Explore Daily Bungalow's 10375 photos on Flickr!
Cinderella Love Illustrated by Matt Baker October 1955 *Courtesy of Lost Art Books
It's been a while since I have played with textures.
Are you aware of the many soul contracts you made before you were born? Imagine you are on the other side with Source and you are telling him that you would like to come back to this planet. This is what it might be like:
Stenciling Techniques by Traci Bautista
“Art can confront and raise the consciousness of others in the most plain and gentle way.” -Ai Weiwei Hold your horses- I finally did something creative ;) It’s certainly been difficult juggling so…
This is a sample of the Calmsden mural, printed with the same archival inks and museum-quality canvas as your final scenic wallpaper. For information on ordering, visit our How It Works page or Contact Us. Scroll down for details about this mural. sample size: about 6" x 16" see complete mural download tear sheet
The Dragon 1745 – 1760 The Dragon is the only “real” Rococo design in our collection. It was made in the right period of time, undoubtedly by a talented ornamentalist. Just looking at the qu…
Norloth is an artist who is a huge fan of J.R.R. Tolkien's work. Although originally from Shanghai, China, she is now based in Edinburg, United Kingdom,
Ok. So here is the deep theological thought that keeps tickling my brain lately: Jesus was limited. Isn't that a weird thing. We don't usually think that way. Jesus did miracles. He walked on water. He even communed with the prophets of Moses and Elijah who were taken up to heaven way before his birth. Not to mention the way cool fact that he was God of the universe in flesh. Still. He was in flesh, and that flesh part is what made him limited. What it means to be limited? Well... 1. He only had 24 hours in a day 2. He could only be in one place at a time (John 11:21) 3. He had to eat (Matthew 9:10) 4. He had to sleep (Matthew 8:24) 5. He had to spend alone time (Luke 5:16) 6. He experienced every human emotion (Matthew 9:36, John 11:35, Matthew 21:12, Luke 10:21) 7. He had to grow (Luke 2:52) 8. He had to trust the Father (Matthew 4:5-7) These are all things I don't really think of when I think of Jesus. However, they're true. That's what it means when is says "he became flesh and dwelt among us." (John 1:14) Therefore, he understands. That kind of gives me hope. Especially in this season of life I feel overwhelmed and often anxious. I am increasingly aware of how limited I really am, and how I am in need of trusting the Father. Still, I am so slow to do so. Thinking I'm superwoman, I run from here to there, trying and striving to accomplish anything and everything and run through every door of opportunity that presents itself. I'm so reluctant to admit that I am simply incapable of doing everything. I am limited. Therefore, I need to rely on the Father. I need to trust him in any and every situation. I need to abide in the reality that he sees me, knows me, and has put a path before me, that he has also equipped me to walk. Crazy. Jesus was limited. I am limited. Jesus had to trust the Father. Therefore, how much more do I need to rely on Him. Trust does not require testing. In fact, often the testing simply proves my lack of trust. Instead, trust is simply the letting go. It's the falling into the sovereignty of God and letting him have control, as opposed to me fighting for control of something I really never had control of. Embracing my limits means surrendering to my lack of control and capability to do, and allowing the Lord to have control and do more that I could even imagine. I think I'm going to start embracing my limits.
Believe it or not, these vibrant images are not silkscreened, instead they are examples of pochoir, a refined stencil-based printmaking technique popular in the late 19th century through the 1930’s...
Thank you to the Scully & Scully catalogue for reminding me that the world hasn't completely gone to hell in hand basket. Its numerous pages filled with photos of folding bridge tables, hardboard place mats, wooden breakfast bed trays (similar to the one above), and other traditional niceties always bring me comfort, for they make me realize that some people in this world continue to appreciate such things. Speaking of breakfast bed trays, there was a time when the morning meal often required its own set of dining accoutrements, including china and linen made especially for use on a breakfast tray or a small breakfast table. If you read any of the 1930s and 1940s-era design magazines, you'll find numerous articles written for the bride, advising her of the household inventory she would need to run her home efficiently and entertain properly. Along with luncheon china and luncheon linen, dinner china and dinner linen, and tea sets and tea linen, breakfast china, referred to as "luxuries" in a 1936 House & Garden article, was often recommended for one's "breakfast repertory". Needless to say, brides were encouraged to own a lot of china and linen. (Don't even get me started on the recommendations for bed and bath linen. The lists for these were endless!) Although not a bride, I, too, have breakfast china (Porthault's Trèfles pattern), a large breakfast tray, and a set of breakfast tray linen, which consists of one mat and two napkins. I wish that I could say I use these daily, but instead, it's more like a Sunday occurrence. If only my life were leisurely- and if I had staff- then perhaps my weekday breakfast repertory would be far more luxurious than it currently is. Singer and actress Julie London, photographed in bed with her breakfast tray by Slim Aarons. Truman Capote's Porthault breakfast set, sold at Bonhams in 2006. Mario Buatta created this dining-in-bed vignette for Tiffany. Wooden breakfast bed tray from Scully & Scully Another Slim Aarons' breakfast-in-bed photo, this one of Mrs. Saunderson of Montecito. Brooke Astor's breakfast china by Hammersley & Co., sold at Sotheby's in 2012. Vintage Madeira pink breakfast set from D'Anjou Linens An elegant bed vignette, courtesy of Tiffany & Co. A 1940 Léron linen ad, which shows their charming "Bouquet" table linen. The linen was available in luncheon sets, tea sets, and breakfast sets.
Portion of wallpaper frieze with 'Ravenna' design, scrolling foliage with flowers, on a pale ground; Outlines block printed and filled in with stencil, on paper; Design by William Shand Kydd; Produced by Shand Kydd Ltd; London, England; 1896.
You know a secret is important when you have a hard time keeping it to yourself. Should you lock it up inside or let it all pour out? Whether your secret is large or small, these lessons are learned in The Fifth Estate – in theaters October 18.
How to have un-boring French language lessons So, have you ever had lessons that are so boring you feel like stopping taking them? I’ve been there – no fun! Read the article to find out how to have un-boring French
Read electronica by Marcombo on Issuu and browse thousands of other publications on our platform. Start here!
Shop this beautiful St James's Palace wallpaper by William Morris.
These 4 rolls are circa 1920-1940 likely more towards the 1920’s. Featuring stunning vibrant green foliate/foliage leaves. Roll #1 - 190”+ on the roll, the end was tattered and shortened Roll #2 - 190”+ on the roll, the end was tattered and shortened Roll #3 - 190”+ on the roll, the end was tattered and shortened Roll #4 - 190”+ on the roll, the roll is nearly full however, it does have a rip spanning roughly 10”-15”. Several scrap pieces will also be included. Each roll is signed appropriately and measure 29.5” w with a useable 28.5” inside margins. These are acquired from a 19th century upstate New York estate which still has 20+ rolls hanging in a substantial guest bedroom. Paul Dumas was a Parisian designer and manufacturer of wallpapers and textiles active between 1906 and 1978. Dumas had a studio at 24-26 Rue Notre Dame des Victoires in Paris, and a printing factory in Montreuil-sur-bois, to the east of Paris.Dumas purchased a disused printing factory in Montreuil-sur-bois in 1906, and then built a larger factory on its land in 1913.The factory burned down in 1913, and Dumas had a new one built the same year. Dumas was a designer of scenery and draperies for the fancy-dress balls held by Paul Poiret.[1] The Montreuil-sur-bois factory produced wallpapers for Poiret’s Atelier Martine, Paul Follot, Lina de Andrada, and Lucie Renudaut, among others. Textiles produced by Paul Dumas are included in the collection of the Cooper Hewitt Design Museum.Wallpapers produced by Dumas in included in the collections of the Musée des arts décoratifs de Paris and the Victoria and Albert Museum, London and the Metropolitan Museum of Art. Dumas had a studio at 24-26 Rue Notre Dame des Victoires in Paris, and a printing factory in Montreuil-sur-bois, to the east of Paris. Dumas purchased a disused printing factory in Montreuil-sur-bois in 1906, and then built a larger factory on its land in 1913.The factory burned down in 1913, and Dumas had a new one built the same year. Dumas was a designer of scenery and draperies for the fancy-dress balls held by Paul Poiret. The Montreuil-sur-bois factory produced wallpapers for Poiret’s Atelier Martine, Paul Follot, Lina de Andrada, and Lucie Renudaut, among others. Textiles produced by Paul Dumas are included in the collection of the Cooper Hewitt Design Museum.Wallpapers produced by Dumas in included in the collections of the Musée des arts décoratifs de Paris,and the Victoria and Albert Museum, London and the Metropolitan Museum of Art.
Lin 315 Josef Frank Bredd 130 cm
Pochoir was a damn delicate practice, and it was inextricably bound to the star of Paris' Golden Age of Illustration, André E. Marty. The Frenchman and his stencil-centric drawing or pochoir method defined the aesthetics of a generation, especially for the high fashion set. There was "an
This unique card is a reproduction based on a vintage chromolithograph print by German Art Nouveau artist Professor Anton Seder, (1850-1916.) In it we can see an example of Seder's magical work, as he envisioned one of a series of 12 fantastic crowns. This crown looks as if it is made out of red roses and has a monogram and jewels on the base. Our cards are all 5" x 7" inches, (unfolded they measure 7" x 10"), printed on heavy matte card stock. All cards are blank inside. Each card comes with an envelope. The image will have a colored border applied, with the image centered in the card and a white border around it, as shown in the samples picture above. Please note that vintage image sizes vary, and are not optimized for modern frames (in case you are buying the card with an eye to framing it.) Also please note, due to variations in vintage sources, similar cards may have a slightly different color tone. We have attempted to correct for this as best we can. You can purchase this image as a set of 8 round 1.5" stickers here: https://www.etsy.com/listing/222266878/set-of-eight-round-15-inch-stickers? As a print here: https://www.etsy.com/listing/107011862/vintage-image-print-8-x-10-or-5-x-7?ref=listing-24 As a magnet here: https://www.etsy.com/listing/107019676/vintage-image-magnet-35-by-25-inches?ref=listing-26 As a bookplate here: https://www.etsy.com/listing/107045996/personalized-bookplates-pack-of-ten?ref=listing-27 Note any watermark showing is on the scan only, not the item itself. All images and design elements are protected by copyright. Copyright is not transferable with the sale of this product. The buyer is not entitled to reproduction rights.
