Package design renewal made for Kaps Suplementos Alimentares, Lda
Kaps for Kids creates elegant roses from recycling ordinary bottle caps.
Kaps for Kids turns ordinary bottle caps into amazing mosaics that are perfect for any bar or man cave.
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Water sports have always been a big part of Kaps family life. Anna lives with her parents and siblings near Berlin and together they windsurf, swim and dive. Three years ago, during a family holiday in Fuerteventura, Anna discovered surfing.
Before settling down to family life, whilst on the cusp of her second trimester, she travelled the east coast of Africa in search of a great adventure – the kind of story that gets passed through generations of families with unrivalled, heartfelt attachment. I don’t know exactly how it happened, but apparently it is fairly common practice over there. The urge starts in your pregnancy and can hold you for years – she kept the habit into her forties. I started to think of it as some sort of shamanic practice; I mean, there’s a history of us taking magic from the earth. But layers and layers of history demoted to a mouthful – surely it couldn’t have been good for a foetus to absorb so much. I asked her about it once. It's a pleasant taste. It doesn't have a tangy flavour or a salty or sugary flavour. It's a bit like eating flour, and I simply cannot do without it. Even now, I awake from my sleep in an abrupt jolt, starving for a bite. I just have this urge to eat these stones. James Lewis
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Les intempéries ne sont plus une raison pour sortir en voiture.
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"Taylor - Doctor, I’d like to kiss you goodbye. Ziah - All right, but you’re so damned ugly." Planet of the apes, 1968 Nutshells containing portraits of parents carved into wood. A giant hairless head with closed eyes, a monumental plaster enlargement of the imprint of a friend's fully shaven head. A homo erectus figurine, modelled in clay, then cast in resin, and finally painted with all the attention of a model maker, posed next to a hairy coconut, resulting in an embarrassing excess of naturalism. Rigorous reproduction techniques, scientific austerity, analogies between the natural materials and artefacts: these works of art designed during Jean-Marie Appriou’s years of study lay bear a fascination for the effects of naturalism and the ability of moulding to bear witness to filiation. In L'Image-Matrice, Georges Didi-Huberman explains how the notion of imago prevails in the first-century Roman historian Pliny the Elder over any aesthetic definition of art, as defended by Vasari during the Renaissance. Imago is the Roman notion involving a duplication by imprint, the matrix image being produced by means of direct contact of the plaster on the face of a dead person, whose wax death masks will be used to decorate the atrium of the house. For Pliny, images therefore only have their place in society insofar as they establish a genealogy, legally attesting to a likeness. This concern for likeness and genealogy may seem far removed from the fantastic genre that has characterised the works of Jean-Marie Appriou in recent years. However, these works almost always constitute an image reproduced in aluminium, bronze or glass of a clay object that is hidden from our view. The sad reality of the workshop is that the fabulous animals waiting to be cast are held together with skewers and the titans of Greek myths sometimes lose an ear during the night. It is precisely this substitution of the real object, which turns out to be an assembly of disparate elements held together as best they can, by its image from a realistic reproduction process that allows the fiction, and thus the marvelous, to take hold. It casts doubt as to whether the marvelous belongs to the realms of fiction or whether we have to admit the possibility of the marvelous in reality. Of course, a form of melancholy can be found in every expression of the fantastic. In the works of Appriou, it manifests itself in the hypothesis of the existence of a place where the hierarchies imposed by the laws of gravity are dismantled, like the aquatic environment that shaped our pre-natal existence. The ape sculptures that make up the last works of Jean-Marie Appriou seem to be free of this nostalgia for water. A new theory of evolution suggests that certain apes managed to achieve bipedalism thanks to the time they spent in rivers collecting food floating on the surface. In the open air, the ape’s physiognomy would have made it impossible for them to tilt their pelvis as it would have been too painful. The laws of gravity, origin of all suffering, seem to be tolerable only after a long stay in the water. Note that none of these apes have made the tilt that would allow us to consider them our distant relatives. However, just as in David Attenborough’s animal documentaries, where the slightest expression of an animal is personified to the extreme, we appear incapable of observing an ape without projecting our own family tree onto it. This effect of naturalism, which is already evident in Appriou’s older work, is also characteristic of his recent sculptures including that of a little monkey (known as Pascal by his assistants) resembling a child engrossed in a cartoon, or that of a chimpanzee with his arms outstretched like a boxer on the ropes. The patina applied to these aluminium prints accentuates their rough appearance, revealing the traces left in the clay by the modelling tools and fingerprints, attesting to the genealogy of the artistic gesture like a legal document. A series of masks of great apes in blown glass show coloured masses through transparency, seeming to represent a psychic life. Each mask is entitled with a nickname linking it to its colour, simultaneously confirming and denying the irreducible authenticity of a human character. Appriou emphatically describes The Planet of the apes (Franklin J. Schaffner, 1968) as a major influence on all of his work. It is the motif of the mask, rather than the storyline or the variations of science fiction, that seems to shed the most light on his obsessions. When re-watching extracts of the film on YouTube, you can’t help being struck by the fascinating grotesqueness of these inexpressive faces. However, these latex prostheses, these perverted imagos, cannot be separated from the obsession with resemblance and personification that the film pushes to its paroxysm. Far from reducing Appriou’s latest works to the expression of an original motif, this self-proclaimed filiation clearly shows his latent desire to conceptualise work as a monkey game. François Lancien-Guilberteau The exhibition is supported by Neustart Kultur and Stiftung Kunstfonds.
Though I grew up in Nebraska, I'm not at all familiar with the KAP's brand. Still, it's great to be able to document a home-state regional snack bag like this one. I got this from an antique dealer who came into possession of old Omaha ad agency files - this chip bag was among them.
Shop our wide array of art prints from our independent artists. From boho to digital to photography to abstract prints, we have it all. Shop printed wall decor today.
Our wood wall art comes in multi-square designs, allowing you to play around with designs to find what works best with your room's style.
In onze rubriek Wedding Wednesday laten we elke week een lezeres aan het woord over haar bruiloft. Vandaag vertelt Stephanie over haar coronahuwelijk.
PHOTO GALLERY
Light escapes through white glass embedded between folded sheets of brass. Magnetic construction results in a wall-mounted sculpture that is void of visible fixings. Continuum makes a visual gesture to the relationship between space and time.
Skinny Gal by Rockstar is designed specifically with women in mind. Find out if it is effective and worth your money in our complete review of this product. We break it down by ingredient, reviews, side effects and more.
PETRA (from the Greek word Πέτρα, meaning stone) celebrates the complexity and subtleties in the material composition in Quartz that PETRA is made from. Evoking strong connections to deep earth geology, PETRA radiates light through subtle tones and snaking veins of Quartz. The magic of PETRA is determined by the natural inherent beauty of Quartz. The PETRA collection is offered in Rose, Clear and Smoky Quartz. Every PETRA is unique as a consequence of variance to the size, shape, translucency and natural details of the stone. The PETRA I is the Sconce iteration of the collection, available in Mono, Twin or Triple.
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