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Since I've been at Jelly I've been working on some typography, been doing a bit of hand written and a bit of computer. Here's a couple to sh...
Jan Tschichold biography and overview of work
Background In the 1920s, the New Typography movement brought graphics and information design to the forefront of the artistic avant-garde in Central Europe. The movement was organized around these principles asymmetric balance of elements, content designed by hierarchy, intentional white space utilization, and sans serif typography. Rejecting traditional arrangement of type in symmetrical columns, modernist…
Exhibition. Dec 23, 2009–Jul 25, 2010. In the 1920s and 1930s, the so-called New Typography movement brought graphics and information design to the forefront of the artistic avant-garde in Central Europe. Rejecting traditional arrangement of type in symmetrical columns, modernist designers organized the printed page or poster as a blank field in which blocks of type and illustration (frequently photomontage) could be arranged in harmonious, strikingly asymmetrical compositions. Taking his lead from currents in Soviet Russia and at the Weimar Bauhaus, the designer Jan Tschichold codified the movement with accessible guidelines in his landmark book Die Neue Typographie (1928). Almost overnight, typographers and printers adapted this way of working for a huge range of printed matter, from business cards and brochures to magazines, books, and advertisements. This installation of posters and numerous small-scale works is drawn from MoMA’s rich collection of Soviet Russian, German, Dutch, and Czechoslovakian graphics. They represent material from Tschichold’s own collection, which supported his teaching and publication from around 1927 to 1937.
In the early to mid-’80s, the so-called New Wave typography was a mix of styles that combined traits of Swiss Modernism, Postmodern contrasts and harmon…
Stencil Letters Gallery by New Typography. Printable Format Stardos Alphabet Stencils
Published in Berlin in 1928, Tschichold’s book Die Neue Typographie was one of the key texts of modern design, partly due to its grasp of Constructivist ideas and new print technology, but equally, because it was a manual for practicing designers. In the years leading up to its publication, Tschichold struck up a correspondence with many European artist-designers, including Kurt Schwitters, El Lissitzky, László Moholy-Nagy, Herbert Bayer, Piet Zwart, and Ladislav Sutnar, among others. In the course of this, Tschichold exchanged and acquired many examples of their design work, some pieces now quite famous (such as El Lissitzky’s Pro dva kvadrata [The Story of Two Squares], 1920) while other items are modest and ephemeral, such as tourist brochures, handbills, headed notepaper, product catalogues, and magazine advertisements. This collection, purchased by Philip Johnson and donated to the Museum of Modern Art, forms the basis of this exhibition, tracing the development of the new ideas that revolutionized graphic design in the 1920s. A Focus Project curated by Paul Stirton, Associate Professor, Bard Graduate Center. Focus Projects are small-scale academically rigorous exhibitions and publications that are developed and executed by Bard Graduate Center faculty and postdoctoral fellows in collaboration with students in our MA and PhD programs.
Buy Active Literature: Jan Tschichold and New Typography by Burke, Christopher (ISBN: 9780907259329) from Amazon's Book Store. Everyday low prices and free delivery on eligible orders.
May the great poet we are looking for never find it shut, or half-shut, against his ample genius! To this end the editors hope to keep free of entangling alliances with any single class or school. The...
The more packaging designs I look at, the more I realize I’m all-in when the design carries a powerful typographic impact. From both a consumer and analytical design standpoint, I love nothing more than a piece of packaging design with a sharp, decisive identity that runs on typography. We’re not one to pat ourselves on […]
Bipolar Grotesque is the experimental typography project and a part of visual identity for Richter hotel, that's something your eyes should get ready for.
An event not to be missed for the Bauhaus vibe we crave for. To commemorate the “Bauhaus week Berlin 2019,” the Kunstbibliothek presents the historical exhibition room “Where is typography heade...
Download Create Something New Typography Poster & T Shirt Design Vector Stock Vector and explore similar vectors at Adobe Stock.
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Bota typeface family is a serif workhorse, which combines the dutch clarity with a touch of W.A. Dwiggins quirkiness and his M-formula.Bota is the portuguese word for "boot", and like the shoe is rugged and capable of adapting to any occasion or "terrain…
TF stands for Type Foundry and Typographie Française (French Typography). 205TF is a type foundry that showcases the work of independent type designers.
There’s nothing wrong with Helvetica. In the design world, I realize that could be a hot take for some of you. But it’s equivalent to water—it’s universal, ever-pleasing, and, well, necessary. They’re also fundamentally bland. Sure, we need water to exist, but our worlds are forever changed the instant our tastebuds discover a droplet of […]
