Akseli Gallen-Kallela 1865-1931 Finland
Released in 2014, on SACD and on label BIS (BIS-2042 SACD). Bohuslav Martinů, Jean Sibelius, Olli Mustonen, Steven Isserlis — Cello Sonatas 1-3 - Works By Sibelius And Mustonen. Genre: Classical. Style: Modern
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Der finnische Dirigent Paavo Berglund (1929-2012) gehörte zu den profiliertesten Interpreten der Musik seines grossen Landsmanns Jean Sibelius. Mit bemerkenswert idiomatischen und überaus lebendigen Aufführungen wusste er stets die einzigartigen Qualitäten und die spezifischen instrumentalen Farben dieser charakteristischen Musik einzufangen. Besonders deutlich wird dies bei Konzerten mit dem ihm besonders verbundenen Chamber Orchestra of Europe, die im August 1998 beim Helsinki Festival gefilmt wurden und hier auf BLURay für die Nachwelt dokumentiert sind.
Jean Sibelius - Schubert: String Quartet No. 14/Sibelius: String Quartet Op. 56Track List:Disc: 11. I. Allegro 2. II. Andante Con Moto 3. III. Scherzo - Allegro Molto 4. IV. Presto - Prestissimo 5. I. Andante - Allegro Molto Moderato 6. II. Vivace 7. III. Adagio Di Molto 8. IV. Allegretto (Ma Pesante) 9. V. Allegro
La biographie et l'étude de l'oeuvre vont main dans la main dans cette analyse de la création musicale chez Sibelius. Les grandes oeuvres font l'objet d'études spécifiques et détaillées qui attachent une importance particulière aux rapports entre le langage de Sibelius et celui de ses contemporains et successeurs (Mahler, Debussy, Strauss, Schönberg).
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Great list of facts about Jean Sibelius. Read the Jean Sibelius facts about his life, interesting, fun, information and biography facts about the great composer.
Mit Kompositionen wie 'Finlandia' und 'Kullervo' schuf Jean Sibelius eine neue Tonsprache und leistete einen herausragenden Beitrag zur kulturellen Identität Finnlands unter russischer Herrschaft. Zahlreiche zeitlos schöne Vokal- und Instrumentalstücke entstanden als sein Beitrag zur europäischen Musikgeschichte. Der vorliegende Band entwirft ein detailreiches Panorama dieses faszinierenden kompositorischen Gesamtwerks an der Schwelle zur Moderne sowie der Zeit- und Lebensumstände, in denen es entstand.
About the Book "This publication has been produced by the Bard College Publications Office"--T.p. verso. Book Synopsis New perspectives on the greatest Finnish composer of all time Perhaps no twentieth-century composer has provoked a more varied reaction among the music-loving public than Jean Sibelius (1865-1957). Originally hailed as a new Beethoven by much of the Anglo-Saxon world, he was also widely disparaged by critics more receptive to newer trends in music. At the height of his popular appeal, he was revered as the embodiment of Finnish nationalism and the apostle of a new musical naturalism. Yet he seemingly chose that moment to stop composing altogether, despite living for three more decades. Providing wide cultural contexts, contesting received ideas about modernism, and interrogating notions of landscape and nature, Jean Sibelius and His World sheds new light on the critical position occupied by Sibelius in the Western musical tradition. The essays in the book explore such varied themes as the impact of Russian musical traditions on Sibelius, his compositional process, Sibelius and the theater, his understanding of music as a fluid and improvised creation, his critical reception in Great Britain and America, his "late style" in the incidental music for The Tempest, and the parallel contemporary careers of Sibelius and Richard Strauss. Documents include the draft of Sibelius's 1896 lecture on folk music, selections from a roman à clef about his student circle in Berlin at the turn of the century, Theodor Adorno's brief but controversial tirade against the composer, and the newspaper debates about the Sibelius monument unveiled in Helsinki a decade after the composer's death. The contributors are Byron Adams, Leon Botstein, Philip Ross Bullock, Glenda Dawn Goss, Daniel Grimley, Jeffrey Kallberg, Tomi Mäkelä, Sarah Menin, Max Paddison, and Timo Virtanen. Review Quotes "Jean Sibelius and His World ends with English translations of a number of important primary documents. . . . Perhaps the most important document is Theodor Adorno's critique 'Goss on Sibelius.' I have read about these documents in many Sibelius essays, here and elsewhere, so we owe a debt of gratitude to Daniel Grimley for making them available in translation. This book represents the high level of current Sibelius scholarship and should be a welcome addition to academic music libraries."---Carl Rafikonen, Notes"[T]his is a fine collection of essays that advances Sibelius research significantly. It bears the title Sibelius and his World, but it also does an excellent job of alerting the reader to Sibelius's relevance to our world."---Derek B. Scott, Music and Letters"As this collection shows, there is a resurgence of interest in the music of Jean Sibelius. . . . [T]he book is full of useful information."-- "Choice""The connection between Sibelius and the Russian tradition--an influence that went in both directions--is the subject of an excellent essay by Philip Ross Bullock in the book accompanying the festival, Jean Sibelius and His World, from Princeton University Press."---Zachary Woolfe, New York Times About the Author Daniel M. Grimley is university lecturer in music at the University of Oxford, tutorial fellow of Merton College, and senior lecturer in music at University College. He is the editor of The Cambridge Companion to Sibelius and the author of Grieg and Carl Nielsen and the Idea of Modernism.
Jean Sibelius' beloved Violin Concerto in d minor, Op. 47, was initially a flop. Due to the inability of Sibelius' intended performer to make it to the 1903 premiere in Helsinki, the composer was forced to choose another violinist of lesser ability, who sank the performance. After that experience, Sibelius decided to revise the concerto before it was made available for publication. The version that is so often played today is, therefore, the result of his revisions, which was published in 1905, and re-premiered to greater success that same year.This edition contains the violin solo part and a piano reduction of the orchestral score. The violin part was edited by Zino Francescatti, and the piano reduction was prepared by Alexandre Gretchaninoff.
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fyysinen kuvaus: pysty
Dieses Buch bietet eine Einführung in die Symphonien des grossen finnischen Komponisten Jean Sibelius (1865–1957). Joachim Brügge ordnet die Symphonien in das Gesamtwerk des Künstlers ein, stellt die einzelnen Symphonien vor und erläutert Charakteristika ihrer Komposition. Ein Kapitel über Jean Sibelius und die Symphonische Dichtung des 19. Jahrhunderts beschliessen den Band.
Everyone will love this brilliantly harmonic arrangement of one of Jean Sibelius' most famous works. Although easily playable by a young band, this song does not suffer from over-simplification. It retains all the power of the original work. A popular choice for festival or concert use. Your browser does not support the audio element.
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La Filarmónica de Múnich y Sergiu Celibidache comparten un legado excepcional. Comenzó su trabajo como director principal en 1979 y permaneció en este puesto durante 17 años. Sergiu Celibidache jugó un papel integral en hacer de la Filarmónica de Munich lo que es hoy: una orquesta de renombre mundial.
Today his name is used for music composing software, but the Finnish composer Sibelius deserves our attention – not least for his Finlandia and Violin Concerto.
