It has been an inspiring two decades—with beautiful products. It is time to move forward for Madeline. And she’s having a great sale through June 15. Everything is being sold, and at dramatic sale prices. See details below. I’m a longtime friend of Madeline, and a collector of Madeline Weinrib ikat textiles, pillows, ikat clutch purses, accessories, and beautiful one-off bags and designs she has dreamed up. I wish Madeline great good fortune as she moves ahead with new projects and many fresh and wonderful new ideas. She has always been actively involved in a range of philanthropic endeavors and she will continue to be involved in international fund-raising. Madeline created a highly respected and admired textiles and design company—beloved by interior designers. She started the stylish new updated ikat textiles trend two decades ago. And she created fresh colors (she’s a fine artist) and wonderful ways of working with folkloric textiles to bring new life and elegance to décor. Now the company is closing—and she is ready to move on with a Morocco venture that will be a huge success, and new horizons. I wish her good fortune and every happiness. I will miss Madi’s thrilling design collections—and I remember happy times together with Madeline in Jaipur… observing new rugs and fabrics being made in remote workshops, visiting friends, checking blockprinting companies, viewing carpets being completed, wandering through old palaces, and staying at the Rambagh Palace hotel. She is a vivid and gregarious travel companion, and lots of fun. FINAL ONLINE SALE: Friday May 25—June 15. 50 percent up to 80 percent off carpets, fabrics by the yard, pillows and accessories. New products including fabric yardage and pillows will be added during the sale. There is another small line being offered exclusively as bespoke called Classic Indian Dhurries. www.madelineweinrib.com New York artist/designer Madeline Weinrib pioneered traditional ikat designs in vibrant and chic and gorgeous modern colors over a decade ago. With jolts of shocking pink and dashes of indigo and plum and lime and sunflower yellow, her iconic Ikat pillows have ben the favorites of top interior designers around the world. Her Ikat weave designs have become a cult--and it seems every creative interior today has to have at least one Madeline Weinrib Ikat pillow or textiles or outdoor fabrics. Collect them while you can. MORE MADELINE WEINRIB: Her designs can be read as both very modern and quite traditional. When she started working in textiles that was something she wanted to achieve. She designed concepts that would be contemporary and speak of its own time, but if it were a really strong design, it would work well in other environments. Great design should have flexibility. Using traditional motifs that have been simplified and pared to their essence has allowed her to achieve this duality. Madeline is constantly adding new patterns of Ikat into her collection and each one boldly offers permutations of color and pattern that define her work. Each pillow has been hand-sewn in New York and finished with stitched suede piping, Belgian linen backing, and mother- of-pearl buttons. 70% silk, 30% cotton. Goose down filler. Variation in color or texture is inherent to Madeline’s handmade, handwoven ikats. Each pillow is individual and one-of-a-kind. With silk and cotton—and her vibrant artist’s eye—Madeline spins beauty and style that add vibrant life to all interiors. “In traditional Ikat weaving of remote Central Asia, where nomads and city weavers prized their crafts, favored colors are very vivid. The weavers love emerald and crimson and chrome yellow and rose pink. They find my colors a bit dull, and are puzzled when I specify indigo with ivory. For them, the more colors they weave, the more valuable is the fabric. I use colors in a minimal way and I’ve distilled the woven patterns to show the mysterious beauty and allure of Ikat. That’s my signature.” — Madeline Weinrib “Traditional looms that my fabrics are woven on are 18 inches wide, so my pillows always have seams. At first I though it was a mistake, but now the mis-matched patterns and the seam are signatures of my pillows. I treat them as paintings or sculpture. For my customers, they will be come heirlooms. That makes my very happy.” — Madeline Weinrib REMINISCING WITH MADELINE: DDS: What has been the most inspiring aspect of your work? MW: Travel is inspiring and I meet talented and fascinating people throughout the world. I worked in India. I worked in remote regions of Central Asia, I love working in Turkey. Morocco always fascinates me. For me, and for my staff, the most rewarding moment has been when the new designs finally arrive in New York after the long process of development. It is thrilling when the finished product finally comes to fruition and feels beautiful. It takes such a long time so the gratification is very delayed. DDS: You have a great rapport with your Indian carpet weavers! You also work in other countries. MW: In addition to India, I also make carpets in Pakistan, Nepal. Each country produces a different weave and a different aesthetic and I'm very fond of all the people that I work with. My designs are very much rooted in a sense of place and possess a truth to origins, which I love. And naturally they are all ethically produced, and the work is done by specialists who’ve been weaving fine carpets for decades. It’s exciting to see these highly experienced. ABOUT MADELINE WEINRIB: Painter and designer Madeline Weinrib lives and works in New York City. The great-granddaughter of ABC Carpet & Home founder Max Weinrib, she has carries on the family tradition with her innovative collection of fine handcrafted carpets and textiles. Translating her painterly sensibilities into woven form, Madeline launched her first carpet collection in 1997. Lush and opulent pattern, her designs draw on a wealth of sources gleaned from her travels.. In addition to her signature collection of carpets and textiles, her chic and superbly appointed atelier on the sixth floor of ABC Carpet & Home showcases a growing repertoire of evening bags, caftans and limited edition vintage furniture. In addition Madeline is a trustee of Project Mala, a non-profit organization committed to building schools throughout the carpet-weaving regions of India and lends her support to fund a classroom in Mirzapur, Uttar Pradesh, Northern India. These passions and more projects will continue. WHERE TO FIND: Madeline Weinrib 126 5th Avenue 2nd Floor New York, NY 10011(212) 675-4212 www.madelineweinrib.com CREDITS:  All photography courtesy Madeline Weinrib

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Madeline Weinrib, whose iconic handwoven fabrics, and graphic rugs are must-have design moves, opens in the San Francisco Design District, April 2014. Madeline Weinrib with her dogs Daphne and Gemma. Photo by Graciela Rossetto Madeline Weinrib has just inked an agreement for a large and handsome new showroom at The Galleria of the San Francisco Design Center, and THE STYLE SALONISTE readers are the first to know. I’m so excited about Madeline’s new showroom. She’s admired around the world as the trend-setting designer of chic rugs and textiles. Her exceptionally beautiful fabrics elevate the everyday, and her graphic rugs give interiors distinction and pizzazz. “I’ve always had fantastically talented designer clients in California,” Madeline told me last week. “Now I’ll be able to display and offer all of my collections, my new fashions, my accessories, and especially my custom-colors and patterns in San Francisco. I’m thrilled about my San Francisco showroom. It’s been a dream for many years, and now it is happening, I could not be happier.” Vintage Furniture in Madeline's Studio. Photo by Antoine Bootz The entrance, including a gallery wall and mirror that was hand-painted by Madeline. Photo by Antoine Bootz Madeline's pillows and fabrics paired with an antique Scandinavian chest, Moroccan tea table, and art by Madeline Weinrib (top) and Rene Ricard. An Antique Opium Bed filled with Madeline's pillow designs. Photo by Antoine Bootz  In her new showroom, Madeline will provide professional services such as one-of-a-kind designs and colors that were previously only available in her downtown New York studio. Join me for a chat with Madeline, and see her newest designs. I first met her in Jaipur, India, where she designs handcrafted rugs. I’ve gathered ‘all about Madeline’ from an insider perspective. And I’m introducing her new collection I love…that will become a new standard for her line. Come and see what’s new. Madeline Weinrib’s spacious and light-filled studio in New York has been a precious resource for designers. There, designers and clients can see the full range of designs, throw rugs on the floor, walk on them, walk around them, feel them and ‘road-test’ them. The full range of wool color samples, on view in New York, will be on show in San Francisco where designers can come and learn about the techniques involved in weaving her famous Ikat textiles, as well as seeing her newest concepts (silver threads, antique suzani pillows, vintage silk velvet pillows), and samples. Now, these same exclusive services will be available in San Francisco. In honor of Madeline’s arrival in San Francisco:  Climbers & Ramblers, a Classic Madeline Weinrib Concept to Discover I’ve gathered images of Madeline’s Climbers & Ramblers rugs. It’s a collection she first presented in 2006—but it seems to have been overlooked somewhat as more new designs were introduced. I find it exceptional. I love the abstract patterns of the Climbers & Ramblers series, and I think it is time to rediscover it. For the free-form patterns, she used calligraphic curves, sumi ink and arabesque outlines that suggest Japanese organic forms and reference leaves and flowers in the subtle language of nature. Her stylization in Climbers & Ramblers consists of attenuated and delicate motifs in abstract flourishes, using compositional devices and a delicious and deft light touch. These are timeless designs, at once modern and elegantly classical. “Throughout the Climbers & Ramblers series the designer’s esteem and knowledge of historic motifs found in antique Persian carpets comes through. Weinrib’s deft conceptual re-purposing of these traditional Eastern elements is attained by conjoining them in surprising ways within Western pictorial codes of late postmodernism. Joyfulness and direct simplicity is embodied in this work. The result? The rugs in Madeline Weinrib’s Climbers & Ramblers series, redolent with historical, ideational and psychic dimensions, have an unmistakable presence that transforms the spaces they inhabit.” — Dominique Nahas, art curator, New York. ©2012  A Chat with Madeline Weinrib Come and learn more about Madeline, her approach to designing chic rugs and classic/modern textiles. DDS: You have always been a painter. What was your original design motive and inspiration when you founded your company? MW: I fell in love with an antique Tibetan carpet with a traditional design of a checkerboard. As an artist at that time, I was working on a series of drawings and sketches on craft paper and the designs on the checkerboard corresponded to the color of my paper and charcoal. That's when I realized I could transfer my ideas to a different surface with a different set of values. I designed my first collection. DDS: Your designs can be read as both very modern and quite traditionial. MW: I'm very pleased that you noticed that in my work. When I started working in textiles that was something I wanted to achieve. I designed concepts that would be contemporary and speak of its own time, but if it were a really strong design, it would work well in other environments. Great design should have flexibility. Using traditional motifs that have been simplified and pared to their essence has allowed me to achieve this duality. DDS: When did you start designing your exclusive textiles? MW: I started making textiles about ten years ago. I meet a lot of interesting people through my travels, including a woman working in Uzbekistan helping to resurrect the art of Ikat weaving. I wanted to produce Ikats using my own palette and designs. It took a long time, but it has really taken off. I do the same thing with suzani textiles, and they are even harder to develop, but they look very beautiful. Two years ago, I started developing a hand-woven brocade. At this time, I can only make 14 yards per month. It’s rare and exquisite. DDS: Now you're developing a line of organic cotton block print textiles. MW: I started creating this collection in India a year ago and it has been steadily growing. I am broadening my color palette and have some gorgeous base colors that are all naturally made. In particular, I love the new indigo that I think will take off and have a life of its own. There's also a beautiful a saffron color. Ironically, I wasn't interested in this color five years ago, now I love it. DDS: What is the most inspiring aspect of your work? MW: Travel is inspiring and I meet talented and fascinating people throughout the world. For me, and for my staff, the most rewarding moment is when the new designs finally arrive in New York after the long process of development. It is thrilling when the finished product finally comes to fruition and feels beautiful. It takes such a long time so the gratification is very delayed. DDS: You have a great rapport with your Indian carpet weavers! You also work in other countries. MW: In addition to India, I also make carpets in Pakistan, Nepal, Turkey and Morocco. Each country produces a different weave and a different aesthetic and I'm very fond of all the people that I work with. My designs are very much rooted in a sense of place and possess a truth to origins, which I love. And naturally they are all ethically produced, and the work is done by specialists who’ve been weaving fine carpets for decades. It’s exciting to see these highly experienced weavers creating their magic. All of my rugs are handcrafted. Madeline Weinrib for Neue Galerie Kandinsky Inspired Napkins Madeline Weinrib for Neue Galerie Kandinsky Inspired Napkins. Photo by Annie Schlecter New Grape Jam Ikat Clutch New Gray Jam Ikat Clutch DDS: Not many people know that you also work closely with designers and private individuals on custom designs. MW: I recently finished a great rug collaboration with the Neue Galerie, the wonderful Fifth Avenue museum in New York City for German and Austrian art. The director, Renee Price, invited me to design a carpet that was inspired by the aesthetic of Wiener Werkstatte. The carpet I created is now available at their design shop and online through their website, www.neuegalerie.org. This was a wonderful project--I traveled to Vienna to visit the Wiener Werkstatte archive for my research. I have a partnership with Flor to design a commercial carpet for BAM (the Brooklyn Academy of Music) another of my favorite cultural institutions. The design had to be durable, yet also resonate with BAM's progressive and avant-garde ethos. The floor tiles I designed specifically for the space translated beautifully and really transformed this old, historic building. Flor will be producing this carpet and it will be available on their website. Madeline Weinrib by François Dischinger About Madeline Weinrib An established painter, she exhibited throughout the 1990s and taught drawing at CUNY before designing her first carpet collection for ABC Carpet & Home in 1997. Inspired by the challenge of translating painterly ideals to warp and weft, Madeline sensed an opportunity to carve out a new niche and to redefine what was at the time a conservative, ancient idiom. With her individual approach to pattern, palette and scale, her unorthodox, ultra—chic reinterpretations bring an unprecedented vitality to a centuries—old art form. Embracing authenticity as one of her hallmark values, Madeline’s aesthetic is defined by her use of techniques that favor hand over machine and tradition over automation. Rigorous and process—oriented, her design approach is one of open—ended experimentation, reframing and refinement. She continually works with artisans around the world, seeking out fresh and creative perspectives. Madeline continues to explore new possibilities for design through a diverse portfolio of creative relationships and concept—driven projects. Her partnerships range from the Neue Galerie and the Brooklyn Academy of Music to collaborative collections with Manolo Blahnik, designer Soledad Twombly, and luxury retailer Barney's New York. With an installation of hand screen—printed wallpaper at The New York Print Fair and curated exhibitions of her work at the Alberto Levi Gallery in Milan, Sebastian + Barquet in New York and Ralph Pucci International, her practice actively challenges the boundaries of art and design and defies ready distinction between the two spheres. Madeline also maintains philanthropic aims and supports artisans in the communities in which she produces her work. She is a patron of Project Mala, a non-profit organization committed to building schools in the carpet weaving regions of India. Madeline works and resides in New York City.  Madeline Weinrib Collections Madeline Weinrib has several different qualities of carpets in different price ranges. Cotton carpets are hand-woven in India and are reversible. Prices range from around $325 for a 3.5x5.5 ft to $1,400 for a 9x12. Tibetan carpets are wool pile, hand knotted in Nepal. They range from around $1,800 for a 4x6 to $8,000 for and 9x12. All of her carpets are available in bespoke colors and sizes. Her carpets are crafted only by skilled adults. Madeline also offers fashions, chic Ikat accessories, and a range of decorative fabric pieces, including one-of-a-kind pillows. To view carpet and textile styles and meet Madeline by appointment: www.madelineweinrib.com A ceramic monkey with Madeline's Medina carpet in the background and a vintage chair in her Daphne fabric. Photo by Antoine Bootz A MW Tulu carpet, vintage Gio Ponti chair upholstered in Madeline's Suzani fabric, and a Pedro Friedeberg table. Photo by Antoine Bootz A selection from Madeline's porcelain collection. Photo by Antoine Bootz Antique Indian Photo Collection in Madeline's Studio. Photo by Antoine Bootz Where to Find Madeline Weinrib NEW YORK Madeline Weinrib Showroom By Appointment 126 Fifth Avenue, 2nd Floor New York, NY 10011 (212) 414-5978 Madeline Weinrib Atelier ABC Carpet & Home, 6th Floor 888 Broadway New York, NY 10003 (646) 602-3780 Amagansett by Madeline Weinrib ABC Carpet & Home 881 Broadway New York, NY 10003 (646) 602-3464 DELRAY BEACH Madeline Weinrib at ABC Carpet & Home Delray Beach 777 South Congress Delray Beach, FL 33445 (561) 279-7777 NEW!  SAN FRANCISCO Madeline Weinrib Galleria, 101 Henry Adams Street San Francisco (Phone to come) STORE LOCATOR: http://www.madelineweinrib.com/store-locator Madeline Weinrib working in her Fifth Avenue Showroom. Photo by Graciela Rossetto. CREDITS: All images of rugs and interiors, courtesy Madeline Weinrib, published here with express permission. www.madelineweinrib.com Gemma and Daphne relaxing in the studio. Photo by Antoine Bootz

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Malas can be a great tool to use during meditation practice or wear as a daily spiritual reminder. Our collection features a wide variety of wrist malas and 108 bead mala necklaces that are handmade in Nepal, along with some speciality items that are hand strung right here at the DharmaShop!

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Phillipa Lepley bride Madeline married at Cornwell Manor wearing a bespoke satin chiffon wedding dress with a long-sleeve, detachable lace top.

Matt & Madeline tied the knot this past weekend at the Country Club of the North and let’s just say it was BEAUTIFUL! The fall color palette was perfect for the venue and these two were all smiles. One of my favorite parts of the day was the fact that Madeline had two dresses, one […]