-Artificial neural network- Remember to check my patreon for sketches and works in progress
During these difficult COVID-19 times, on line marketing is at all time high. People are confined to their homes, turning to the Internet for social
A bitter-sweet tale of leaving and family, this animated short from five 2021 Gobelins animation grads was inspired by the work of Japanese artists, including manga master Matsumoto Taiyó, illustrator Taniucho Rokuró, and filmmaker Yuasa Masaaki. [Read more]
New vector graphics, illustrator tutorials from 2016, in these tutorials you will learn how to create character design, vector icons, brushes, vector logos,
Japanese illustrator Hiroshi Tanabe’s distinguished illustrations emulated the clean lines of traditional woodcuts but matured into more refined and
Animator designer in creative process vector illustration. Man sitting at workplace and working at new art project. Modeling artist job, motion graphic creator profession flat style concept
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Many of you are familiar that we do a monthly book club here at Lars. Along with featuring a new book, we collaborate with a new artist to create a print and bookmarks inspired by the book. They always turn out so beautifully and appropriate for each title! We decided it was high time that we […]
Matt Blease is an illustrator from NYC who with a few strokes of black ink cleverly ironizes on themes ranging from life to death.
Conversions Spot Illustration designed by Mike Casebolt for Mixpanel. Connect with them on Dribbble; the global community for designers and creative professionals.
If you are looking for custom illustrations and personalized approach, feel free to contact me.
Inspired by an exhibition at the Musée d'Orsay on various forms of prostitution in Paris in the last half of the 19th century, five GOBELINS animation grad students craft a harrowing tale of a young ballerina in 1895. [Read more]
Millions of free graphic resources. ✓ Photos ✓ AI images ✓ Vectors ✓ Templates ✓ Videos. Find out about our real-time AI art generator. #freepik
sedki alimam's 'IKEA man' series gives is the opportunity to make multiple associations at once with transformations of pop culture icons.
Muses designed by Diana Traykov. Connect with them on Dribbble; the global community for designers and creative professionals.
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There were some interesting comments in the post last week about the difference between the envelope illustration and the actual finished garment. This difference is especially pronounced in 50s vintage patterns, where the illustrations are so much more fantasy than reality. So how does one visualize the end product? For me, it's a result of analyzing the garment construction, fabric choices, and my own body type. Here's what I mean: 1. Garment construction: McCalls 4144 has an interesting skirt feature. It's actually a pencil skirt with a big fluffy overskirt. Take a look at the line drawing and the pattern pieces. You basically make a pencil skirt in lining fabric (I made mine in coordinating ombre silk charmeuse), and then cut 8 of the overskirt panels that get gathered over the pencil skirt. Since the skirt lining is slim, I knew the design wasn't intended to be worn with a crinoline underneath. So, the fullness was meant to come from the overskirt on its own. 2. Fabric choice: Since I decided on chiffon for the dress, I knew I couldn't count on the fabric to provide a poofy look like on the envelope. For me, this was kind of a plus since I wasn't looking to have a huge skirt going on. I also decided to minimize the poofy effect by cutting 6 overskirt panels, rather than 8. Now, if I really wanted the poofy effect, I would have to choose another fabric, like organza or tulle. 3. Body type: This is the trickiest thing to analyze, and you have to be brutally honest with yourself. Is your waist this small? No. No, it's not. Also, keep in mind that fashion illustrations have a proportion that is entirely fictional--really! The standard for fashion figures is a height of 9 heads. [source] The average person is 7 heads high, for comparison's sake. Given these three factors, I expected the dress to have more of this silhouette, but on my body. And now! A couple other reader questions. Anonymous asks: I love love this dress!! I do have a couple of technical questions. When looking at the pattern and then your dress, the front darts appear to be much shorter on the pattern front, did you lengthened them? if so why? Did you encounter any problems gathering and attaching the silk chiffon overskirt? One of the things I love about your blog is your attention to details. Why thank you! I did not lengthen the darts. Looking back, I wish I'd shortened them! They looked great on the muslin, and then behaved a little differently in chiffon. By the time I'd sewn and pressed them, though, it was too late. Ripping stitches in chiffon is almost impossible, because it always shows. Also, the creases from pressing really wouldn't have come out. So, I decided the lesser evil was to have dart points on my boobs, rather than damaged, creased chiffon on my boobs. The gathering of the chiffon was one of the easiest parts since chiffon is so lightweight. I basted it by hand to the underskirt once it was gathered, and it was very easy. Another Anonymous says: I'm in the minority on this, but while attention grabbing, this is not a look that flatters. Your eyes have disapeared between hair and the the undulating green waves of the dress. The darts at the shoulders are also not restful. I think the light pink dress from the top of the site is more complementary. Okay, that's not really a question but I thought I'd address it. I agree that this isn't my best dress, but not every dress can be the awesomest, most flattering. One of the things I love about sewing is that we can try out different styles. Even if light pink shift dresses are the most flattering thing on me, that doesn't mean that I have to make only that for the rest of my life. I want to sew with chartreuse ombre chiffon! And wear swishy skirts even if I know dirndls make my hips look bigger! Screw it! As a sewing blogger, I post everything I make, not just the things I think will be unanimously agreed-upon as successes. It's all about the process. (As for the shoulder darts, they're actually tucks/pleats. They're not meant to lay flat. I can see how they might look weird, but I really like them!)
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OSLO Illustrations 2 🖤 designed by Storytale. Connect with them on Dribbble; the global community for designers and creative professionals.
Root Illustrations designed by Mariya Kiryuhina. Connect with them on Dribbble; the global community for designers and creative professionals.
Upcoming Interior Design Animation designed by Vidico for Vidico Agency. Connect with them on Dribbble; the global community for designers and creative professionals.
Alberto Mielgo (aka Pinkman), who recently directed the spectacular "Witness" episode of Love, Sex, and Robots on Netflix, burst onto the Stash radar back in 2010 with three short films and ended up on the cover of Stash 66. [Read more]
