To get you into the Halloween spirit here, dear Dangerous Minds readers, here is a collection vintage dolls and dummies to make your skin crawl. via Vintage Everyday
Joseph Goebbels, who was a propaganda master, commissioned a film called The Nazi Titanic in 1943. The film, which was a German wartime propaganda is
Scary, Haunting Vintage Pics from the Spooky Olden Days. Creepy Old Photos you'll love in a terrifying way.
Creepy old monkey doll
WISH #1 I wish we had a Portillas near by, because I have a hankering for one of their Ceasar Salads and a Large Diet Pop. {YUM!} WISH #2 {I kick myself now... because} I wish I would have purchased this vintage monkey toy when I saw him. He cracks me up. WISH #3 I wish the Three Stooges were my brothers from another mother. If you grew up watching them, you know how hilarious they were. Niiiiiaaaagra Falls....... Slowly I turn.... yep. It would be crazy having them as your brothers. But now that I think about it... they'd probably slap you around alot and poke you in the eye, so I'm taking this wish back. REAL WISH #3 I wish I had some new Alteration Dies to create super-cool projects with. Tick. Tick. Tick. I'm waiting. Patiently. Waiting. Hoping and praying that they come in before the arthritis sets in and I can no longer craft. That and before my feable osteoprosis brittle bones crack while running them through the die cutting machine. I can see it now. Me. My cane. Grey hair. Arthritic hands. My old-lady hunchback. Leaning over my worktable.... cranking the 2011 Alteration dies through my Big Shot. When I finally get them. In 2029.
Natalie Mellon, 33, has dubbed the Tiny Tears-style doll “Annabelle” after the horror movie where a seemingly innocent doll has a life of its own
LASTERLIJK Landjuwelen Antwoord op Gemma “ Maria “ Hoe weemoed bemost, steen stoïcijns splijt, de tuinkabouter het doet met vogelpoep. Iconen die al als cliche behoorlijk bedrogen ergens in een hoek. Pas wis en waarachtig begrepen als je het node uit je geheugen had gewist. Men graaft en aanbidt het antieke beeld – een Venus gelijk uit klei gekneed – nauwelijks geprononceerd, maar hoe degelijk vereerd. Ik herken in het craquelé van je liefde een eerder symbool van onze twee. De tuinkabouter doofstom en de Venus infantiel. Herinner je wie wij waren toen wij het besef hadden van steppe en gras, de wind in de haren. Maar je wist het al voordat het je had ontbroken. Een vuile knuffel per ongeluk gewassen als een voodoo poppetje te drogen. Dat het zou gaan donderen en hagelen zonneklaar. De verloren geur een pijnlijk ontbreken in zijn onafgebroken memoires – Elbert Gonggrijp, Egmond aan den Hoef, vrijdag 25 november 2016 Fotograaf Mark Nixon, " Oude knuffel " (Fotoboek " Much Loved ")
Etta smoker boudoir doll www.boudoirdollsalon.com
An up-close look at a sculpture made from discarded doll parts by Freya Jobbins. Referring to herself as a “plastic surgeon” of sorts, Australia-based artist and sculptor Freya Jobbins uses pieces of dolls and other toys to create eerie human looking faces, busts and figures that appear to be holding themselves together with their own inanimate plastic parts. Unlike many of her artistically inclined peers Jobbins didn’t start out as an artist and after figuring out that being a policewoman wasn’t as much fun as Angie Dickinson made it look, she decided to go back to school and graduated with a major in both printmaking and sculpture in 2004. Jobbins collects her materials from second-hand sources and her thought-provoking works conjure up a full range of responses from fascination to fear. Here’s Jobbins’ own take on her compelling sculptures: I am interested in generating a range of responses to existing cultural objects, which have been placed out of context. The irony of my plastic works is that I take a material that was created to be touched, and I make it untouchable as an artwork. Jobbins’ choice of materials help reinforce the importance of reuse...
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Who knew Olan Mills Studio got their start in the 19th century?
There really is nothing like the memories of childhood is there? I think the older we get... the more we tend to turn our childhood memories into magical fairytale like thoughts... I know for myself.. memories of my childhood are just ever so sweet...
"Première rencontre" 2013 Polymer clay, silk ribbon embroidery, swarovsky, old lace. 46 cm tall "White Lady with black glove" 2012 Single piece, cast resin, silk, thermformed organza, polymer clay, old lace 45cm tall "The white ladies appear for centuries, in castles on the battlefield or at the roadside. Some are ambivalent, they announce a good presage if they wear white gloves but also death if they are black" "DAPHNE" 2012 Single piece, paperclay, apoxie, paper, tulle, lace, 48 cm tall The nymph Daphne, daughter of the river Peneus, is the first love of Apollo. Daphne refuses Apollo's love and call his father for help. This is how to escape her swain, she will be transformed into Laurel "LOVELY SWEETIES" 2012 Single piece, polymer clay, lace, oil paper 30 cm "RELIQUAIRE" 2012 Collaboration Christine Polis/ Benoît Polvêche Steel, Polymer clay, fabric, synthetic fur, crystal and silver pearls. 80 cm "LADY MANTIS" 2012 Collaboration Christine Polis/ Benoît Polvêche Curving Steel, Silk embroidery, polymer clay, ... 66cm "APHRODITE" 2012 Mixed media, PVC, old lace, silk ribbon embroidery, silver and crystal pearls 78 cm "ALYZ" 2011 Technique mixte. 45 cm Polymère, soie, perles de crystal... Métal: Benoit Polvêche D'après l'univers visuel et avec l'aimable autorisation de la photographe Alyz Tale http://www.visualyz.com/ "EXPECTING" Technique mixte 65 cm 2011 DABIDA 2011 "The Trap" Technique mixte 40 cm 2011 "Scream with red shoes" Technique mixte 30 cm 2010 "Drala, les souliers rouges" Marionnette entièrement articulée, pour les films d'animation. Matériaux: sillicone, armature en acier brasé à l'argent, résine, tissus, super sculpey, ... Confection du costume: "Human Corps" 2009 (private collection) Et voici son squelette "Human Corps" Poupées fixe, inspirée du logo de la marque de vêtements "Human Corps" H: 20 cm 2010 "The Migrant" Poupée fixe sur le thème de l'homme volant Technique mixte H: 90 cm 2010 "We do not hear screaming moths" Collaboration avec Benoît Polvêche (sculpteur métal) http://www.benalo.net Technique mixte H: 60 cm 2010 "EVE" Sculpture articulée Collaboration avec Benoît Polvêche Pâte polymer et acier H: 103 cm 2009
When digital painter and sculptor Danny van Ryswyk was eight years old, he had an unusual encounter with a UFO, an experience that continues to profoundly impact his artwork- illustrations and 3D printed sculptures of moody, Victorian-styled figures, often displayed in glass bell jars as if they were scientific specimens. Like that flying saucer from his childhood memory, Ryswyk's characters are darkly fantastical and strange, monochromatic figures that blend his unique interest in the meaning of dreams and the inexplicable like aliens and Victorian spirit photography.
