Sappho Leaping Into The Sea By Miquel Carbonell Selva Digital Download 6280x9189 Pixels
Akiya Kageichi is a Japanese illustrator who calls himself Golden Gravel, a name which may refer to Japanese rock gardens. His sinister jesters, lazy rulers and clandestine warriors are set within scenes full of chaotic imagery. Astrological symbols, particularly moons, are heavily prominent, suggesting the mysterious forces of dark nights are at work. In a single plane, objects morph, creating dynamic and active scenes. Kageichi reveals hidden underworlds and secret futures, in which sorcery and witchcraft pull the strings and determine what happens in the real world.
Sulamith Wulfing ~ The Way ~ original source unknown
Mother and Daughter The Dizzy Spell Young Mother Feeding Her Baby The First Lilac The Thorn Nude Girl Lying On A Bed La Fete des Cabanes (The Feast Of Tabernacles) Ruth And Naomi The Flower Girls V…
Traces, the magazine of the Indiana Historical Society, has just printed an article on the life and work of Franklin Booth, perhaps the most accomplished of Indiana's illustrators and brother of Hanson Booth, subject of the previous posting. The article is called "Billowing Clouds, Towering Timbers," and it was written by Thomas E. Rugh. Rather than compete with Mr. Rugh's article, I will offer some artwork by Booth. You can read more about him in Traces for Spring 2011. Franklin Booth was renowned for his technique with a pen, but as this illustration shows, he was every bit as fluent in the language of color. Fantasy illustrator Roy Krenkel (1918-1983) appears to have owed much to his predecessor. Booth was largely self-taught as an artist. In his naivete as to how black-and-white illustrations were reproduced, he believed they were drawn by hand, so he painstakingly copied the technique of the engraver. In his maturity as an artist, the results were stunning, as this illustration can only suggest. Franklin Booth was also a cartoonist, though perhaps just once. His "Uncle Charlie Returns to the Farm," a Sunday newspaper comic strip, dates from 1904. Text and captions copyright 2011, 2024 Terence E. Hanley
(*ˉ︶ˉ*)They look so cat boy and dog boy🐶🐱 #dreamnotfound #dreamnotfoundfanart
Siebenpünktchen Ein Märchen von Erich Heinemann Bilder von Fritz Baumgarten Obpacher Buch- und Kunstverlag (München / Deutschland; 1954) ex libris MTP
Vox Populi The Lord Of The Manor A Nibble Ribbons And Laces For Very Pretty Faces The Hostage In Time Of Peril In Time Of Peril (detail) Maternity A Foundling Farewell The Boyhood Of Alfred The Gre…
Art Nouveau Graphic Design is an art style which manifested in visual arts and architecture in the late 19th & early 20th century. Read more.
Innocence Young Girl Holding A Doll Dressing Up A Young Girl With A Bichon Frise Mother And Son The First Cherries The Lesson Jeune fille au bouquet de fleurs des champs Portrait Of A Young Girl Th…
Arthur Rackham (1867 – 1939) is widely regarded as one of the leading illustrators from the 'Golden Age' of British book illustration which encompassed the years from 1900 until the start of the First World War. Arthur Rackham's works have become very popular since his death, both in North America and Britain. His images have been widely used by the greeting card industry and many of his books are still in print or have been recently available in both paperback and hardback editions. His original drawings and paintings are keenly sought at the major international art auction houses. This is part 3 of an 8-part post on the works of Arthur Rackham. For full biographical notes see part 1. A Midsummer Night's Dream is a play by William Shakespeare. Believed to have been written between 1590 and 1596, it portrays the events surrounding the marriage of the Duke of Athens, Theseus, and the Queen of the Amazons, Hippolyta. These include the adventures of four young Athenian lovers and a group of six amateur actors, who are controlled and manipulated by the fairies who inhabit the forest in which most of the play is set. The play, categorised as a Comedy, is one of Shakespeare's most popular works for the stage and is widely performed across the world. Originally published in 1907, some of these illustrations have later dates. 1908 Cover of A Midsummer Night's Dream Title page Titania lying asleep Hermia Where often you and I upon faint primrose-buds were wont to lie, emptying our bosoms of their counsel sweet She never had so sweet a changeling The Meeting of Oberon and Titania Fairies away! We shall chide downright, if I longer stay To hear the sea-maid's music Ere the leviathan can swim a league On the ground sleep sound, I'll apply to your eye gentle lover, remedy Come, now a roundel …will sing, that they shall hear I am not afraid Lord, what fools these mortals be … and her fairy sent to bear him to my bower in fairy land And a fairy song Fair Helena Call'd Robin Goodfellow, are not you he that frights the maidens of the villagery …am that merry wanderer of the night O Bottom, thou art changed! What angel wakes me from my flowery bed? …ghosts, ivanciering here and there troop hovie to churchyards O monstrous! O strange we are haunted pray, masters fly, masters! Help! How now, spirit! Whither wander you Never so weary, never so in woe, bedabbled with dew and torn with briars To make my small elves coats Are you sure that we are awake. It seems to me that yet we sleep, we dream Undine is a fairy-tale novella; an early German romance, written in 1811 by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldebrand in order to gain a soul. This version originally published in 1909. 1909 Cover of Undine Title page
