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William Morris designs patterns and flowers to download and print for free. All these wonderful examples are in the Public Domain.
Need I remind you that fabrics can either make or break your project. Read on for more info on our guide to different fabrics and their properties.
Be inspired to up your embroidery skills with these 10 amazing embroidery designs! Whether you’re an expert or beginner, you can’t deny the craftsmanship in these embroidery designs.
John and I had a fun day in the studio recently. We both wanted to do a bit of experimental mark-making, to explore new ideas. John is looking for inspiration for his printmaking and I thought it would be interesting to play with marks and compositions which could be the starting points of new drawings or which might possible translate into textiles. We gathered lots of tools and then made a few new ones, looking for anything which would make an unusual mark if dipped in paint: We decided to stick to black and white, so we could concentrate on marks and tone. I mixed up a tub of black acrylic and got out some Platignum Calligraphers Black Ink too (a good non-waterproof ink, as it separates into pretty colours when wet, rather than just going grey). I found an oil bar and some liquin too, which is great for smearing not just oil bars but also oil pastels. Plus a Derwent Inktense block and grater (tiny gratings can be scattered onto wet paper or sprayed with water for speckled effects). We both put on latex gloves and set-to on a big piece of cartridge paper each. It was such fun - no pressure to make something which 'works', just pure experimentation. This was my first sheet: I am particularly interested in randomness, so many of the new tools we made were designed to make the marks more hard to control. To add to the random element, we both cut up our sheets into equal pieces, using pre-decided measurements, not aesthetic judgement to create the sections: I like the way it changes things when you isolate a section. The emphasis on the various elements changes, because of the enforced edges, and you start to get interesting things happening with composition. On my 2nd sheet, I started with some large marks in a grey emulsion, to create a new element of contrast. I made a new tool too - a piece of corrugated card to print with. You can see the marks top right: I cut this one into squares. As the paper's dimensions didn't divide exactly into squares, this allowed me a slight element of judgement, as I could move the composition of any square a centimetre or two to the left or right. I then selected the best 6 squares from the 9 created. These are my favourites. It's surprising how well they work just as they are, but you can also see how they could be taken into print or textiles. It would be fun trying to find ways to reinterpret the marks and tones in the different medium. I can highly recommend this as a very enjoyable way of exploring new techniques and getting new inspiration. The randomness is important though, as a way of forcing you not to be too controlling and letting unexpected things happen. John did some experiments using blotting paper, which he tore into strips. Even the offcuts were interesting, which I saved as we were clearing up. The beautiful blue is the Platignum ink: Even my offcuts were quite interesting: Have a go. Even before we got drawing, it was good fun making the tools from odds and ends we found around the studio, taping them to bits of stick and then finding out what marks they made.
Textile designer Marlene Huissoud draws with black pens for hours and hours to produce these black and white, hypnotic drawings full of pattern and texture.
Read Mark-making in Textile Art by Pavilion Books on Issuu and browse thousands of other publications on our platform. Start here!
Um eure Stickprojekte zu erleichtern haben wir ein bisschen recherchiert und die wichtigsten Stickstiche, mit denen sich so gut wie alles sticken lässt, zusammen gestellt. Es gibt zu den hier gezei…
Jenni Desmond (July’s ‘Designer of the Month’) uses the media of collage, paint and pencil crayons. Once she has created the artwork by hand, she scans it into the computer to edit. Jenni specialises in illustrating books, being a freelance artist and an author. In addition to this, she works with textiles and cards. Jenni […]
This is a very useful sheet for all GCSE students. It's a writing frame that should help you to structure the annotations you make in your sketchbooks. It's very important to explain each piece of artwork in your book with a small amount of writing, but it's easy to write the wrong things, and hard to use the right artistic language. Following the five headings and using the phrases on this sheet will make your annotations better, and help you gain marks. You can access the sheet online by clicking here. I hope you find it helpful!
De luxe behang collectie van het Amerikaanse merk Thibaut bevat zowel traditionele en klassieke patronen als tropische en geometrische prints
Sophia Velvet Ballet Fabric from the Perfect Basics: Velvet Collection is a luxurious and versatile textile that will elevate any interior design project. Crafted with meticulous attention to detail, this fabric exudes elegance and sophistication, making it the perfect choice for interior designers and architects seeking to create a refined and timeless aesthetic. The rich and sumptuous texture of the Sophia Velvet Ballet Fabric adds depth and dimension to any space, while its ballet-inspired hue brings a sense of tranquility and grace. Whether used for upholstery, drapery, or accent pieces, this fabric effortlessly enhances the overall ambiance of a room, creating a luxurious and inviting atmosphere. With its exceptional durability and softness, the Sophia Velvet Ballet Fabric is not only visually stunning but also practical, ensuring longevity and comfort for years to come. Elevate your design projects with the timeless beauty of Sophia Velvet Ballet Fabric from the Perfect Basics: Velvet Collection.
ashley g pattern. Available. Please see profile for details.
Buy the best Nautical Quilt Patterns selected and recommended by interior designers.
As a textile artist, Agy has found no shortage of inspiration in the natural world; you just have to slow down, look and observe! Here are 5 tips to get going.
Belle sélection de papiers peints panoramiques hyper tendance, uniquement en version noir et blanc ; idées inspirantes et bonnes adresses de décors panoramiques
I'm teaching a Free Motion Quilting class starting in April at my LQS, Heartstrings and Heirlooms. I finished up the class sample over the weekend. In the class the students will do larger samples, but I needed a small book of designs to advertise the class. As you can see in the above end view, I used three different types of batting for my sample book - Quilter's Dream 100% Cotton, Hobbs 80/20 (80% cotton and 20% polyester), and a 100% wool. I used a tutorial from a recent Quilting Arts Magazine issue (the February/March 2014 issue) to make my little book. The instructions involved drawing some lines on a piece of fabric, then sewing on the lines with a walking foot to make a larger sheet and baste the layers together. Then you quilt your designs and cut the "pages" apart. The tutorial in the magazine was very good. If you are interested in making a book like mine, I suggest you get a copy of the magazine. Below is a collage of designs I plan to cover in the class. Along the top of each page I wrote the name of the design, the batting type and page number from the book I will be using for the class. In case you are interested, I'm using the book Free Motion Quilting with Angela Waters. It has become my go-to book for quilting ideas as of late.
Papier peint intissé graphique qui s'inspire des géoglyphes, de couleur blanche sur un fond jaune. Disponible en 5 coloris.
In this tutorial I'll show you a new size upgrade option for my Dragon Dreams pattern: add a flower banner to make a beautiful throw quilt!