th century. The lads, hanging out, somewhere in Dublin, 1970s. This image taken in the Docklands in the 1970s works as a colour companion piece to the pickaroon image above. A lone figure, lost in a Dickensian wasteland.

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An acrylic painting of an urban scene along Dublin's Grand Canal on a glorious summers day of 2018. Using bright descriptive tones and suggestive detail to envelope the viewer into a fluid moment of resonance between the fluorescence of nature and the fluorescence of a workman's jacket whilst he enjoys his sandwich on a sunny day. - 50 x 40 cm - Acrylic - Original for sale - Limited run of prints The walk to my old studio in Dublin City along used to take me along the green banks of Grand Canal. One summers days I caught the sight of this man eating his lunch along the canal and I was inspired to take down the scene and paint it. A part of my ongoing series of painting "Dublin in a bright light" this piece expands upon my continued effort to describe the relationship between humans and their environments. Here that relationship is described through the colour green. On this bright, sunny day the boundaries between the green of the man's jacket and the green of the willow tree became blurred through the bright light.

This is from our W.D. Hogan collection. We knew it was Dublin, and believed it was December 1922/January 1923 - Robinson Crusoe on at the Queen's Theatre, Father Christmas on the Heather ad, and heavy wintry looking clothing supports this dating. But we thought the damage to the building in the background was presumably Civil War related, and we were wrong. It emerged (through some great research by our commenters) that the damage was caused by a fire in which five people died. The location was established as the corner of Summerhill and Langrishe Place in Dublin. Date: Monday, 8 January 1923 (assuming this photo was taken the day after the fire) NLI Ref.: HOG91

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