Custom doll/figure/figurine of Emily Blunt/Jody Moreno. Figurine It Out With Les is all about making custom dolls that have great attention to detail and resemble the character so well that it looks like it came straight out of the Book/TV. If a doll you are interested is sold out, please reach put and I can see about potentially making another. “*Disclaimer: I make works of fanart from multiple fictional worlds. I do not claim ownership of any characters nor their respective narratives.*”
"I Wish I Was a Fish" van Mirjam Duizendstra is een intrigerend kunstwerk dat de verbeelding prikkelt. Met levendige kleuren en vloeiende lijnen roept het de schoonheid en vrijheid op van het leven onder water. De compositie nodigt uit tot contemplatie en dromerige gedachten over de onderwaterwereld.
In 2016, I was selling my naturally dyed fabrics at the Squam Art Fair when the inimitable Jody Alexander stepped up to my table and purchased some of my fabrics.
I am working on my next pattern, a black doll! I thought I would snap some pictures while I was painting her and make it into a tutorial. It is always interesting to me how a doll's personality comes to life one step at a time. She really makes me laugh, I was thinking she may have a different look than she does, but these dolls just end up being who they want to be! This little black girl has the name of Belle, her pattern will be available very soon! This is Belle sewn, stuffed and ready to be painted. She is made of muslin. Her features were drawn with black pen so they could easily be seen for sewing. Her nose, mouth and eyebrows are stuffed separately so they have dimension on her face. I first dampen the fabric by brushing on some water, this will help the paint to go on smoothly. I also thin the paint down with water so it will go on more like a wash and not heavy. The goal is to stain the fabric instead of putting on a thick layer of paint. Put two puddles of paint on a foam plate, one burnt umber and one black. Saturate a sea sponge with water and lightly ring out the excess water. Pounce your wet sponge in the burnt umber, dip only very small amount of black onto one small corner of your sponge. Pounce these colors so they mesh together. If you don't want your doll as black, just use burnt umber only. Now with an up and down pouncing motion apply the paint to your dolls face, neck and upper body. I will be leaving the arm area clear because it is easier to apply arms with no paint. As you can see there is mostly brown with jut a hint of black. Her skin is coming along nicely! I will admit, she is looking a bit scary too! Your plate helps you to see how the colors are going to come off! Now that she is painted, I speed the process of drying up by using my heat gun. Now that she is dry, I am taking a piece of 400 grit sandpaper and sanding Belle's face to give her a worn look. I like to sand more on the nose, eyebrows and mouth to give the face more dimension. I also like to sand above the eyes, below the eyes or wherever the face needs highlights. By sanding above the eyes, it will be easier to define eyelids later. Her is Belle sanded and ready for painting. First we must place our eyes and then draw the pattern on. For this doll I cut the eyes out of card stock to use as my template. Find the position you like for your first eye and hold in place with a straight pin. I took a black pen and drew around the first eye. Here you can see the outline of the eye I drew in. Now I measure with my caliper the width from the inside of the first eye to help place my second eye correctly. I am also checking to see if the width from the eyebrow to the top of the eye measures the same as the first eye. Once positioned correctly I trace around eye number 2. Here you see both eyes drawn in and ready for paint. I used a warm white to fill in the eyes, bright white would be too much on a dark doll. I know at this point she is looking a bit strange! Fill in the Iris with a brown such as autumn brown. Like spokes on a bike tire, use a liner brush and make lines in burnt umber, white and green starting from the inside and out toward the edges. All this fine detail work is done wearing an opti visor, this fits on your head and magnifies your work so you can see it close up! Here I have loaded a small flat brush in burnt umber and added some shading around the outer edges of the eyes and directly under each eyelid. Adding the shadows under the eyelids is important, it takes that wide eyed stare away and looks more natural. I have added the black pupils, added a float of black (lightly) under the eyelids. I did not think they were dark enough. I also added a float of straight black above the eyes to define eyelids. I painted the inside corners of each eye with red iron oxide. I added a float of black around the nose to make it pop a bit. Anywhere you want to make a feature pop, you can also take a liner brush and line it. I did this with the nose, mouth and eyes. I also added white highlights in each eye. They do not show up too well on the black, but I did add some eyelashes. I made them more heavy than normal so they would show up. I have mixed heritage brick and red iron oxide for the blush. I have my medium scruffy brush ready to apply the cheek and mouth color. Dip a dry brush into the paint puddle and swirl most of the paint off onto a paper towel until most of it is gone. You can either apply the color to a dry cheek or put a light sheen of antiquing medium on first to help the color come off softly. Here is Belle with a little color on her cheeks and lips. Her personality is emerging! I also added two coats of 3D Crystal lacquer to each eye and a single light coat to the lips. This adds some realistic shine! She is ready for the rest of her body and some hair. Here she is all finished with all kinds of crazy cork screw hair. Isn't she a funny little thing? :-)
I am working on my next pattern, a black doll! I thought I would snap some pictures while I was painting her and make it into a tutorial. It...
Paper Dolls: A Love Letter for Zelda by Jody Kennedy
I am working on my next pattern, a black doll! I thought I would snap some pictures while I was painting her and make it into a tutorial. It...
This is also going to be one of my next patterns, there will be this little ginger and a snowman in the same pattern. Stay tuned!
One piece doll from head to toes! As announced few weeks ago, it is time for little lesson on how to make doll in one piece. There are several ways on how I do it. In this, first lesson will try to…
Bibliomuse is a series of books, wall pieces and objects that are inspired by discarded/withdrawn library books. Hemingway and the Art of Awareness, No. 2,3,4,5 & 6 Bibliomuse is a subseries of KEEP: Modern Library. Genetics, Paleontology and Evolution, No. 1 In KEEP: Modern Library I looked to one withdrawn library book as my muse. That was: Records Management: A Collegiate Course in Filing Systems and Procedures. Imagery from that book floats through each piece in KEEP: Modern Library. Genetics, Paleontology and Evolution, No. 2 In embarking upon the subseries Bibliomuse I looked to five additional books as my muses: How to Know the Mosses and Liverworts; Genetics Paleontology and Evolution; Incredible Truth; Manual of Scientific Russian; and The Art of Awareness. How to Know the Mosses and Liverworts, No. 1 (detail) I have extracted, abstracted and repeated imagery from each of those titles throughout the new Bibliomuse series. The imagery is created with a mixture of stencils and image transfers. Incredible Truth, No. 1 (detail) The exhibit Bibliomuse is now up at Seager Gray Gallery in Mill Valley for the month of November, 2017. Bibliomuse at Seager Gray Gallery Each piece continues the exploration, started in my KEEP: Modern Library series, of what we keep, the different ways in which we keep things/thoughts/emotions, and when it is perhaps time to move those things along. Manual of Scientific Russian, No. 1 Each piece utilizes bookcloth that is extracted from withdrawn library books. Wherever you see color in these pieces - it is old bookcloth. These pieces are all repeatedly, and rather excessively, machine stitched which creates a unique texture and a new textile. The base cloth is antique handspun/handwovern linen, backstrap woven cotton from Africa, and other reclaimed linen. Bibliocubes, No. 1, 2 & 3 Seager Gray Gallery created a gorgeous catalog that is available by contacting the gallery. A digital version is also on the Issuu site here. Bibliomuse at Seager Gray Gallery If you are in the area I hope that you get a chance to stop by the gallery.
This is also going to be one of my next patterns, there will be this little ginger and a snowman in the same pattern. Stay tuned!
Make your presents felt.
I've been making a few of these for friends and neighbors who are having a frustrating time this winter. It's brought a smile to almost ever...
In The Hoop Doll Maggie digital design for embroidery machines
Jacob is a charming friendly bear that loves to be cuddled, or simply sat on the bed on his own!
By Jody Hedlund, @JodyHedlund Not everyone is a planner—I completely understand that. But . . . there’s something to be said about bein...
