yeosang ateez
I recently participated in a design competition for a mixed use development in Kunming, China that included corporate offices, high-rise residential, conference center and a commercial mall within a compact site. My team was pleased to learn that Kunming, a sister city with Denver, Colorado, was known for a popular Chinese cultural dance named the peacock dance. Inspired by the beautiful solo Peacock Dance by Yang LiPing, we developed our design concept around her movement. I developed a series of Google SketchUp models for the competition and hand drawn perspectives that eventually were turned into photo realistic renderings. Some of...
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President’s Medals Student Awards are considered the most prestigious and long-lasting awards in architectural education in the world.
Structurally, zero gravity means that we do not have to contend with architecture's greatest arch-nemesis, gravity. This opens up a new world of possibilities …
wooyoung
Koepelhal - Spoorzone 013
In a world where visuals speak louder than words, capturing eye-catching images has become a necessity for every creative soul. With Midjourney, you can explore AI-generated artistry to take your…
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poppodium 013 Tilburg
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se:motion net is a swivel chair with a chic design and air-permeable knitted membrane. It is suitable for flexible and agile work in the office and at home.
Surface Exploration
Emily Dickinson's revered poem, “Some Keep the Sabbath Going to Church” comes to mind when beholding Italian artist Giuliano Mauri's epic Catterdale Vegetale (or Tree Cathedral). Proving that a place of worship, contemplation, or connection does not
Early concept for Assassin’s Creed Valhalla
Работа по теме: Лаб. раб. по КМ (весна, 1 курс). Глава: Лабораторная работа № 1. Модульные решетки как средство гармонизации и основа упорядочения архитектурной композиции. ВУЗ: СибАДИ.
Collier Schorr was born in New York City in 1963. As part of the heady New York art world of the late ‘80s and early ‘90s, Schorr’s early work mined the vernacular of postmodernism to create photographs that toe the line between documentary and fiction. Often using her subjects allegorically, Schorr’s work navigates the auspices of identity politics to ask beguiling questions about the nomenclature of selfhood.
A watch where the entire movement is in motion--the only fixed elements are the case and the orientation in which the time is read.