I used to be a lone wolf, going back as far as I can remember. For a long time, I was an only child with one cousin who lived far away. I was always left
Now that you are familiar with visual thinking metaphors and analogies, today, I would like to provide you with a practical example of a visual thinking metaphor that is often used for life coaching purposes to help clients clarify their goals and objectives. In fact, it is one of the many visual thinking metaphors we will be discussing in the coming months.
“I do like it” is a contracted braille reading program. Great news – they have a UEB version. Even better news, the series is only $20. I would love to hear a review if any of you…
Using blacklights to create a buzz in the art room and a presentation goal at the end Like it or not visual arts sometimes needs a gimmick to get the community pumped about going to see an art show. School music shows and theater don't have that problem. People always want to see their kid in action, but with visual arts the action is already finished in the classroom. I decided this year to have the kids create an art show centered around blacklights. The kids spent the entire month working on artwork, backdrops, and advertisements in the dark to get themselves and their families excited about the show at the end of the month (which coincided with conferences). The results: a magical show that created quite a few "Whoas" and "Ahs!" The Supplies What Glows Under UV I decided to make the show into a theme of a garden so all of my activities stemmed from that idea with a few exceptions. The first step was to figure out what materials glow under a blacklight. I started with testing things I apready had in my room and then went shopping to test for more. Some things glow more than others. The best materials I found were: Crayola Fluorescent Tempera (blue doesn't glow but can be mixed with red and yellow) Walmart Fluorescent Tempera (including blue) Highlighters (most yellows, some pink and orange) Neon Sharpies Crayola Extreme Colored Pencils Neon colored pipecleaners and puff balls Neon ribbon The Blacklights I didn't purchase glow in the dark paints. I used blacklights to make fluorescent things glow. The glow in the dark paints do however glow under a blacklight, but they are more pricey. There are two choices for blacklights whichI used a combination of. 1. Blacklight lightbulbs (from Home Depot or Walmart). These work really well together, but the downside is they get hot. They work well for spotlighting the show. They cost $5 each. 2. Strip Lights. These stay cool and give even light. Great for kids testing their artwork and drawing in front of. I paid $20 on ebay for mine. Painting in the Dark I really wanted the kids to experience painting with glowing materials in the dark. We tried a few ways of doing it. 1. When they were already working on their artwork I would turn out the lights and put on the blacklights for a couple minutes at a time. The kids really enjoyed this but of course lost focus on their paintings. 2. When the lights were on the kids could test their artwork to see how it glowed at 2 test stations on either side of the room. The paint glows so well that even with the lights on they could see it glow if it was near the light. 3. The day of the exhibition since I had the room cleared of furniture, I passed on art boards, paper and highlighters and we played some drawing games. The Projects Kindergarten Flowers The green stem is actually yellow highlighter that glows light green. The blue around the flower is the white paper showing. One 2nd grade class made more sophisticated flowers learning how to blend colors on the petals. 3rd Grade Lizards 2nd Grade Frogs with patterns on the belly 3rd Grade Negative Portraits. We started with black paper and painted the faces and the backgrounds with fluorescent paint. 3rd Grade Positive Portraits. This class made portraits on white paper and put them on a black background. 2nd Grade Snails 1st Grade Turtles 3rd Grade Owls on black paper with glow background. 1st Grade Shootong Stars The Exhibition Below are the 4 walls of the exhibition. I decided to not display the art in the traditional grid style but instead to create backdrops or landscapes that the art lived in. The decision was partly due to how many kids I had in the school (580) as well as wanting to create a full experience for the kids that are K-3rd grade. Paper Panel Walls To create a gallery in my classroom I had to erect butcher block walls on two sides of the room attached to the ceiling grids. The paper walls hid my desk, cabinets and countertops. I took my tables out of the classroom for the week of the show. I added duct tape to the top of the butcher paper that I could pierce my grid clips through and attach right to the gridwork. To make the bottom display straight I folded over the bottom edge and stapled it to create a pocket for a yard stick to slide into. Here is the wall finished. You might notice that the paper is white in the sky area but on the photo with the blaclight it appears blue. Some white paper will glow blue under blacklights which worked perfectly for our sky. Hands-On Activities As part of the show I had stations with hands-on activities. On the counter on one side of my room I had science information about blacklights and several examples of things that glow with a black light that people at the show could touch and move. From Nature: Rocks from nature (I purchased on ebay) Feathers Glowfish (real GMO fish from Petco that glow) Manmade: Paints Highlighters Stickers, Pipecleaners etc Tonic Water I also put a flashlight out for people to see what colors the paint was when we painted in white light. I explained why this phenomenon happens in class with a Power Point presentation and printed out the slides and displayed them for the show. Here is the link to the slideshow. Counter with hands-on activities. Edit: Now that the show is over I keep on finding more things that glow! Here's one I've tested. You can mix in highlighter marker into Model Magic! That opens more 3D options!
In my taste finding expedition, I’ve found myself being drawn to more complex and narrative pieces which juggle multiple elements. I’ve always loved looking for structure in whatever I’m loo…
We talk a lot about using picture books in our teaching. I am wondering though if you are using wordless picture books in your lessons. If not, you are missing out on a great teaching resource. I try to incorporate wordless picture book in my lessons for a variety of lessons. picture source Well, besides the fact that a picture is worth a thousand words, there are plenty of other great reasons to incorporate wordless picture books in your teaching: -They lend themselves to any lesson you could think to teach. -They level the playing field in the class. Without text to contend with, you can still teach reading and writing skills/strategies to the whole class or mixed ability groups without needing to level. This is great for your lower performing students and your ELL friends. In fact, I find that my high ability students are often the ones that don't so as well with wordless book activities. They often like to stick to the text and want it to be "right." With wordless picture books, you have a lot of wiggle room which can make them uncomfortable. My lower performing students are often able to take the lead in these types of activities. -It sparks your friends imagination. Without text, you will be amazed at what they read into what they see. -You can use the same books across many grade levels depending on what you ask your friends to do with them. They aren't just for little kids! -A lot of the ways I use these books require my kids to be up and moving or working on the floor in small, cooperative groups. Anything different from seat work is always welcome! -These lessons also often require collaboration, conversation, and decision making as a class. I thought I would share with you some of the ways in which I have used wordless picture books in my classroom. Now, for each of the skills/strategies I list below, I have given an example of how you can teach it. However, there are a bazillion other ways you could teach these lessons. These are just some examples. You could expand the lesson or simplify it as you see fit or maybe you have your own idea on how to do it. Do what works for you! Sequencing -Copy all the pages of your book. Divide the pages into three parts; beginning, middle, and end. Give it to three groups. Each group sequences their pages. Then, bring the three groups together to decide the sequence of the three sections. Once they have decided, I tape the pages in order up around the room and we view the story from beginning to end. As a groups, they can make any last minute changes at this point. We then read the actual book and see if we sequenced the same way the author did. This is where the real lesson comes in. If there were no changes, you can discuss how they determined sequence. It's important for them to verbally justify their reasoning. If their sequence doesn't agree with the book, they have to defend their reasoning. I find that there are times when the sequencing my friends do really does make more sense than what is done in the actual book. It is in the discussions where I hear how my friends are applying sequencing skills. This is great for your ELL friends as it puts them on an equal playing field to the rest of the class as there is no text to struggle with, and still teaches them the skill. Many of the lessons that follow are great for your ELL friends for the same reason. This is also great for the lower grades if you use a simple book. They can organize simply for beginning, middle, and end. Inferencing & Predictions Without words, you must really analyze the story story through the illustrations. When reading the book with your friends, have them make predictions before the next page. Without text to cite, they really must apply some good inference reasoning. When you do this as you read the book, they are always in anticipation of turning the page to see if they were correct. Dialog & Mood Select a page or two that has two characters. What would those characters be saying in this situation? How do I write that dialog? Using just one page for this makes it a good quick hit for a mini-lesson. You can then give your friends another page to write the dialog in independent practice. This is a great way to have them practice crafting power sentences as it forces them to incorporate mood, which they must determine from what is happening in the illustration. You can also just use the illustrations to determine mood without having to write the sentences. In this case, the dconversation you have with your friends is critical. They need to explain how they determined mood. What in the picture gave you that idea? What are the characters doing? What is the setting? Did the illustrator use darker, moodier colors or brighter, happier colors? I find this same technique an excellent way to teach internal monologue. After reading the book with the class, I focus on a page that comes later in the story. At this point, there is something going on in the story, some conflict, so my friends have something to work with. We then focus on one character in the illustration. I ask my friends what this character might be thinking. What would his thought bubble say? We go on to discuss how internal monologue gives us insight to the characters, their feelings, motivations, etc. and how it can give us additonal information that we may not otherwise know. My friends then work in pairs to come up with internal monologue for different characters in the book or for the same character in different parts of the book. Without fail, I find after I do this lesson, my friends begin to incorporate internal monologue in their own writing. Character Analysis After reading the book, what do you know about the main character/protagonist? This really focuses your friends on a characters actions. Create a list of character traits with your friends. The lesson comes, again, in having your friends justify their choices. What makes them say the character is kind or frustrated or loving? You get the idea! Narrative Writing Obviously, there is no text in a wordless picture book. Have your friends write the story guided by the illustrations. This is a good way to teach or review narrative writing. You can write the story on chart paper as a shared writing activity. This way you can be sure to guide them in incorporating the required narrative elements. Or, you can always do this as a small group or independent writing assignment. I like doing it in small groups at the end of the narrative writing unit. I can see my friends applying what we have learned. Also, it is really a lot of fun when we read the stories from the different groups. While we all had the same illustrations to follow, the stories are always different. The plots vary, some go for humor while other groups are more serious. Some groups embellish beyond the pictures, while others pretty much stick to the pictures. Identify Plot Structure, Story Climax For this, I usually have my friends sequence the story first. Then, we discuss the story plot. Once we know what is happening in the story, my friends identify the story page that shows the climax of the story. We can then look at the pages before and after. If you have taped your story along the wall as we do, you can then move the pictures to show the plot mountain. picture source When you tape the pictures in a visual display on the wall, they can then use sentence strips to label the exposition, rising action, climax, falling action, and resolution. It is a very concrete, visual way to teach these elements. Main Idea & Supporting Detail If you've done either the sequencing or plot structure lessons above where you ordered the pages on the wall, you should try this lesson. Have your friends identify the page that essentially shows the maid idea. Once you are all in agreement, have them take down any pictures that don't support that main idea. You will be left with only pages that show events which support the main idea. Again, a very visual and concrete way to teach this skill. I would chart this with words. Write the main idea and then, looking at the pages, come up with a sentence for each supporting detail. I would also just suggest being particular about what book you use. Some wordless picture books tend to be very fanciful and imaginative. This works best with a book that follows a less imaginative, "real" story. Those are just some ideas for lessons you can teach with wordless picture books. Depending on your learning goal and what you require of your friends, I find them to be excellent books to use across all grade levels. In particular, your older students will really get a kick out of using them because it is so different from their norm. So, let's talk books. Wordless picture books can be hard to find if you don't know what you are looking for. In my public library, the wordless picture books are mixed in with all the other picture books. You could spend forever looking for one without words. With a simple Google search, I was able to find a few different lists. Below are two links I think might be helpful in getting you started. I selected these list because they both have books I have used with great success. I'll tell you a little more about two of my favorites that are on the lists. The Carnegie Library of Pittsburgh has a nice selection of books listed online. One of my favorite books on this is list: The Lion and the Mouse by Jerry Pinkney. It is a wordless retelling of the Aesop fable and won the Caldecott in 2010. It's perfect for so many different lessons. This one book can easily be used for all the lessons I listed above. The Louisville Free Public Library also has an online list. A few of the books on their list are the same as on the Carnegie list, but there are some different ones. One I like and have used is You Can't Take a Balloon into the Metropolitan Museum by Jacqueline Weitzman. Being just a quick train ride away from New York City, my friends can always make connections to this book as many have been to large museums in the city. What I really like about this book is that there are multiple illustrations on each page. There is usually a larger, main illustration with smaller ones around it. It is like having supporting details on the page for the main picture and is very helpful for your students that need more information or visual clues. Between these lists, you should have a good starting point. There are a lot of great wordless books out there, and these are just a small sample. There are so many others I could go on about. Talk to your school media specialist, and see what they recommend. It would be nice if they had a special section just for these types of books. However, don't be discouraged if you can't get your hands on any wordless picture books or don't have the time to go looking. It is easily solved. Grab your favorite picture book and some Post-It notes. Simply cut the Post-Its to cover up the text. Voila! You can turn any picture book into a wordless picture book. So, is any of this helpful or have I just rambled on? :-) How are you using wordless picture books? Do you have a favorite to share?
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Feelings of anxiety, fear, self-doubt, stress and even sadness are likely to arise during life transitions. All of this is ok and It's all part of the beauty if we're able to find it.
Blog de Educación Plástica y Visual para las clases bilingües (en inglés).
Learn American coin names and the value of each with this money booklet for kids! This free money printable is handy to learn what makes 100.
Unlock elementary & middle school art teacher resources! Join my free library: games, handouts, posters & more. Elevate your art curriculum!
CRM App 2 designed by Karol Kos for widelab. Connect with them on Dribbble; the global community for designers and creative professionals.
CUSTOM GRAPHIC DESIGN POSTERS ✏️ Made to order ➡️ mesage with a rough detail of what you would like including colours and any images ect. Can be sent as a print or a digital file. Orders will take around a week to complete plus shipping time.
Click HERE to download the free printable activity page. Spot the Differences are always fun. This one is extra fun, since it’s also a coloring page!
I wanted to make some charts for Author's Purpose that would appeal to my first graders. I went with the P.I.E acronym (Persuade, Inform, Entertain) but took it to the next level by actually using Pie as the text examples. I then added some Other Examples so the students would get additional visual examples of the different purposes. I have these up on my Teachers Pay Teachers site for only $2.00! ***UPDATE - I had a few requests to add an additional, optional 4th poster for "Explain". I have now included this in the download too. This is also available in a money saving bundle with my Reader's Tool Box: Click on the picture to see it! Save With A Bundle: Author's Purpose Anchor Charts and Reader's Toolbox of Reading Strategies Click here to go to Teacher's Pay Teachers to get them :) While you are at my store, check out some of my new and best selling products including: My Original Writing Center - My best selling product! CVC Clip The Sounds Print Your Own Teacher Subway ArtPerfect for Gifts! Don't Get "Frozen" - A Sight Words Card Game Read It, Build It, Write ItAll 220 Dolch Sight Words Included The "Blue Cat" Daily Five Posters Reader's Toolbox of Reading Strategies Marzano (Kid-Friendly) Rating Scales Polka Dot Behavior Clip Chart with Daily/Weekly Behavior Reports and Punch Cards Chevron Behavior Clip Chart with Daily/WeeklyBehavior Reports and Punch Cards Word Family HousesCVC and CCVC Words Included The Ultimate Writing Center: Chevron Sight Words Superhero: Everything You Need to Motivate and Reward Sight Word Recognition Sight Words Superhero Add-On Pack: 130 Pages of Sight Word Games and Activities! Mighty Minions Sight Words Card Game Mighty Minions Read It, Build It, Write It Author's Purpose Anchor Charts Letter AND Sound Picture Mats Interactive Word Wall Books The Scientific Method Posters and Activities Awesome Adjectives with "The Blue Cat" Check out these MONEY SAVING BUNDLES: And MUCH more - click here to see more great products! And, don't forget to follow my store to get a free kit each month!!! Past "Follower Freebies" include" Click here to see how to get free kits each month: Mrs. Gilchrist's Follower Freebies
These FREE speech sound cue cards have a picture of a mouth producing the sound and a picture to remind your students of the sound.
Classroom management can be tough! This is a super simple way to encourage your whole class to make good choices. Students love being able to physically see their hard work pay off! I let my class vote on what their reward will be when they completely spell the word. It's been super effective all year! This product now has editable components to make any word you'd like!!! Included cards; We got a COMPLIMENT We are MINDFUL Perfect ATTENDANCE We use MANNERS We are KIND We are SAFE We are AWESOME We make good CHOICES Group 1 (also 2-10) make good CHOICES We can TRANSITION We show KINDNESS We are RESPONSIBLE Check out more popular items! - https://www.teacherspayteachers.com/Product/Classroom-Management-Word-Building-Editable-6600925 - https://www.teacherspayteachers.com/Product/Folder-and-Notebook-Labels-Growing-Product-7032168 - https://www.teacherspayteachers.com/Product/Classroom-Newsletter-Back-to-School-5886663 I’m McKay from Grades and Grace and I'd love to connect with YOU: Instagram Tip: You can earn FREE shopping credits by leaving feedback on products you've purchased! Here's how: Click My Purchases and click the Provide Feedback button!
Learn all about the art of visual poetry and how to craft your own!
Editor’s Note: The following article continues Johan Liedgren’s series on storytelling and its role in crafting narrative in design, advertising and film. On New Research Suggesting There Are Only …
Negative leaf print by one of my second grade students earlier this year. Hey, guys! This post has been very popular on my blog...if you are interested in other leaf-y projects, look at my Leaf Relief project and my Pressed Leaf Project as well. Thanks! I don't know what it's like where you live, but here in Tennessee, we are experiencing spring-like weather. For the most part. I mean it did snow the last two Saturdays (and, in Tennessee, "snow" means just a few flakes and a couple of inches) but the other day it was 78 degrees. Crazy, right? For that reason, I've got touch of spring fever. You too? Well then you might enjoy this leafy printmaking project I did at the beginning of the year with my second graders. It's simple, scientific, beautiful and fun...okay, enough talking about me (!), on with the lesson. For this project, you'll need the following: gelatin, not Jell-o. Most grocery stores carry a brand called Knox which sells in boxes of 16 pouches. cookie sheets printmaking brayer, sold at most craft stores printing ink variety of leaves paper Print pulled from the same printing tray, this time the positive version. The night before you begin, you'll need to prepare your sheets of gelatin. To do that, bring about 3-4 cups of water to a boil. Once boiling, whisked one pouch of gelatin into the pot. You don't want any clumps of gelatin, so whisk like there's no tomorrow. You'll end up adding about 12-15 pouches of gelatin into that one pot. Sorry, I'm not into exact measurements. Which could explain a lot about my cooking. If there are any remaining unwhiskable clumps, remove them with a spoon. Pour mixture into a cookie sheet filling it about 1". Leave uncovered over night. If you see any bubbles in the cookie sheet, pop them or remove with a spoon. For my class of 20 students, I made three trays. Pulling the first print always managed to get oohhhh's and aahhhh's aplenty. The following day, we were ready to print. The surface of the gelatin was squishy yet very firm, perfect for holding our printing ink. I think I can explain this best in steps, so here you go: Using a brayer and printing ink, cover surface of gelatin in ink. Place leaves onto the ink-covered cookie sheet with the veiny side down. I don't recommend using anything with pine needles because that will puncture the gelatin. But experiment, you never know! Once leaves are in place, lay paper on top of cookie sheet and rub (er, we call it "massage") the paper. Pull paper off, as you see in the above photo, and viola! You have your first print! Notice how clear the gelatin looks. All of the ink that was once on the tray is now on the paper. I love her dainty fingers pulling up the second print. So sweet. Now for the second print: Gently remove all of the leaves from the tray. It's best to pull them out by the end of the stem. Place a new sheet of paper over the now-empty cookie sheet and rub. Pull second print which will be a positive image of the first. Looks like a black and white photo, don't you think? Once both prints have been pulled, re-ink the tray and begin the process all over again. With a class of 20 students and 3 pans of gelatin, about 10 kids were able to print per half an hour class. The pans of gelatin can last about two days with an endless amount of printing. I tried to cover the gelatin and keep it for a little longer, but condensation droplets created strange little craters on the surface. If left uncovered for too many days, it begins to dry and crack. For that reason, if you plan to do this project for longer than a couple of days, you'll just need to prepare more gelatin pans the night before. Our second go-round of printing involved using white ink on black paper. Just as pretty. This project is so easy and the results so stunning that everyone is successful. I've now had a couple of craft get-togethers and this is always a hit. Once those leaves start growing in your neck of the woods, I do hope you'll give it a shot! I love the photo negative quality of this print.
Have you ever really learned how to READ A TAPE MEASURE? I have broken it down for you and given you a visual so you don't have to "count the little lines" any more!
This list of gallery wall ideas will show you creative ways to make a gorgeous picture wall in your home that you will love for years to come
Natural Gemstoneapproximate hole size: .75mmapproximately 4mm thicksizes are approximate and vary slightly Lace Agate, a mesmerizing gemstone, weaves a visual symphony with its delicate patterns and soft hues! Formed through the slow processes of mineral deposition within volcanic rocks, lace agate is a testament to the beauty crafted by Earth's geological artistry. This captivating stone, with its intricate lace-like formations, has adorned jewelry since ancient times, captivating hearts with its natural elegance. Known for its calming energy, lace agate is believed to bring harmony and soothe the spirit. Let this exquisite gemstone become a timeless addition to your collection, infusing your creations with the serene magic of Earth's geological poetry.
Cheesy Broccoli bites are a great veggie side dish. Full of vitamin K and vitamin C in every bite!
Finally! The Taxonomy of my Music is complete! While I’m working on my Digital Art assignments I enjoy watching my favorite TV shows. I bring this up to help you get a sense for how long it t…
I must say, it's hard to avoid the Yayoi Kusama dot pumpkin around the fall time. Searching for pumpkin-inspired art project ideas inevitably reveals this contemporary Japanese artist's dimensional, plump and somewhat psychodelic pumpkins. It's been done, again and again, but I felt it was now my turn... despite the hype. Kusama pumpkins White board instructions and guides, with teacher samples I love the graphic quality, and I particularly love the challenge of drawing contours without lines, by using only dots of various thickness. My kids classes (8-14 year olds) have varying degrees of experience with pen techniques since we did a few projects last year and in the last weeks involving stippling, hatching, and adding texture with pen. This no-lines drawing is not too far off, but definitely in a new direction, and I saw it as an extension of our previous illustration and pen work. Win win. Medium choice: I wanted the results to be super neat and crisp, like Kusama's own work. I knew painting dots with brushes would not give us that crisp quality, and I felt similarly about painting or drawing in the background pattern. So I opted for drawing in the dots with permanent black markers in various thickness, on colored paper. Pumpkins would be cut out and pasted on a background which was painted with a foam roller and stencil with black acrylic paint over top a vibrantly colored paper. With this approach we get the bright color of the pumpkins and the background, the neatly controlled lines of dots with the makers (that's the objective, after all), and the clean patterned background with the stencils. Process Day 1 1. Drawing pumpkins Student had visuals of Kusama's pumpkins as well as photos and illustrations of pumpkins to observe the variety of their form and shape. Simple step-by-step pumpkin drawing guides were also at their desk, so they could see how to break down and simply the drawing steps. I also demonstrated how to draw a pumpkin on the white board, and showed them several different options for shapes. Pumpkins are most easily drawn starting with the central 'section shape', them the section shape to the left and the right, and so on. The stem is drawn slightly tucked down into the top, so is doesn't look like it's sitting on the top contour edge, but rather growing out the pumpkin. Students were encourage to try a few different shapes - tilted, plump, oblong and even with wavy sections.... like Kusama's. We practiced a few rounds of pumpkins on scratch paper. Then we chose our colored paper, and began drawing our favorite version in pencil. 2. Dots Each pumpkin section must be filled with dots in a crisp, systematic fashion. Our dots must create the illusion of form. We analyzed Kusama's work and noted how she uses a row of larger dots at the center of her central section, with increasingly smaller rows of dots on both sides. This gives our section a 3-D shape. The tricky part is addressing the next sections to the left and the right. We noted that Kusama uses large semi-circle, or half-dots, along the outer edge of the first section (where we drew our section line with pencil). From there, the lines of dots get increasingly smaller again toward the other edge. This is repeated for each section. The darker intensity of the large half-dots serves the purpose of creating a strong visual line which separates the sections (thereby replacing our 'line' with 'dots'). *Super important for an effective gradient of dot sizes is using differently sized markers. We used permanent markers with hefty fat tips, medium tips (or a sharpie with a good point) and fine liners in various tops. 3. Stem We observed that Kusama did her stem in the same manner, but in the inverse. So dots are white, and the negative space is black. To achieve this effect, we simply drew open circles with our black pen, and colored the space around our white circles. Pencil lines were erased and pumpkins were cut out. We managed all this in a 90 minutes class. Drawing dots Drawing dots Day 1 results Day 1 results Day 2 Background: Student chose a colored paper that complemented or contrasted with their pumpkin color. Then they chose the stencil of their choice. My stencils are from Marabu. We chose stencils that contrast the dot pattern, so those with a different angular of liner quality. We did not, for examaple, use the stencils with hearts, small stars, circles, etc. because they are visually too similar to our dots. We used black acrylic paint and foam rollers to stencil on our colored paper. In many cases, our stencils were not as large as our paper, so we had to carefully reposition the stencil, lining up the stencil with the printed edge, and rolling again to fill the page. Pumpkins were finally pasted on the printed background, for a visually exciting result. My students were quite wowed by their vibrant, dimensional results, and proud of their hard work and dedication to neatness and precision. Hard work pays off. Ages 8-14 Ages 8-10
The Unique Learning System is a great standards-based special education curriculum. Find out why I like it and what I think it offers teachers.
Let’s talk about creating a light academia decor look in a small bedroom! Light academia is an enchanting style that looks like it’s been plucked from the pages of a classic novel, with a look that drips with utter PRETTINESS. But how do you achieve this style in a small space? In this post, I’m gi
Large brushstrokes make broad scapes of texture. The effect is soft and lush to add visual interest to any space. The openness of the design is a great texture that has a lot of movement."}},"base-catalog-303172055":{"__typename":"BaseProduct Sold in double roll bolts Scrubbable Strippable Paintable/stainable NOT Peel & Stick
One of my favorite ways to outline or plan a story is to map it out like a subway or road map. Here's how this technique works. Each road or subway line
Babies develop and grow at a rapid pace during their first year of life and there are many things you can do to help fire off those brain connections! Visual stimulation is an important developmental stage which you can help strengthen very easily. Research has shown that the retina of a newborn baby isn’t fully developed […]