http://www.youtube.com/watch?v=h9-HVwEbdCo “Rhythm 10” by Marina Abramovic was first presented in Edinburgh in 1973. This performance art definitely lives up to the expectations and environment of art Marina Abramovic creates. In her performance she has a sheet of white paper, twenty knives, and two cassette recorders. Marina will kneel down, play her cassette recorder, pick up each knife one by one and keep stabbing the knife over and over again down towards her left hand until she cuts herself with every knife. Marina will carry out the sequence again and finish the video installation with a playback of the dual rhythm on her recorded cassette. This game derived from Russia and Abramovic had always been a displayer of ritual and gesture. The reason Marina repeats a second sequence of the stabbings is because she wants to display the need for the mistakes to be replicated, or to cancel out. It is an interesting piece of work that Marina Abramovic allows the society to view. The self infliction of pain is still the main theme that most viewers will take away from this piece, but there is another message in the material the artist is portraying. Marina Abramovic’s main purpose of the performance was the effort to make one notice the attempt of joining the present with the past. This is made apparent in her imperfections of linking the second wave of stabbings perfectly with the first. There are probably hundreds of different messages and meanings that could be taken from Rhythm 10. Abramovic has several strong themes that are usually evident to most of her audience. She shows her ability to be consciously in taking pain while always attempting to conquer the fear of death. Her art performance in this instance could even be inspirational to some. Various audiences could consider Marina’s mental, emotional, and physical numbness to be typical behavior in situations that she portrays. Society wants to believe in what they think is normal, but once again Marina Abramovic uses her compassion for pushing her body to the limit to show the simple comparison of present and past. It gives society no choice but to accept there are even artistic messages that can be taken from self mutilation. I think it goes without saying that Marina Abramovic’s “Rhythm 10” and many of her other works have their strongest roots in the styles and traits of the avant-garde. In the early 1970’s Marina couldn’t of possibly known the reaction to society her extreme performance arts would produce. She was very experimental at first and could only hope her deep desire to express art in possibly the most extreme way in nineteenth century would be successful. Her experimentation and alternative way of producing video installations and performance art were indeed successful. Marina Abramovic could be compared to Jackson Pollock in the comparison of their great contributions to the introduction of new groups, movements, and styles to art. Jackson Pollock was to abstract expressionism as Marina Abramovic was to installation and video art. Archer, Michael. Art since 1960 new edition. New York, NY: Thames & Hudson, 1994. Heartney, Eleanor. Art & Today. New York, NY: Phaidon Press Inc, 2008.
Artist Marina Chulovich Russia, 1956
In four decades as a performance artist, Marina Abramović has had a stranger point a loaded gun at her head, sat in silence for 700 hours and set herself on fire. Now, as she prepares for a new show in which she enacts her own funeral, the 63-year-old reveals why "Freud would have had a field day" with her. By Sean O'Hagan
On a new episode of tech entrepreneur Kevin Rose’s podcast, PROOF, Marina Abramović and Pussy Riot founding member, artist and activist Nadya Tolokonnikova discuss endurance and feminist art …
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Pode parecer estranho fazer a leitura de textos em voz alta para a barriga, mas está provado que – desde os primeiros meses de vida – os bebês são capazes de ouvir.
The main act of Body and Performance Artist - Chris Burden
La silhouette di una statua greca si mischia al corpo scultureo di un famoso modello abbronzato in posa; la spada laser di Star Wars trova continuità in…
Comme Aptitude, le designer Eisen Bernard Bernardo s’amuse à imaginer les décors et l’image entière des pochettes d’album de deux chanteuse
Immerse yourself in the wild beauty and rugged charm of the Scottish Islands with this bewitching abstract expressionist print. Inspired by the Isle of Eigg within the Inner Hebrides, the emotive artwork captures the essence of this remote paradise through a symphony of brushstrokes and a vibrant palette. At the heart of the piece is a captivating play of colours that sing of Eigg’s natural landscapes. Splashes of burnt orange and patches of lush green mirror the island's moorlands and peaty soils, while the serene blues and gentle whites evoke the wide-open skies and the rolling Atlantic waves that cradle the island. Dynamic lines and a textured application of paint suggest the towering presence of the Sgurr of Eigg, the island's iconic pitchstone ridge that watches, timeless, over the heath and shoreline. Strokes of deep reds and vivid yellows at the base of the composition bring to life the fiery sunsets known to grace the horizon, igniting the senses with the raw power and tranquillity of nature’s ceaseless beauty. This piece is an ideal acquisition for anyone enchanted by the mystique of Scotland’s coastal fringes or for those who appreciate the unbounded freedom of abstract expressionist art. Transform any living space into a haven for contemplation and inspiration with this otherworldly rendition of the Isle of Eigg.
You’d think leave’s career fibbers would have a plan to get out of the lies they told before the referendum. Instead they say they’ve had enough of promises
The rise of the Kids cafe is one we parents are absolutely loving. The newest Kids Cafe on the block, opening late November is Cuto Kids Cafe at Wentworth Point, located in Marina Square Wentworth Point. Just 12 minutes … Continued
