Nesting Tables from our Louise Collection. The renowned designer Paul Mathieu chose the name “Louise” when he created his more feminine version of Louis XV (1730-1760) furniture. The characteristic cabriole leg, curving outward at the knee and inward towards the foot in an "S" shape was born during this period. It is during the same era that English furniture makers produced the Queen Anne and Chippendale styles. Crafted with utmost care and attention to detail, these Louis Nesting Tables are made to order and are available in twelve metal clad finishes, ensuring that you can choose the perfect one to match your individual style and taste. The use of high-quality materials and expert craftsmanship ensure that each Art Deco Louis Nesting Tables is not only beautiful but also a true piece of art. The curved legs and side arms of this Art Deco Louis Nesting Tables are hand carved from solid pieces of teak. Pattern makers trace and cut complex forms that will cover the chair in a skin of copper, white bronze, brass or antiqued white bronze The metal finishes will tarnish over time. Regular non-abrasive household metal polishes can be used to restore the original luster. Overall, if you're looking for a piece of furniture that combines luxury, comfort, and style, then the Art Deco Nesting Tables is an excellent choice. With its distinctive curved profile and multiple finish options, this Chair set is sure to elevate the look of any room it is placed in, and be a beloved addition to your home for years to come. The images shown in this listing are shot in different lighting conditions and/or are 3D illustrations. We encourage our customers to please request a sample or a full sample set of 12 finishes so that they can experience the finish first hand. Louise Art Deco Center Tables Mid. Hammered Brass by Paul Mathieu for S.Odegard Size- 31.5"x 31.5"x 16"H Materials - Brass, Metal sheet, Teak, Wood, Metal Techniques: Hand-Crafted, Hand-Carved, Metal Work, Wood Work, Metal Wrapping, Polished Please note that moisture in air, sudden change in temperature and natural movement of wood over time causes the metal to wrinkle or bubble up. We use well seasoned, reclaimed teak and high quality marine grade MDF (wherever technically possible) to avoid and delay the mentioned changes. However a perfect stability of metal cannot be guaranteed. Please note that our smooth finish metal clad pieces will have some unavoidable tool marks. This is proof that everything is done by hand. The smooth finish will not come out like a machine made perfect surface and the master artisan will do their best to make it look as good/clean/stable/perfect as he possibly can. The antique white bronze finish is hand done by using an acidic chemical over the white bronze finish to recreate a natural patination. Like with the natural patination of silver, copper, or brass, the final result and color uniformity of the patina cannot be guaranteed. The goal of this finish is to achieve rainbow-like shades with dull, shiny, cloudy, and streaky patches to give an illusion of antiquing. Please note: None of our metal clad pieces are treated with a protective “finish” thus enabling the items to age naturally over time. We will of course polish them well before we pack them. a) Copper oxidizes faster than the other metals. In six to twelve months it will most likely lose its shine and will gradually turn to different shades of brown and/or green/blue. This aging process and its effect is referred to as verdigris. After a year the piece should not change much more. Copper does not rust, but does require periodic cleaning in order to retain its original shine if that the preferred option. ('BRASSO' or any known copper polish can be used to polish copper). b) Brass retains its shine for far longer than others, but will tarnish if not cleaned on occasion. ('BRASSO' is made to polish brass). c) White bronze, has the least tendency to show age or tarnish. If kept in a controlled climate, this metal will hold its shine for years. It can be cleaned with a cleanser and polished with a cloth. d) The antiqued white bronze finish will react with the natural elements the fastest in the beginning but it too will stop reacting and will settle down in a stable state like copper after 6-12 months. Since it is already antiqued and looked like it is tarnished, as described in an earlier message, this fast reaction will not change the over all look. In that way this surface is most forgiving. The images shown in this listing are shot in different lighting conditions and/or are 3D illustrations. We encourage our customers to please request a sample or a full sample set of 12 finishes so that they can experience the finish first hand.
XS is a minimal aluminum series designed by Milan-based studio CARA DAVIDE
british designer paul cocksedge will introduce a new series of work that pushes the mediums of light and structure, for 'capture' at friedman benda, new york.
Ahead of his time and with a modern spirit, Mathieu Matégot designed his contemporary Matégot bowl in 1953. The characteristic appearance of the transparent metal adds a light expression to this unique and spacious fruit bowl. As for many of Matégot's designs, the Matégot Bowl is trademarked by the solid yet light material Rigitulle; a thin perforated metal sheet tantamount to metal lace, where the inspiration is drawn from the material itself to explore all sorts of expression possible to create. This luxurious material permitted Matégot to revamp the regular fruit bowl into an artistic and decorative bowl that besides from storing fruit in an elegant way, also acts as a piece of great design adorning any room. The Matégot Bowl is an easy and beautiful way to add a pop of colour to any setting.
Designed by Jean Prouvé in 1944, the Gueridon Series is one of Prouvé's earliest furniture designs. In the early 1940s, Jean Prouvé began to work more extensively with wood due to the the scarcity of metal during World War II. Constructed with a tabletop in solid oak or American walnut and accompanied by Prouvé's signature curved legs in the same wood with bent sheet metal construction, the Gueridon Table is a sturdy and durable furniture piece. Despite the mainly wood construction, the central element of the steel structural ties makes the design unmistakably Prouvé. The result is a softer table perfectly suited for domestic environments.Balancing a robust construction with an elegant silhouette, the Gueridon Table is a versatile piece of furniture bringing a sense of warmth and vitality to its surrounding. The Guéridon Table's simple and timeless expression allows it to complement any room of the house. Thanks to the strong construction, the Guéridon Table can be used as everything from a studio working desk to a dining table. The table is available in two different sizes using various types of high-quality wood. The Gueridon Table series is also available as a low coffee table.
Foldy is a minimalist tray series designed by San Francisco and Seoul-based studio SFSO
Image 11 of 26 from gallery of A Home Leftover / Ego Design Studio. Photograph by Jishnu Vijay
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Interior design cheat sheets FTW.
Folded sheet metal rusted steel sculptural chair by Hannah Vaughan. Hannah Vaughan was born in Los Angeles, CA to a bookbinder and an artist. Hannah attended Oberlin College in Ohio where she majored in fine art and religion. She continued her studies at Penland School of Craft in NC, and has subsequently been an assistant instructor there. Hannah ran the metal shop and manufactured fine furniture for Chicago based design-build firm, Lagomorph design, then got her MFA from Cranbrook Academy of Art in the field of 3D design. Heavily influenced by design and sculpture of the 1960s and 1970s, Ettorre Sottsass, early Tom Dixon, Land Artists and Arte Povera and early Ettore Sottsass. Please contact Pavilion for bio. cv or more information on this piece and the artist Hannah Vaughan.
Armchair. Material: seat and legs in solid beech (natural or painted), or in solid American walnut (natural) or in solid oak (natural or painted). Back in steel plate painted in polyester powder.
Description Ethics, aesthetics and functionality are at the core of all Artek's operations. They offer beautiful things for everyday use and sustainable design's for yourself or for a friend. Make it yours. Made in Finland. Shipped unassembled in a Carry Away package.
La chaise de Tolix étant protégée du vieillissement par son matériau, le designer Lex Pott a choisi de montrer le processus d'usure d’un objet en métal en utilisant l’acier, le cuivre et le laiton ox...
Book Box by Gerhardt Kellermann for Auerberg is a lightweight, solid, stackable and easy to carry aluminum box.
Designed by Jean Prouvé in 1944, the Gueridon Series is one of Prouvé's earliest furniture designs. In the early 1940s, Jean Prouvé began to work more extensively with wood due to the the scarcity of metal during World War II. Constructed with a tabletop in solid oak or American walnut and accompanied by Prouvé's signature curved legs in the same wood with bent sheet metal construction, the Gueridon Table is a sturdy and durable furniture piece. Despite the mainly wood construction, the central element of the steel structural ties makes the design unmistakably Prouvé. The result is a softer table perfectly suited for domestic environments.Balancing a robust construction with an elegant silhouette, the Gueridon Table is a versatile piece of furniture bringing a sense of warmth and vitality to its surrounding. The Guéridon Table's simple and timeless expression allows it to complement any room of the house. Thanks to the strong construction, the Guéridon Table can be used as everything from a studio working desk to a dining table. The table is available in two different sizes using various types of high-quality wood. The Gueridon Table series is also available as a low coffee table.
This scale model operation puts art and build quality at the forefront of its work
KOLO is an armchair moulded out of a single wooden sheet. Its armrests form a planar surface, from which the seat and chair back are pressed out to create a hollow in which the user can sit. Kolo floats on air, supported by a minimalist tubular steel frame. The Finnish word KOLO refers to a small hollow, nook, hole or niche; metaphorically, it also refers to a living space.
Architect Piero Portaluppi created the “omnibus” desk for his home, solving a practical issue with an invention of great usefulness: give the possibility to those who write to have paper, magazines, objects, albums, books, etc. at hand. This was how the desk was presented in the 1942 issue of the magazine “Stile”. A big drum-shaped piece of furniture with eight drawer-like compartments, surfaces and parts that can be tipped over, that rotates in both directions on its linchpin with a slight pressure of the hand. This symbol of Portaluppi’s traces in the world of design was especially and only created for Portalupi himself. Published in: La scrivania “omnibus” dell'architetto Piero Portaluppi, in “Stile” magazine, March 15th 1942, p. 20. Camera con vista: arte e interni in Italia 1900-2000, cured by Rachele Ferrario and Luigi Settembrini, exhibition catalogue, Skira, Milano 2007. Irene de Guttry e Maria Paola Maino, Mobili e arredi Déco, 24 ore cultura, Milano 2013. Exhibitions: Piero Portaluppi. Linea errante nell’architettura del Novecento, Triennale di Milano, September 2003- January2004. Camera con vista: arte e interni in Italia 1900-2000, Milano: Palazzo Reale, aprile-luglio 2007. A small tag with the author's signature, the model and the progressive number is placed on all pieces of furniture of the Portaluppi Milano Design collection. Moreover, all pieces of furniture will have a certificiation of compliance to the original pieces provided by the Piero Portaluppi Milano foundation.
Using sheet metal, wood dowels, paint, a few fasteners and simple hand tools, you can make a lightweight, durable windmill to add a touch of country whimsy to your lawn or garden. Assembled, this windmill reaches 4 feet tall -- you can scale the design up or down to suit your preference.
These eerie photographs show a home (pictured), in rural Hertfordshire, left untouched since its owners departed more than half a century ago.
The Fauteuil Direction Pivotant was designed by French designer Jean Prouvé in 1951. Although it is immediately evident that Fauteuil Direction Pivotant hails from a different era, it appears in no way outdated or old-fashioned. This is due to the distinctive aesthetic of Prouvé's design philosophy, which always placed an uncompromising focus on functional requirements.The voluminous seat and backrest cushions rest on a sleek frame made of tubular steel and bent sheet metal, while the wooden armrests lend the office chair a touch of familiar comfort. The swivel seat of Fauteuil Direction Pivotant is height adjustable and the backward tilt mechanism can be adapted to the individual user's weight. It offers ultimate comfort and convenience while you work or study and is easily moveable thanks to the sturdy castor base. Its unconventional and bold design ensures this is a piece of interest in any setting, especially when specified in one of Prouvé's bold colour options.The Fauteuil Direction Pivotant is available with three different armrest options, eight different base options and upholstery options in five different fabric groups - F60, F80, F100, L40 and L50. If you would like to order a chair in a fabric not listed on the page, see the product download section on the product page, or please feel free to contact us if you would like to see some fabric samples. The Jean Prouvé Fauteuil series also includes a dining chair and lounge chair.
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Learn how to organize kitchen cabinets with these simple tips and tricks. Great ideas for the best kitchen organizers and how to deal with awkward spaces.
A simple stainless steel folded sheet is the source of inspiration for this project. The sink is composed by only one stainless steel sheet which has been cut, folded and welded. A lower drain completes the object. Its wall installation confers to this product lightness and minimalism. Lavandino is encased in the wall – only the folded steel sheet discloses its presence. It’s fixed on the wall with a structure that serves as template for the finish and as location for the tap’s cartridge. A magnetic door prepared for the tap completes the object.
Nice enameled formed sheet metal design serving cart from circa 1950s era.
The new exhibition by Australian artist Alex Seton is titled ‘Cargo’, featuring marble installation sculptures that depict compressed bales of clothing in asymmetric stainless steel plates. The installation speaks to our own complicity in the clothing industry and its metaphoric representation of the economic systems that structure our world. Seton uses his own clothes to […]
