Bonfire designed by Jean-Michel Perchet. Connect with them on Dribbble; the global community for designers and creative professionals.
Campfire Memories Fragrance Oil for Candles, Soap, and Cosmetics The perfect blend of fresh forest air with a touch of crackling campfire. Light campfire base notes, not an over powering bonfire smell like some can be. Top notes are woods, fir, balsam, and pine. Very well rounded fragrance. Masculine, but appealing to both men and women. Related Fragrances: Cracklin' Birch Fireside Marshmallows IFRA Maximum Skin Exposure Levels: Body Lotion: 0.75% Body Wash: 2.50% Soap: 2.50% Face Cream: 0.49% Body Powder: 0.75% Baby: 0.16% Perfume: 2.94% Deodorant: 0.16% Lip: 0.00% Flash Point: >200° F Vanilla Content: 0.00% Country of Origin: United States Phthalate Free: Yes Paraben Free: Yes Cruelty Free: Yes Make your own candles, wax melts, soap, reed diffusers, lotion, perfume, bath bombs, and cosmetic products with our premium fragrance oils. Check IFRA certificate for maximum usage amounts. Learn more about IFRA certificates in our blog. Orders of 10+ pounds of a single fragrance may have an extended lead time. Contact us for more information. All fragrance oil sales are final. Please read our fragrance oil Terms & Conditions. Data Sheets SDS | IFRA
In this exhibition, it struck me that what Katherine Bradford keeps getting better at is incoherence: she can meld divergent details without coming across as contrived or arbitrary.
Bring cozy fall vibes to your space with the Bonfire Print! Featuring vibrant autumnal scenery with a brilliant bonfire, this print will inspire you to bundle up and spend fall days playing outside. Phoebe’s full-color illustrations were originally created with watercolor, collage, colored pencil, and gouache. Size – 12" X 12"Process – GicléePaper – 290gsm Warm White CottonOrigin – Made in the US
I've been enjoying the British Masters series on BBC4. Oxbridge Art Historian Dr. James Fox stares at symbolically thorny twigs in front of a sunset glow and roves up and down damp northern streets. He also talks about British (for this, read English) Painters of the 20th Century. He sees an unheralded and almost-forgotten 'golden age' of figurative painting stretching from the end of the Edwardian era until the suicide of Keith Vaughan in the late 1970s, taking in Paul Nash, Graham Sutherland, Stanley Spencer, David Hockney, Francis Bacon, Richard Hamilton and Lucian Freud, after which it all became about pickled sharks, diamond skulls and money. Cray Fields - Graham Sutherland Bonfire Night, Hay Bluff I - David Inshaw (Except that it didn't: Peter Blake, Paula Rego, John Bellany, Stephen Conroy and Stephen Cambell all carried on the painterly tradition that Dr. Fox celebrates, but apparently they don't count cos they're a. women b. Scottish or c. some other reason.) The Forest - Graham Sutherland I love the art of most of these artists; I definitely respond to their 'Britishness'. And they deserve more international recognition. In some ways I like Dr. Fox's ludicrousness. I like the fact he flies in the face of received opinion. But his loose way with facts is quite shocking for an Oxbridge professor (e.g. on Keith Vaughan: he didn't kill himself out of despair because the conceptual artists had edged him out, as the program strongly intimates; in fact he had cancer and was at the end of a long and successful career.) Still, nice to see some of my favourite painters on the telly.
