Esther Bruno Nangala, Marrapinti, 2016 , Acrylic on linen, 190 x 190 in 483 x 483 cm at Aboriginal Art Galleries
Esther Bruno Nangala, Marrapinti, 2016 , Acrylic on linen, 190 x 190 in 483 x 483 cm at Aboriginal Art Galleries
Esther Bruno Nangala, Marrapinti, 2016 , Acrylic on linen, 190 x 190 in 483 x 483 cm at Aboriginal Art Galleries
Ochre, Iron Oxide, was the first colour paint. It has been used on every inhabited continent since painting began and has been on the palettes of almost every artist in history. The first white settlers in North America called the Indigenous people 'Red Indians' because of the way they painted themselves with Ochre as a shield against evil, symbolising the good elements of the world. There are large Ochre mines in the Luberon area of France and deposits in Siena, Tuscany. But,it is in Australia
Esther Bruno Nangala, Marrapinti, 2016 , Acrylic on linen, 190 x 190 in 483 x 483 cm at Aboriginal Art Galleries
Ochre, Iron Oxide, was the first colour paint. It has been used on every inhabited continent since painting began and has been on the palettes of almost every artist in history. The first white settlers in North America called the Indigenous people 'Red Indians' because of the way they painted themselves with Ochre as a shield against evil, symbolising the good elements of the world. There are large Ochre mines in the Luberon area of France and deposits in Siena, Tuscany. But,it is in Australia
Naata Nungurrayi Marrapinti
Esther Bruno Nangala, Marrapinti, 2016 , Acrylic on linen, 190 x 190 in 483 x 483 cm at Aboriginal Art Galleries
Esther Bruno Nangala, Marrapinti, 2016 , Acrylic on linen, 190 x 190 in 483 x 483 cm at Aboriginal Art Galleries
Esther Bruno Nangala, Marrapinti, 2016 , Acrylic on linen, 190 x 190 in 483 x 483 cm at Aboriginal Art Galleries
Esther Bruno Nangala, Marrapinti, 2016 , Acrylic on linen, 190 x 190 in 483 x 483 cm at Aboriginal Art Galleries
Esther Bruno Nangala, Marrapinti, 2016 , Acrylic on linen, 190 x 190 in 483 x 483 cm at Aboriginal Art Galleries
Esther Bruno Nangala, Marrapinti, 2016 , Acrylic on linen, 190 x 190 in 483 x 483 cm at Aboriginal Art Galleries
Esther Bruno Nangala, Marrapinti, 2016 , Acrylic on linen, 190 x 190 in 483 x 483 cm at Aboriginal Art Galleries
contemporary Aboriginal art, artefacts, Sydney. galley, galleries or buy online. AAG , large selection of artworks by artists, alice springs, aboriginal
Esther Bruno Nangala, Marrapinti, 2016 , Acrylic on linen, 190 x 190 in 483 x 483 cm at Aboriginal Art Galleries
Esther Bruno Nangala, Marrapinti, 2016 , Acrylic on linen, 190 x 190 in 483 x 483 cm at Aboriginal Art Galleries
Esther Bruno Nangala, Marrapinti, 2016 , Acrylic on linen, 190 x 190 in 483 x 483 cm at Aboriginal Art Galleries
A beautiful dot painting by celebrated Australian Aboriginal artist Naata Nungurrayi (1932-2021) depicting Women's Ceremony at Marrapinti. Mesmerizing composition of dots in brilliant shifting colors, iconic in the artist's work. Float framed in a white wood frame. The work is acrylic on linen circa 2000s. It is signed Naata Nungurrayi and stamped with the gallery name Ngarru and stock no. (verso). The canvas itself measures 32 2/5 x 30 inches. Artist's biography: Naata Nungurrayi (1932-2021) is an Australian Aboriginal artist who was born at the site of Kumil, west of the Pollock Hills in Western Australia. She is from the Pintupi group from Kintore, Northern Territory and is one of the senior elders of the Kintore women artist movement. Naata is the sister of George Tjungurrayi and Nancy Nungurrayi, and her son is Kenny Williams Tjampitjinpa who are all well-known artists. One of her paintings appeared on Australia Post stamps in a 2003 special edition of Aboriginal art. Naata Nungurrayi was named among the Top 50 of Australia’s Most Collectable Artists in Australian Art Collector January–March 2004.
In addition to showcasing the quality of Papunya Tula Artists as a whole, this suite of etchings emphasises the strength of each individual artist as they successfully translate their Tjukurrpa to the new medium of printmaking. Far from being a ...
Naata Nungurrayi Marrapinti
THE two snakes have a life of their own. Their eyes gleam, their flanks shine, they seem to shift continually against the painted colours of the canvas, much as the curves and circles of Spinifex art seem also to be in constant, sinuous motion. But what is that movement: what is that inner life? What […]
Lorna Ward Napanangka, Pintupi artist, daughter of Timmy Payungka, paints traditional country at Marrapinti, see painting selection at Japingka Gallery
