Künstler*in: Art Classics Unsere Wandbilder machen Dein Zuhause schöner und die Welt grüner! Premium-Poster: - Galeriequalität mit FSC-zertifiziertem, 260g/m² starkem Premium-Fotopapier - Höchste Farbbrillanz dank umweltfreundlicher Latexfarbe und 12-Farben-Digitaldruck - Unsere Poster haben ein seidenmattes Finish und sind UV-beständig - Plastikfreier, klimaneutraler Versand aus Deutschland Leinwandbild: - Höchste Druckqualität und Auflösung - Brillante Farben durch umweltfreundliche Latexfarbe - Aufgespannt auf 2,5 cm starke Keilrahmen aus nachhaltigem MDF-Holz ohne Verzug - 260g/m² starkes Premium-Leinwandgewebe - Saubere Kanten ohne störende Wulst - Gespiegelte Ränder (Bildrand wird auf der Bildkante gespiegelt, damit nichts vom Motiv verloren geht) Unsere Mission: Wir möchten den Menschen und Ländern, die unsere Bilder zu etwas Besonderem machen, etwas zurückgeben. Daher unterstützen wir seit jeher humanitäre, Entwicklungs- und Umweltprojekte in den Regionen, in denen die jeweiligen Bilder entstanden sind. Seit Ende 2019 unterstützen wir nun ein Aufforstungsprojekt in Äthiopien. Mit jedem verkauften Wandbild pflanzen wir gemeinsam mit unseren Künstler*innen Bäume im Kampf gegen den Klimawandel und zur Verbesserung der Lebensbedingungen der Menschen vor Ort. Wie viele Bäume Du mit Deiner Betellung pflanzt, ist von Format und Produkttyp abhängig, Du kannst dies in der Angebotsbeschreibung (siehe unten) einsehen.
Info Hangry: a state of anger caused by lack of food; hunger causing a negative change in emotional state. This print is practically a public safety warning Paper We use professional museum quality, medium weight matte card for all our prints. Our paper stock gives our prints a very high quality, long-lasting and beautiful finish. Packaging A1 and A0 unframed prints will arrive lovingly rolled in a large mailing tube. All other sizes will come in a clear sleeve with backing board in one of our gorgeous Papier mailers. This will protect the print so you can pop it in your own frame. Framed prints will be protected with layers of cardboard and bubblewrap. For large prints, we use a thin sheet of MDF to help protect the glass. Frames We are all about New Zealand made - our frames are manufactured locally! They're high quality NZ wood and glass, finished in matte black, matte white or a natural finish. The frame edge is approximately 20mm wide and 15mm deep.
Untitled 2, Untitled 7, Untitled 9 & Untitled 10 Quadriptych, 2019 by Francisco Larios Lacquer, Acrylic, oil, and gold leaf on MDF Deep Individual size: 50 cm H x 50 cm. W x 1.5 cm D Overall size: Size: 50 cm H x 200 cm W x 1.5 cm D One of a kind * Francisco Larios’ works are done by hand with hundreds of layers of gold leaf. The artist’s goal is to allow the work to age along with the collector, which is why some works will appear unbalanced on the color. Parts of the work will have different tones, burnish spots, or small, soft cracks. Francisco Larios practices painting, open-concept drawing, and the use of software to create two and three-dimensional visual environments. In his imagination, the postmodern condition is achieved in terms that contemporary culture is the starting point for the elaboration of sceneries that manifest the return to sacred references, philosophical themes, and immemorial fabulations. In Larios' work landscape is treated conceptually, sometimes, as space where studies of the dreamlike, the bond between human beings and their surroundings, and the nature of objects develop; in other cases as the practice of graphic representation of mathematical, physical, and musical principles which part from the idea of the horizon as divisive line and as a limit. Larios's production is a poetic, ironic, and reflexive exploration of the state of our relationship with faith, will, and destiny. ____________ Francisco Larios (Guaymas, 1960) lives and works in Monterrey, Nuevo León. He studied design and specialized in Art History by Universidad La Salle, Laguna. Larios participated at the XII Bienal “Rufino Tamayo” and Bienal FEMSA, Mexico City, Mexico; VII Bienal de Cuenca, Ecuador and was awarded the Prize for Painting Acquisition Reseña de la Plástica de Nuevo León. He is a fellow member of Sistema Nacional de Creadores FONCA. His work belongs to public and private collection such as: Museum of Contemporary Art de San Diego, California; Museum of Fine Arts de Houston, Texas; USA, Colección FEMSA, Museo de Arte Contemporáneo de Monterrey (MARCO), Monterrey, Mexico; Museo Rufino Tamayo, Museo Carrillo Gil and Museo de Arte Moderno, Mexico City, Mexico.
Künstler*in: Art Classics Unsere Wandbilder machen Dein Zuhause schöner und die Welt grüner! Premium-Poster: - Galeriequalität mit FSC-zertifiziertem, 260g/m² starkem Premium-Fotopapier - Höchste Farbbrillanz dank umweltfreundlicher Latexfarbe und 12-Farben-Digitaldruck - Unsere Poster haben ein seidenmattes Finish und sind UV-beständig - Plastikfreier, klimaneutraler Versand aus Deutschland Leinwandbild: - Höchste Druckqualität und Auflösung - Brillante Farben durch umweltfreundliche Latexfarbe - Aufgespannt auf 2,5 cm starke Keilrahmen aus nachhaltigem MDF-Holz ohne Verzug - 260g/m² starkes Premium-Leinwandgewebe - Saubere Kanten ohne störende Wulst - Gespiegelte Ränder (Bildrand wird auf der Bildkante gespiegelt, damit nichts vom Motiv verloren geht) Unsere Mission: Wir möchten den Menschen und Ländern, die unsere Bilder zu etwas Besonderem machen, etwas zurückgeben. Daher unterstützen wir seit jeher humanitäre, Entwicklungs- und Umweltprojekte in den Regionen, in denen die jeweiligen Bilder entstanden sind. Seit Ende 2019 unterstützen wir nun ein Aufforstungsprojekt in Äthiopien. Mit jedem verkauften Wandbild pflanzen wir gemeinsam mit unseren Künstler*innen Bäume im Kampf gegen den Klimawandel und zur Verbesserung der Lebensbedingungen der Menschen vor Ort. Wie viele Bäume Du mit Deiner Betellung pflanzt, ist von Format und Produkttyp abhängig, Du kannst dies in der Angebotsbeschreibung (siehe unten) einsehen.
Museum for Russian Revolutionary Art by Simon Ungers The rendering is done by Sophia Ungers and the model is made of MDF with the dimension of 60 x 90 x 160 cm.
This is a vintage map reproduction of Bordeaux France printed on MDF Wood Based ornaments. The map itself was originally produced in 1900 and features several geographical aspects that include streets, a river, bridges, railroads and railways, public gardens and parks, hotels, cemeteries, churches, museums, theaters, hospitals, basins and much more! The ornament makes a wonderful gift for Bordeaux France historians and history buffs, geographers, genealogists, those with local family ancestry, vacationers and tourists, residents. ornaments come with red strings for hanging. Wipe clean with non-abrasive cleaning pad and mild soap or surface cleaner as needed. A wonderful addition to any Christmas tree and or Xmas display!
Symbolizing a time of great change worldwide, Art Deco is often synonymous with bold, geometric architecture and luxurious, extravagant graphics. Spanning from the beginning of World War I to the beginning of World War II, the style affected design, both commercial and independent, on a
SKYLINE est une solution de tri design pour les bureaux, dessinées comme de jolies maisons que l'on aligne contre un mur.
This metal print is a dimensional and high-quality piece of art that stands the test of time while remaining easy to clean and care for. The artwork looks luminescent against the wall and the metal base means it’ll last a long time. Weeping Cherry is an Original public domain image from the MET museum. Now you can have a historical piece of art in your home. • Aluminum metal surface • MDF Wood frame • Can hang vertically or horizontally 1/2″ off the wall • Scratch and fade resistant • Fully customizable • Blank product sourced from the US This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!
Canadian artist Peter Hoffer (1965) is best known for his landscape paintings. His style has also been compared to the idealistic landscapes of the 19th-century landscape painter John Constable. After a trip to Paris, Hoffer began to experiment with surface textures in the landscape. Thus, he began to sand and grind the layers of the painted surface. Subtly applied drops of paint seem to pay homage to the 20th century art movement abstract expressionism. Intrigued by the early 18th century French Salon, where artists re-embellished their unsold works, Hoffer completes his paintings by applying a coat of Dammar varnish and a coat of epoxy to create a reflective dome surface. This gives depth to his landscapes. Luminous skies set by the outline of trees, the drama of light and shadow. The viewer has to get closer, change their perspective and look longer to overcome reflections so that they can see the details glitter beneath the surface. "I wanted to do the landscape in a manner in which it is personified. Where the tree becomes the individual, even playing on some clichés." While admiring the beauty of the work, we are aware that a modern artist asks the viewer to consider the process and act of creation itself. Intriguing is an image that is both classic and modern. Peter Hoffer's work is widely praised and collected. Musée National des Beaux-Arts du Québec and the German consulate in Toronto are in possession of his work. The famous Hôtel Le Reine Elizabeth in Montreal also has a work by Hoffer hanging in one of the public spaces. Hoffer studied painting and sculpture at the Ontario College of Art and Design in Toronto and the University of Guelph, where he obtained a Bachelor of Fine Arts in 1993. After a stay in New York City, he studied sculpture at Concordia University in Montreal, graduating in 1996 with a master’s in fine art.
The KINCANG Modern Pre-school in Shaoxing City, designed by LYCS Architecture on both exterior and interior, was officially completed and opened a few days ago. With a building area of 16,512sqm, the architects designed the kindergarten according to the highest standards of Chinese...
'Wading and Wondering,' Linoleum Block Print, Edition 10, 35 1/4 x 23 1/4 Inches, is one of a series of 8 related prints in this size in varying shades of blue. Sold individually or as sets of 2, 3, 4, 5, 6, 7 or 8. There is also a separate edition available (10 each) of 6 small, 11 5/8 Inches x 11 5/8 Inches, linoleum block prints which are in fact the 6 detail squares of the large 'Chittering and Chattering' print, each printed in yet a different shade of blue. Sold individually or as sets of 2, 3, 4, 5 or 6. These prints are all unframed. Lisa Houck is a highly established Boston artist with a large following devoted to her exceptional paintings, watercolors, mosaics, prints and public art projects. At times reminiscent of Folk and Aborigine art as well as Matisse, inspired as well by James Audubon and Hokusai, Houck is as known for her gorgeous and elegant color as a sensibility both playful and quite serious that is uniquely her own. Among the many large public art commissions the artist has completed for interior and exterior sites in Boston and nationwide in mosaic and mural format are permanent installations for The Dana Farber Cancer Institute, Children's Hospitals in Boston and Waltham, The Frieda Garcia Park, Fort Point Channel, The Cambridge Senior Center, and 4 libraries in Broward County, Florida. LISA HOUCK Education and Professional Affiliations: Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers SELECTED SOLO EXHIBITIONS: Beth Urdang Gallery, Boston, MA 2017 Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Beth Urdang Gallery, Wellesley, MA 2015 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008 Bentley College: “All About the Square,” Waltham, MA 2003. Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991. Barbara Singer Fine Art: Cambridge, MA 1991. Coyote Gallery: Cambridge, MA 1989. Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986. New England School of Art and Design: Boston, MA 1986. Mott House: “The Comet and Other Phenomena,” Washington, DC 1986. SELECTED GROUP EXHIBITIONS: Arsenal Center for the Arts, “Big Print”, Watertown, MA 2016 FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016 Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 National Mosaic Exhibit on Cape Cod, 2011 Fancy Plants: Bentley University, 2010 Contemporary Mosaics: Attleboro Arts Museum, 2010 Boston Children’s Museum: “I See Trees,” 2009. Somerville Museum: “Art of Mosaic,” 2009. Milton Academy: “Design/Build,” 2009. Danforth Museum: Members Show, 2007 Boston Printmakers: North American Print Biennial, 2005. Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004. Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001. Acacia Gallery: Gloucester, MA 2000. Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000. New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996. Albers Gallery: Memphis, TN 1994, 1992,1991. Pritam & Eames: East Hampton, NY 1992. Boston Center for the Arts: Boston, MA 1989. DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989. Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989. St. Botolph Club: Boston, MA 1988. Danforth Museum: “Symmetry and Pattern in Art and Nature,” Framingham, MA 1986. Brunnier Museum: “Images of the Universe,” Ames, IA 1986. New England School of Art and Design: “A Celebration of the Return of Halley’s Comet,” Boston, MA 1985. Rose Art Museum: “Boston Printmakers,” Waltham, MA 1985. Fuller Museum of Art: “Triennial Exhibition,” Brockton, MA 1983. Cambridge Arts Council: “Lofty Views and Heightened Perspectives,” Cambridge, MA 1983. The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan SELECTED PUBLIC COLLECTIONS, NUMEROUS PRIVATE COLLECTIONS: Museum of Fine Arts, Boston Fogg Art Museum Boston Athenaeum The Boston Company The Boston Public Library Brigham and Women’s Hospital Fidelity Investments Goodwin Procter Harvard Business School Harvard Community Health Plan Brunnier Museum, Ames, IA Coopers & Lybrand Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ GRANTS/PROJECTS: Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ “City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014. Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005. Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council. John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’. Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003. Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003. Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001. ”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee. Poster and button and display banners for First Night Boston, 1998. Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council. Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts. Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988. Grant from the Cambridge Arts Council for a mural for the Cambridge River Festival, installed in Inman Square, 1987. Poster for the Haystack Mountain School of Crafts, 1987. PUBLICATIONS: Providence Journal, “Artists Put a Modern Face on Mosaics”, by Bill Van Siclen, May 2010 Ceramics Monthly, “Up Front,” volume 56, January 2008 Harvard Review 32, Spring 2007 Boston Athenaeum, Annual Report, 2006 Making and Decorating Stylish Screens: Cover Art, by Katherine Duncan Aimone, Lark Books, 2003. Cambridge Center for Adult Education: Catalog Cover, Spring, 2000. Paper Art: “Working From Pulp,” by Michael G. LaFosse, Quarry Books, 1998. Arts Media: “Lasting Impressions: Looking at the Land,” Mary Behrens, June, 1997. Boston Globe: “Perspectives,” Christine Temin, April 9, 1997. American Craft: “Commissions,” August/September, 1996. Art Plan: “Cambridge’s Multi-Purpose Senior Center,” Cambridge Arts Council, 1996. Boston Phoenix: “The Weekend,” November 2, 1990. Art New England: “Lisa Houck: A Long Walk to View Some Petroglyphs,” Meredith Fife Day, July/August 1989. Boston Sunday Globe: “A Happy Case of Life Imitating Art,” Anthony Tommasini, January 8, 1989. Boston Globe, Calendar: “Exhibits: Other Dimensions,”: Critic’s Tip, Christine Temin, April 21, 1988. Boston Globe, Calendar: “Exhibits: Views From the West,” Critic’s Tip, Christine Temin, October 22, 1987. Art New England: “Lisa Houck, Kendall Square Station,” Abstracts, Thomas Frick, October 1987. Boston Globe, Calendar: “Exhibits: Bright Universe,” Critic’ Tip, Robert Taylor, June 18, 1987. Boston Globe: “Perspectives,” Christine Temin, November 27, 1986. Boston Globe, Calendar: “Exhibits: Cosmic Happenings,” Critic’s Tip, Robert Taylor, May 8, 1986. bright blue/green print of a swooping bird on Somerset Velvet Antique paper (off white), one of a series of 4 bird prints by Lisa Houck sold individually or as a set of 2, 3, or 4. Each measures 36 x 24 inches, each blue varies slightly from print to print. The others in the series are more intense in color.
Info Hangry: a state of anger caused by lack of food; hunger causing a negative change in emotional state. This print is practically a public safety warning Paper We use professional museum quality, medium weight matte card for all our prints. Our paper stock gives our prints a very high quality, long-lasting and beautiful finish. Packaging A1 and A0 unframed prints will arrive lovingly rolled in a large mailing tube. All other sizes will come in a clear sleeve with backing board in one of our gorgeous Papier mailers. This will protect the print so you can pop it in your own frame. Framed prints will be protected with layers of cardboard and bubblewrap. For large prints, we use a thin sheet of MDF to help protect the glass. Frames We are all about New Zealand made - our frames are manufactured locally! They're high quality NZ wood and glass, finished in matte black, matte white or a natural finish. The frame edge is approximately 20mm wide and 15mm deep.
Künstler*in: Art Classics Unsere Wandbilder machen Dein Zuhause schöner und die Welt grüner! Premium-Poster: - Galeriequalität mit FSC-zertifiziertem, 260g/m² starkem Premium-Fotopapier - Höchste Farbbrillanz dank umweltfreundlicher Latexfarbe und 12-Farben-Digitaldruck - Unsere Poster haben ein seidenmattes Finish und sind UV-beständig - Plastikfreier, klimaneutraler Versand aus Deutschland Leinwandbild: - Höchste Druckqualität und Auflösung - Brillante Farben durch umweltfreundliche Latexfarbe - Aufgespannt auf 2,5 cm starke Keilrahmen aus nachhaltigem MDF-Holz ohne Verzug - 260g/m² starkes Premium-Leinwandgewebe - Saubere Kanten ohne störende Wulst - Gespiegelte Ränder (Bildrand wird auf der Bildkante gespiegelt, damit nichts vom Motiv verloren geht) Unsere Mission: Wir möchten den Menschen und Ländern, die unsere Bilder zu etwas Besonderem machen, etwas zurückgeben. Daher unterstützen wir seit jeher humanitäre, Entwicklungs- und Umweltprojekte in den Regionen, in denen die jeweiligen Bilder entstanden sind. Seit Ende 2019 unterstützen wir nun ein Aufforstungsprojekt in Äthiopien. Mit jedem verkauften Wandbild pflanzen wir gemeinsam mit unseren Künstler*innen Bäume im Kampf gegen den Klimawandel und zur Verbesserung der Lebensbedingungen der Menschen vor Ort. Wie viele Bäume Du mit Deiner Betellung pflanzt, ist von Format und Produkttyp abhängig, Du kannst dies in der Angebotsbeschreibung (siehe unten) einsehen.
Hi, This Is Ana & Teddy And We Are Glad You're here Teddy & I enjoy discovering new places so I take my camera with me to capture the moments. You can discover pet-friendly places, fantastic cuisine, hotels, and art along the way. I'm A Blogger Based InSouth Florida. Glad You're Here Life Is A
The large Heritage Oak Donation box includes an oak and oak faced MDF construction. This wooden box option proves a successful choice for museums.
Discover Readings Doncaster by Nest Architects, featuring a commercial design that creates an engaging and comfortable retail space for customers in Melbourne.
This is a vintage map reproduction of Budapest Hungary printed on MDF Wood Based ornaments. The map itself was originally produced in 1850 and features several geographical aspects that include streets, rivers, palaces, museums, public squares and gardens, topography, cemeteries, markets, churches and much more! The ornament makes a wonderful gift for Budapest Hungary historians and history buffs, geographers, genealogists, those with local family ancestry, vacationers and tourists, residents. ornaments come with red strings for hanging. Wipe clean with non-abrasive cleaning pad and mild soap or surface cleaner as needed. A wonderful addition to any Christmas tree and or Xmas display!
Cranes from Momoyogusa–Flowers of a Hundred Generations (1909) by Kamisaka Sekka. Original from The
Our exceptionally precise execution and comprehensive planning allowed this self-supporting kiosk to be prefabricated off-site, shipped as a system and assembled in a matter of days.
Tojo-dienerleA fresh and stylish dress servant which is only sticked (2 parts),very easy to handle and flexible. You can put blazers, jackets, blouses, shirts, trousers, ties over, on and in the dienerle.Especially for private households, hotels, restaurants, shops and companies, public houses like universities, schools, kindergardens, museums, etc. dienerle is an all-purpose dress servant, likeable,uncomplicated and washable!Material:MDF coated, whiteMDF coated, anthraciteMDF coated, green
Künstler*in: Art Classics Unsere Wandbilder machen Dein Zuhause schöner und die Welt grüner! Premium-Poster: - Galeriequalität mit FSC-zertifiziertem, 260g/m² starkem Premium-Fotopapier - Höchste Farbbrillanz dank umweltfreundlicher Latexfarbe und 12-Farben-Digitaldruck - Unsere Poster haben ein seidenmattes Finish und sind UV-beständig - Plastikfreier, klimaneutraler Versand aus Deutschland Leinwandbild: - Höchste Druckqualität und Auflösung - Brillante Farben durch umweltfreundliche Latexfarbe - Aufgespannt auf 2,5 cm starke Keilrahmen aus nachhaltigem MDF-Holz ohne Verzug - 260g/m² starkes Premium-Leinwandgewebe - Saubere Kanten ohne störende Wulst - Gespiegelte Ränder (Bildrand wird auf der Bildkante gespiegelt, damit nichts vom Motiv verloren geht) Unsere Mission: Wir möchten den Menschen und Ländern, die unsere Bilder zu etwas Besonderem machen, etwas zurückgeben. Daher unterstützen wir seit jeher humanitäre, Entwicklungs- und Umweltprojekte in den Regionen, in denen die jeweiligen Bilder entstanden sind. Seit Ende 2019 unterstützen wir nun ein Aufforstungsprojekt in Äthiopien. Mit jedem verkauften Wandbild pflanzen wir gemeinsam mit unseren Künstler*innen Bäume im Kampf gegen den Klimawandel und zur Verbesserung der Lebensbedingungen der Menschen vor Ort. Wie viele Bäume Du mit Deiner Betellung pflanzt, ist von Format und Produkttyp abhängig, Du kannst dies in der Angebotsbeschreibung (siehe unten) einsehen.
