This October I dwelt alone in a world of moan and my soul was a stagnant tide… Well, not really. I am simply quoting the poet Edgar Allan Poe whose anniversary of death was on the 7th October…
It's almost impossible not to be moved by Ford Madox Brown's 1855 painting, 'The Last of England'. Painted in an era when emigration from Europe was at it's...
Last October 2023 I was interviewed by Cheryl Morrice of the Wedding Artist Diaries Podcast. Each week she interviews a wedding artist.
As the weather gets cooler, the streaming schedules always seem to get a bit beefier - and Acorn TV's October lineup is no exception. Along with continuing
These days, British TV shows aren't limited to one or two major streaming services. While 5 or 6 services are responsible for bringing the majority of new
Denise Levy et Max Morise, 1929 (unidentified photographer)
Royel Maddell and Otis Pavlovic, two artists from the Byron Bay area, became acquainted before Pavlovic sent Maddell some demo tracks in 2019, an opportunity Pa
If you want to get off-the-beaten-path and see some hidden gems in Copenhagen, these are some of the best ones to visit on your next trip!
love-stephan: “ felice casorati ”
September/October 2023 The industrial revolution transformed the quiet rural backwater of East Lancashire into an engine of textile production at the epicentre of a web that stretched across the globe, commandeering human and environmental resources across continents in a cycle of labour, manufacture, and trade, which we now know is unsustainable. We trace the routes of fibres and fabrics across centuries to and from the north of England, from the so-called “slave cloth,” spun and woven by hand on the Pennine moors, to the bales of used fast fashion that make their way from British High Streets to the markets and toxic mountains of waste in West Africa. In this issue, we discover that all roads lead to Lancashire, such as the streets of Ahmedabad in Gujarat, India, known as the “Manchester of the East,” and where Mahatma Gandhi found support for his freedom struggle from Indigenous mill owners. Gandhi visited Darwin in 1931 to apologise to the local mill workers affected by his boycott of British goods. Gandhi, in turn, was inspired by the work of Ethel Mairet, who had found inspiration in the handweaving she observed when visiting (Ceylon) Sri Lanka. She, in turn, supported the Bauhaus designer Otti Berger to find work at Helios in Bolton when she fled Nazi Germany in 1936. The Lancashire landscape and its inhabitants are shaped by the industry that grew over two centuries and has now all but disappeared, leaving an indelible mark on people and places. Using the sites and spaces left by the textile industry, including the Cotton Exchange in Blackburn, as inspiration, context, and venue, we might ask: can making textiles be regenerative? In response, artists from around the world present sustainable relationships between the land, the people who live on it, and the textiles that come from it, investigating pre-industrial models from homegrown, handspun flax in Blackburn to cotton production in Benin. This issue is edited in collaboration with Laurie Peake of the British Textile Biennial, for whose support I am incredibly grateful. If you can’t make it to Lancashire, please join us for our annual Wardrobe Revolution Weekend, 7-8 October. For those in the UK, I hope to see you at the American Museum, Claverton Down, Bath, on 9 September for our Fair. Polly Leonard, Founder Published 15 August
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A big salute to everyone who’s embarking on NaNoWriMo today. Woohoo! :::::
