Spaghetti alle vongole classici veraci - Alzi la mano chi non ama questo piatto di mare. Ovviamente parlo di coloro che amano il pesce o anche solo il suo sapore. A questo proposito mi viene in men...

Seulement 9 suites.

Avec Bonjour Tristesse, Françoise Sagan est entrée à 18 ans au Panthéon de la littérature française. Non sans mal mais le succès était au rendez-vous pour

“'The Beacon' Odilon Redon, 1883 #art”

"Supporting her isn't gonna pay your bills."

Impression en haute définition sur toile tendue sur châssis bois FSC avec rendu mat. Fabriqué en France.

photo en Bretagne - Finistère - cheval filé pose longue paysage rivage Quimper rivière mer photographie bzh Paul Kerrien Toilapol

Enoshima, Japan, 2013 Nathan Perkel

“I caught my boss with my daughter and I don’t know how to react.”

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land, an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonization. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. Is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national identity, bring together our culturally disparate population under a single Australian mythology?

Je reprends doucement le cours de ma vie...et mes miniatures, malgré de grosses difficultés de locomotion... Voici tout d'abord le lit d'un elfe... ... et sa balançoire! Très amusants à réaliser, voici les éléments nécessaires à leur réalisation : Les montants du lit et de la balançoire sont en double épaisseur de fil métallique 1mm. Mis en forme, les montants sont alors assemblés puis recouverts de papier crépon de fleuriste. Largement enduits de colle à bois, ils sont recouverts de poudre de faux gazon vert. Laisser sécher une nuit, puis décorer de fleurs ou de mini roulades de papier. Le siège de la balançoire est un simple morceau d'écorce. Les cordages sont du fil de fer fin de fleuriste enroulé de papier crépon, enduit de colle à bois et de craie rose rapée. Quelques brins de fil vert négligemment enroulés accentuent l'effet "faery"... Le sommier du lit est en carton mousse 5 mm. Il mesure 7,5cms /13 cms (les elfes sont de petits personnages!!!) Recouvert de fin coton blanc, il est fixé à 3 cms du sol aux montants du sommier à l'aide d'épingles enfoncées dans le carton mousse. Le jupon du sommier est constitué de 2 bandes de papier crépon de fleuriste de verts différents, dont un bord est étiré pour former des petits volants, et collées en retrait de 5 mm l'une par rapport à l'autre tout autour du lit. Le drap et l'oreiller sont des chutes d'organza vert "lime" et prune. Le matelas... eh bien le matelas est tout simplement un grand tampon à récurer, ce que les Français nomment souvent "grattounette", repeint d'acrylique vert lime (marque Americana). Le ciel de lit est une bande d'organza vert lime enroulée autour d'un fil de fer de fleuriste fixé aux montants du lit. Au 4 coins, quelques grains de poivre peints en vert, et, à nouveau, quelques brins de fil vert... Ces 2 créas viendront garnir l'intérieur de ma grande serre réalisée en avril dernier. L'antre des elfes Voici la suite du "mobilier" des elfes: un refuge "cosy" pour entreposer leurs effets et un petit fauteuil Le refuge est tout simplement un morceau d'arbre creux trouvé en forêt au printemps dernier, sur lequel j'ai rajouté quelques éléments : une branche et des racines en pâte fimo, quelques rondelles de bois formant escalier, de la mousse, des morceaux d'écorce, des feuillages en papier découpés à la perforatrice, peints de différents tons de vert et vernis, quelques baies roses et blanches en fimo... le tout posé sur planchette recouverte de morceaux de tampon à récurer repeint. Le petit fauteuil a été réalisé au départ... d'une boite à conserve de concentré de tomates!!! J'ai gardé le couvercle et le corps de la boite, lequel a été entièrement coupé verticalement en lanières de 4 mm de large sur toute la hauteur de la boite. A l'aide d'une pince à bouts ronds, j'ai ensuite replié et enroulé chaque lanière de métal sur elle-même pour former les 4 pieds, les accoudoirs et le dossier de mon petit fauteuil. Maladroites s'abstenir!!! Deux heures, 3 sparadraps et 1/4 de flacon de Mercurochrome plus tard, le résultat me plaisait, et j'ai collé définitivement les volutes à la cyanolite . Ensuite, passage au Gesso puis à l'acrylique vert lime. Le coussin est en grattounette collée sur carton . Quelques feuillages de lierre réalisés à la perforatrice et une couronne rose renforcent l'effet "faery".

There is difference between moving on and actually moving on. Learning the difference is what help people let go and truly find closure.  Really Moving On does a deep dive into the different myths, the habits, and the practices that keep us from letting go physically, mentally, and emotionally. It not only focuses on helping you identify the wrong outlooks but also provide the help and the steps you need to take to put that relationship behind you.  If you’re tired of saying you’ve moved on when deep down the emotions are there, or pretending that you’ve moved on but know the hurt still has power over, this book is for you.  Pick up your copy and get started on the journey to truly moving forward and getting the closure your heart and soul need to prepare yourself for better.  EXPECT TO LEARN...  How to handle the disappointment and anger. Healthy ways to deal with the emotions and feelings. Steps to forgiveness; both self forgiveness, as well as towards your ex. What to do to gain your happiness and life back. Preparing you for the next relationship. And so much more! Pg. 7 - The opposite thing you need to do TODAY in order to truly heal and move on! It goes completely against what most people say and that’s exactly why it works! Pg. 9 - The number 1 thing you must do OVERALL and without doing this first, truly moving on and letting go of past hurt will never happen! Pg. 17 - Why allowing yourself to do this one thing will be the most FREEING part of the healing, moving on, and being able to truly love openly again...process! Pg. 24 - Realizing and completing this chapter will make it so that if you ever become damaged from a relationship again, you can easily let go and move on without the years of trauma! Pg. 30 - Why one of the most painful parts of breaking up can be turned into the most POWERFUL part that actually frees you and can help you experience joy. PLUS, a bonus chapter on things you can do immediately. Yes, as in RIGHT NOW, after purchasing to jumpstart the healing and moving on process. Add your copy of ‘Really Moving On’ to your cart right now.

There are a few common misconceptions about fertile eggs that will be cleared up in this article. It is important to understand the differences between fertile and infertile eggs...

There's no shortage of horror stories people have of landlords doing things to their tenants for owning the house that they are renting. There's a lot of class-based friction between the two, landlords and tenants, and for good reason. Tenants see landlords as people who are legally demanding money for no reason because they are

They’ve been dating for 10 years, and clearly the love between Rafael Nadal and Maria Francisca Perello is stronger than ever. Here are some of the photos from their vacation. Screenshots fro…