Si à première vue cette église parait tout à fait banale, elle est en fait absolument unique ! Les architectes qui l'ont conçue peuvent être fiers d'eux,...
Johannes Itten - Ländliches Fest 1917
Symbolist artists — including Aubrey Beardsley, Jean Delville, and Odilon Redon — were united less by style than by their shared intention of illustrating invisible aspects of human experience.
And even more completion news from Dutch firms today: NL Architects informed us that their pr...
František Kobliha – Kosmická Vize (Cosmic Vision), 1945. I too pass from the Night, I stay a while away, O Night, but I return to you again, and love you. Why should I be afraid to trust myse…
Voici cette idée de l’artiste Alan Craig : utiliser la foule pour composer des portraits de célébrités géants. Cet artiste américain revisite des cl
Gold Coast-based artist Cara Sanders, draws inspiration from aerial images of her travels around Australia. From the artist: "Quality and detail is important to me. I have my original works scanned using a German built flatbed scanner (the only one of its kind in Australia). It is built specifically to capture the original works in the highest resolution. They look just like the original! All works are then printed with archival inks and museum-grade materials on cotton paper or canvas. These prints are among the best quality reproductions in the art world." Please note: Framing takes up to 3 weeks. PAPER FRAMED PRINT Shadow Box - Full Bleed. Framed in oak to the edge of the artwork, white internal spacers to create that cavity between art and acrylic.CANVAS FRAMED PRINT Float Frame - Printed on museum-grade canvas and stretched around an acid-free frame and framed with FSC certified & sustainably sourced Tasmanian Oak (Canvas Prints Only). International Orders: The most affordable way to ship your print is unframed, rolled up and shipped in a shipping tube. However, if you would like to receive it framed this is possible. Please send me a message and I can give you more information.
(this page was last updated in July 2018)Terra Boa, Paraná, Brazil, 1973. Lives and works in São Paulo, Brazil. Represented by Galeria Marilia Razuk, Athena Contemporânea and Celma Albuquerque. PIPA 2012, 2014, 2016 and 2018 nominee. Vanderlei Lopes is an artist who works on the boundaries between diverse languages like drawing, photography, sculpture, video, sound, etc. He’s been...
An intriguing napkin sketch from author and comedian Demetri Martin’s makes its way around the Web. Plus, the top PR and communications job boards, Dora the ‘Sexplorer,’ Pizza Hut’s new cheeseburger-crusted creation, and more. Michael J. Fox had a secret to his success, but since he isn’t sharing it, the rest of us are forced […]
CAMBRIDGE, Mass. — In 1971, at a remote government settlement in Australia’s Northern Territory called Papunya, a group of elderly Aboriginal men painted designs from ancestral creation stories onto a school wall in cheap, bright acrylics.
The photographer shares the sexy side of the men of flamenco
Hace tiempo os presentamos brevemente el proyecto Brick-Topia de Map 13 Barcelona, galardonado ahora en el World Architecture Festival Awards.
Increased feelings of fear and vulnerability means fake conspiracy theories are seeing the light more than ever.
Discover the 2024 Fashion Week Calendar featuring schedules & runway shows from Paris, Milan, London, and New York. Stay updated on the latest collections.
Image 3 of 16 from gallery of La Fábrica by Ricardo Bofill: A Harmonious Blend of Past and Present. © María González
Jean–Jacques Sempé (Bordeus 1932), dibuixant i humorista, exposa al pavelló de la Comunitat de Madrid situat al Retiro, durant la “Feria del Libro 2009” He escollit uns dibuixos que són un homenatge a l’orquestra amb una bona dosi d’humor. Unes il·lustracions genials!
An ocean advocate and artist Courtney Mattison depicts the end of the coral reef.
The highly anticipated second volume to the widely acclaimed and celebrated self-portrait series, Somnyama Ngonyama, Hail the Dark Lioness In Somnyama Ngonyama, Hail the Dark Lioness, Vol. II, Zanele Muholi explores and expands upon new personas and poetic interpretations of personhood, queerness, Blackness, and the possibilities of self. Since the publication of the first volume in 2018, Muholi has continued to photograph themself in a range of new international locations. Drawing on material props found in each environment, Muholi boldly explores their own image and innate possibilities as a Black individual in today's global society, and-most important-speaks emphatically in response to contemporary and historical racisms. Renee Mussai, curator and historian, brings together written contributions from more than ten curators, poets, and authors, building a poetic and experimental framework that extends the idea of speculative futures and the potentiality of multivalent selves. Powerfully arresting, this collection further amplifies Muholi's expressive and radical manifesto. As they state in the first volume, "My practice as a visual activist looks at Black resistance-existence as well as insistence." 90 tritone images
