thought they looked cute 🌟
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I had done a few different centers in the past, mostly with my upper grades, and not very well thought out. This year though, one of my personal goals was to incorporate centers in a way that was well-planned, gave students lots of ways to practice a concept, and gave me more than one way to assess students. I'll have another blog post coming soon about the centers I did, or you can see a video of them on my Facebook page. Today though I want to talk about how to prepare your students for centers in the music room. Before really diving in to centers this year, I talked to some classroom teachers to learn more about how centers worked in their rooms. Each person I talked to said, take the time to go over each center with the whole group before ever dividing the class for centers. Since I don't have as much time as a classroom teacher (my classes are 30 minutes and are back to back), I decided that instead of trying to cram it into the beginning of a class period and then starting centers that day, I would take a class period to discuss all my centers. So I'm going to share with you how that day went. Since this was my first time doing centers at my new school with these students, I had no idea how long it would take to explain all of the centers and how everything would work. I figured if I have lots of extra time, we will play some singing games that I pulled patterns from for these centers, but this actually took about 25 minutes with both of my classes. I brought my classes in and had them go to their assigned seats in front of the board. I said that we would be doing something kind of new in music the next few times we have class so I wanted to share with them about it today so that we could spend all of our time in centers the next two times. Instead of having all of the centers spread out around the perimeter of the room, which is where I put them when we were actually doing centers, I lined up all my centers at the front of the room under the board. On my computer, I had the zip file that contained all of the PDFs for each file pulled up so that as I was going through them with the whole group, if I wanted them to be able to see something better, I could show them the PDF version instead of the tiny cards I was holding for some of the centers. We walked through all of the centers in order. I read through the directions and we "played" each center one or two turns. For some centers I would have a small group of students come up and be the demonstration group as the class watched. I asked if there were any questions about each center before moving on to the next one. My students knew that they needed to ask any questions they had on this day so that they wouldn't come up asking me questions on the actual center days. The students were really interested and engaged the whole time. I think there was a little bit of mystery to it, like "OOO, I wonder what is going to be at the next center" or "I wonder what those manipulatives are going to be for" and that kept them really focused on what we were doing. Students asked good clarifying questions about the individual centers. They also asked about their groups. I have about 28 kids in each class and set up 8 centers. Most of my groups had 4 students in a group, some had 3. I assigned all groups by typing up a list. I emailed the list to their teacher and asked their teacher to line them up in that order (so the four students in group 1 are first, followed by group 2 and so on....) the next time they came to music. I also had her double check my groups to see if there would be any issues that I maybe hadn't foreseen. This was a really good idea because the next time they came to music, I met them in the hallway and they were all in the right order. I had the centers so that center 1 was closest to the door and then they went in a circle around the perimeter of the music room, so as the students followed me in, I basically dropped off four at a time in the order they were in at each center as we went around the room and I was with the last 3 or 4 students at the "teacher center", center 8. I didn't have to waist any time putting kids in order or reviewing directions for any of the centers. I had directions for each center posted at each center in case they forgot or were absent when we went over the centers, but there seemed to be no issues with students knowing what to do at each center. I only had one student come up to me the entire two days of doing centers and it was because of an issue with a group member, so I think that is pretty darn good for our first time! I hope this gives you maybe a new idea about how to prepare your students for centers so that they feel set up to succeed at each one without needing to ask questions during centers. I feel like taking that day to go over them at a relaxed pace, sending the centers groups to the teacher, and having students come to music on centers day already in order really helped everything to go smoothly. Do you have other ideas that I haven't thought of? Share below! Wanting to take the guesswork out of creating centers? Here are centers sets I've created and used with my classes:
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We may earn money or products from the companies mentioned in this post. Please see policies for more information.I love a good paper craft. All you need is paper and maybe some crayons or markers. This origami eye from Krokotak is fun to make, plus once you have the steps down you can make it
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Hi friends! Today I have a really special (long) post for you! Today I want to share a quilt that took me two years and about 85 hours to complete - my Postage Stamp quilt! I got so many questions on Instagram every time I posted pictures of this project so I will try to cover all the FAQ's here. First, let me start at the beginning... THE INSPIRATION My grandmother passed away in October 2019. She was the one who taught me how to quilt and who my pattern company is named after. After she passed, my mom and aunt asked if I would finish a couple of the quilts she had been working on so we could give them to family members. This red, yellow, and green 9-Patch quilt one was one of them. I don't know the name of the pattern but I know it came from a magazine. I remember her working on this quilt over the years and I know each individual square finished at 3/4". Can you believe that!?! The quilt top was finished many years ago so I just got it longarm quilted (with a Baptist Fan pattern) and then I bound it by hand. The back was white with colorful buttons and the binding is black with red and yellow flowers on it, as you can see here. The backing fabric was hanging with the quilt top in her closet and I believe I picked out the binding fabric from her stash. This quilt went to my aunt Janet and her husband Dave. The other quilt I finished at that time (I have 2 more I still need to finish!) was this little baby quilt. I think the squares finished at 1-1/4". My aunt and I chose the back and binding fabrics from my grandmother's fabric stash and then I had it longarm quilted with the Interlocking Orange Peel panto by Karlee Porter. This quilt went to one of my cousins. So after finishing both of those quilts made by my grandmother, I was inspired. I never thought I would make a Postage Stamp quilt; too intense for me! But I got the itch around that time to make something with tiny squares and a little while later I made my first blocks. CUTTING I cut 1-1/2" squares that would finish at 1" each. I did not do all my cutting at once. I found that I liked to cut batches of squares, both bright and white, whenever I was running low or got tired of the ones I had in my pile. It was a nice way to break up all of the sewing. When I was actively working on my Postage Stamp quilt I would keep piles of squares by my machine so I could easily grab and sew. I didn't put too much thought into what fabric went where. I just tried to space out colors to create balance. When I needed a break from that project I simply put the squares in a ziplock bag. They didn't get wrinkly so it was easy to pick up where I left off the next time I was ready to work on my quilt. FABRIC I used lots of different whites, creams and low volumes for my "whites". If you look closely at some of the following pictures you'll be able to tell. From far away, everything reads as white but the quilt still has a really scrappy feel to it. Plus it was a great way to use up scraps! As far as the brights go, I used alll the colors. My only requirement was there had to be enough contrast between the brights and whites. There are several fabrics of my grandmother's in this quilt. Including a few squares that have remnants of her embroidery! Those are my favorite! ASSEMBLY There are several ways to assemble a Postage Stamp quilt. You can strip-piece units together. But since I used scraps for all of my pieces I cut squares and sewed them together one-by-one. I didn't mind; in fact I preferred to do it that way so it would be extra scrappy! But of course, you could strip piece if you wanted. For the most part, I chain-pieced rows together to make regular, small 9-Patches (above). I made some that had brights in the corners and some that had whites in the corners. This was such mindless sewing and I quite enjoyed it! Immediate satisfaction! Then I sewed nine of those 9-Patches together to make big 9-Patches that had 81 squares in each block. I figured out it took me about 45 minutes to make a block (maybe about an hour with cutting). Towards the end of this project, I switched from making small 9-Patches to just chain piecing squares together to make a row for the big 9-Patches. I started by sewing tons of pairs of bright and white squares together. When I got bored I separated the pairs and then sewed them together to make units of 4 squares each. Once I had all those sewn together I sewed 2 of those units together plus one extra square to make a row of 9 squares. PRESSING After I made each block row, I pressed the seam allowances toward the dark/bright fabrics. After I sewed the rows together, I pressed the seams open. I pressed everything as I went. It may seem daunting but I honestly got faster the more I did it. It really wasn't too bad. I definitely recommend pressing as you go and pressing the seams open will help your quilt lay nice and flat. Quick side note here: I never pin when I piece. If you're really accurate in your cutting and piecing all of your seam allowances should be able to nest together nicely. I'm sure that saved me a lot of time while making this quilt. I have some tips saved in my Instagram highlight bubbles on precision piecing and cutting. Check it out @gigis_thimble. As I worked on this project, I found it helpful to set little goals for myself. I started by making two blocks and kept trying to double the number of blocks I had until I finished. One month I challenged myself to make 100 little 9-Patches and towards the end of this project, I challenged myself to make 1 big 9-Patch a day until I was done making all of my blocks. I always tell myself, "A little progress every day adds up to big results!" and that is definitely the case with a Postage Stamp quilt! Because there are a gazillion seams in this quilt, it is heavier than normal. The seams can start to stretch apart because of the weight and become harder to match up. So I would recommend that you make two halves of your quilt; press the row seams and then sew the 2 halves together to complete your quilt. Here I am at the halfway point: And here is the finished quilt top. An exciting moment! FINISHING I bound the quilt in this red and white gingham fabric that I had in my stash. I also had this rainbow fabric in my stash that I had bought recently for another project (that didn't turn out how I wanted so I gave it away). The fabric is 55218-20 from the fabric line Shine On by Bonnie and Camille for Moda. I used it for the back of my quilt and I love it. My friend Jen Ostler quilted it with the Scribble Hearts panto. She always hides an object in her quilting for her clients to find so this time she did a rainbow. It took me forever to find but I think it's darling. It's much easier to find from the backside of the quilt than the front! One of my Instagram followers sent me a picture of her Postage Stamp quilt that had been quilted with the Scribble Hearts panto and I thought it was sweet and fun so I decided to do the same on mine. I love the quilting community where we can all inspire and learn from each other! I've been buying custom quilt labels from Ever Emblem for the last couple of years. I get the 2" cotton fold-over, sew-in labels and I've been really happy with them. They're really inexpensive and a quick way to label your quilt. Well that's it! I think I addressed all of the FAQ's! Please let me know if I missed anything. Just to recap here is a quick breakdown of all of the details... DETAILS Finished size of individual squares: 1". Finished quilt size: 72" x 90" Total number of big 9-Patch blocks: 80 Layout: 8 x 10 blocks Total number of 1" squares: 6,480 Start date: December 27, 2019 Finish date: November 3, 2021 Longarm quilter: Jen Ostler in Highland, UT (@drycreekquilter on Intstagram) Quilt panto: Scribble Hearts Hidden object in the quilting: rainbow Backing: Rainbow 55218-20 by Bonnie + Camille for Moda Approximate time to make this quilt: 85 hours Batting: 100% cotton Machine pieced Hand-bound 1/4" seams I hope you enjoyed this post! Like I said, please let me know if you have any questions. I'd love to know what you think about this project and whether or not YOU might make a Postage Stamp quilt someday! Happy quilting!
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This article first appeared in Bujo U. Back in 2022, I was a beta tester for the newly released pocket notebook. Due to all of the excitement around the release of the Pocket, I thought I would share my experience using it. I hope it might give others some ideas for using the Pocket. At the time, I could not think of ways to use it as a companion to my A5 bullet journal so I decided to put aside the A5 for a little while and venture into pocket-sized bullet journaling. My intention for this pocket...
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Our hallway closet was a space in our home that we didn’t utilize to it’s fullest potential. We stored our vacuum cleaner on one side, a few coats on the other and tossed our shoes on the floor. This way may have been easy, but it wasn’t really working out so great. I was inspired by this entryway makeover to build a bench in that area and shelves for storage. I thought this would be more pragmatic and inviting. If you are reading about this remodel for the fist time you can catch up here. First things first. I painted the entryway and closet gray. That’s right, more gray walls in this house! Next, my husband, Adam, built a grid like structure on the floor to create a base for a platform I was wanting to store shoes and what not. No more shoes on this floor! Right? Then, he screwed plywood to the base. After that, a second grid like structure was constructed at bench level. To add a little pop of color in our home, I decided to paint horizontal stripes in the nook. The process of taping and painting in a relatively small area was kind of a pain in the tush, but well worth it. The greenish color was mixed by yours truly and was also applied to the walls in our half bathroom. Before we were finished, Adam manufactured and installed a beautiful shelf above the bench. Finally, we completed the bench with another piece of plywood. Now, we just need to attach some trim, paint, add a bench cushion and probably a few more details I am forgetting. Check back soon to see more work on this remodel and the final reveal!
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I hope that you will really enjoy reading this wonderful collection of Carl Jung quotes. Carl Jung was a Swiss psychiatrist and psychoanalyst who founded analytical psychology. His work was influential in the fields of psychiatry, anthropology, literature, philosophy, and religious studies. Carl Jung proposed and developed the concepts of the extroverted and the introverted […]
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