Comment rajeunir l’image dépassée des grands classiques de l’art occidental ? Rodrigo Pinheiro est designer graphique, et semble spécialiste des collages
It took me a long time, too long, in fact, to realize that a “pumpkin spice latte” is not really supposed to taste like pumpkin. For years, I would drink a PSL when fall was kicking into full gear and wonder to myself… where is the pumpkin? A couple of things to address here: 1) Pumpkin itself woul
‘According to quantum mechanics we have forty conscious moments per second, and our brains connect this sequence of nows to create the illusion of the flow of time. So, what would things look like if that intermittence was made visible? This body of work explores that hiccup, that blink, that ubiquitous fissure in the falling-into-place […]
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Haruko Maeda aka 前田 晴子 (Japanese, b. 1983, Tokyo, Japan, based Linz, Austria) - Volta NY, 2013 Mixed Media: Fabrics, Beads, Wire, Found Objects
Lita Cabellut was born in Barcelona, into a Sinti family and lived on the streets until the age of 12 when she was adopted by a prominent family. She was introduced to her masters in the Prado: Velazquez, Goya and Frans Hals and became deeply affected by art.
We can create unbelievable photo manipulations with Photoshop but sometimes there are paused moments which can
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Ukranian multimedia artist Alexey Kondakov flexes his Photoshop prowess taking characters from classical paintings and transporting them to everyday scenes in his series ‘Art History in Contemporary Life’. The ongoing project sees the artist take banal photographs of contemporary urban life — from subway cars to waiting rooms and trash-filled alleyways, and inserting figures from […]
House of Trace is a minimalist house located in London, England, designed by Tsuruta Architects. The demolition of the original extension and its replacement, called for an intervention that can be a part of the original main building without replicating classical vocabulary or gesture.
Happy New Year!!!! Today I am going to share with you, a card I made & some LO's I did for the year 2014,using the Beautiful Maja Design Collections & Dusty Attic Chipboard... I used the Vintage Autumn Basics Collection I used:no.XIX,no.XIX-BS,no.XXI,no.XXIII.no.XIII-BS,no.VII-BS,no.XX,& Heritage The Dusty Attic used: Skeleton Clock Faces (DA0430),Baroque Frame Set (DA0541),mini script ABC (DA0859),mini Number set (DA0863),page pebbles#9(DA1114) Thank you so much for taking the time to look,& all the Best to You & Yours for the Year 2015! Happy New Year....Rachelle
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Last December, I went to the British Museum exhibition 'Celts: Art and Identity'. It is a fabulous exhibition and is now in Edinburgh. http://www.nms.ac.uk/national-museum-of-scotland/whats-on/celts/ On the web site you can view some of the wonderful items in the exhibition. I was particularly fascinated by the Gunderstrup Cauldron; an object that I had seen many times in books and at last, I could view the real thing. The book accompanying the exhibition is comprehensive beautifully illustrated. Celts Art and Identity: ISBN 978 0 7141 2835 1 Here is the back of the cover. I have been interested in Celtic art for many years. Many years ago, I fulfilled a long standing wish to go to Dublin and see the Book of Kells. This wonderful book can now be viewed online. . Here is the link. http://www.tcd.ie/library/news/book-of-kells-now-free-to-view-online/ There is a special IPad app which can be purchased which has the entire manuscript in high definition. Close up of the beautiful knot pattern in the Book of Kells. While I was in Dublin, I bought a book about how to construct these wonderful Celtic swirling patterns. This book was first published in 1951. At the back of the book there are a number of pictures of items made in the 'Celtic' style. One of them is a rug. The Celtic Hunting Rug, designed by George Bain The black and white photograph does not do justice to the complex design. It was made by Messr.Qualyle and Tranter in Kidderminster. I thought that I recognised it. My Aunt had one in her bedroom and I inherited it when she died. Here it is. The Celtic Hunting Rug The centre pattern of the Celtic Hunting Rug Isn't it wonderful. I love the swirling, sinuous patterns. It has pride of place in the centre of my lounge. Celtic swirling patterns are very evocative. The interlaced patterns appear in many different art forms Stone Carvings This is the base of a cross from 800 CE in the Great North Museum in Newcastle. This base of a cross is highly unusual in that the name of the maker is carved onto it. Book covers In Durham Cathedral there is the shrine of St Cuthert. St Cuthberts Gospel is the oldest intact European book. It was made in the 8th century and is a copy of the Gospel of St John. When his coffin was raised in the year 1104, the monks saw a book of the gospels lying at the head of the board. This precious book is now in the British Library in London. For a short time, it was on display in Durham as part of a book exhibition. It was lovely to see it returned to the place where it was found. Here is a image of the binding. Click here to see the British Library details. St Johns Gospel. The oldest intact European book from Durham. Look at the beautifully designed leather cover. The scroll work is lovely. Ivory Carving Knot and meander patterns were also carved in wood, bone and ivory. Here is a lovely example from the Lewis Chess set. They were probably made in Norway between 1150 and 1200. Ivory knot pattern on one side of a King piece from the Lewis chess set. Do check out my Pinterest board on Knots and Meanders. Weaving Knots and Meanders. I enjoy translating knot and meander patterns into weaving drafts. Knots and meanders occur so frequently in weave patterns. Here are two variations of interlacing. One pattern gives the illusion that there are separate threads interlacing with each other. The second pattern is more like a grid. The graphs for the two patterns show the difference in construction. Shading can be use to enhance the pattern. Here the blue is lightest in the centre of the band and shades outwards to the darker colour. Interlaced knot pattern. Interlaced knot patterns occur in many cultures. There are many variations of this motif in the Sámi tradition from Norway in Kautokeino. This book is out of print but gives several variations. Haugen, A (1987) Samisk Husfild I Finnmark, Oslo, Norsk Folkemuseum ISBN 82-529-1073-4 Here is the band pattern for a single interlaced knot. I am weaving this pattern on the YouTube video: Using the Sunna heddle to weave patterned bands. There are 16 picks for the pattern repeat. Note that pick 16 has no pattern threads showing on the top of the band. Raise the heddle on the odd numbered picks and lower the heddle on the even numbered picks. On the Sunna heddle there is a maximum number of border threads. Here is a chart showing the threading if you are using a standard heddle or an inkle loom. The hole is for heddled threads on an inkle loom and the long slot is for the unheddled warp yarns. It is important to remember that the centre pattern thread is always threaded through the centre hole in the standard heddle - or is a heddled warp yarn on the inkle loom. Start threading in the cnetre and work outwards. There are two background threads in between each pattern thread. This threading is also known as the Baltic threading as it is common to many countries. Here the weft travels over two warp threads then under two warp threads. The base structure of this band is a variation of panama or basket weave. The background threads are threaded alternately through a hole and a slot on either side of a pattern thread. If the pattern thread is threaded through a hole, the background thread on either side of it is threaded through a slot. The border threads have a different weave structure. They are threaded alternately through a slot and hole and so weave warp faced plain weave. You can have as many border threads as you like. Threading chart for a standard heddle or an inkle loom. For this pattern the knot motif is repeated with a blank pick in between each motif. It is possible to design your own connecting pattern. Chart for interlaced knot pattern I hope you enjoy trying this traditional pattern. My previous blog has been very popular and I have received many interesting replies to my questions. I will be following up the information and publishing another blog on the subject of medieval and modern equipment later in the year. Happy Weaving Susan J Foulkes July 2016
Making an entrance is easy with these magnificent staircases from the AD archives
Image 3 of 29 from gallery of MVRDV Breaks Ground on Mixed-Use "Valley" to Inject Life into Amsterdam's Business District. © Vero Visuals / MVRDV
W kontekście Wielkanocy ;) . Na obrazku widać wieże obleganą przez zające. Rysunek pochodzi z francuskiego średniowiecznego brewiarza z lat ok. 1303-1316, autorstwa Renauda de Bara. Obecnie księga …
Start with folding paper into 6-8 boxes. Trace hand with pencil. Trace finds with pencil. Outline hand with black permanent marker. Marker line = change color Pencil line = change design * no solid colors * no white, black, or neutral I taught the 6th graders the difference between cool and warm color on the color wheel. I assigned them the task of using a tracing of their hands to fill in with warm or cool colors only. I challenged them to use lines only, but allowed them to use shapes as well as part of their designs. As part of the advice, I had them only get a collection of whatever colors they work working with at one time (a pile of warm only or a pile of cool only) so they do not accidentally grab the wrong color and mess up the lesson goal. 6th grade 2023 Madelynn, Anden, Emilia, Shaylee, Alissa, Olivia Shaunna, Victoria “Jeremiah”, Addison Bella G., Harper, Tatum Sunshine Eduardo-6th grade 2022 Melanie C.- 7th grade 2022 Elva- 6th grad Fall 2021 Kinslee, Kylar, Evy, Adelyn, Kenix & Emily Jazmyn and Kelly Kalie R., Vanessa A., Zane S. & Avery 2021 6-8th grade above, 1st period 2020 Jaylee, Isac, Josie Michael, Francisco and Jorja My teacher examples for the 6th grade... Warm hand with Cool Background Cool hand with Warm Background 2 student examples from 6th grade To See more student artwork on this project or others from my school webpage, visit... http://classroom.mineolaisd.net/webs/seatont/hot_and_cool_hands.htm One of the easiest ways to do neat designs with minimal effort is in video below. Use a lighter shade of the warm or cool color solid in background, then go over the solid with a darker color. This looks like it takes a long time and hard work, but is actually pretty easy. Or, use thick stripes rather than solid....
In zijn nieuwe boek Between the Sea & the Sky portretteert Nelson twintig Nederlandse gemeenschappen in streek- en klederdracht.
correspondance: By Jade Thiraswas
1. The drink mix Tang wasn’t created by or for NASA. It was introduced in 1957 but sold poorly until the U.S. space agency used it for John Glenn’s 1962 Mercury mission. Tang was then marketed as what the astronauts drank, but Apollo 11 astronaut Buzz Aldrin later said, “Tang sucks.”
