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Jun Kaneko, ceramic sculptural artist. Jun Kaneko, 2012 Jun Kaneko was born in Nagoya, Japan in 1942 and went to the USA in 1963. He began studying ceramic art at the Chouinard Institute of Art in California where his focus became drawn to sculptural ceramics. He expanded his studies in contemporary ceramics with Peter Voulkos in Los Angeles and also Paul Soldner and Jerry Rothman. He has since pursued a dynamic and varied studio practice in painting, sculpture, ceramics and installations, and he's currently based at his third studio in Omaha, Nebraska. Jun has blazed a

John Newdigate 'Chain Reaction'-2023 Aire Goutt --'Spring Forest' 'Broken Circle' -- M E Taylor Ceramic Compressed ovoid glazed earthenware jug with hand-modelled and underglaze painted decoration of a windswept tree landscape, incised. Merric Boyd, 1937 Orchids dancing in my neighbours herb garden Nature inspired decorative rhythms Nature is blessed with both predictable and chaotic rhythms, which is highly fortunate because our very survival depends upon it. We are presented with daily vistas that show perpetual motion through the movement of light, shadows, currents, waves, breezes and a myriad

jun kaneko ceramic plate (fig 1) – de young born in japan in 1942, kaneko came to the u.s. in 1963 and studied art at the chouinard institute of art. he has taught at several art colleges (sc…

This has required the redefining of technical and artistic boundaries as his sculptures are of a size that is challenging in the firing process and for the structural integrity

Jun Kaneko is known for his graphic monolithic ceramics he calls "dango" (which means dumpling in Japanese.) He has shown his work at the Academy of Arts in Hawaii and I recently saw some of his pieces at the San Francisco airport. You can see more at the Locks Gallery in Philadelphia.

This has required the redefining of technical and artistic boundaries as his sculptures are of a size that is challenging in the firing process and for the structural integrity

Jun Kaneko is known for his graphic monolithic ceramics he calls "dango" (which means dumpling in Japanese.) He has shown his work at the Academy of Arts in Hawaii and I recently saw some of his pieces at the San Francisco airport. You can see more at the Locks Gallery in Philadelphia.

Fratelli Fanciullacci grande vaso Korean large ovoid porcelain vase Height 16 inches Solvang Antiques An assortment of large ceramic vessels including some recent additions to the Atrelier Vierkant collection, large jars from Kate Johnson, monolithic sculpture vessels from the Nigerian/English artist Lawson Oyekan and bright colorful floor planters from the South African ceramic studio, Obbilgato. Also some classic Mid Century ceramic statements from Peter Voulkos, Fabio Leonardi, Gourju Naumovitch and Edwin and Mary Scheier and some pieces from antiquity. Huge ceramic pots always evoke the ancient pottery traditions of decorating Mediterranean courtyards and doorways, or for

With a large Omaha kiln, Jun Kaneko shows the power of "localism" in two free catalogs in our online library of contemporary ceramic art.

Black on white or vice versa has been used effectively with Eastern calligraphy in art to draw more attention to the the form of the strokes. As the letters quite often consist of simple strokes, the combination is stark and appealing. Early Greek pottery also featured a strong emphasis on using black figures over a lighter background. giving a silhouette effect. Monochromatic imagery commands a different perception, especially if you're working without any shades in between. With black and white, the greater contrast makes a bolder statement, creates more depth and mystique, and makes the patterns and designs more dramatic. This

Jun Kaneko, ceramic sculptural artist. Jun Kaneko, 2012 Jun Kaneko was born in Nagoya, Japan in 1942 and went to the USA in 1963. He began studying ceramic art at the Chouinard Institute of Art in California where his focus became drawn to sculptural ceramics. He expanded his studies in contemporary ceramics with Peter Voulkos in Los Angeles and also Paul Soldner and Jerry Rothman. He has since pursued a dynamic and varied studio practice in painting, sculpture, ceramics and installations, and he's currently based at his third studio in Omaha, Nebraska. Jun has blazed a

Using mainly primary colours on ceramic oval forms Japanese artist and sculptor Jun Kaneko has been able to create appealing artworks that still look contemporary today.

Jun Kaneko is known for his graphic monolithic ceramics he calls "dango" (which means dumpling in Japanese.) He has shown his work at the Academy of Arts in Hawaii and I recently saw some of his pieces at the San Francisco airport. You can see more at the Locks Gallery in Philadelphia.

Using mainly primary colours on ceramic oval forms Japanese artist and sculptor Jun Kaneko has been able to create appealing artworks that still look contemporary today.

2012 Jun Kaneko nació en Nagoya, Japón, en 1942. Durante su adolescencia estudió pintura con Satoshi Ogawa. Llegó a los Estados Unidos en 1963 para continuar sus estudios en el Instituto de Arte Chouinard cuando una introducción de Fred Marer lo atrajo a la cerámica escultórica. Estudió con Pedro Voulkos, Paul Soldner, y Jerry Rothman en California durante el tiempo definido como el Movimiento de Cerámica Contemporánea en América. En la siguiente década, Kaneko enseñó en algunas de las escuelas de arte más importantes del país, incluyendo Scripps College, Rhode Island School of Design y la Academia de Arte Cranbrook. Con base en Omaha desde 1986, Jun Kaneko ha trabajado en varios estudios experimentales, incluyendo el European Ceramic Work Center en los Países Bajos, Otsuka Omi Ceramic Company en Japón, Tela Taller de Filadelfia PA, Bullseye Glass en Portland OR, Programa estival de Artes Acadia en Bar Harbor ME y Aguacate en Puerto Vallarta, México. A lo largo de su carrera ha estado asociado con instalaciones industriales para realizar a gran escala, esculturas hechas a mano. El primero fue el Proyecto Omaha 1982-1983 en Omaha Fábrica de ladrillos. Esculturas posteriores incluyen el Proyecto de Fremont, terminado en 1992-1994, y más recientemente su proyecto Pittsburg completado en el período 2004-2007. Más recientemente, Jun ha estado trabajando en el taller de cerámica Raku Cuernavaca, experimentando con nuevos esmaltes y la imprevisibilidad de raku. Kaneko se dibuja cada vez más a las instalaciones que promueven la interacción ciudadana. Ha realizado más de cincuenta comisiones de arte público, incluyendo sus dos paredes de azulejo de trescientos cincuenta pies de largo en la estación de Acuario en Boston, MA (1993-2000), un muro de tres pisos de alto en la biblioteca de biología en la Universidad de Connecticut (1997 ), y una torre de cristal de cincuenta y seis pies de alto en el centro de la plaza Lincoln, NE (2014); otras instalaciones permanentes a gran escala se pueden encontrar en Osaka, Japón (1994), en Bartle Hall en Kansas City, KS (2006), en Council Bluffs y Des Moines, IA (2007 y 2013), y en el Centro Internacional de Finanzas en Shanghai, China (2012). Su obra aparece en numerosas exposiciones internacionales, nacionales, individuales y colectivas al año, y está incluida en más de setenta colecciones de museos. Kaneko es doctor honoris causa por la Universidad de Nebraska, el Colegio de Arte y Diseño de Massachusetts y el Royal College of Art de Londres. Jun Kaneko ha diseñado los decorados y el vestuario para tres óperas: Madame Butterfly de Puccini (2006), Fidelio de Beethoven (2008), y La flauta mágica de Mozart (2012). Los tres están actualmente de gira en los Estados Unidos. Opera Omaha organizó recientemente Fidelio en abril de 2015. La Ópera de San Francisco ha presentado recientemente la flauta mágica en noviembre de 2015, y el Kennedy Center en Washington, DC presentará su Madame Butterfly en la primavera de 2016. En 1998, él y su esposa Ree Kaneko formó una organización cultural sin fines de lucro en Omaha Nebraska llamado KANEKO que explora y estimula el proceso de la creatividad. KANEKO tiene su sede central en un lugar de interés, almacenes de finales de siglo en el Antiguo Mercado del Distrito de Omaha, Nebraska. ---------- Orden cronológico 1988 1988 1988 1989 1991 Michigan - 1993 1996 1996 2000 2000 2000 2000 2001 2001 2001 2002 2002 2003 2003 2003 2004 2005 2006 2008 2009 2011 2011 2011 2014 Fecha desconocida

This has required the redefining of technical and artistic boundaries as his sculptures are of a size that is challenging in the firing process and for the structural integrity

Black on white or vice versa has been used effectively with Eastern calligraphy in art to draw more attention to the the form of the strokes. As the letters quite often consist of simple strokes, the combination is stark and appealing. Early Greek pottery also featured a strong emphasis on using black figures over a lighter background. giving a silhouette effect. Monochromatic imagery commands a different perception, especially if you're working without any shades in between. With black and white, the greater contrast makes a bolder statement, creates more depth and mystique, and makes the patterns and designs more dramatic. This