Professional sounding vocals are virtually the epicenter of many genres. We look at 11 best ways to achieve professional sounding recordings in your studio.
Getting your head around EQ should be a priority for everyone learning to mix. Read our in depth blog on how to EQ your mix.
Mixology is a Mixing Ebook that comes with free 101 mixing checklist and frequency chart that's gonna help you learn mixing from the scratch
Looking for the best Ableton Tips? Wanna write tracks faster and better? Here's a list of the best 100 Ableton tips for you 🔥
Okay, I mentioned this as one of my tips in a previous post , but there's confusion and many heated debates out there about the ideal level ...
Mixology is a Mixing Ebook that comes with free 101 mixing checklist and frequency chart that's gonna help you learn mixing from the scratch
Looking for the best Ableton Tips? Wanna write tracks faster and better? Here's a list of the best 100 Ableton tips for you 🔥
Learn what headroom is and why it matters for mixing and mastering. From gain staging to peak and RMS, here's what you need to know.
Equalization is one of the most difficult parts of recording to get the hang of since there's literally almost an infinite number of possibilities. Most of us learn by experience and usually massive amounts of trial and error, but there are some brief general guidelines that can be an enormous help for those new to the process. Here's an excerpt from The Mixing Engineer's Handbook 3rd edition featuring 5 simple EQ tips that will work in just about any situation. 1. If it sounds muddy, cut (decrease the level) at around 250Hz. Although you can get that muddy sound from other lower frequencies (especially anything added below 100Hz), start here first. 2. If it sounds honky or veiled, cut at around 500Hz. This is where a huge build-up of energy occurs when close-miking instruments because of the proximity effect that naturally occurs with directional mics. Just cutting a bit in this area can sometimes provide instant clarity. 3. Cut if you're trying to make things sound clearer. If the sound is cloudy, there's usually a frequency band that's too loud. It's easier to decrease it than to raise everything else. 4. Boost if you're trying to make things sound different. Sometimes you don't want clarity as much as you want something to sound just different or effected. That's the best time to boost EQ. 5. You can't boost something that's not there in the first place. You may be better off to decrease other frequencies than try to add a huge amount, like 10 or 15dB, to any frequency band. Although there are exceptions to every one of the above guidelines, you'll always stay out of sonic trouble if you consider this tips first. To read additional excerpts from The Mixing Engineer's Handbook and my other books, go to the excerpts section of bobbyowsinski.com. Don't forget to check out my Music 3.0 blog for tips and tricks on navigating social media and the new music business.
Kicks drums are one instrument that is an absolute must to get right in your mix. Use this guide as a quick reference to figure out which areas are best to boost & cut with your kick drum. These quick production tips will definitely save you time in the studio and improve your workflow.
As I said in my previous article Making a Convincing Melody with Sampled Orchestral Strings, one of the toughest things when making a MIDI mock-up is the string part. Sadly for me, since my last...
