Find this years registration form here Visit last year's salon here. A Complete List of the 2019 Gua
Discover the 1863 Salon des Refusés: first of a string of landmark contemporary art shows that have radically changed the course of Art History.
The first snows are feathery and light, and in Alaska where my brother lives, the Aleuts probably have a special word for this sort of soft dry snowflower. Sometimes the snows come in icy face-ting…
Rejected by the jury of the 1863 Salon, Manet exhibited Le déjeuner sur l’herbe under the title Le Bain at the Salon des Refusés (initiated the same year b...
Discover the 1863 Salon des Refusés: first of a string of landmark contemporary art shows that have radically changed the course of Art History.
Edouard Manet
We went from winter to summer with hardly any “spring” in between. 40’s and 50’s to 80’s- wham. Slow-stitch Needlebook, by Rita J. McNamara A daily sprint of yard chores. De-mulching perennials, cl…
Un mot sur le tableau d'Iphigénie, refusé par le jury de peinture, au Salon de 1824 . Par I.-P. Du Pavillon (A. Béraud) Date de l'édition originale: 1824 Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF. HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande. Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables. Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique. Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
My dad was a world class worry wart and I took right after him. He used to tell me that he knew most of his worries were a waste of time. Ninety-nine percent of the time, he said, the stuff you wor…
Artists are notorious junk collectors and I am no exception. I drag home the stuff washed up along deserted shores, the stuff blown down in sudden storms, the stuff flattened on highways by oblivio…
In the old days (I can say that now because I’m past 70) damaged and used up everyday things were “too good to throw away.” Socks were darned, soap slivers saved and shaped into m…
I got an idea. I love that feeling. You’re just sitting there, drinking coffee, staring into the middle distance, half day-dreaming, and -voila! – an idea pops into your head. My mother alway…
The Miao women of southwest China are renowned for their embroideries and lavishly decorated festival costumes and as a needleworker and former fiber artist I am awed by their work. But it was one …
The Miao women of southwest China are renowned for their embroideries and lavishly decorated festival costumes and as a needleworker and former fiber artist I am awed by their work. But it was one …
Artists are notorious junk collectors and I am no exception. I drag home the stuff washed up along deserted shores, the stuff blown down in sudden storms, the stuff flattened on highways by oblivio…
My dad was a world class worry wart and I took right after him. He used to tell me that he knew most of his worries were a waste of time. Ninety-nine percent of the time, he said, the stuff you wor…
Artists are notorious junk collectors and I am no exception. I drag home the stuff washed up along deserted shores, the stuff blown down in sudden storms, the stuff flattened on highways by oblivio…
Armand Guillaumin (1841-1927): Madame Guillaumin, c.1885 Guillaumin exhibited at the Salon des Refusés in 1863. He participated in six of the eight Impressionist exhibitions. In 1886 he became a fr…
The Miao women of southwest China are renowned for their embroideries and lavishly decorated festival costumes and as a needleworker and former fiber artist I am awed by their work. But it was one …
Artist: Edouard Manet (French, Paris 1832–1883 Paris). Date: 1862. Medium: Oil on canvas. Dimensions: 65 x 50 1/4 in. (165.1 x 127.6 cm). Classification: ...
John Singer Sargent (1856–1925), An Interior in Venice (The Curtis Family), 1898, Oil on canvas.
The Salon des Refusés is the S.H. Ervin Gallery’s ‘alternative’ selection from works entered into the annual Archibald and Wynne Prizes.
We have a tiny book-lined room we call “The Snuggery,” where I write out bills and tack up endless to-do lists. This morning, maybe because I’m subconsciously wishing for another …
Artists are notorious junk collectors and I am no exception. I drag home the stuff washed up along deserted shores, the stuff blown down in sudden storms, the stuff flattened on highways by oblivio…
Find this years registration form here Visit last year's salon here. A Complete List of the 2019 Gua
Why the impressionist art movement is still so recognizable to us compared to other prominent movements.
