After a trip to the grocery store or farmer's market -- try a few, or all, of these exercises. Use your sketchbook for the drawing, and use scraps of watercolor paper for the color exercises -- or a watercolor sketchbook, if you have one. . . 1) Cherries in a Box -- With a pen, draw any fruit and whatever container you brought it home in. Add a little color with watercolor or colored pencils. Then, write in pen, where the fruit came from and what day it is. Make the words part of your composition . . . 2) Imagination/Observation/Memory -- Use three separate pages for this exercise. One the first page, draw a few pieces of fruit, and a few other random objects, without looking at anything -- just from your imagination Use pencil. . . On the next page, look at the fruit and other objects, and draw them in pencil, adding shading . . . Now, put away the fruit and objects -- and on the next page, draw them from memory. . . 3) Colorful Pear -- This exercise is more of a color study than a study of a pear, so no need to even look at a pear. Just draw an outline of a pear with a stem. Then draw some wavy lines that start on the edges of your page, intersecting the pear and ending on the other side of the page. Now, paint the shapes, one at a time -- Use any color you want and try the different wet-in-wet techniques. In some of the shapes, wet the shape first with clear water, then drop in color to the edge and let it move on its own. In some of the other shapes, wet the shape with a color, and then drop in another color to the edge and let it mingle. Skip around so that you're not painting right next to a shape that's still wet. If you want, you can paint all the shapes within the pear "warm" colors, and all the background shapes "cool" colors. . . 4) Still Life Drawing, Two Ways -- Set up a simple still life with fruit in a bowl, on a dishcloth or tablecloth. On one page, draw a contour drawing of the set-up in ink. . . On the next page, draw the same set-up in pencil, with shading . . . 5) Pear Triptych -- Divide a long skinny scrap of watercolor paper into thirds. Paint a light yellow wash over the whole thing. When that is dry, draw a big pear in each rectangle. Now, paint each part of the triptych in a different color scheme. The one on the left will be "complementary color", so paint the pear yellow and the background violet (or the pear orange and the background blue, or the pear red and the background green). The one on the right with be "analogous colors", so paint the pear green and the background blue-green and blue. The one in the middle will be "split-complements", so if you leave the pear yellow, the background will be red-violet and blue. . . 6) Blind Contour -- Do contour drawings of fruit, in pencil, without looking at your paper -- only look at the fruit . . . 7) Quick Color Study, Two Ways -- Set up a simple still life in front of a window -- an orange, two apples, and a little vase, for example. Paint this set-up two ways: 1-"Draw" the still life with a brush and orange paint. Then, paint it . . . On a separate scrap of watercolor paper, paint it a 2nd time. This time, draw it first in pencil, quickly. Then, paint it quickly and directly, using very bright colors. If you want, set a timer for 15 minutes and try to finish the study within that time. . . 8) Bird's-Eye View -- Draw some fruit in a bowl, with pen and ink. Add lines and cross-hatching to build up the values. . . 9) Strawberry -- Draw and paint one big, red strawberry. When dry, lift out the little dots . . . 10) Value Pencil Studies -- Draw some fruit, in pencil or charcoal. Add shading to build up the values and add form. . .
Sergio Larrain - Fondation Henri Cartier-Bresson
Paul Gauguin - Nature morte aux fleurs et a l'idole, 1892 at Kunsthaus Zürich - Zurich Switzerland
Johann Weinmann Black Pepper Plant 1737-45
s I sit here on this first, super chilly Autumn morning of the season, it feels so right to be writing about gentleness. As the weather gets a little harsher and we shift gradually towards Winter…
Check out the Vintage Rotary Phone in Appliances, Electronics from Anthropologie for 198.00.
Paint a Still Life Like Matisse - Learn how to create a vibrant still life painting inspired by Matisse with our step-by-step guide.
This wet chalk technique adds a new dimension of layering & blending colors to this drawing lesson. Add color to a still life, landscape or process art.
Tirage d'art limité à 30 exemplaires. Numéroté et signé Sur papier japonais AWAGAMI KOZO THICK WHITE 110G fabriqué avec des fibres de mûrier de la région de Tokushima, en harmonie pour l'impression de photos végétales 30 x 30 cm (autres tailles supports et encadrements possibles, nous contacter) Materials used: paper Tags:#still life #pop art #limited edition #art photography #cherry #cook #nature morte #juices #fruit art #kitchen decoration
Free Still Life Photos for Painting Reference. Royalty free still life photos used for painting reference for artists. Interesting still life photos.
How to create an in the round photo impessionistic still life image