Sizing: True to size Material composition: 80% Polyester, 20% Elastane/Spandex Clothing type: A Material: Polyester Pattern: Self design Fabric elasticity: Slight elasticity Season: Autumn-Winter Weaving type: Knit Style: Cute Weight: 300 g Pocket: No-back-pocketStriped long-sleeved rainbow plaid handmade versatile cardigan sweater, the simple design makes the boring season colorful and interesting. A variety of matching options make you confident and beautiful. Please use the sizing guide shown in our images when purchasing. Please read each element in the size guide carefully before choosing a size. Sizes are measured manually, and an error of 1-3cm is normal.Size Chart(inch)SizeUSUKLengthBustSleeve LengthS48224724M610234924L812235025
"WEAVING LOOM" QUILT BLOCK HAS 1 DESIGN ON 12" X 14" COTTON FABRIC 1 - "WEAVING LOOM" QUILT BLOCK is machine embroidered on pre-shrunk, 100% Cotton fabric that is high quality and a perfect weight for quilting or any quilting project that you might want to do. A native american woman with her weaving loom making blankets. There is stabilizer on the back of the quilt block and you can leave it on or you can cut it away, it will not affect your quilt block in any way if you leave it on. The 12" X 14" blocks are ready to be cut to your personal block size. These are perfect for a quilt, a pillow, a lap quilt, or a wall hanging, and many other creative ideas. 1 - EMBROIDERED QUILT BLOCK in the size listed below: "WEAVING LOOM" -- 5.82" X 8.03" (stitched embroidery size) SHIPPING:THE QUILT BLOCKS WILL BE MAILED BY USPS TO THE BUYER WITHIN 10 DAYS AFTER PURCHASE, SINCE THESE ARE CUSTOM DESIGNS MADE TO ORDER, PLEASE ALLOW TIME FOR ME TO STITCH THEM OUT FOR YOU. PLEASE ALLOW 4-7 DAYS FOR DELIVERY OF QUILT BLOCKS IMAGE PROVIDED BY EMBROIDERY LIBRARY THIS BLOCK IS A STITCHED QUILT BLOCK
weaving handspun, overshot, four shaft weaving, weaving draft
Taking a nod from Craft the Rainbow, we're showing a spin on our paper weavings, which are perfect for stay at home projects!
Caption: Amara looked at the sun and the lay of the land Here Louise Martin talks about her Woven Tapestry courses on Eccentric weaving and Coptic techniques (with some stunning examples, click image to expand) Over the past 20 years I have produced work that is a response to the countries I have lived and travelled in. At first I incorporated superstitions, traditions and folklore, however, latterly I have become interested in capturing the essence of the land and my feelings towards it. As I walk in Mongolia or Turkey or Iceland, I clear my mind, open my senses, and allow the surroundings shape the result. When beginning a weaving I choose my palette, but I do not interpret from an image or cartoon, preferring to work from my internal feelings, trusting in my experience and technical expertise. As a result my work has become more meditative and joyful in production, and the surface livelier, due to the exposed warps and eccentric wefts. (Caption: Near the land of dinosaurs) Caption: Eccentric weaving Amara looked at the sun and the lay of the land and near the land of dinosaurs were both inspired by my travels in Mongolia and are both constructed with wefts woven at different angles to the warps - eccentrically. Another image, eccentric weaving, was woven during a two month residency in Turkey last year and clearly shows the movement of the weft threads. This is one of many eccentric methods which will be covered during the short course. In Coptic bird and Coptic flower I have used Coptic imagery and techniques, including eccentric weaving. These were woven for a British Tapestry Group exhibition titled Tapestry Mischief, where images from old tapestries were interpreted in a contemporary way. Conventional tapestry is weft faced, but in many of my new works the warp is exposed. I have been lucky enough to see many Coptic tapestries over the years in the Metropolitan Museum of Art, New York, the Cluny Museum, Paris, the V&A, London and the Islamic and Coptic Museums in Cairo. The tapestries are often exquisitely woven, with a refined palette. For the course I aim to bring my collection of Coptic publications and a couple of small Coptic pieces I am lucky enough to own.
If you worked through the weave along, you'll remember that we made a fishtail braid at one point in our weave. The fishtail braid has such an interesting look and it's really pretty when woven up, so I especially wanted to try it out on some fluffy wool roving. I think the hardest part of
Lala Abaddon's colorful photos look like digital art, except they're made by hand on a loom.
