Wide Angle Isometric Grid Printable Template, Isometric Printable Grid, Drawing Grid, Printable Drawing Template, Isometric Grid Template, Isometric Template Description: Fast and Easy Design Template, This is the easiest and fastest way to sketch. Just print out the templates and trace over it. It gives you accurate and realistic looking sketches. It’s very simple to use. *This is a DIGITAL file of a printable PNG download - no physical product will be shipped. *PNG's are 300dpi minimum and are sent as finished files and are not for editing. High Resolution, Photo Quality. 1 image in PNG, PDF & JPG files. Sizes: A4, A3, Letter 8.5” x 11”, 12” x 24” Your download will not have the watermark shown in the listing photos. | ABOUT THIS PRODUCT | *This is a DIGITAL file of a printable PNG download - no physical product will be shipped. This PNG is perfect for creating sublimation products, invitations, framed art prints, and so much more! *PNG's are 300dpi and are sent as finished files and are not for editing. - PLEASE NOTE: This is an instant digital download, NOT physical product. I will NOT be sending or mailing a physical product. You can use these files with programs such as Silhouette Studio, Cricut Design Space, Corel DRAW, Inkscape, Adobe Photoshop, Adobe Illustrator, etc. Please verify that these file types will work with your specific program and/or cutting machine before purchasing. - HOW TO UNZIP THE FILE: To unzip the file you download, do one of the following: 1. To unzip all the contents of the unzipped folder, press and hold (or right click) the folder, select EXTRACT ALL, and follow the instructions. 2. To unzip a single file or folder, open the zipped folder, then drag the file to a new location. Also after your purchase you will receive instructions (screenshot). - AFTER PURCHASE: After Purchasing your files will be available to download here: http://www.etsy.com/your/purchases as soon as you complete your purchase. You will also receive an email containing information to download the file. You can also access the download page by going to your Etsy account > purchases > view receipt > and clicking Download Button. - IMPORTANT INFORMATION: As this is a digital instant download product, no refunds can be given if it is determined the files are not compatible with your software. This being said, please research what file types work with your software before purchasing. If our files do NOT work with your compatible software, please message me and I will be more than happy to assist you in fixing this issue! - PERSONAL AND COMMERCIAL USE: You are allowed to use any files purchased in my shop for both personal and commercial use. You are allowed to use the files as they are or modify them to create physical products for personal use or for sale. You can NOT make my images available for digital download, resell or redistribute them as is or modified, in digital form. Thank you very much for visiting. : ) All Rights reserved. © 2021 by Architect Chin. www.ArchitectChin.com®

Download the Vector isometric icons of office equipment, portable electronics. Set of 3d computer gadgets, devices, digital technologies 8405533 royalty-free Vector from Vecteezy for your project and explore over a million other vectors, icons and clipart graphics!

Yonex PERCEPT 100L Tennis Racquet Designed to adapt to any playing style, this racquet offers a perfect blend of power and control. The Servo Filter technology minimizes vibration, enhancing comfort and allowing for better shot control. The FlexCon System, featuring 2G-NamdTM Flex Force and SERVO FILTER, extends the ball pocketing duration at impact, providing enhanced feel and precision. The stiffer racquet face design adds stability and responsiveness to your shots. With the ISOMETRIC technology, this racquet offers an expanded sweet spot for improved shot accuracy. Join the league of pros and choose the Yonex Percept 100 Tennis Racquet to take your game to the next level. Recommended for players: For experienced and advanced players looking for a flexible racquet with precision and feel  Strung Specifications Head Size: 100 sq. in Length: 27 inches / 68.58cm Weight: Strung - 10.5oz / 299 g Unstrung - 9.9oz / 280 g Balance: 1 Points Head Light  Beam Width: 23mm Composition: 2G-NAMD Speed / HM Graphite / Servo Filter   Stiffness 65 String Pattern: 18 Mains / 19 Crosses Power Level: Low Swing Speed: Fast, Long Swing Swing Weight: 319 Tension: 45-60 Pounds Grip Type: Yonex Synthetic Item# PE01100L

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YONEX Astrox 88D Play Badminton Racquet ISOMETRIC technology continues to help the world’s greatest players achieve global success. Developed over 30 years ago, the ISOMETRIC design increases the sweet spot by 7%*. Compared to a conventional round frame, a square-shaped ISOMETRIC racquet generates a larger sweet spot by optimizing the intersection of the main and cross strings. Flex: Medium Frame: Graphite Shaft: Graphite Length: 10mm longer Weight/Grip: 4U (avg. 83g) G5, 6 Stringing advice: 4U: 20-28lbs

Isometric Mining Illustrations designed by Alisher Isagaliev. Connect with them on Dribbble; the global community for designers and creative professionals.

“Circuitry of Life” captures the kidney in a surreal fusion of organic beauty and technological precision. This conceptual isometric illustration portrays the renal system as a labyrinth of living circuits, pulsating with the rhythms of life. It’s an art piece where biology meets architecture, with layers of detail that invite the viewer to delve deep into the essence of filtration and balance. A vivid palette of blues and pinks casts a dreamlike glow, making it a striking conversation piece for any space that celebrates the union of science, art, and imagination. NOTE: All purchased digital artworks are available for download as 2D PNG files. For Personal use only. For inquiries related to Commercial use, please contact us directly.

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Isometric logos are quite ideal for websites, software companies and other tech related fields. Besides, carefully designed 3D logos can be great for communication and advertising industry. An isometric logo fashioned after a U-box is ideal for a packaging or storage firm.

Devarium Brain construction grid designed by Sébastien Navizet. Connect with them on Dribbble; the global community for designers and creative professionals.

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Yonex Isometric TR1 Badminton Training Racket Strung [Blue] The mesh cover assists shot development by adding air resistance to your swing.This improves strength and gives you the ability to deliver more powerful shots.   Specifications: Flex Medium Frame Graphite Shaft Composition Graphite Length 10 mm longer Weight / Grip (Avg. 118g) G4 Stringing Advice G4: 20 - 30 lbs Color(s) Blue Item Code ISO-TR1   Product Technology: AERO+BOX Frame   Combines solid hitting feel and quick swing.   ISOMETRIC Enlarged Sweet Spot   ISOMETRICTM technology continues to help the world’s greatest players achieve global success. Developed over 30 years ago, the ISOMETRICTM design increases the sweet spot by 7%*. Compared to a conventional round frame, a square-shaped ISOMETRICTM racquet generates a larger sweet spot by optimizing the intersection of the main and cross strings. ISOMETRICTM delivers greater control without sacrificing power. ISOMETRICTM is a Trademark of Yonex CO., LTD.*Tested by Yonex     isometric | tr1 | tr-1 | tr 1 | yonex | training | weight | heavy | wrist | arm | badminton | racket | isometric  | blue | 2022 | ISOTR0 | heavy graphite training racquet 118g | prestrung | pre-strung | strung | iso-tr1 | iso tr1 | isotr1 | IS0TR1S | ISO-TR1GE

Drawing Basics - Isometric Drawing - 4-Parts Practice Tutorial ---------------------------------------------------------------------------------------- Fig. 1: Types of Drawing Techniques Introduction Fig. 1 shows a variety of drawing techniques you can find or use in most sketches or drawings. Everyone of them has its own role and function to play in an art work. In this practice, we'll be concentrating only on the ISOMETRIC drawing technique. A 'shape' is a two-dimensional (2-D) drawing. A 'shape' has an 'area'. Not a 'volume'. A triangle, a square, an oblong, a rectangle, an octagon, etc. are all examples of geometrical shapes. A 'shape' can also be 'organic'. An 'organic shape' cannot be described using a geometrical term like a 'square'. They are actually hybrids of many shapes joined together and sort of 'blended' using curves or lines to make up a final 'shape'. An example on how different geometrical shapes can be combined to form 'organic' shapes can be found here. A three-dimensional (3-D) object is called a 'form'. A 'form' is an area with a third dimension - the thickness. Similar to 'shapes', a 'form' can both be 'geometrical' or 'organic', or a combination of both. A short video showing the difference between a 'shape' and a 'form' can be found here. NOTE: The tutorial that follows assumes that the student is already able to construct an Isometric Block. ---------------------------------------------------------------------------------------- Part 1: BASICS Stretch / Squeeze / Add / Subtract Fig. 2: Basic Drawing Technique (Part 1) Fig. 2 shows the cube being transformed longer by adding more cubes or shorter by making cube 'thinner'. If you take away the lines that separate two or more cubes, you get a rectangular block! Steps: Begin by drawing a cube, 30mm each side, in the middle of the page. In the adjacent blank spaces in your sketchbook, draw another cube and make this 'longer' by adding another cube beside it. In a way it looks like you are 'stretching' the cube longer. You can add it from the front, back, on the left or the right hand side. Add more cubes in every direction (Up, Down, Left, Right) to make rectangular blocks of various lengths. Next, it is time to make your cube 'thin' by 'squeezing' it. Draw in every direction thin blocks. Draw long and thin blocks by adding another thin block beside it. Draw a various lengths of thin blocks in every direction. By making a block thinner than a cube, you are in a way 'subtracting' from the original size. Use your creativity to drawing more variety of blocks by stretching, squeezing, adding and subtracting a cube. ---------------------------------------------------------------------------------------- Part 2: BASICS Stretch / Squeeze / Add / Subtract / Enlarge / Minimize / Combine & Creative Combinations Fig. 3: Basic Drawing Technique (Part 2) Fig. 3 shows an extension of Part 1 by not only adding or subtracting more cubes, but by combining two or more cubes together you make larger objects in a variety of forms. Similarly, by deliberately leaving out some cubes, you create a 'hole' or a 'hollow'. Steps: Begin by drawing a cube, 30mm each side, in the middle of the page. Draw your next cube larger. You can make your cube larger by adding more cubes surrounding a smaller one. Draw a variety of larger cubes of different sizes. Draw a group of cubes and deliberately 'miss out' one of them. When you created a 'space' by deliberately leaving some parts out, you just 'subtracted' a portion of it from the original mass. Use your creativity to drawing more variety of blocks by enlarging, minimizing, stretching, squeezing, adding and subtracting a cube. Combine them to make more odd forms. ---------------------------------------------------------------------------------------- Part 3: INTERMEDIATE Pyramids / Non-Isometric 'Cut' Surfaces / Through Holes / Recessed Shapes / Creative Combinations Fig. 4: Intermediate Drawing Technique (Part 3): Creative Combinations Fig. 4 shows more advanced use of the techniques shown in Parts 1 & 2 and making use of them to create more complicated forms. Shapes can be used on the surface of a block to build a new form and when they are 'pushed' into the block, they create a through hole of any shape. Note: Notice the surfaces that are not colored? Do you know whey they are neither colored red nor blue, or even shaded grey like the top? Those surfaces are called non-isometric surfaces. They do not belong to the rules of an Isometric Drawing. These slopes can be created accurately by first drawing a cube or a block, and then 'crated' using guide lines to show where the slope should start and end. If you tried drawing those non-isometric slopes or surfaces without first using an isometric block, it will be close to impossible to get a decent looking object. Steps: Begin by drawing a cube, 30mm each side, in the middle of the page. Note: In Fig.4 I drew it at the top left hand corner. To create a PYRAMID is simple. If you can draw a cube in seconds, the pyramid will be out no slower than you can draw your cube. Here is how: You must locate the centre of the square at the top of the cube. That makes the 'tip' or the 'apex' of the pyramid. There are two ways you can do that. First method, you split the square into quarter smaller squares by drawing a 'cross'. Each line in the middle parallel to the edge of the square. Where the lines intersect, that is the middle point or apex of the pyramid. Second method, you draw two intersecting diagonal lines starting from the furthest four corners of the square. Where the lines intersect, that is the same middle point or apex of the pyramid. Next, you locate three points at the base of the pyramid where the 'tip' or 'apex' of the pyramid will join to make the edge of the sloping pyramid. Note that since a pyramid has a square base, there must be a forth point. So yes, the fourth point is still there, but because the forth point will be at the back of the pyramid, and say we assumed the pyramid is opaque, we don't see it it from the front. So it is not necessary to show the back. However you can still use 'hidden' lines to show that it is there. But I am not going to talk about hidden lines here. You should notice by now if you move the top 'point' of the pyramid anywhere else on the paper and join the three point bases to the 'point' you can draw a variety of 'funny' pyramids that are slanted. If you place the 'point' up high, you get a really 'tall' pyramid. If you place the 'point' close to the ground, you get a 'stubby' pyramid. If you place the 'point' to the left or the right', the pyramid now looks like the "Leaning Tower of 'Pyramid' Pisa" which is kind of funny. Next 'Cut Surfaces'. A very quick recap: By now you should have read about non-isometric surfaces. The side walls of the pyramid are all non-isometric. But we can draw them accurately by placing a reference point. Recall point 3. So for any 'cut-surfaces' that are non-isometric, we can do the same by drawing guidelines to show where the starting point of the 'cut' and where the 'surface-slope' will end. Begin at the top of a block. Draw a line to mark out a 'triangular' shape at a corner of the block. I drew it at the corner nearest to me. Next, you can decide where the 'slope' shall end. I picked a point that is touching the ground. You can choose a point anywhere along the vertical line. After you have located your 'point', you'll then locate the two ends from the first lines you drew in step 9, and join them to the 'point' at the bottom. Give it a light shade or hatch to show that there is a 'sloped' surface. And there you go. You just created a non-isometric 'cut-surface' on an isometric block! Isn't that painfully simple? Finally, creating 'through holes' using various shapes. Fortunately, drawing holes of any shape through a block is also very simple. Firstly, draw your isometric guide lines on the chosen surface of your block so that you can sketch your chosen shape on it. Take the cube with a square hole example at the bottom left in Fig. 4. I have chosen the vertical surface on the left. Secondly, begin by drawing four lines offsetting from the four edges of the square. You still have an isometric square shape. You may end up with a square, or a rectangle, whatever. It does not matter. Mine is a smaller isometric square shape residing somewhere on the top left of the surface. See that? Finally, once you draw the shape on the surface, it is time to 'push' the shape 'inwards' INTO the block to create a 'hole'. Exciting isn't it? But how do we do it? Which line should we draw to create that illusion of a square hole? You are just ONE line behind. Yes. Just ONE. If you use the example I show you, you'll notice there is only ONE more line to complete the 'through hole'. But how do you know which 'point' to pick to draw that final line? You'll need a little imagination here. Imagine, if there really was a square hole, and you've already drawn the 'square' on the vertical surface. And you are now looking at it from where you are. Where would the visible line that represents the edge of an internal square be? It should be at the back of the square. Once you locate the point, draw the final line 'in' the square to complete your very first 'through (square) hole'! Other variations of 'through holes' are 'recesses'. That means the 'holes' do not go through the block from one end to the other. Well they have flat 'bases' or 'bottoms'. The example on the bottom right in Fig. 4 shows a pretty complex combo of randomly modified collection of blocks. Two of the 'holes' are examples of recesses. Can you spot them? Clue: They are rectangular 'recesses'. Make use of all possible combination you learned above to create beautiful block forms. ---------------------------------------------------------------------------------------- Part 4: Advanced Elipse (Isometric Circles), Cones, Application of Circles and Arcs on Isometric Surfaces and Edges Fig. 5: Advanced Drawing Technique (Part 3): Creative Combinations Most products or objects that we see in our everyday lives are not simply made up of blocks. Otherwise it will be a very boring world. We learned from Parts 1-4 , starting from the very basic isometric cubes and blocks to more complicated modifications, to create complex forms like combining blocks, and subtracting parts from them. Part 4 serves to complete what we have learned so far and to bring us another step closer to drawing real world objects as they are. Round objects and curved surfaces makes up a great deal of all the shapes and forms around us. Not every thing are block and triangles. However, sketching the curves and circles right and accurately in isometric requires some knowledge in how those lines work. A circle is not a 'circle' when you need to draw them isometric. The circle becomes an 'elipse'. In Fig. 5, you'll find a tutorial on how to draw an 'elipse' using a pair of compass. In step 4, you'll first need to learn how to draw Isometric 'Circles' from all surfaces off a cube. Then you'll learn how to draw curved edges along the corner of a block, hence introducing round edges. Its a very important drawing skill to learn since most of the products you design and make will have 'rounded' edges for added aesthetics value. And here you learn to draw them. Steps: Begin by drawing a CUBE, 50mm each side, in the middle of the page. Practice drawing 'circles' (elipses) on each of the surface of the cube. A step-by-step example on how they can be done can be found at the bottom left of Fig. 5. Now that you are able to draw elipses efficiently on all sides of a block, you are ready to draw either a vertical or a horizontal cylinder. To draw a VERTICAL CYLINDER, duplicate the elipse on both ends, top and bottom, on the surface of a tall block. After that you'll join the two outer most edges of the circle from top to bottom with vertical lines to form the edge of the cylinder. And you have a vertical cylinder. Note: To do steps 4 & 5, you need to construct the guidelines (see point 2) for drawing an elipse two times on the bottom surfacea and the top surface before you draw in the elipse. Do the same for a HORIZONTAL CYLINDER. To draw a CONEis extremely simple. First you draw an elipse at the base of a cube, or at the base of a tall square-based block. At the top of the square surface, split it in to square quarters. You will find a 'spot' in the middle of the square where the lines intercept. Next you join the lines from the 'apex' (the tip of the cone), downwards to the outermost left and right edges of the elipse at the bottom. Slightly more advance, you can draw a 'FLAT-TOPPED' CONE. The principle is the same as drawing a cylinder. When you draw a cylinder, say, your toilet roll, the top and bottom diameter is the same. However a 'Flat-topped' cone is like your regular cylinder, just that the top elipse is smaller. Once you draw the top elipse smaller than the one at the bottom and join them up like drawing a cylinder, you have a 'Flat-Topped' cone. Simple. You can now draw an inverted 'Flat-Topped' cone if you want. This time the base is the smaller elipse. With all these skills you have learnt this far, you can create cylinders or cones, or simply blocks on top of a block or a cylinder and cylinders and blocks at the side of the blocks all over place. Draw them big and small. Combine shapes to make weird looking ones. You can also draw 'internal' holes of different shapes. Those 'internal' holes can be through holes, i.e. the hole goes through the block. Or the 'internal' holes can be a 'recess'. That means they stop at a certain distance from the surface creating a 'flat' hole, of whatever shape you can draw. Make use your ability to draw elipses efficiently to introduce curves to the edges and corners of a block to make them look 'rounder'. Use your creative licence to create objects you see around you by 'combining' or 'subtracting' different shapes and forms into bigger and more complicated shapes and forms. In this way you are also 'modifying' and 'morphing' shapes and forms to create your final art work. This is how things are drawn. ---------------------------------------------------------------------------------------- Finally, practice and practice and practice. Make mistakes and figure out why your drawing looks funny. Work it out and learn from mistakes. Draw loads of stuffs. And soon with enough perseverance your drawing will start to turn out more like what you wanted them to look like. Without practice and determination and loving it, even the best techniques and tutorials available could not help you come close to producing a decent drawing. So start sketching now. Do them in a sketchbook. Do lots of them. Have FUN.

This example shows the steps involved in constructing an isometric projection of a lamp. Step 1 – Draw the overall isometric box for the form using a hard and sharp 2H pencil. Step 2 – …