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1859 Self-Portrait oil on canvas Fogg Museum, Harvard Art Museums, Cambridge, MA ( An almost identical self-portrait to 1858 self-portrait featured in part 7 ) Jean-Auguste-Dominique Ingres (1780 – 1867) was a French Neoclassical artist. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognised as his greatest legacy. For a full biography see part 1. For earlier works see parts 1 - 7 also. This is part 8 of a 8 – part series on the works of Jean-Auguste-Dominique Ingres: 1857 Madame Charles Simart, née Amelie Baltard graphite 1857 Mademoiselle Mary de Borderieux ( ? ) graphite and watercolour with white highlights 35.2 x 27.1 cm National Gallery of Art, Washington, DC 1857 Molière Dining with Louis XIV oil on canvas 59.5 x 69 cm Comédie-Français, Palais-Royal, Paris 1858 Virgin of the Adoption oil on canvas 69.5 x 56.8 cm National Gallery of Victoria, Melbourne, Australia 1855 Mme Delphine Ingres graphite on white wove paper 35 x 27.2 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1859 Delphine Ramel, Madame Ingres ( the artist's wife ) oil on canvas 50 x 63 cm Oskar Reinhart Foundation, Winterthur, Switzerland 1859 Delphine Ramel, Madame Ingres ( the artist's wife ) detail 1859 Madame Charles Gounod graphite on ivory wove paper 25.6 x 20.2 cm Art Institute of Chicago, IL 1861 Madame Franz Adolf von Stuerler, née Matilda Jarman graphite 1862 Jesus Among the Doctors oil on canvas 265 x 320 cm Musée Ingres, Montauban, France 1862 The Golden Age oil on paper laid down on panel 46.4 x 61.9 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1843-48 Studies of a Man and a Woman for "The Golden Age" graphite on cream wove paper 41.6 x 31.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1862 Study of Hands and Feet for "The Golden Age" graphite Fogg Museum, Harvard Art Museums, Cambridge, MA 1862c Two Studies for "The Golden Age": Two Figures Listening to Astraea graphite Musée Ingres, Montauban, France n.d. Nude Figures for L'Âge d'Or, Château de Dampierre graphite on brownish paper 10.5 x 14.9 cm Metropolitan Museum of Art, New York City 1862 The Turkish Bath oil on canvas 108 cm diameter Musée du Louvre, Paris 1864 Madame Jacques Ignace Hittorf as Juno oil on canvas Krannert Art Museum, University of Illinois 1864 Mars oil on canvas 32.1 x 30.9 cm Kunstmuseum Basel, Switzerland 1864 The Betrothal of Raphael and the Niece of Cardinal Bibbiena graphite, watercolour and white gouache on tracing paper 19.9 x 16 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1864 Turkish Bath watercolour and graphite over brown printing ink on white wove paper 16.7 x 12.6 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1865 Rape of Europa graphite, watercolour and gouache on tracing paper 30.1 x 42.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1898c Madame Guillaume Guillon Lethière graphite on white wove paper 27 x 21.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA n.d. Jean-Louis Provost n.d Madame Jean Auguste Dominique Ingres graphite n.d. Angelica In Chains oil on canvas 75 x 97 cm Museo de Arte de Sao Paulo, Brazil n.d. Comtesse Turpin de Crissé graphite 28.6 x 21.5 cm Metropolitan Museum of Art, New York City n.d. Countess ( Comtesse ) de Marcellus graphite on parchment mounted on ragboard 40 x 32.5 cm de Young / Legion of Honour Fine Arts Museums of San Francisco, CA n.d. Dr. Jean Louis Robin graphite n.d. Dr. Louis Martinet graphite n.d. Edmond Ramel And His Wife, née Irma Donbernard graphite n.d. Franz Liszt n.d. Head of a Young Blond Girl with Blue Eyes ( Laure-Zoega ) n.d. Head of Saint John the Evangelist oil on canvas laid down on wood 39.4 x 27 cm Metropolitan Museum of Art, New York n.d. Jean Charles Auguste Simon n.d. Jean François Antoine Forest graphite n.d. Lancelot-Théodore, comte Turpin de Crissé graphite 29.5 x 21.8 cm Metropolitan Museum of Art, New York n.d. Madame Charles Hayard, Born Jeanne Susanne graphite n.d. Madame Jean Auguste Dominique Ingres graphite n.d. Madame Jean Auguste Dominique Ingres graphite n.d. Monsignor Gabriel Cortois De Pressigny graphite n.d. Mrs Charles Thomas Thruston graphite n.d. Portrait of a Young Boy graphite with touches of red watercolour with green watercolour border 8.4 x 10.6 cm The Morgan Library and Museum, New York n.d. Seated Female Nude black lead and black chalk on three attached sheets of paper 22.8 x 33 cm The Morgan Library and Museum, New York n.d. Study for the Figure of Marie de' Medici black chalk heightened with warm white chalk and white chalk on brown paper ( with two added strips ) 35.4 x 23.6 cm The Morgan Library and Museum, New York n.d. Victor-Dourlen graphite n.d. Vincent Léon Pallière oil on canvas 40.7 x 32.3 cm Dublin City Gallery, Ireland

1859 Self-Portrait oil on canvas Fogg Museum, Harvard Art Museums, Cambridge, MA ( An almost identical self-portrait to 1858 self-portrait featured in part 7 ) Jean-Auguste-Dominique Ingres (1780 – 1867) was a French Neoclassical artist. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognised as his greatest legacy. For a full biography see part 1. For earlier works see parts 1 - 7 also. This is part 8 of a 8 – part series on the works of Jean-Auguste-Dominique Ingres: 1857 Madame Charles Simart, née Amelie Baltard graphite 1857 Mademoiselle Mary de Borderieux ( ? ) graphite and watercolour with white highlights 35.2 x 27.1 cm National Gallery of Art, Washington, DC 1857 Molière Dining with Louis XIV oil on canvas 59.5 x 69 cm Comédie-Français, Palais-Royal, Paris 1858 Virgin of the Adoption oil on canvas 69.5 x 56.8 cm National Gallery of Victoria, Melbourne, Australia 1855 Mme Delphine Ingres graphite on white wove paper 35 x 27.2 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1859 Delphine Ramel, Madame Ingres ( the artist's wife ) oil on canvas 50 x 63 cm Oskar Reinhart Foundation, Winterthur, Switzerland 1859 Delphine Ramel, Madame Ingres ( the artist's wife ) detail 1859 Madame Charles Gounod graphite on ivory wove paper 25.6 x 20.2 cm Art Institute of Chicago, IL 1861 Madame Franz Adolf von Stuerler, née Matilda Jarman graphite 1862 Jesus Among the Doctors oil on canvas 265 x 320 cm Musée Ingres, Montauban, France 1862 The Golden Age oil on paper laid down on panel 46.4 x 61.9 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1843-48 Studies of a Man and a Woman for "The Golden Age" graphite on cream wove paper 41.6 x 31.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1862 Study of Hands and Feet for "The Golden Age" graphite Fogg Museum, Harvard Art Museums, Cambridge, MA 1862c Two Studies for "The Golden Age": Two Figures Listening to Astraea graphite Musée Ingres, Montauban, France n.d. Nude Figures for L'Âge d'Or, Château de Dampierre graphite on brownish paper 10.5 x 14.9 cm Metropolitan Museum of Art, New York City 1862 The Turkish Bath oil on canvas 108 cm diameter Musée du Louvre, Paris 1864 Madame Jacques Ignace Hittorf as Juno oil on canvas Krannert Art Museum, University of Illinois 1864 Mars oil on canvas 32.1 x 30.9 cm Kunstmuseum Basel, Switzerland 1864 The Betrothal of Raphael and the Niece of Cardinal Bibbiena graphite, watercolour and white gouache on tracing paper 19.9 x 16 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1864 Turkish Bath watercolour and graphite over brown printing ink on white wove paper 16.7 x 12.6 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1865 Rape of Europa graphite, watercolour and gouache on tracing paper 30.1 x 42.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1898c Madame Guillaume Guillon Lethière graphite on white wove paper 27 x 21.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA n.d. Jean-Louis Provost n.d Madame Jean Auguste Dominique Ingres graphite n.d. Angelica In Chains oil on canvas 75 x 97 cm Museo de Arte de Sao Paulo, Brazil n.d. Comtesse Turpin de Crissé graphite 28.6 x 21.5 cm Metropolitan Museum of Art, New York City n.d. Countess ( Comtesse ) de Marcellus graphite on parchment mounted on ragboard 40 x 32.5 cm de Young / Legion of Honour Fine Arts Museums of San Francisco, CA n.d. Dr. Jean Louis Robin graphite n.d. Dr. Louis Martinet graphite n.d. Edmond Ramel And His Wife, née Irma Donbernard graphite n.d. Franz Liszt n.d. Head of a Young Blond Girl with Blue Eyes ( Laure-Zoega ) n.d. Head of Saint John the Evangelist oil on canvas laid down on wood 39.4 x 27 cm Metropolitan Museum of Art, New York n.d. Jean Charles Auguste Simon n.d. Jean François Antoine Forest graphite n.d. Lancelot-Théodore, comte Turpin de Crissé graphite 29.5 x 21.8 cm Metropolitan Museum of Art, New York n.d. Madame Charles Hayard, Born Jeanne Susanne graphite n.d. Madame Jean Auguste Dominique Ingres graphite n.d. Madame Jean Auguste Dominique Ingres graphite n.d. Monsignor Gabriel Cortois De Pressigny graphite n.d. Mrs Charles Thomas Thruston graphite n.d. Portrait of a Young Boy graphite with touches of red watercolour with green watercolour border 8.4 x 10.6 cm The Morgan Library and Museum, New York n.d. Seated Female Nude black lead and black chalk on three attached sheets of paper 22.8 x 33 cm The Morgan Library and Museum, New York n.d. Study for the Figure of Marie de' Medici black chalk heightened with warm white chalk and white chalk on brown paper ( with two added strips ) 35.4 x 23.6 cm The Morgan Library and Museum, New York n.d. Victor-Dourlen graphite n.d. Vincent Léon Pallière oil on canvas 40.7 x 32.3 cm Dublin City Gallery, Ireland

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1859 Self-Portrait oil on canvas Fogg Museum, Harvard Art Museums, Cambridge, MA ( An almost identical self-portrait to 1858 self-portrait featured in part 7 ) Jean-Auguste-Dominique Ingres (1780 – 1867) was a French Neoclassical artist. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognised as his greatest legacy. For a full biography see part 1. For earlier works see parts 1 - 7 also. This is part 8 of a 8 – part series on the works of Jean-Auguste-Dominique Ingres: 1857 Madame Charles Simart, née Amelie Baltard graphite 1857 Mademoiselle Mary de Borderieux ( ? ) graphite and watercolour with white highlights 35.2 x 27.1 cm National Gallery of Art, Washington, DC 1857 Molière Dining with Louis XIV oil on canvas 59.5 x 69 cm Comédie-Français, Palais-Royal, Paris 1858 Virgin of the Adoption oil on canvas 69.5 x 56.8 cm National Gallery of Victoria, Melbourne, Australia 1855 Mme Delphine Ingres graphite on white wove paper 35 x 27.2 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1859 Delphine Ramel, Madame Ingres ( the artist's wife ) oil on canvas 50 x 63 cm Oskar Reinhart Foundation, Winterthur, Switzerland 1859 Delphine Ramel, Madame Ingres ( the artist's wife ) detail 1859 Madame Charles Gounod graphite on ivory wove paper 25.6 x 20.2 cm Art Institute of Chicago, IL 1861 Madame Franz Adolf von Stuerler, née Matilda Jarman graphite 1862 Jesus Among the Doctors oil on canvas 265 x 320 cm Musée Ingres, Montauban, France 1862 The Golden Age oil on paper laid down on panel 46.4 x 61.9 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1843-48 Studies of a Man and a Woman for "The Golden Age" graphite on cream wove paper 41.6 x 31.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1862 Study of Hands and Feet for "The Golden Age" graphite Fogg Museum, Harvard Art Museums, Cambridge, MA 1862c Two Studies for "The Golden Age": Two Figures Listening to Astraea graphite Musée Ingres, Montauban, France n.d. Nude Figures for L'Âge d'Or, Château de Dampierre graphite on brownish paper 10.5 x 14.9 cm Metropolitan Museum of Art, New York City 1862 The Turkish Bath oil on canvas 108 cm diameter Musée du Louvre, Paris 1864 Madame Jacques Ignace Hittorf as Juno oil on canvas Krannert Art Museum, University of Illinois 1864 Mars oil on canvas 32.1 x 30.9 cm Kunstmuseum Basel, Switzerland 1864 The Betrothal of Raphael and the Niece of Cardinal Bibbiena graphite, watercolour and white gouache on tracing paper 19.9 x 16 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1864 Turkish Bath watercolour and graphite over brown printing ink on white wove paper 16.7 x 12.6 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1865 Rape of Europa graphite, watercolour and gouache on tracing paper 30.1 x 42.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1898c Madame Guillaume Guillon Lethière graphite on white wove paper 27 x 21.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA n.d. Jean-Louis Provost n.d Madame Jean Auguste Dominique Ingres graphite n.d. Angelica In Chains oil on canvas 75 x 97 cm Museo de Arte de Sao Paulo, Brazil n.d. Comtesse Turpin de Crissé graphite 28.6 x 21.5 cm Metropolitan Museum of Art, New York City n.d. Countess ( Comtesse ) de Marcellus graphite on parchment mounted on ragboard 40 x 32.5 cm de Young / Legion of Honour Fine Arts Museums of San Francisco, CA n.d. Dr. Jean Louis Robin graphite n.d. Dr. Louis Martinet graphite n.d. Edmond Ramel And His Wife, née Irma Donbernard graphite n.d. Franz Liszt n.d. Head of a Young Blond Girl with Blue Eyes ( Laure-Zoega ) n.d. Head of Saint John the Evangelist oil on canvas laid down on wood 39.4 x 27 cm Metropolitan Museum of Art, New York n.d. Jean Charles Auguste Simon n.d. Jean François Antoine Forest graphite n.d. Lancelot-Théodore, comte Turpin de Crissé graphite 29.5 x 21.8 cm Metropolitan Museum of Art, New York n.d. Madame Charles Hayard, Born Jeanne Susanne graphite n.d. Madame Jean Auguste Dominique Ingres graphite n.d. Madame Jean Auguste Dominique Ingres graphite n.d. Monsignor Gabriel Cortois De Pressigny graphite n.d. Mrs Charles Thomas Thruston graphite n.d. Portrait of a Young Boy graphite with touches of red watercolour with green watercolour border 8.4 x 10.6 cm The Morgan Library and Museum, New York n.d. Seated Female Nude black lead and black chalk on three attached sheets of paper 22.8 x 33 cm The Morgan Library and Museum, New York n.d. Study for the Figure of Marie de' Medici black chalk heightened with warm white chalk and white chalk on brown paper ( with two added strips ) 35.4 x 23.6 cm The Morgan Library and Museum, New York n.d. Victor-Dourlen graphite n.d. Vincent Léon Pallière oil on canvas 40.7 x 32.3 cm Dublin City Gallery, Ireland

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Jean Auguste Dominique Ingres 1780-1867 Frankrijk

1859 Self-Portrait oil on canvas Fogg Museum, Harvard Art Museums, Cambridge, MA ( An almost identical self-portrait to 1858 self-portrait featured in part 7 ) Jean-Auguste-Dominique Ingres (1780 – 1867) was a French Neoclassical artist. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognised as his greatest legacy. For a full biography see part 1. For earlier works see parts 1 - 7 also. This is part 8 of a 8 – part series on the works of Jean-Auguste-Dominique Ingres: 1857 Madame Charles Simart, née Amelie Baltard graphite 1857 Mademoiselle Mary de Borderieux ( ? ) graphite and watercolour with white highlights 35.2 x 27.1 cm National Gallery of Art, Washington, DC 1857 Molière Dining with Louis XIV oil on canvas 59.5 x 69 cm Comédie-Français, Palais-Royal, Paris 1858 Virgin of the Adoption oil on canvas 69.5 x 56.8 cm National Gallery of Victoria, Melbourne, Australia 1855 Mme Delphine Ingres graphite on white wove paper 35 x 27.2 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1859 Delphine Ramel, Madame Ingres ( the artist's wife ) oil on canvas 50 x 63 cm Oskar Reinhart Foundation, Winterthur, Switzerland 1859 Delphine Ramel, Madame Ingres ( the artist's wife ) detail 1859 Madame Charles Gounod graphite on ivory wove paper 25.6 x 20.2 cm Art Institute of Chicago, IL 1861 Madame Franz Adolf von Stuerler, née Matilda Jarman graphite 1862 Jesus Among the Doctors oil on canvas 265 x 320 cm Musée Ingres, Montauban, France 1862 The Golden Age oil on paper laid down on panel 46.4 x 61.9 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1843-48 Studies of a Man and a Woman for "The Golden Age" graphite on cream wove paper 41.6 x 31.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1862 Study of Hands and Feet for "The Golden Age" graphite Fogg Museum, Harvard Art Museums, Cambridge, MA 1862c Two Studies for "The Golden Age": Two Figures Listening to Astraea graphite Musée Ingres, Montauban, France n.d. Nude Figures for L'Âge d'Or, Château de Dampierre graphite on brownish paper 10.5 x 14.9 cm Metropolitan Museum of Art, New York City 1862 The Turkish Bath oil on canvas 108 cm diameter Musée du Louvre, Paris 1864 Madame Jacques Ignace Hittorf as Juno oil on canvas Krannert Art Museum, University of Illinois 1864 Mars oil on canvas 32.1 x 30.9 cm Kunstmuseum Basel, Switzerland 1864 The Betrothal of Raphael and the Niece of Cardinal Bibbiena graphite, watercolour and white gouache on tracing paper 19.9 x 16 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1864 Turkish Bath watercolour and graphite over brown printing ink on white wove paper 16.7 x 12.6 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1865 Rape of Europa graphite, watercolour and gouache on tracing paper 30.1 x 42.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1898c Madame Guillaume Guillon Lethière graphite on white wove paper 27 x 21.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA n.d. Jean-Louis Provost n.d Madame Jean Auguste Dominique Ingres graphite n.d. Angelica In Chains oil on canvas 75 x 97 cm Museo de Arte de Sao Paulo, Brazil n.d. Comtesse Turpin de Crissé graphite 28.6 x 21.5 cm Metropolitan Museum of Art, New York City n.d. Countess ( Comtesse ) de Marcellus graphite on parchment mounted on ragboard 40 x 32.5 cm de Young / Legion of Honour Fine Arts Museums of San Francisco, CA n.d. Dr. Jean Louis Robin graphite n.d. Dr. Louis Martinet graphite n.d. Edmond Ramel And His Wife, née Irma Donbernard graphite n.d. Franz Liszt n.d. Head of a Young Blond Girl with Blue Eyes ( Laure-Zoega ) n.d. Head of Saint John the Evangelist oil on canvas laid down on wood 39.4 x 27 cm Metropolitan Museum of Art, New York n.d. Jean Charles Auguste Simon n.d. Jean François Antoine Forest graphite n.d. Lancelot-Théodore, comte Turpin de Crissé graphite 29.5 x 21.8 cm Metropolitan Museum of Art, New York n.d. Madame Charles Hayard, Born Jeanne Susanne graphite n.d. Madame Jean Auguste Dominique Ingres graphite n.d. Madame Jean Auguste Dominique Ingres graphite n.d. Monsignor Gabriel Cortois De Pressigny graphite n.d. Mrs Charles Thomas Thruston graphite n.d. Portrait of a Young Boy graphite with touches of red watercolour with green watercolour border 8.4 x 10.6 cm The Morgan Library and Museum, New York n.d. Seated Female Nude black lead and black chalk on three attached sheets of paper 22.8 x 33 cm The Morgan Library and Museum, New York n.d. Study for the Figure of Marie de' Medici black chalk heightened with warm white chalk and white chalk on brown paper ( with two added strips ) 35.4 x 23.6 cm The Morgan Library and Museum, New York n.d. Victor-Dourlen graphite n.d. Vincent Léon Pallière oil on canvas 40.7 x 32.3 cm Dublin City Gallery, Ireland

Jean Auguste Dominique Ingres ( 1780-1867) was a French Neoclassical painter. Wikipedia article Artcyclopedia page ...

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Qui est Jean-Auguste-Dominique Ingres ? Ingres est un peintre né le 29 août 1780 à Montauban. Son père, Joseph Ingres,...

1859 Self-Portrait oil on canvas Fogg Museum, Harvard Art Museums, Cambridge, MA ( An almost identical self-portrait to 1858 self-portrait featured in part 7 ) Jean-Auguste-Dominique Ingres (1780 – 1867) was a French Neoclassical artist. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognised as his greatest legacy. For a full biography see part 1. For earlier works see parts 1 - 7 also. This is part 8 of a 8 – part series on the works of Jean-Auguste-Dominique Ingres: 1857 Madame Charles Simart, née Amelie Baltard graphite 1857 Mademoiselle Mary de Borderieux ( ? ) graphite and watercolour with white highlights 35.2 x 27.1 cm National Gallery of Art, Washington, DC 1857 Molière Dining with Louis XIV oil on canvas 59.5 x 69 cm Comédie-Français, Palais-Royal, Paris 1858 Virgin of the Adoption oil on canvas 69.5 x 56.8 cm National Gallery of Victoria, Melbourne, Australia 1855 Mme Delphine Ingres graphite on white wove paper 35 x 27.2 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1859 Delphine Ramel, Madame Ingres ( the artist's wife ) oil on canvas 50 x 63 cm Oskar Reinhart Foundation, Winterthur, Switzerland 1859 Delphine Ramel, Madame Ingres ( the artist's wife ) detail 1859 Madame Charles Gounod graphite on ivory wove paper 25.6 x 20.2 cm Art Institute of Chicago, IL 1861 Madame Franz Adolf von Stuerler, née Matilda Jarman graphite 1862 Jesus Among the Doctors oil on canvas 265 x 320 cm Musée Ingres, Montauban, France 1862 The Golden Age oil on paper laid down on panel 46.4 x 61.9 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1843-48 Studies of a Man and a Woman for "The Golden Age" graphite on cream wove paper 41.6 x 31.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1862 Study of Hands and Feet for "The Golden Age" graphite Fogg Museum, Harvard Art Museums, Cambridge, MA 1862c Two Studies for "The Golden Age": Two Figures Listening to Astraea graphite Musée Ingres, Montauban, France n.d. Nude Figures for L'Âge d'Or, Château de Dampierre graphite on brownish paper 10.5 x 14.9 cm Metropolitan Museum of Art, New York City 1862 The Turkish Bath oil on canvas 108 cm diameter Musée du Louvre, Paris 1864 Madame Jacques Ignace Hittorf as Juno oil on canvas Krannert Art Museum, University of Illinois 1864 Mars oil on canvas 32.1 x 30.9 cm Kunstmuseum Basel, Switzerland 1864 The Betrothal of Raphael and the Niece of Cardinal Bibbiena graphite, watercolour and white gouache on tracing paper 19.9 x 16 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1864 Turkish Bath watercolour and graphite over brown printing ink on white wove paper 16.7 x 12.6 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1865 Rape of Europa graphite, watercolour and gouache on tracing paper 30.1 x 42.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1898c Madame Guillaume Guillon Lethière graphite on white wove paper 27 x 21.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA n.d. Jean-Louis Provost n.d Madame Jean Auguste Dominique Ingres graphite n.d. Angelica In Chains oil on canvas 75 x 97 cm Museo de Arte de Sao Paulo, Brazil n.d. Comtesse Turpin de Crissé graphite 28.6 x 21.5 cm Metropolitan Museum of Art, New York City n.d. Countess ( Comtesse ) de Marcellus graphite on parchment mounted on ragboard 40 x 32.5 cm de Young / Legion of Honour Fine Arts Museums of San Francisco, CA n.d. Dr. Jean Louis Robin graphite n.d. Dr. Louis Martinet graphite n.d. Edmond Ramel And His Wife, née Irma Donbernard graphite n.d. Franz Liszt n.d. Head of a Young Blond Girl with Blue Eyes ( Laure-Zoega ) n.d. Head of Saint John the Evangelist oil on canvas laid down on wood 39.4 x 27 cm Metropolitan Museum of Art, New York n.d. Jean Charles Auguste Simon n.d. Jean François Antoine Forest graphite n.d. Lancelot-Théodore, comte Turpin de Crissé graphite 29.5 x 21.8 cm Metropolitan Museum of Art, New York n.d. Madame Charles Hayard, Born Jeanne Susanne graphite n.d. Madame Jean Auguste Dominique Ingres graphite n.d. Madame Jean Auguste Dominique Ingres graphite n.d. Monsignor Gabriel Cortois De Pressigny graphite n.d. Mrs Charles Thomas Thruston graphite n.d. Portrait of a Young Boy graphite with touches of red watercolour with green watercolour border 8.4 x 10.6 cm The Morgan Library and Museum, New York n.d. Seated Female Nude black lead and black chalk on three attached sheets of paper 22.8 x 33 cm The Morgan Library and Museum, New York n.d. Study for the Figure of Marie de' Medici black chalk heightened with warm white chalk and white chalk on brown paper ( with two added strips ) 35.4 x 23.6 cm The Morgan Library and Museum, New York n.d. Victor-Dourlen graphite n.d. Vincent Léon Pallière oil on canvas 40.7 x 32.3 cm Dublin City Gallery, Ireland

Charles Reutlinger Portrait of Jean-Auguste-Dominique Ingres 1860s albumen carte-de-visite National Portrait Gallery, London Charles Reutlinger (1816-1880) founded a photo studio in Paris. It operated from 1850 to 1937, specializing in portraits of "the actors, artists, musicians, composers, opera singers, and ballet dancers of the period." Jean-Auguste-Dominique Ingres, the transcendentally gifted French painter, was born in 1780. His adolescence coincided with the long playing-out of the French Revolution. His old age coincided with the American Civil War, and he died in 1867, having nearly reached the age of ninety. Fortunately for posterity, the Reutlinger studio was on hand to manufacture a photographic likeness of the great Ingres in his final years. Garanti d'après nature reads the text printed along the bottom margin of the mount – Guaranteed faithful to nature or more literally Guaranteed to be 'after' nature – and what was this quaint phrase intended to mean? Many of Julia Margaret Cameron's portraits of similar date are mounted on cards with the similar inscription, From Life. It sounds as if in the 1860s people could still perceive something uniquely strange about photographs. That strangeness has never altered, but has over time become commonplace and no longer obtrusive. Roland Barthes classically explains why – "Photography's Referent is not the same as the referent of other systems of representation. I call "photographic referent" not the optionally real thing to which an image or sign refers but the necessarily real thing which has been placed before the lens, without which there would be no photograph. Painting can feign reality without having seen it. Discourse combines signs which have referents, of course, but these referents can be and are most often "chimeras." Contrary to these imitations, in Photography I can never deny that the thing has been there. There is a superimposition here: of reality and of the past. And since this constraint exists only for Photography, we must consider it, by reduction, as the very essence, the noeme of Photography." (from La Chambre Claire, published in 1980, translated by Richard Howard and published in English as Camera Lucida in 1981) Jean-Auguste-Dominique Ingres Study of Winged Amor for Golden Age mural ca. 1862 drawing British Museum Jean-Auguste-Dominique Ingres Study of Winged Amor for Golden Age mural ca. 1862 drawing British Museum Jean-Auguste-Dominique Ingres Study for St Symphorien ca. 1834 drawing British Museum Jean-Auguste-Dominique Ingres Figure studies ca. 1815-19 drawing British Museum (formerly owned by Edgar Degas) Jean-Auguste-Dominique Ingres Figure studies 1812 drawing British Museum (formerly owned by Edgar Degas) Jean-Auguste-Dominique Ingres Study for Pindar ca. 1826-27 drawing British Museum (formerly owned by Edgar Degas) Jean-Auguste-Dominique Ingres Study for Pindar ca. 1826-27 drawing British Museum (formerly owned by Edgar Degas) Jean-Auguste-Dominique Ingres Study of Nymph for Golden Age mural ca. 1862 drawing British Museum Jean-Auguste-Dominique Ingres Study of figure group for Golden Age mural ca. 1862 drawing British Museum Jean-Auguste-Dominique Ingres Study for Joan of Arc ca. 1866 drawing British Museum Jean-Auguste-Dominique Ingres Study for L'Odalisque à l'esclave 1839 drawing British Museum Jean-Auguste-Dominique Ingres Sir John Hay & his sister Mary Hay in Rome 1816 drawing British Museum Jean-Auguste-Dominique Ingres Madame Guillaume Guillon Lethière & Son 1808 drawing Metropolitan Museum of Art (gift of Louisine Havemeyer)

1859 Self-Portrait oil on canvas Fogg Museum, Harvard Art Museums, Cambridge, MA ( An almost identical self-portrait to 1858 self-portrait featured in part 7 ) Jean-Auguste-Dominique Ingres (1780 – 1867) was a French Neoclassical artist. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognised as his greatest legacy. For a full biography see part 1. For earlier works see parts 1 - 7 also. This is part 8 of a 8 – part series on the works of Jean-Auguste-Dominique Ingres: 1857 Madame Charles Simart, née Amelie Baltard graphite 1857 Mademoiselle Mary de Borderieux ( ? ) graphite and watercolour with white highlights 35.2 x 27.1 cm National Gallery of Art, Washington, DC 1857 Molière Dining with Louis XIV oil on canvas 59.5 x 69 cm Comédie-Français, Palais-Royal, Paris 1858 Virgin of the Adoption oil on canvas 69.5 x 56.8 cm National Gallery of Victoria, Melbourne, Australia 1855 Mme Delphine Ingres graphite on white wove paper 35 x 27.2 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1859 Delphine Ramel, Madame Ingres ( the artist's wife ) oil on canvas 50 x 63 cm Oskar Reinhart Foundation, Winterthur, Switzerland 1859 Delphine Ramel, Madame Ingres ( the artist's wife ) detail 1859 Madame Charles Gounod graphite on ivory wove paper 25.6 x 20.2 cm Art Institute of Chicago, IL 1861 Madame Franz Adolf von Stuerler, née Matilda Jarman graphite 1862 Jesus Among the Doctors oil on canvas 265 x 320 cm Musée Ingres, Montauban, France 1862 The Golden Age oil on paper laid down on panel 46.4 x 61.9 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1843-48 Studies of a Man and a Woman for "The Golden Age" graphite on cream wove paper 41.6 x 31.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1862 Study of Hands and Feet for "The Golden Age" graphite Fogg Museum, Harvard Art Museums, Cambridge, MA 1862c Two Studies for "The Golden Age": Two Figures Listening to Astraea graphite Musée Ingres, Montauban, France n.d. Nude Figures for L'Âge d'Or, Château de Dampierre graphite on brownish paper 10.5 x 14.9 cm Metropolitan Museum of Art, New York City 1862 The Turkish Bath oil on canvas 108 cm diameter Musée du Louvre, Paris 1864 Madame Jacques Ignace Hittorf as Juno oil on canvas Krannert Art Museum, University of Illinois 1864 Mars oil on canvas 32.1 x 30.9 cm Kunstmuseum Basel, Switzerland 1864 The Betrothal of Raphael and the Niece of Cardinal Bibbiena graphite, watercolour and white gouache on tracing paper 19.9 x 16 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1864 Turkish Bath watercolour and graphite over brown printing ink on white wove paper 16.7 x 12.6 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1865 Rape of Europa graphite, watercolour and gouache on tracing paper 30.1 x 42.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1898c Madame Guillaume Guillon Lethière graphite on white wove paper 27 x 21.5 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA n.d. Jean-Louis Provost n.d Madame Jean Auguste Dominique Ingres graphite n.d. Angelica In Chains oil on canvas 75 x 97 cm Museo de Arte de Sao Paulo, Brazil n.d. Comtesse Turpin de Crissé graphite 28.6 x 21.5 cm Metropolitan Museum of Art, New York City n.d. Countess ( Comtesse ) de Marcellus graphite on parchment mounted on ragboard 40 x 32.5 cm de Young / Legion of Honour Fine Arts Museums of San Francisco, CA n.d. Dr. Jean Louis Robin graphite n.d. Dr. Louis Martinet graphite n.d. Edmond Ramel And His Wife, née Irma Donbernard graphite n.d. Franz Liszt n.d. Head of a Young Blond Girl with Blue Eyes ( Laure-Zoega ) n.d. Head of Saint John the Evangelist oil on canvas laid down on wood 39.4 x 27 cm Metropolitan Museum of Art, New York n.d. Jean Charles Auguste Simon n.d. Jean François Antoine Forest graphite n.d. Lancelot-Théodore, comte Turpin de Crissé graphite 29.5 x 21.8 cm Metropolitan Museum of Art, New York n.d. Madame Charles Hayard, Born Jeanne Susanne graphite n.d. Madame Jean Auguste Dominique Ingres graphite n.d. Madame Jean Auguste Dominique Ingres graphite n.d. Monsignor Gabriel Cortois De Pressigny graphite n.d. Mrs Charles Thomas Thruston graphite n.d. Portrait of a Young Boy graphite with touches of red watercolour with green watercolour border 8.4 x 10.6 cm The Morgan Library and Museum, New York n.d. Seated Female Nude black lead and black chalk on three attached sheets of paper 22.8 x 33 cm The Morgan Library and Museum, New York n.d. Study for the Figure of Marie de' Medici black chalk heightened with warm white chalk and white chalk on brown paper ( with two added strips ) 35.4 x 23.6 cm The Morgan Library and Museum, New York n.d. Victor-Dourlen graphite n.d. Vincent Léon Pallière oil on canvas 40.7 x 32.3 cm Dublin City Gallery, Ireland

Jean Auguste Dominique Ingres ( 1780-1867) was a French Neoclassical painter. Wikipedia article Artcyclopedia page ...

Charles Reutlinger Portrait of Jean-Auguste-Dominique Ingres 1860s albumen carte-de-visite National Portrait Gallery, London Charles Reutlinger (1816-1880) founded a photo studio in Paris. It operated from 1850 to 1937, specializing in portraits of "the actors, artists, musicians, composers, opera singers, and ballet dancers of the period." Jean-Auguste-Dominique Ingres, the transcendentally gifted French painter, was born in 1780. His adolescence coincided with the long playing-out of the French Revolution. His old age coincided with the American Civil War, and he died in 1867, having nearly reached the age of ninety. Fortunately for posterity, the Reutlinger studio was on hand to manufacture a photographic likeness of the great Ingres in his final years. Garanti d'après nature reads the text printed along the bottom margin of the mount – Guaranteed faithful to nature or more literally Guaranteed to be 'after' nature – and what was this quaint phrase intended to mean? Many of Julia Margaret Cameron's portraits of similar date are mounted on cards with the similar inscription, From Life. It sounds as if in the 1860s people could still perceive something uniquely strange about photographs. That strangeness has never altered, but has over time become commonplace and no longer obtrusive. Roland Barthes classically explains why – "Photography's Referent is not the same as the referent of other systems of representation. I call "photographic referent" not the optionally real thing to which an image or sign refers but the necessarily real thing which has been placed before the lens, without which there would be no photograph. Painting can feign reality without having seen it. Discourse combines signs which have referents, of course, but these referents can be and are most often "chimeras." Contrary to these imitations, in Photography I can never deny that the thing has been there. There is a superimposition here: of reality and of the past. And since this constraint exists only for Photography, we must consider it, by reduction, as the very essence, the noeme of Photography." (from La Chambre Claire, published in 1980, translated by Richard Howard and published in English as Camera Lucida in 1981) Jean-Auguste-Dominique Ingres Study of Winged Amor for Golden Age mural ca. 1862 drawing British Museum Jean-Auguste-Dominique Ingres Study of Winged Amor for Golden Age mural ca. 1862 drawing British Museum Jean-Auguste-Dominique Ingres Study for St Symphorien ca. 1834 drawing British Museum Jean-Auguste-Dominique Ingres Figure studies ca. 1815-19 drawing British Museum (formerly owned by Edgar Degas) Jean-Auguste-Dominique Ingres Figure studies 1812 drawing British Museum (formerly owned by Edgar Degas) Jean-Auguste-Dominique Ingres Study for Pindar ca. 1826-27 drawing British Museum (formerly owned by Edgar Degas) Jean-Auguste-Dominique Ingres Study for Pindar ca. 1826-27 drawing British Museum (formerly owned by Edgar Degas) Jean-Auguste-Dominique Ingres Study of Nymph for Golden Age mural ca. 1862 drawing British Museum Jean-Auguste-Dominique Ingres Study of figure group for Golden Age mural ca. 1862 drawing British Museum Jean-Auguste-Dominique Ingres Study for Joan of Arc ca. 1866 drawing British Museum Jean-Auguste-Dominique Ingres Study for L'Odalisque à l'esclave 1839 drawing British Museum Jean-Auguste-Dominique Ingres Sir John Hay & his sister Mary Hay in Rome 1816 drawing British Museum Jean-Auguste-Dominique Ingres Madame Guillaume Guillon Lethière & Son 1808 drawing Metropolitan Museum of Art (gift of Louisine Havemeyer)

Jean-Auguste-Dominique Ingres (1780 – 1867) was a French Neoclassical artist. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres's portraits, both painted and drawn, that were recognised as his greatest legacy. For a full biography see part 1. For earlier works see parts 1 and 2 also. This is part 3 of a 8 – part series on the works of Jean-Auguste-Dominique Ingres: 1814 Madame de Senonnes oil on canvas 84 x 106 cm Musée des Beaux-Arts, Nantes, France 1814 Madame Haudborg-Lescot graphite on light grey laid paper 31.2 x 24.1 cm de Young - Legion of Honour Fine Arts Museums of San Francisco, CA 1814 Madame Jean-Auguste-Dominique Ingres, née Madeleine Chapelle graphite on off-white paper 19.3 x 14.3 cm Metropolitan Museum of Art, New York 1814 Marquis Allesandro d'Azzia graphite and white gouache on tan wove paper laid on cardboard 26.8 x 21.1 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1814 Pope Pius VII in the Sistine Chapel oil on canvas 74.5 x 92.7 cm National Gallery of Art, Washington, DC 1814 Portrait of a Man graphite 21.8 x 16.6 cm Metropolitan Museum of Art, New York 1814 Portrait of a Seated Lady graphite 29.2 x 20.6 cm Metropolitan Museum of Art, New York City 1814 Raphael and the Fornarina This composition, the first of six versions, articulates Ingres’s conception of the art of painting. For him, the oeuvre of the Renaissance artist Raphael was the pinnacle of artistic achievement. Here Ingres draws on Raphael’s relationship with the woman known as “La Fornarina” (the Little Baker), which, according to the biographer Giorgio Vasari, led to the young artist’s death from an excess of lovemaking. Raphael has just sketched the famous portrait of her, and his beloved subject sits on his knee. But Raphael has eyes only for his own creation, which, like Ingres’s representation of its model, meets the viewer’s gaze. This triangle of glances is complicated by the presence of the Virgin in Raphael’s Madonna of the Chair, seen against the back wall, where she resembles the artist’s lover. 1814 Raphael and the Fornarina oil on canvas 64.8 x 53,3 cm Fogg Museum, Harvard Art Museums, Cambridge, MA 1814-40 Raphael And Fornarina oil on canvas Columbus Museum of Art, Ohio 1814c Study for "Raphael and the Fornarina" graphite on white wove paper 25.4 x 19.7 cm Metropolitan Museum of Art, New York City 1814c Study for "Raphael and the Fornarina" graphite on white wove paper 37 x 26.2 cm Fogg Museum, Harvard Art Museums, Cambridge, MA 1814 The Architect Guillaume Edouard Allais chalk 21.1 x 16 cm Private Collection 1814-16 Sheet of Studies with the Head of the Fornarina and Hands of Madame de Senonnes graphite with stumping on tan wove paper 18.9 x 21 cm Art Institute of Chicago, IL 1814c Don Pedro of Toledo Kissing the Sword of Henri IV oil on panel 49 x 41 cm Private Collection 1814c Madeleine Ingres, nee Chapelle oil on canvas 68 x 54 cm Sammlung E.G.Bührle, Zurich, Switzerland 1815 Alexandre Lethiere Family 1815 Frau Reinhold and Her Daughters, Susette-Marie and Marie-Auguste-Friederike graphite 303 x 22.5 cm The Morgan Library and Museum, New York City 1815 Frederic Sylvester Douglas lithograph National Gallery of Art, Washington, DC 1815 Guillaume Guillon Lethière ( 1760-1832 ) graphite on wove paper 28 x 23.1 cm The Morgan Library and Museum, New York City 1815 Jean Pierre Cortot 33 x 41.5 cm 1815 Jean-Joseph Fournier graphite on wove paper 24.2 x 16.2 cm Metropolitan Museum of Art, New York 1815 John Russel, Sixth Duke of Bedford 1815 Joseph-Antoine de Nogent oil on panel 47 x 33.3 cm Fogg Art Galler, Harvard Art Museums, Cambridge MA 1815 Madame Alexandre Lethière, née Rosa Meli, and Her Daughter, Letizia graphite on tracing paper 23.1 x 20.2 cm Metropolitan Museum of Art, New York 1815 Madame Charles Hayard and Her Daughter Caroline graphite on white wove paper 29.2 x 22 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1815 Mademoiselle Jeanne Hayard 1815 Maréchale Kutusov graphite on paper 13.2 x 8.7 cm The Fitzwilliam Museum, Cambridge, UK 1815 Portrait of a Russian General watercolour 29.6 x 22 cm The State Hermitage Museum, St. Petersburg, Russia 1815 Portrait of the Family of Lucien Bonaparte graphite on white wove paper 41.2 x 53.2 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1815 The Duke of Alba Receiving the Pope's Blessing in the Cathedral of Sainte-Gudule, Brussels pen and brown ink and brown wash heightened with white gouache, with red and black chalk and graphite 43 x 52.9 cm J. Paul Getty Museum, Los Angeles 1815 The Hon. Frederick North graphite 47 x 41 cm Art Gallery of New South Wales, Sydney, Australia 1815-17c Portrait of a Lady graphite on wove paper 27.6 x 19.9 cm Museum of Modern Art, New York 1815c Portrait of a Young Woman graphite 28 x 20.7 cm The State Hermitage Museum, St. Petersburg, Russia 1816 Alexander Baillie graphite on paper Private Collection 1816 Gabriel Cortois de Pressigny etching National Gallery of Art, Washington, DC 1816 Lady Glenbervie, née Catherine Anne North graphite on wove paper 21 x 16.5 cm The Morgan Library and Museum, New York 1816 Lady Mary Cavendish-Bentinck graphite 21.9 x 17.1 cm Metropolitan Museum of Art, New York 1816 Lord Graham graphite 40.5 x 28.3 cm J. Paul Getty Museum, Los Angeles, CA 1816 Mademoiselle Henriette Ursule Claire, Maybe Thevenin, and Her Dog Trim 1816 Mr and Mrs Joseph Woodhead and Mr Henry Comber in Rome graphite on paper 30.4 x 22.4 cm The Fitzwilliam Museum, Cambridge, UK 1816 Mrs Charles Badham graphite on wove paper 26.3 x 21.8 cm National Gallery of Art, Washington, DC 1816 Mrs John Mackie graphite on paper 17 x 16.5 cm © Victoria & Albert Museum, London 1816 Mrs. George Vesey and Her Daughter Elizabeth Vesey, later Lady Colthurst graphite and white gouache on white wove paper 29.9 x 22.4 cm Fogg Art Gallery, Harvard Art Museums, Cambridge MA 1816 Sylvester Douglas, Lord Glenbervie graphite on wove paper 21 x 16.4 cm The Morgan Library and Museum, New York City 1816 The Tomb of Lady Jane Montagu pen and brown ink and watercolour over graphite 44.5 x 55.8 cm National Gallery of Victoria, Melbourne, Australia