Alphonse Mucha was one of the crucial figures in the Art Nouveau movement, and he left a wonderful legacy in the form of highly aestheticized prints, drawings and paintings.
Embrace the timeless beauty and exquisite artistry of Alphonse Maria Mucha with this stunning set of 2 digital prints. These Art Nouveau masterpieces will elevate your home décor to an entirely new level of sophistication. Instantly downloadable and easy to print, these top-quality vintage prints are the epitome of style and elegance, making them perfect for any art lover's collection. 🎨 Alphonse Maria Mucha Wall Art – Adorn your walls with the breath-taking creations of the legendary Czech artist Alphonse Mucha, whose work is synonymous with the Art Nouveau movement. His beautifully intricate designs and distinct style will bring an air of class and refinement to any space. 💻 Instant Download – No need to wait for shipping! Once your purchase is complete, you can download and print your artwork immediately. With these high-resolution files, you gain flexibility and convenience, allowing you to print your purchase in various sizes to suit your preferences. ✨ Premium Quality – The digital files provided are of the highest quality, ensuring a crisp and clear print that mirrors the original artworks' detail and vibrancy. These stunning prints will maintain their elegance and sophistication for many years to come. 🔷 Easy Printing – Enjoy the freedom of printing these Alphonse Maria Mucha Wall Art pieces at home or with your preferred local printing service. Print them on various mediums such as canvas, photo paper, or even fabric to create a personalized touch. Thank you for choosing our unique Alphonse Maria Mucha Wall Art collection to elevate your home's aesthetic. We appreciate your support and invite you to explore our shop further for more captivating artwork and creative inspiration. The sizes you can print: 2:3 Ratio File for printing Inch: 4X6, 8X12, 10X15, 12x18, 16x24, 20x30, 24x36 3:4 Ratio File for printing Inch: 6x8, 9x12, 12x16, 15x20, 18x24, 24x32 4:5 Ratio File for printing Inch: 4x5, 6x8, 9x12, 12x16, 15x20, 18x24, 24x30 An international paper size for printing Inch: 5x7 11:14 Ratio File for printing Inch: 11x14 If you have a custom size in your mind, feel free to contact me. --NOTE!-- This is a digital product. No physical product will be shipped and frame is not included. Because this is a digital product, I cannot offer you refunds or you cannot return or exchange it. -Colors may vary slightly due to different monitors/printers. This purchase is FOR ONLY PERSONAL USE. Do not share this digital file with anyone or reproduce this image for resale. For further question, please feel free to contact.
Introducing 'Peonies', a magnificent 1890s masterpiece by the iconic Art Nouveau artist Alphonse Mucha, now available as a high-quality reproduction in our prints shop. This Alphonse Mucha Peonies print is a testament to Mucha's mastery of form, color, and composition, making it a prized possession for lovers of vintage prints and Art Nouveau enthusiasts. Alphonse Mucha, renowned for his distinct style that epitomizes the Art Nouveau movement, captures the delicate beauty of peonies in this exquisite work. The Mucha Peonies artwork showcases his signature use of flowing lines, ornate floral details, and captivating figures, all harmoniously blended to create a visually stunning piece. This print is a brilliant example of Mucha poster art, where elegance meets the extraordinary. As part of our collection of Alphonse Mucha prints, 'Peonies' stands out for its romantic and ethereal quality. The intricate details and soft pastel colors evoke a sense of tranquility and natural beauty, characteristics that are quintessentially Mucha. This artwork is not only a Mucha print but also a piece of history that captures the essence of a bygone era. For those who appreciate the finer things in life, our selection of Mucha prints framed offers an elevated option for displaying this timeless piece. The Alphonse Mucha framed prints ensure that the artwork's beauty is enhanced and preserved, making it ready to adorn the walls of any space seeking a touch of vintage charm and artistic elegance. Whether you're a collector of posters by Alphonse Mucha, a fan of the Art Nouveau style, or simply in search of exquisite vintage art prints, 'Peonies' is an impeccable choice. It's more than just a vintage poster; it's a celebration of Alphonse Mucha's artistic legacy and the enduring allure of Art Nouveau. Add 'Peonies' to your collection and let this enchanting Alphonse Mucha print bring a touch of elegance, beauty, and historical richness to your space.
His images of towering women and mind-bending vegetal forms, found many audiences through theater posters for Sarah Bernhardt and rolling papers.
1890s Self-portrait in a Russian shirt 'rubashka' in the studio at Rue de la Grande Chaumière, Paris © Mucha Trust Biographical facts on Mucha sourced from Wikipedia: Alphonse (Alfons) Mucha (1860 – 1939) was a Czech painter and decorative artist born in 1860 born in the town of Ivančice, Moravia. He is best known for his luxurious poster and product designs, which encapsulate the Art Nouveau style. Contemporary interest in his work was revived in 1980 after an exhibition at the Grand Palais in Paris. Mucha attended high school in the Moravian capital of Brünn (Brno), after which he worked at decorative painting jobs in Moravia, mostly painting theatrical scenery. In 1879 he moved to Vienna to work for a leading Viennese theatrical design company, while informally furthering his artistic education. In 1881 he returned to Moravia, to do freelance decorative and portrait painting. Count Karl Khuen of Mikulov hired Mucha to decorate Hrušovany Emmahof Castle with murals, and was impressed enough to agree to sponsor Mucha's formal training at the Munich Academy of Fine Arts. He moved to Paris in 1887 and continued his studies at Académie Julian and Académie Colarossi. In addition to his studies, he worked at producing magazine and advertising illustrations. Around Christmas 1894, Mucha happened to drop into a print shop where there was a sudden and unexpected need for a new advertising poster for a play starring Sarah Bernhardt, the most famous actress in Paris, at the Théâtre de la Renaissance on the Boulevard Saint-Martin. Mucha volunteered to produce a lithographed poster within two weeks, and on 1 January 1895, the advertisement for the play Gismonda by Victorien Sardou appeared on the streets of the city. It was an overnight sensation and announced the new artistic style and its creator to the citizens of Paris. Bernhardt was so satisfied with the success of this first poster that she entered into a 6 year contract with Mucha. 1894 Poster for Victorien Sardou's Gismonda starring Sarah Bernhardt at the Théâtre de la Renaissance, Paris 210 x 74.2 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris In contrast with contemporary poster makers he used pale pastel colours. The 1900 Universal Exhibition in Paris spread the "Mucha style" internationally, of which Mucha said "I think the Exposition Universelle made some contribution toward bringing aesthetic values into arts and crafts." He decorated the Bosnia and Herzegovina Pavilion and collaborated in the Austrian Pavilion. Mucha married Maria Chytilová in 1906. The couple visited the U.S. from 1906 to 1910, during which time their daughter, Jaroslava, was born in New York City. They also had a son, Jiri (1915 - 1991). In America Mucha expected to earn money to fund his nationalistic projects to demonstrate to Czechs that he had not "sold out". He was supported by millionaire Charles R. Crane, who used his fortune to help promote revolutions and, after meeting Thomas Masaryk, Slavic nationalism. Mucha and his family returned to Europe and settled in Prague, where he decorated the Theatre of Fine Arts, created the murals in the Mayo'r's office at the Municipal House, and other landmarks around the city. When Czechoslovakia won its independence after World War I, Mucha designed the new postage stamps, banknotes, and other government documents for the new state (some examples in a later post). The rising tide of fascism in the late 1930s led to Mucha's work, as well as his Slavic nationalism, being denounced in the press as "reactionary." When German troops marched into Czechoslovakia in 1939, Mucha was among the first people to be arrested by the Gestapo. During the course of his interrogation, the ageing artist fell ill with pneumonia. Though eventually released, he never recovered from the strain of this event. He died in Prague on July 14 1938, of a lung infection. This is part 1 of a 12-part post on the works of Alphonse Mucha: c1891 Cover of 'Contes d'Amor' for publisher Armand Colin © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris In 1892 Mucha began giving drawing lessons in his studio. These classes, which become known as ‘Cours Mucha’ were so successful that he was later asked to teach at the Académie Colarossi. From 1898, he also ran a drawing course at James McNeill Whistler’s Académie Carmen. 1892 Poster for 'Cours Mucha' at the Académie Colarossi, Paris © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1894 Spirit of Spring oil on canvas 66 x 41 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1895 Calendar for Vieillemard printing company 'The Judgement of Paris' lithograph 82.5 x 50 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1895 Poster for Luchon la Reine des Pyrénées Casino and Spa lithograph © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1895 Poster for Amants - Comdie de M. Donnay at the Theatre de la Renaissance, Paris © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 'Figaro Illustré' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 'L'illustration' cover © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 'L'illustration' page © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 'Chocolat Masson' calendar © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 'Chocolat Masson' calendar January - March © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 'Chocolat Masson' calendar April - June © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 'Chocolat Masson' calendar July -September © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 'Chocolat Masson' calendar October - December © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896-97 'Four Seasons' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896-1897 'Four Seasons' Winter © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896-97 'Four Seasons' Spring © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Cover of 'L'Image No.1' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Cover of 'Le Gaulois' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 'Four Seasons' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Four Seasons 'Spring' oil on panel © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Four Seasons 'Summer' oil on panel © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Four Seasons 'Autumn' oil on panel © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Four Seasons 'Winter' oil on panel © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Poster for 'Cassan Fils' lithograph with gilt highlights 57.5 x 37.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Poster for 'Champagne Ruinart' lithograph © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Poster for 'Job' Cigarette Paper lithograph 66.7 x 46.4 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Poster for 'La Dame aux Camélias' lithograph 207.3 x 76.2 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Poster for 'the XXth Salon des Cent, Paris' study ink on paper 50 x 41.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Poster for 'the XXth Salon des Cent, Paris' study watercolour and gouache 60 x 40 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Poster for 'the XXth Salon des Cent, Paris' lithograph 64 x 43 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Poster for Biscuits Champagne Lefèvre Utile lithograph 62 x 43.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Poster for Biscuits Champagne Lefèvre Utile lithograph 52 x 35.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Poster for Lance Parfum "Rodo" lithograph 44.5 x 32 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Poster for Lorenzaccio at the Theatre de la Renaissance, Paris lithograph 203.7 x 73 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Prophetess tempera on canvas 87 x 138 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Salammbô lithograph © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1895 - 1917 Whitman's Chocolates and Confections, Philadelphia © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1896 Zodiaque 'La Plume' lithograph 63 x 47 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Poster for Savonnerie de Bagnolet soap manufacturer lithograph 51.5 x 37 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris c1896 Easter Chimes Awaken Nature oil on canvas © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 'Melancholy' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 'Manhood' Chocolat Masson calendar 29.9 x 21.5 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 'Fruit and Flower' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 'Fruit' lithograph 66.2 x 44.4 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 'Flower' lithograph 66.2 x 44.4 cm © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 'Byzantine Head' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 'Byzantine Head - The Brunette' lithograph © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 'Byzantine Head - The Blonde' lithograph © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Calendar 'Champagne' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Cover of 'Le Monde Moderne' © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris 1897 Cover for 'Au Quartier Latin' lithograph © Alphonse Mucha Estate-Artists Rights Society (ARS), New York-ADAGP, Paris
His images of towering women and mind-bending vegetal forms, found many audiences through theater posters for Sarah Bernhardt and rolling papers.
Like some personality with your accessories? Show your wild side with our unique zip-top handbags in leather or satin. Designed for style, built to last. Printed, cut and stitched right here in our production partner's studio, your new bag is the epitome of fashion, design craftsmanship. With a roomy interior, this custom printed tote bag really does have it all. Keep notebooks, tablets and makeup bags safe in the main compartment, and use the 3 internal pockets to store your phone, keys and anything else you might need to hand. The zip fastening will keep your bag securely closed when you are out and about. The leather option comes complete with a high-quality Italian silver zip and a long leather puller. If you opt for the satin option your custom printed tote bags will feature a high-quality plastic zip with a short leather puller. You will love the long leather handles, which are just long enough to loop comfortably over your shoulder. Your new bag also has a sturdy, structured base. 5 chrome stud "feet" are pressed into the base, giving a robust finished and preventing the fabric of the bag from getting damaged. Our zip top tote bag service creates designer bags with no minimum, ensuring every detail is perfect - without the hefty price tag. The ink is chemically bonded to the fabric, ensuring a vibrant and lasting print. This will keep your new bag looking fresh and contemporary for years, as the ink does not fade or rub off. The printing method we use makes your custom printed tote bags design as strong as the leather that it is printed on. We use beautiful Nappa bovine-calf leather to make your personalized leather bags, and as with all high-end leather products, the print can lift if you scuff the leather. This is most apparent in corners and along the bottom, and we advise that you take extra care with your personalized zip-top handbag to keep it looking as good as new. The fabric is printed, cut by hand and then sewn together by our talented seamstresses. This method ensures each of our handbags is unique and custom made. Your bag is finished off with a sturdy base. The studs protect the base of your bag from getting damaged when placed on different surfaces. Waterproof lining, internal pockets and long handles made from stunning Nappa leather are the perfect final additions. Designer Tote Bags Designer Tote Bags Secure zip fastening Three internal pockets 47 cm x 31 cm x 14.5cm Long leather handles Handmade to order Care instructions Surface wipe only. Clean gently by hand with mild soapy damp cloth.
Sold by Create your own from scratch Size: Standard Postcard Create your own vacation-worthy postcard! Any view you’ve seen, any monument you’ve fallen in love with, can all be added to your postcard with our personalization tool. Dimensions: 5.6" L x 4.25" H; qualified USPS postcard size High quality, full-color, full-bleed printing on both sides Paper Type: Matte A classic, all around paper with a natural feel and an uncoated matte finish; our Standard Matte stands the test of time. Elegant and understated, colors print softer and more subtle. 17.5 pt thickness / 120 lb weight / 324 GSM Light white, uncoated matte finish with an eggshell texture Paper is easy to write on and won't smudge Made and printed in the USA
Alphonse Maria Mucha first name from the Czech Alfons(24 July 1860 – 14 July 1939), was a Czech Art Nouveau painter and decorative artist...
His images of towering women and mind-bending vegetal forms, found many audiences through theater posters for Sarah Bernhardt and rolling papers.
Alphonse (Alfons) Mucha (1860 – 1939) was a Czech painter and decorative artist born in 1860 born in the town of Ivančice, Moravia. He is best known for his luxurious poster and product designs, which encapsulate the Art Nouveau style. Contemporary interest in his work was revived in 1980 after an exhibition at the Grand Palais in Paris. For biographical notes on Mucha see part 1. For earlier works see parts 1 - 9 also. This is part 10 of a 12-part series on the works of Alphonse Mucha: The Slave Epic After spending many years in Paris and America, Mucha returned to Prague in 1910 with the Slav Epic project as his driving ambition. He had arranged funding from the American, Charles Crane, and the work occupied the years 1912 to 1928. The first eleven canvases were displayed in Prague's Klementium in 1919 to great public interest and acclaim. Critical opinion though was hostile, being out of sympathy with what was seen as its dated nationalism and academic style. Various canvases from from the sequence were displayed in both Czechoslovakia and America over the next twenty years producing a similarly ambivalent reaction. Mucha gifted the Slav Epic to the city of Prague in 1928; ironically, the poster he created to mark the occasion is perhaps more famous than the work itself. 1928 The Slav Epic poster The city However, was unwilling to provide a permanent exhibition space for the work and, after a temporary showing in 1835, the canvases were rolled up and plaved in storage, Ehen Mucha died in 1939, his spirit had been broken by what he saw as the failure of his life's great work. Not surprisingly, the post-war Communist government had little interest in restoring the series to public display and it was to remain out of view for many years. In 1950, 11 years after Mucha's death, the epic was transferred to Moravsky Krumlov, near his hometown of Ivancice. Then, in 1963, after nearly 30 years out of sight, the first nine paintings in the series were exhibited and finally, in 1967, the entire Slovanska Epopej returned to public exhibition. 1912 Bulgarian Tsar Simeon - The Founder of Slavonic Literature tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1912 Czech King Otakar II Přemysl - The Union of Slavonic Dynasties tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1912 The Celebration of Svantovit on Rujána - When Gods Fight, Salvation is in the Arts tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1912 The Introduction of the Slavonic Liturgy in Great Moravia - To Praise the Lord in One’s Native Tongue tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1912 The Primeval Slavs - Between the Turanian Whip and the Gothic Sword tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1914 Defence of Sziget against the Turks by Nicholas Zrinsky - The Shield of Christendom tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1914 The Abolition of Serfdom in Russia - Work in Freedom is the Foundation of a State tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1914 The Printing of the Bible of Kralice in Ivancice - God Gave us a Gift of Language tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 After the Battle of Vitkov - God Represents Truth, not Power tempera on canvas 405 x 480 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 The Meeting of Krizky - Sub Utraque tempera on canvas 620 x 405 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1918 Jan Amos Komensky - A Flicker of Hope tempera on canvas 405 x620 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1918 Petr Chelcicky at Vodnany - Do not repay evil with evil tempera on canvas 405 x 620 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1924 After the Battle of Grunwaldu - The Solidarity of the Northern Slavs tempera on canvas 405 x 610 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1925 The Apotheosis of the Slavs - Slavs for Humanity tempera on canvas 405 x 480 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1925 The Hussite King Jiri z Podebrad - Treaties are to be Observed tempera on canvas 405 x 480 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1926 Holy Mount Athos Sheltering the Oldest Orthodox Literary Treasures tempera on canvas 405 x 480 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1926 The Coronation of the Serbian Tsar Stepan Dusan as East Roman Emperor - The Slavic Code of Law tempera on canvas 405 x 480 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1926 The Oath of Omladina under the Slavic Linden Tree - The Slavic Revival tempera on canvas 480 x 405 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Mucha at work on The Slav Epic in 1912 © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris The Slav Epic on display 1913 'Regional Exhibition at Ivančice' lithograph 93 x 59 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1913 'Regional Exhibition at Ivančice' photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1913 A Woman in a Folk Costume chalk 34 x 28 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1913 Portrait of a Girl © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1914 'The Spring Festival of Song and Music in Prague' Poster © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1914 'The Spring Festival of Song and Music in Prague' photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 Spring ( also used on 'Hearst's International' cover 1922 ) oil on canvas 60.3 x 40.5 © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 The Slavonic Epic Poem tempera on canvas 610 x 40.5 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 The Slavonic Epic Poem study pastel on paper 52 x 35.5 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 The Slavonic Epic Poem photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1917 A Winter Tale oil on canvas 124 x 99 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1917 Libuše oil on canvas 230 x 110 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1918 I Also Believe in God ( also used in 1927 on cover of 'JAS' ) © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris c1918 France Embraces Bohemia oil on canvas 122 x 105 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris c1918 Naše Písen 100 x 138 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris c1918 Naše Písen used on 1924 Calendar © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris c1918 Naše Písen photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1919 Christmas in America oil on canvas 81.2 x 76.8 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1919 Jaroslava and Jiri, the Artist's Children oil on canvas 82.8 x 82.8 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1926 Czechoslovakian Banknotes The first banknotes were issues of the Austro-Hungarian Bank to which adhesive stamps were affixed. Denominations were of 10, 20, 50, 100 and 1000 korun. Regular banknotes were issued by the Republic of Czechoslovakia between 1919 and 1926, in denominations of 1, 5, 10, 20, 50, 100, 500, 1000 and 5000 korun. The Czechoslovak National Bank took over production in 1926, issuing notes for 10, 20, 50, 100, 500 and 1000 korun. The new designs were made by Mucha. The urgency of the task led him to reuse a previous portrait of Josephine Crane Bradley as Slavia for the 100 koruna bill. 10 Korun banknote 50 Korun banknote reverse 50 Korun banknote reverse photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 50 Korun banknote 100 Korun banknote 500 Korun banknote reverse 500 Korun banknote Study for 50 Korun banknote design © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1920 Cover of childrens book 'Andělíček z Baroku' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1920 Croatian Woman with Apples oil on canvas 76.4 x 67 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1920 Fate oil on canvas 51.5 x 53.5 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1920 Girl with Loose Hair and Tulips oil on canvas 76.8 x 66.9 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1920 The Artist oil on canvas 54.6 x 57.2 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris
Art Nouveau T-Shirt featuring the mesmerizing artwork Lance Parfum Rodo (1896). Immerse yourself in the timeless beauty of Alphonse Mucha's Lance Parfum Rodo. This t-shirt captures the essence of Mucha's intricate details, flowing lines, and delicate floral motifs, showcasing the epitome of the Art Nouveau movement's grace and sophistication. This poster advertises a perfume produced by the Société des Usines Chimiques du Rhône in Lyon. Mucha's elegant and graceful turn-of-the-century women were particularly successful in appealing to female audiences. As a result, his commercial work was in great demand from cosmetic companies. Clients included Sylvanis Esssence, Parfumerie Bleuze-Hadancourt, Savonneries de Bagnolet and Carmichael's Bath Tablets in England. Alphonse Mucha was a Czech painter, illustrator and graphic artist, living in Paris during the Art Nouveau period, best known for his distinctly stylized and decorative theatrical posters, particularly those of Sarah Bernhardt. He produced illustrations, advertisements, decorative panels, and designs, which became among the best-known images of the period. This t-shirt is everything you've dreamed of and more. It feels soft and lightweight, with the right amount of stretch. It's comfortable and flattering for all. • 100% combed and ring-spun cotton (Heather colors contain polyester) • Fabric weight: 4.2 oz./yd.² (142 g/m²) • Pre-shrunk fabric • Side-seamed construction • Shoulder-to-shoulder taping • Blank product sourced from Nicaragua, Mexico, Honduras, or the US • Traceability: - Weaving—India, South Korea - Dyeing—El Salvador, California - Manufacturing—Nicaragua, Mexico, Honduras, or the US • Contains 0% recycled polyester • Contains 0% dangerous substances
Alphonse (Alfons) Mucha (1860 – 1939) was a Czech painter and decorative artist born in 1860 born in the town of Ivančice, Moravia. He is best known for his luxurious poster and product designs, which encapsulate the Art Nouveau style. Contemporary interest in his work was revived in 1980 after an exhibition at the Grand Palais in Paris. For biographical notes on Mucha see part 1. For earlier works see parts 1 - 9 also. This is part 10 of a 12-part series on the works of Alphonse Mucha: The Slave Epic After spending many years in Paris and America, Mucha returned to Prague in 1910 with the Slav Epic project as his driving ambition. He had arranged funding from the American, Charles Crane, and the work occupied the years 1912 to 1928. The first eleven canvases were displayed in Prague's Klementium in 1919 to great public interest and acclaim. Critical opinion though was hostile, being out of sympathy with what was seen as its dated nationalism and academic style. Various canvases from from the sequence were displayed in both Czechoslovakia and America over the next twenty years producing a similarly ambivalent reaction. Mucha gifted the Slav Epic to the city of Prague in 1928; ironically, the poster he created to mark the occasion is perhaps more famous than the work itself. 1928 The Slav Epic poster The city However, was unwilling to provide a permanent exhibition space for the work and, after a temporary showing in 1835, the canvases were rolled up and plaved in storage, Ehen Mucha died in 1939, his spirit had been broken by what he saw as the failure of his life's great work. Not surprisingly, the post-war Communist government had little interest in restoring the series to public display and it was to remain out of view for many years. In 1950, 11 years after Mucha's death, the epic was transferred to Moravsky Krumlov, near his hometown of Ivancice. Then, in 1963, after nearly 30 years out of sight, the first nine paintings in the series were exhibited and finally, in 1967, the entire Slovanska Epopej returned to public exhibition. 1912 Bulgarian Tsar Simeon - The Founder of Slavonic Literature tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1912 Czech King Otakar II Přemysl - The Union of Slavonic Dynasties tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1912 The Celebration of Svantovit on Rujána - When Gods Fight, Salvation is in the Arts tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1912 The Introduction of the Slavonic Liturgy in Great Moravia - To Praise the Lord in One’s Native Tongue tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1912 The Primeval Slavs - Between the Turanian Whip and the Gothic Sword tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1914 Defence of Sziget against the Turks by Nicholas Zrinsky - The Shield of Christendom tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1914 The Abolition of Serfdom in Russia - Work in Freedom is the Foundation of a State tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1914 The Printing of the Bible of Kralice in Ivancice - God Gave us a Gift of Language tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 After the Battle of Vitkov - God Represents Truth, not Power tempera on canvas 405 x 480 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 The Meeting of Krizky - Sub Utraque tempera on canvas 620 x 405 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1918 Jan Amos Komensky - A Flicker of Hope tempera on canvas 405 x620 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1918 Petr Chelcicky at Vodnany - Do not repay evil with evil tempera on canvas 405 x 620 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1924 After the Battle of Grunwaldu - The Solidarity of the Northern Slavs tempera on canvas 405 x 610 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1925 The Apotheosis of the Slavs - Slavs for Humanity tempera on canvas 405 x 480 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1925 The Hussite King Jiri z Podebrad - Treaties are to be Observed tempera on canvas 405 x 480 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1926 Holy Mount Athos Sheltering the Oldest Orthodox Literary Treasures tempera on canvas 405 x 480 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1926 The Coronation of the Serbian Tsar Stepan Dusan as East Roman Emperor - The Slavic Code of Law tempera on canvas 405 x 480 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1926 The Oath of Omladina under the Slavic Linden Tree - The Slavic Revival tempera on canvas 480 x 405 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Mucha at work on The Slav Epic in 1912 © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris The Slav Epic on display 1913 'Regional Exhibition at Ivančice' lithograph 93 x 59 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1913 'Regional Exhibition at Ivančice' photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1913 A Woman in a Folk Costume chalk 34 x 28 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1913 Portrait of a Girl © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1914 'The Spring Festival of Song and Music in Prague' Poster © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1914 'The Spring Festival of Song and Music in Prague' photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 Spring ( also used on 'Hearst's International' cover 1922 ) oil on canvas 60.3 x 40.5 © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 The Slavonic Epic Poem tempera on canvas 610 x 40.5 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 The Slavonic Epic Poem study pastel on paper 52 x 35.5 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 The Slavonic Epic Poem photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1917 A Winter Tale oil on canvas 124 x 99 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1917 Libuše oil on canvas 230 x 110 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1918 I Also Believe in God ( also used in 1927 on cover of 'JAS' ) © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris c1918 France Embraces Bohemia oil on canvas 122 x 105 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris c1918 Naše Písen 100 x 138 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris c1918 Naše Písen used on 1924 Calendar © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris c1918 Naše Písen photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1919 Christmas in America oil on canvas 81.2 x 76.8 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1919 Jaroslava and Jiri, the Artist's Children oil on canvas 82.8 x 82.8 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1926 Czechoslovakian Banknotes The first banknotes were issues of the Austro-Hungarian Bank to which adhesive stamps were affixed. Denominations were of 10, 20, 50, 100 and 1000 korun. Regular banknotes were issued by the Republic of Czechoslovakia between 1919 and 1926, in denominations of 1, 5, 10, 20, 50, 100, 500, 1000 and 5000 korun. The Czechoslovak National Bank took over production in 1926, issuing notes for 10, 20, 50, 100, 500 and 1000 korun. The new designs were made by Mucha. The urgency of the task led him to reuse a previous portrait of Josephine Crane Bradley as Slavia for the 100 koruna bill. 10 Korun banknote 50 Korun banknote reverse 50 Korun banknote reverse photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 50 Korun banknote 100 Korun banknote 500 Korun banknote reverse 500 Korun banknote Study for 50 Korun banknote design © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1920 Cover of childrens book 'Andělíček z Baroku' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1920 Croatian Woman with Apples oil on canvas 76.4 x 67 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1920 Fate oil on canvas 51.5 x 53.5 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1920 Girl with Loose Hair and Tulips oil on canvas 76.8 x 66.9 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1920 The Artist oil on canvas 54.6 x 57.2 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris
Arnaud de Coninck considers the work of the late 19th-early 20th century Parisian artist Albert Besnard (1849-1934), from the point of view of his idiosyncratic frame designs. Albert Besnard in his…
This beautiful maiden pays homage to those on the exquisite renaissance fountain in Paris' square des innocents. Sheltered beneath a stately architectural frame, it gracefully shoulders its life-replenishing water urn. Replicated in quality designer resin to capture the intricate details, this classic sculpture is finished in antique stone as a perfect accompaniment to any formal or gallery space.
Alphonse Maria Mucha first name from the Czech Alfons(24 July 1860 – 14 July 1939), was a Czech Art Nouveau painter and decorative artist...
Alphonse Maria Mucha first name from the Czech Alfons(24 July 1860 – 14 July 1939), was a Czech Art Nouveau painter and decorative artist...
Alphonse (Alfons) Mucha (1860 – 1939) was a Czech painter and decorative artist born in 1860 born in the town of Ivančice, Moravia. He is best known for his luxurious poster and product designs, which encapsulate the Art Nouveau style. Contemporary interest in his work was revived in 1980 after an exhibition at the Grand Palais in Paris. For biographical notes on Mucha see part 1. For earlier works see parts 1 - 9 also. This is part 10 of a 12-part series on the works of Alphonse Mucha: The Slave Epic After spending many years in Paris and America, Mucha returned to Prague in 1910 with the Slav Epic project as his driving ambition. He had arranged funding from the American, Charles Crane, and the work occupied the years 1912 to 1928. The first eleven canvases were displayed in Prague's Klementium in 1919 to great public interest and acclaim. Critical opinion though was hostile, being out of sympathy with what was seen as its dated nationalism and academic style. Various canvases from from the sequence were displayed in both Czechoslovakia and America over the next twenty years producing a similarly ambivalent reaction. Mucha gifted the Slav Epic to the city of Prague in 1928; ironically, the poster he created to mark the occasion is perhaps more famous than the work itself. 1928 The Slav Epic poster The city However, was unwilling to provide a permanent exhibition space for the work and, after a temporary showing in 1835, the canvases were rolled up and plaved in storage, Ehen Mucha died in 1939, his spirit had been broken by what he saw as the failure of his life's great work. Not surprisingly, the post-war Communist government had little interest in restoring the series to public display and it was to remain out of view for many years. In 1950, 11 years after Mucha's death, the epic was transferred to Moravsky Krumlov, near his hometown of Ivancice. Then, in 1963, after nearly 30 years out of sight, the first nine paintings in the series were exhibited and finally, in 1967, the entire Slovanska Epopej returned to public exhibition. 1912 Bulgarian Tsar Simeon - The Founder of Slavonic Literature tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1912 Czech King Otakar II Přemysl - The Union of Slavonic Dynasties tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1912 The Celebration of Svantovit on Rujána - When Gods Fight, Salvation is in the Arts tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1912 The Introduction of the Slavonic Liturgy in Great Moravia - To Praise the Lord in One’s Native Tongue tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1912 The Primeval Slavs - Between the Turanian Whip and the Gothic Sword tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1914 Defence of Sziget against the Turks by Nicholas Zrinsky - The Shield of Christendom tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1914 The Abolition of Serfdom in Russia - Work in Freedom is the Foundation of a State tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1914 The Printing of the Bible of Kralice in Ivancice - God Gave us a Gift of Language tempera on canvas 610 x 810 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 After the Battle of Vitkov - God Represents Truth, not Power tempera on canvas 405 x 480 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 The Meeting of Krizky - Sub Utraque tempera on canvas 620 x 405 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1918 Jan Amos Komensky - A Flicker of Hope tempera on canvas 405 x620 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1918 Petr Chelcicky at Vodnany - Do not repay evil with evil tempera on canvas 405 x 620 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1924 After the Battle of Grunwaldu - The Solidarity of the Northern Slavs tempera on canvas 405 x 610 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1925 The Apotheosis of the Slavs - Slavs for Humanity tempera on canvas 405 x 480 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1925 The Hussite King Jiri z Podebrad - Treaties are to be Observed tempera on canvas 405 x 480 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1926 Holy Mount Athos Sheltering the Oldest Orthodox Literary Treasures tempera on canvas 405 x 480 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1926 The Coronation of the Serbian Tsar Stepan Dusan as East Roman Emperor - The Slavic Code of Law tempera on canvas 405 x 480 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1926 The Oath of Omladina under the Slavic Linden Tree - The Slavic Revival tempera on canvas 480 x 405 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris Mucha at work on The Slav Epic in 1912 © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris The Slav Epic on display 1913 'Regional Exhibition at Ivančice' lithograph 93 x 59 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1913 'Regional Exhibition at Ivančice' photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1913 A Woman in a Folk Costume chalk 34 x 28 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1913 Portrait of a Girl © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1914 'The Spring Festival of Song and Music in Prague' Poster © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1914 'The Spring Festival of Song and Music in Prague' photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 Spring ( also used on 'Hearst's International' cover 1922 ) oil on canvas 60.3 x 40.5 © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 The Slavonic Epic Poem tempera on canvas 610 x 40.5 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 The Slavonic Epic Poem study pastel on paper 52 x 35.5 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1916 The Slavonic Epic Poem photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1917 A Winter Tale oil on canvas 124 x 99 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1917 Libuše oil on canvas 230 x 110 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1918 I Also Believe in God ( also used in 1927 on cover of 'JAS' ) © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris c1918 France Embraces Bohemia oil on canvas 122 x 105 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris c1918 Naše Písen 100 x 138 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris c1918 Naše Písen used on 1924 Calendar © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris c1918 Naše Písen photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1919 Christmas in America oil on canvas 81.2 x 76.8 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1919 Jaroslava and Jiri, the Artist's Children oil on canvas 82.8 x 82.8 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1926 Czechoslovakian Banknotes The first banknotes were issues of the Austro-Hungarian Bank to which adhesive stamps were affixed. Denominations were of 10, 20, 50, 100 and 1000 korun. Regular banknotes were issued by the Republic of Czechoslovakia between 1919 and 1926, in denominations of 1, 5, 10, 20, 50, 100, 500, 1000 and 5000 korun. The Czechoslovak National Bank took over production in 1926, issuing notes for 10, 20, 50, 100, 500 and 1000 korun. The new designs were made by Mucha. The urgency of the task led him to reuse a previous portrait of Josephine Crane Bradley as Slavia for the 100 koruna bill. 10 Korun banknote 50 Korun banknote reverse 50 Korun banknote reverse photographic study © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 50 Korun banknote 100 Korun banknote 500 Korun banknote reverse 500 Korun banknote Study for 50 Korun banknote design © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1920 Cover of childrens book 'Andělíček z Baroku' © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1920 Croatian Woman with Apples oil on canvas 76.4 x 67 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1920 Fate oil on canvas 51.5 x 53.5 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1920 Girl with Loose Hair and Tulips oil on canvas 76.8 x 66.9 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris 1920 The Artist oil on canvas 54.6 x 57.2 cm © Alphonse Mucha Estate/Artists Rights Society (ARS), New York/ADAGP, Paris
Introducing the exquisite White Mucha Chair by Enrique Marti Associates for OOLand - the epitome of modern elegance and functional design in the world of contemporary seating. This alluring creation is more than just a chair; it\'s a statement piece, a work of art that fuses style and practicality, elevating your dining experience to new heights. Crafted meticulously by the acclaimed Enrique Marti Associates, this white dining chair is an embodiment of modernist aesthetics. The White Mucha Chair\'s captivating design is a testament to the manufacturer, OOLand\'s, commitment to quality and exceptional craftsmanship. Designed to be versatile, it fits seamlessly into a wide variety of interiors, making it an excellent choice for any discerning homeowner looking to add a touch of elegance to their dining room or even a stylish cafe owner. With an overall height of 81cm and a width of 52cm, the White Mucha Chair is designed to provide optimum comfort without compromising space. Its depth of 54cm and a seat height of 44cm ensure a seating experience that is not only comfortable but also supports proper posture, making it ideal for long dinners or intense discussions over a cup of coffee. The chair is constructed from injected polypropylene, a durable and robust material known for its superior strength and resilience. This material choice guarantees a long-lasting dining chair that can withstand the rigours of everyday use while retaining its aesthetic appeal. Despite its sturdy construction, the White Mucha Chair retains a graceful airiness due to its colour - a serene, inviting white that promotes a sense of calm and purity. One of the highlights of the White Mucha Chair is its stackability. This feature, often overlooked, adds a layer of practicality to the chair\'s design, making it perfect for space-saving and easy storage. The ability to stack the chairs is also ideal for times when you need to accommodate additional guests, ensuring you are always prepared for any event or gathering. The White Mucha Chair arrives ready for immediate use, with no assembly required. This means you can immediately appreciate the chair\'s seamless construction and thoughtfully designed form, free from the hassles of assembly. In a world where design often supersedes comfort, the White Mucha Chair stands out as a product that expertly marries the two. Its innovative design, combined with its practical features, makes this modern dining chair a must-have for those seeking to introduce modern elegance into their spaces. The White Mucha Chair is not just a piece of furniture; it\'s a lifestyle choice, a commitment to excellence and style.
Sold by Create your own from scratch Style: Women's Basic T-Shirt This basic t-shirt features a relaxed fit for the female shape. Made from 100% cotton, this t-shirt is both durable and soft - a great combination if you're looking for that casual wardrobe staple. Select a design from our marketplace or customize it and unleash your creativity! Size & Fit Model is 5’7” and is wearing a small Standard fit Fits true to size Fabric & Care 100% cotton Double-needle hemmed sleeves and bottom Machine wash cold Imported
Alphonse Maria Mucha first name from the Czech Alfons(24 July 1860 – 14 July 1939), was a Czech Art Nouveau painter and decorative artist...
His images of towering women and mind-bending vegetal forms, found many audiences through theater posters for Sarah Bernhardt and rolling papers.
The Mythological Kelpie at home in the crashing waves, it's scales glittering while flying fish dance in the moonlight. The water horse - epitome of myth and fantasy, entrances the imagination with its breathtaking beauty. Colours of soft pinks, bronze and blues on a backdrop of watercolour texture and stars creates a unique and stunning image. Art Nouveau- Alphonse Mucha inspired, this water horse artwork comes to you printed on the finest 290gsm Hahnemule art paper, a beautiful heavy weight textured paper made from recycled agave fibres. This listing offers this artwork as a professionally printed Giclee or greeting card to share or cherish.
