Learn how to add texture and suggest depth in your landscape photographs by photographing at sunset and sunrise, otherwise known as the Golden Hour.
Chase the light around the world and see photos of cities and landscapes covered in golden hour hues.
Landscape Painting Photo Contest Finalists!
Highlights from a new Charlie Waite exhibition at the National Theatre, which displays images from one of Britain's best known landscape photographers
This JPG nature stock photo is suitable for projects that involve wheat, farm, and summer.
Where to find the best spots for sunrise and sunset at Bryce Canyon National Park and how to plan your trip!
Freelance illustrator Paco Rico Torres explains how to paint the sun its two most eye-catching states.
I have been waiting for this sunset over Packer Meadows for 3 years, so glad I was finally there when in glowed so perfectly.
While on the surface, the desert may seem like a vast and empty wasteland, look a bit closer and you’ll find that there are plenty of exciting photo opportunities.
Sunrises and sunsets are a wildly popular subject for photography. This article will teach you a few simple tips that will make a dramatic impact in your sunrise and sunset shots. (This month for the Boost Your Photography: 52 Weeks Challenge we are working on popular photography subjects and styles. The week of August 3rd will focus on sunrises and sunsets. Join the Google+ Community to share your weekly photographs and receive feedback.) Better Sunrise and Sunset Photographs Tip 1: Know When to Shoot Timing is critical for sunrise and sunset photographs. For best results you want to be in position at least a half an hour to an hour beforehand and stay at least a half an hour to an hour afterwards. Sunlight will continue to strike the clouds and illuminate the sky for some time before the official sunrise and after the official sunset. Sunrise and sunset times are quite easy to come by, just be sure that you are getting the timing for your specific location and time zone. Time and Date.com is a simple-to-use web site where you can search by location and receive sunrise and sunset times (and moon rise and moon set times) for a specific day or an entire month at a glance. The Photographers' Ephemeris is another excellent tool for determining sunrise and sunset times, but that leads us to tip #2 ... Tip 2: Know Where to Shoot Knowing when is only half the battle for sunrise and sunset shots. You also want to know where exactly in the sky to expect the sun to rise or set. This is when you will want to consult The Photographers' Ephemeris. The ephemeris is free to download on your computer or laptop, or you can pay to download the app onto your phone or tablet ($4.99 for Android or $8.99 for iPhones and iPads). (*Update: the downloadable version for desktops is being discontinued and replaced with a - still free - web version. Web version pictured below.) The ephemeris provides you with sunrise, sunset, moon rise, and moon set times in addition to the angles at which each will be in the sky. You plot your location on the map, and then you can see exactly where the sun will line up when it rises, for example. If you want to capture the sun or moon relative to a specific location or landmark, you can move yourself around on the map and find out exactly where you would have to stand. (You can see more examples and specifics in the article Shoot the Moon with the Photographers' Ephemeris.) Try it on your computer, and once you realize you cannot live without it, invest in the app. Tip 3: Watch the Clouds The clouds will make or break your sunrise and sunset photographs. Too many clouds, and you will lose your ability to see the sunrise or sunset. Too few clouds, and you are left watching only subtle changes across a blue sky. Clouds often provide much of the drama and excitement in sunrise and sunset photographs. Clouds bounce and reflect the varying light of the sun, adding a wide range of colors and tones to your final image. Clouds create patterns and shapes that add interest and textures. If you want to shoot a better sunrise or sunset shot, you will want to cheer on the clouds. This photo is nothing without these amazing clouds. Tip 4: Create Foreground Interest A sunrise or sunset is just a sunrise or sunset unless you provide some additional interest within the frame. If you want to make your sunrise and sunset photographs stand out, then you need to pay attention to your foreground. The strong, directional light of sunrise and sunset provides a great opportunity to play with silhouettes. Consider subjects with strong, identifiable shapes, like a lone tree, a single person, or a beach umbrella. Get down low to make your foreground objects larger and have more impact, like a large boulder in the sea or the waving blades of grass. Take some time to walk around your scene and experiment with different perspectives to add interest to your photograph. And if you really want to make your sunrise or sunset images pop ... Tip 4b: Include Some Water This is really an extension of the idea of foreground interest, but water is a clear winner when shooting sunrise and sunset shots. Ponds, rivers, lakes, or even the ocean create a vast canvas for your sunrise or sunset shots. Still water creates stunning reflections that can double the light and drama of the scene. Even moving water will reflect and bounce around the light, adding interest and color to your photographs. Larger bodies of water also provide a wide-open canvas for your photograph. Water can eliminate much of the clutter of daily life (telephone wires, that tree that blocks your view, and on and on). You often see a much wider expanse of the sky as well, allowing you more options: from expansive wide-angle shots to narrow, zoomed-in views. Tip 5: Nail the Exposure Sunrise and sunset shots are difficult for your camera to accurately choose the exposure, and if you let your camera control exposure you will find that the shots you take do not match the vision or grandeur of the sunrise or sunset you witnessed. Option 1: Meter off the Blue Sky You can use a patch of blue sky to "tell" your camera where to set the exposure and then recompose and take your photograph. With a point-and-shoot camera, point your camera at the patch of blue sky and then press and hold the shutter button half-way down. This will lock both the focus and the exposure. Move your camera back to the composition that you want and then push the button the rest of the way down to take the picture. (Read more about this strategy of "focus and recompose" in the article Teaching Kids Photography: shooting modes, focus, and exposure.) With a DSLR camera, point your camera at the patch of sky and push the AE Lock button. (You may have to enable this button on your camera. Check your manual.) Then recompose for the composition that you wanted and press the shutter. (Read about this strategy more in depth in More on Exposure.) Option 2: Use Exposure Compensation If you cannot find a large enough patch of blue sky or you want a more consistent solution, then you should set your exposure compensation. On both point-and-shoot and DSLR cameras, you should have an exposure compensation line graph. (Some phone cameras and apps also have an exposure option.) For sunrises and sunsets, I have found that an exposure compensation of -1 often works well. You can either set your exposure compensation to -1 or use bracketing to shoot a series of shots (like, -1, 0, +1 or better yet, -2, -1, 0) and then choose your favorites later on your computer. An exposure of -1 makes it more likely that darker elements will become black silhouettes and that a bright sky will have more depth and drama. (Read more in the article Explaining Exposure and Exposure Compensation.) Sunrise and Sunset Photographs Of course, as with most photography, the key elements in getting the best sunrise and sunset photographs are time and patience. Make a commitment this week and plan time in your schedule for photographing either a sunrise or sunset. Put all or just a few of these tips into practice, and see what kind of an impact they can make for you! (Looking to grow more in your photography? Consider joining the BYP 52 Weeks Google+ Community to share your weekly photograph and see what others are capturing.)
As photographers, we all know the importance of paying attention to the backgrounds in our compositions, but how much thought do you give to your foregrounds?
View Large On Black © All Rights Reserved, Krebs Sebastien _____ I had the chance to go to the Laurie Thomas Winter School and listen to reknown photographers Jackie Ranken and Mike Langford. I came out of it with a different eye for photography. I haven't been very lucky with the weather but managed to steal this sunset on the way back. I guess none of the other person there would believe we saw the same sunset :) Oh and it was a great opportunity to test the new 7D :) !!! Happy Friday !!! ____________ - 1/15s, f8, ISO100, 10mm - 0.6 GND filter - 3xp HDR (±2ev) tone mapped in DPHDR - Post-processed in Photoshop and Lightroom
