High quality art reproductions. Established in 2019, we make carbon neutral, fine art prints to the highest possible standards. We use the latest software and industry leading printers. We use Giclée printing. Giclée gives you consistent, affordable and long-lasting prints. Bespoke specifications and custom sizes are available on a wide range of finishes - including framed prints - without any minimum orders. We use very high quality archival papers from the world's leading paper mills. We typically use: Canson Infinity Platine Fibre Rag - 310gsm with a satin finish (fine art prints) Hahnemühle Photorag paper - 308g with a super matt, lightly textured surface (posters and illustrations prints) Hahnemühle Photo Luster 260gsm with a luster surface (photographic pints) Somerset Enhanced Velvet - 330gsm with a matt finish (watercolour prints) All prints are sized for easy printing. Off-the-shelf frames can be bought at many stores. This saves you money on bespoke frames. Please use the chat box on this page if you would like any further information.
кликабельнo In 1561-62 Georg Bocskay, imperial secretary to the Holy Roman Emperor Ferdinand I, inscribed the Mira calligraphiae monumenta as a testament to his preeminence among scribes. He assembled a vast selection of contemporary and historical scripts, which nearly thirty years later were…
"Queen of Spain Fritillary, Apple, Mouse and Creeping Forget-Me-Not (Mira Calligraphiae Monumenta, Folio 47)," by Georg Boeskey (1561-1562) and Joris Hoefnagel (1591-1596) DIMENSIONS • 9" x 12" (Image: 7.25" x 10.5") • 12" x 16" (Image: 9.63" x 14") • 16" x 20" (Image: 11.75" x 17") • 20" x 30" (Image: 16" x 23.25") • 24" x 36" (Image: 19" x 27.5") Archival Inkjet on Fine Art Paper Smooth Surface - Matte Finish - Inset Borders ABOUT THE ARTWORK In the 1500s, as printing became the most common method of producing books, intellectuals increasingly valued the inventiveness of scribes and the aesthetic qualities of writing. From 1561 to 1562, Georg Bocskay, the Croatian-born court secretary to the Holy Roman Emperor Ferdinand I, created this Model Book of Calligraphy in Vienna to demonstrate his technical mastery of the immense range of writing styles known to him. About thirty years later, Emperor Rudolph II, Ferdinand's grandson, commissioned Joris Hoefnagel to illuminate Bocskay's model book. Hoefnagel added fruit, flowers, and insects to nearly every page, composing them so as to enhance the unity and balance of the page's design. It was one of the most unusual collaborations between scribe and painter in the history of manuscript illumination. Because of Hoefnagel's interest in painting objects of nature, his detailed images complement Rudolph II's celebrated Kunstkammer, a cabinet of curiosities that contained bones, shells, fossils, and other natural specimens. Hoefnagel's careful images of nature also influenced the development of Netherlandish still life painting. In addition to his fruit and flower illuminations, Hoefnagel added to the Model Book a section on constructing the letters of the alphabet in upper- and lowercase. (Text courtesy of the Getty’s Open Content Program, CC BY 4.0). ART-CENTRIC DESIGN ----------------------------- Vintage art is not standardized. The original works are usually too long, or too short, to neatly fill a store-bought frame. Most shops arbitrarily crop the artwork to match, leading to claustrophobic prints with missing or partial elements. These modifications — sometimes trivial, sometimes ludicrous — are not always shown in the product photos. We believe that the purpose of art is not to fill a frame; it is the purpose of a frame to showcase the art. Our prints have inset borders that make up any differences in proportion between the artwork and a standard frame, so that you can experience the art as the artist intended. They look sharp in beveled mats, may be float mounted, or inserted directly into standard frames; the borders providing a mat-like accent around the image. There are many styles from which to choose. Framing is a fun, creative process that enhances the artwork and livens your space for years to come. Should you like any advice, feel free to reach out. CUSTOMIZATION AND IMAGE REQUESTS ----------------------------- We are happy to customize our prints to fit your frame. Borderless prints may require the artwork to be cropped to fit a new aspect ratio. In such cases, we will provide a mockup to ensure that the final product meets with your approval. If you’re looking for an artwork that is not in our catalog, feel free to ask if we can provide it. We will print any public domain or openly licensed image that is available in high resolution. MUSEUM QUALITY ----------------------------- Giclée process prints are the gold standard in fine art reproduction. We use a matte finish, cotton fiber paper to maximize detail while eliminating glare. Our prints display a wide color gamut, deep blacks and beautiful tonal transitions. Produced using only archival materials, they will not fade or yellow, but maintain their original quality for as long as you own them. HANDMADE DECLARATION ----------------------------- To assure artistic quality, all of our production and design is strictly in-house. Every print has been proofed, calibrated and inspected for defects. We do not drop ship, resell or make use of third-party production partners. SHIPPING AND PACKAGING ----------------------------- All orders ship within one business day via USPS First Class, Priority Mail or Priority Mail Express. Sizes 9” x 12” and 12” x 16” ship in a flat configuration, unless combined with larger prints, which require tubes. We will replace any lost or damaged items at no expense to you. HAPPINESS GUARANTEE ----------------------------- We will promptly address any issues that may arise with your order. If you are unhappy with your print for any reason, you are welcome to return it for a full refund.
Joris и Jacob Hoefnagel . Joris (George) Hoefnagel.Animalia Aqvatilia et Cochiliata Jacob Hoefnagel. Lethaues Amor Attributed to Jacob Hoefnagel Йорис Хофнагель (1542 – 1601)-был самоучкой родом из Мехелена, его дело было продолжено его сыном Якубом. В 1582 г. для Фердинанда II Тирольского им был…
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Siamo nel 1561, a Vienna. Alla corte di Ferdinando I d’Asburgo, Imperatore del Sacro Romano Impero, c’è un segretario e calligrafo di nazionalità ungherese ma nato in Croazia. Si chiama Georg Bocskay e si è messo in testa di dimostrare ai contemporanei e ai posteri la sua immensa abilità nell’arte della calligrafia. Bocskay lavora per un anno al suo Mira calligraphiae monumenta, mettendoci dentro tutti i tipi di scrittura a lui conosciuti, compresi quelli del passato. È un lavoro immane, […]
Siamo nel 1561, a Vienna. Alla corte di Ferdinando I d’Asburgo, Imperatore del Sacro Romano Impero, c’è un segretario e calligrafo di nazionalità ungherese ma nato in Croazia. Si chiama Georg Bocskay e si è messo in testa di dimostrare ai contemporanei e ai posteri la sua immensa abilità nell’arte della calligrafia. Bocskay lavora per un anno al suo Mira calligraphiae monumenta, mettendoci dentro tutti i tipi di scrittura a lui conosciuti, compresi quelli del passato. È un lavoro immane, […]
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Siamo nel 1561, a Vienna. Alla corte di Ferdinando I d’Asburgo, Imperatore del Sacro Romano Impero, c’è un segretario e calligrafo di nazionalità ungherese ma nato in Croazia. Si chiama Georg Bocskay e si è messo in testa di dimostrare ai contemporanei e ai posteri la sua immensa abilità nell’arte della calligrafia. Bocskay lavora per un anno al suo Mira calligraphiae monumenta, mettendoci dentro tutti i tipi di scrittura a lui conosciuti, compresi quelli del passato. È un lavoro immane, […]
Botanical illuminations inspired by a rare Renaissance book.
Оригинал взят у see_dreams в Дизайн от Joris Hoefnagel. 1561-1596 г. Страницы из Mira Calligraphiae monumenta.Каллиграфия1561-1562; рисунки 1591-1596. Потрясающе изящное оформление. Средневековая книга созданная каллиграфом - Georg Bocskay и художником - Joris Hoefnagel для…
Siamo nel 1561, a Vienna. Alla corte di Ferdinando I d’Asburgo, Imperatore del Sacro Romano Impero, c’è un segretario e calligrafo di nazionalità ungherese ma nato in Croazia. Si chiama Georg Bocskay e si è messo in testa di dimostrare ai contemporanei e ai posteri la sua immensa abilità nell’arte della calligrafia. Bocskay lavora per un anno al suo Mira calligraphiae monumenta, mettendoci dentro tutti i tipi di scrittura a lui conosciuti, compresi quelli del passato. È un lavoro immane, […]
Libros – Ilustraciones – Grabados – Ciencia – Historia – Rarezas - Curiosidades Y algunas otras cosas más
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www.odisea2008.com Cortesia de Getty Museum Más información de la imagen: www.odisea2008.com/2016/04/mira-calligrafhiae-monumenta.html
« Joris Hoefnagel (1542 – 1600) was a pivotal figure in the history of Dutch art, playing an important role both in the latter stages of the Flemish illumination tradition and the birth of the new …
« Joris Hoefnagel (1542 – 1600) was a pivotal figure in the history of Dutch art, playing an important role both in the latter stages of the Flemish illumination tradition and the birth of the new …
кликабельнo In 1561-62 Georg Bocskay, imperial secretary to the Holy Roman Emperor Ferdinand I, inscribed the Mira calligraphiae monumenta as a testament to his preeminence among scribes. He assembled a vast selection of contemporary and historical scripts, which nearly thirty years later were…
Оригинал взят у see_dreams в Дизайн от Joris Hoefnagel. 1561-1596 г. Страницы из Mira Calligraphiae monumenta.Каллиграфия1561-1562; рисунки 1591-1596. Потрясающе изящное оформление. Средневековая книга созданная каллиграфом - Georg Bocskay и художником - Joris Hoefnagel для…
