Wallace G. Levison took advantage of evolving film technology to freeze a city that never stops moving.
╭💮The Charm of Country living🌲 🍃Note ❧ All images belong to their respective owners and are solely posted for entertainment reasons to encourage the appreciation of country living. ❧🐇 I hope you enjoy the beautiful images.🌺Have a blessed life ツ ~ℳ
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A new auction marks 100 years since the birth of US photographer Ruth Orkin, who travelled the world making waves in an industry dominated by men
Some subjects just lend themselves to great photographs and this is one of them. For our latest photography collection designed to inspire you to get out and start shooting, we have put together a collection of great photos of elephants. Share your own in the comments! Photo by Jon Rawlinson Photo by Geof Wilson Photo by Caitlin Photo by Brian Snelson Photo by Art G Photo by William Cho Photo by Felix Francis Photo by Alex Proimos Photo by Jenny Downing Photo by Gopal Vijayaraghavan Photo by Eric Molina Photo by David Siu Photo by Magda Ehlers Photo by Andrea
Love, love this. For many more unusual, beautiful and bizarre snapshots, see my 'peculiar snapshots' set. www.flickr.com/photos/peopleofplatt/sets/72157623805923609/
A blog about Decorating, fashion, gardens, the beach, gardening, cooking, photography, all influenced by my Italian and Argentine roots.
These old folks from Miami have a lot to teach us about bold fashion choices.
Oil on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who / what can we believe? Who / what can we trust? How real is our view of the world? And how is that perspective angled, and ultimately limited? These are the issues at the heart of my work as an artist. Painting, drawing, engraving and embroidery give me the freedom to approach my subjects from an ambivalent and flexible standpoint. I am building up a dynamic body of work, like pieces that you can put together in one way or another to shape different structures, pierced with numerous openings. And the title that I give each piece acts as a possible clue as to how to enter inside that system. I can portray both softness and monstrosities. I focus on the links and barriers lying between living beings and their surroundings, and evoke how permeable these connections are. My aim is not to create a visual documentary reporting fact, but rather immerse myself in observing everyday life, and in a host of images depicting real events (pictures, photos and videos). Instilled with these images, I can give a more personalized, unique and allegorical vision of the world around me. I am also interested in the key transition periods of human existence, those turning points that forge our identity within a family, a group, and society as a whole at the heart of a specific environment. I centre on what makes up and creates cohesion (rituals, myths and tales….), and indeed the opposite - what leads to life becoming shattered, hindered and frustrated (moving populations, exile and migration…) Amidst a landscape roaming with wild beasts and hybrid creatures, between love and separation, metaphors for our own desires and fears lie in hiding, or reveal themselves in the painted or embroidered spaces. Sometimes they are etched with lines, symbols and tiny architectural designs. These works might depict our inner landscapes, as if harking back to a primordial and cosmic point of origin. My most recent collections recreate the images of bodies or landscapes using abstract zones and figurative details that have no direct link with either anatomy or geography. Intimacy and the unspeakable are themes that run throughout my work, and I make sure to incorporate areas of both visual tension and relief, so as to give the viewer the space to project him or herself into the work. And here, such paradoxes can only be reached through the interplay between abstraction and figuration.” 2 / Thierry Delcourt Psychiatrist, psychoanalyst and author of works on the process of artistic creation, and the conditions of existential and social creativity : "Entering into the world of Hélène Duclos in her drawings, paintings, embroidery and words means letting yourself be carried away by a torrent towards strange shores of creation where only a few artists have ever dared to venture. As if perched on a watchtower on the threshold of different worlds, Hélène Duclos throws us out of our depth, plunging us into spaces filled with destitute mankind, and guiding us through her stem-like maze of a scheme, bristling with roots and clues. But the mystery here, like a poetic, human rebus that never ends, only compels us to take a closer look.” 3 / Hélène Duclos ‘s biography : After graduating from the Duperré School of Applied Arts in Paris with a degree in textile design, I set off on a six-month sea voyage from Vannes in Brittany, to Dakar. On returning to France, I set up my atelier in Montpellier, collaborating on projects with performing artists, with my visual research finally producing a collection of art installations. At that time I was working on paper and canvas, as well as with costume and theatre design using fabric and light metal. In 1996, I decided to focus myself entirely on exploring pictorial art, and I gradually built up experience in different techniques by training with various artists in both France and Vietnam. From the new millennium onwards, my work began to be represented by private galleries and shown at art fairs mainly in Paris, Brussels, Lyon and Tours. Come 2010, having been pushed along by various winds from all directions, I found myself once again, needle in hand, in front of piles of fabric. It was at that point that I began my research into embroidery, while also developing my work in drawing, and training myself in copperplate engraving. My work is firmly rooted in the contemporary art scene, and features in public collections such as in Le Mans, as well as in private art collections spanning France, Belgium, England, the USA, Canada, Germany, Switzerland and the Netherlands. 5 key dates 1974: born in Boulogne-Billancourt in Paris, brought up in Seine-et-Marne on the Paris outskirts. 1995: textile design degree at the Duperré School of Applied Arts in Paris, followed by travel abroad to Africa and Asia. 1996: Montpellier, collaborated on performing arts projects. 1999: Drôme, southeast France, developed personal visual arts projects. 2015: Nantes, hic et nunc.
The world is full of mysteries, magic, and beautiful places that seem like they could only exist in our imagination or in books and movies. Believe it or not, some of these places are actually real!
A light, spacious and beautiful cottage that blends old with new, with stunning seaside views and a sheltered garden.
very stereoptype has a grain of truth. But the reality was a little different. The sands were about life, love, lust and fun.
There is no doubt that Innsbruck is the best location to visit in summer; this medieval town has managed to leave an indelible impression on tourists in the past with some eye-catching scenes. You wil
Articles on Interesting Research Findings based on Scientific Studies. They are interesting and Thought Provoking and infused with Facts.
Hard to believe that this weekend is the beginning of September and the unofficial end to summer. I feel like summer has barely begun and at the same time I'm so ready for fall clothes! I'm heading down to DC with a good friend for the long weekend and when I get back it's two jam packed days at the
sassy: adjective ˈsa-sē impudent, lively, spirited, vigorous, distinctively smart and stylish, showing no respect for people in authority, saucy, pert, confident, chic. Students from five states smile through the gate of Ashley Hall in Charleston, South Carolina, March 1939. Photograph by An
"Coastal Oysters" by Kim Hovell Fine art print of acrylic painting by the artist Kim Hovell. Each print is created on a professional digital art printer using archival methods. 8.5 x 11" prints are presented in a bright white 11 x 14" mat marked with the title. 5 x 7", 11 x 14", and 13 x 19" prints are unmatted. —Shipped in a protective clear sleeve and sturdy mailer within 3-5 business days. 16 x 20”, 18 x 24”, 24 x 30”, 30 x 40” prints on paper come with 1” border.* —Shipped rolled up in a tube within 1-2 weeks. Canvases are printed on archival matte canvas and mounted on 1.5” stretcher bars* —Please allow 2-3 weeks for production. Custom size prints on paper and canvas are available by request. Born and raised in Annapolis, Maryland, Kim has had a lifelong love of the water and art. Her strong connection to the Chesapeake and her love of the East Coast lifestyle inspires her paintings. Kim received her Bachelors of Fine Art and minor in Art History from Virginia Tech in 2007.
visitheworld:Kynance Cove in Cornwall, England (by Paulus Veltman). enchantedengland: Oooooh very lovely! Sea lust and tiny people and the ragged romantic Celtic beauty that is Cornwall.
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Looking to escape the crowds? Check out our pick of the best hidden beaches and coves to explore in the south west. Read more at Redonline.co.uk.
Intuitive eating is freedom to eat whatever your body is craving and learning to recogize your own hunger cues. These health coach-approved tips will help you incorporate mindfulness into every meal.
Can’t stop looking at this gorgeous painting by the Spanish painter Josep Moncada Juaneda. Doesn’t it just make you want to dangle your toes in the water? Or, rather, dive right in? What’s caught your eye lately? Here’s a few things I’ve held onto this week… Aron just downloaded a really cool app called Moves. […]
Hay un 90% de razones para visitar Madrid que se basan en lo intangible, en su canallismo, su callejeo, su nostalgia nocturna, sus sobremesas y sus cielos. Eso sí, el 10% restante son las reminiscencias culturales de la que fuera una gran capital antaño y
A ride at Blackpool's Pleasure Beach
Since I'm away at the beach, I figured it was a good time to show some seaside cottages. Not the Newport variety, but actual cottages. The book 'Cottages by the Sea' by Linda Leigh Paul features a number of amazing cottages in Carmel, California. I had 2 favorites that I want to share with you. The house seen at the top images of the post is called 'Hansel' -aptly named, don't you think? The street side is a quiet, almost fairy-tale cottage. The handmade quality of the finishes just adds to the charm. The designer, Hugh Comstock, designed the place in a folk tudor style to showcase his wive's 'Otsy-Totsy' dolls in 1924 to show to potential buyers as they had overflowed their own home. The interior is small at 300 SF but adorable. Efficient little beach cottage perfect for 1 or 2! I love the soaring ceiling. Thats a guest loft up the ladder from the living room. Less of a cottage than a small house, the second project is more my speed to actually live in. I love this house! The Hasenyager House was built in 1931 by MJ Murphy in a French Tudor style and was restored in 1987.The house, typical of the time period, features forest-green painted steel windows. You know I love those! I especially love this large rounded bay window in the living room seen above and below. The garden is divided into 'rooms' and features a treasure trove of plants - roses, lupine, forget-me-nots, wisteria, iris, rhododendrons, lilacs, lavendar and rare trees. A perfect cottage garden! The interiors are still cozy but not as tiny as the hansel house. I love the wood floors and beams. The kitchen is obviously from the 1987 remodel but I don't mind it -the white cabinets and appliances are very beachy and I love the addition of the beautiful rugs and blue cabinet. This is a book that is definitely worth checking out!
Discover a beautiful hidden waterfall on this spectacular, little-known beach in Oregon. One of the best waterfall hiking trails in Oregon.