Recueil de chansons du XIIIe siècle, avec musique notée -- 1301-1325 -- manuscrits
Gospels of S Medard of Soissons Paris BN early 9thC 82r Initial to Gospel of S Mark 99
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There is an incomplete manuscript to delineate the phases of decoration. the decoration phase started after the writing of the text. The copyist left instructions to the illuminator, dissimulated on the margins. Decoration started with rubrics and the initials. When all the rubrics and the initials were finished, illustrations and ornaments started. The procedure for manuscript illumination was similar to pictorial work.
Collectio canonum (Isidorus Mercator (Ps.))
1.° Fabii Fulgentii Planciadis mythologiarum libri tres : praemittitur authoris vita. — 2.° Ludus septem Sapientum : authore Ausonio. — 3.° Nomina et sententiae septem Sapientum. — 4.° Ausonii periochae in Homerum. — 5.° Paulini et Ausonii epistolae mutuae. — 6.° Symmachi et aliorum ad Ausonium epistolae, cum Ausonii responsis. — 7.° Prudentii carmen de natura animae. — 8.° Ausonii versus Paschales. — 9.° Prudentii carmen de fide. — 10.° Ausonii catalogus urbium illustrium. — 11.° Cassiodori , viri Senatoris, liber saecularium litterarum. — 12.° Isidori fragmentum de medicina. — 13.° Boëtii liber de scholastica disciplina. — 14.° Anonymus de decem Sibyllis. — 15.° Erythreae Sibyllae prophetiae. — 16.° Aristotelis liber de pomo. — 17.° Anonymi enarrationes in quindecim libros Ovidii metamorphoseon. — 18.° Prudentii Psychomachia. — 19.° Alberici poëtarius : ibi de origine idololatriae. -- 1301-1400 -- manuscrits
Musterbuch - Doppelseite 1
Petrus Berchorius: Repertorium morale (De litteris Q, R et S); Universitätsbibliothek Heidelberg
Gradual, Germany, Nuremberg, 1507-1510
Manuscript Illumination with All Saints in an Initial V, from an Antiphonary, Attributed to Cosmè Tura (Cosimo di Domenico di Bonaventura) (Italian, Ferrara ca. 1433–1495 Ferrara), Tempera, ink, and gold on parchment, Italian
Originating in Ghent or Bruges, Flanders, in the early sixteenth century, this Dominican Book of Hours focuses on the Passion of Christ and the Corpus Christi. This book masquerades as a purely authentic medieval manuscript, when in fact it is a modern and medieval hybrid. The majority of the manuscript was made ca. 1500, but it had remained unfinished. Its nineteenth-century owner, John Boykett Jarman, commissioned English illustrator William Caleb Wing to "finish" the manuscript ca. 1850. Known for his manuscript illumination skills, Wing recreated imagery typical of a fifteenth- to sixteenth-century Flemish Book of Hours. Henry Walters was aware that the manuscript was partially painted in the nineteenth century when he purchased it, as the manuscript is noted as a "forgery" in the James C. Anderson inventory, December 7th, 1913. Whether pages and images are original or nineteenth century has been indicated both within the individual text parts as well as within the image cataloging. To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Bible. Bible. -- 1150-1200 -- manuscrits
Chants royaux du Puy Notre-Dame d'Amiens -- 1518 -- manuscrits
Vat.lat.13080
Johannes : Joannis Andreae Apparatus super constitutiones Clementinas cum textu - BSB Clm 2933, [S.l.], 14. Jh. [BSB-Hss Clm 2933]
Antiphonary
Der Kodex entstammt der Werkstatt von Petrus Alamire (ca. 1470 – nach 1534), der als Musikschreiber für den burgundisch-habsburgischen Hof arbeitete. Daneben war er auch als Sänger, Musikalienhändler, Kurier und sogar als Geheimagent für den englischen König tätig. Das Chorbuch Mus.ms. F enthält sieben vierstimmige Messen. Die Randleisten sind mit reizvollen Blumen- und Tiermotiven koloriert. Alle Stimmen zeigen prächtige Initialen oder Stimmbuchstaben, die aus grotesken Männerköpfen mit Blumen- und Schneckenhüten gebildet sind, wie sie für die Musikhandschriften aus der Werkstatt des Petrus Alamire charakteristisch sind. // Bayerische Staatsbibliothek, Musikabteilung, 2016
Presentation Alphabets: Drop Caps Letter N - Style 075