Andy Warhol “Sitting Bull"- FS # 376. Silkscreen Trial Proof. Image was going to be in Cowboys & Indians Suite but came out as an additional piece after Warhol died. Beautiful colors - shipped flat. I have been buying the Proofs for the last 10 years. They are unsigned, and are not numbered. They are "outside" the original edition, and are not authenticated. They are not faded like many of the older signed ones. The colors are vivid and beautiful. Plus, they are a fraction of the cost. 36 x 36 inches on museum board. Coloration is vivid and beautiful. SOLD UNFRAMED., in vg/excellent condition. Included is a signed Provenance document on my stationary. Fedex 2nd Day (1-2 Business Days) in Continental US. International: Flat rate in most places (see below).
Voir l’article pour en savoir plus.
PEINTURES CIRQUE CLOWNS CIRQUE D’HIVER BOUGLIONE MOULIN ROUGE BALLET RUSSE ANIMAUX AUTRES Triptyque «L’EXPEDITION ARCTIQUE» Triptyque «L…
The well-known woodcut folk paintings have always offered unique insights into the times during which they were produced. ...
Palm trees stand strong against a setting sun, reflecting gracefully in the water below in this artwork 'Vetyver Pool', taken in Poovar, Kerala in 2013. This gorgeous palm tree print has warming tones and will take you somewhere tropical. Richard Heeps is inspired by films, often referencing them in day to day life and on this journey he had 'Apocalypse Now' on his mind.This artwork is a limited edition gloss photographic print, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame made professionally in the UK. It is signed and numbered on reverse accompanied by a certificate of authenticity.Please note that the size listed refers to the image size. Mounting and framing will increase the final size of the artwork.Pictured (paired) with:Infinity Pool, Poovar, KeralaTinted Window, Parys, The Free State Schoeman's Drift, Parys, Free StateBarton Broad, NorfolkMarina, Bombay Beach, Salton Sea, CaliforniaZzyzx Resort Pool II, Soda Dry Lake, California0°00' longitude, 52°38N', Dew, Parsons Drove, CambridgeshireBonneville Salt Flats, Bonneville, UtahJetty (Foreground), Xuzhou, JiangsuAmerican Stamp Series 'Stamped'Heidler & Heeps Vinyl Collection
Blog sobre ilustración y fotografía
www.facebook.com/ITS111
Image size: 7.1 X 5.6 inches. Signed in pencil and annotated "35/50", with the artist's and printer's embossed stamps in lower margin, printed on heavy, felt-finish, white wove paper, 13.7 X 11.7 inch sheet. Mint condition. Free shipping to US address. Note: Sigmund Abeles (born 1934) is an American figurative artist and art educator. His work embodies the "expressive and psychological aspects of the human figure; an art focused on the life cycle." He taught art for 27 years at various institutions including Swain School of Design, Wellesley College, Boston University, the National Academy, and the Art Students League of New York. Currently Professor Emeritus at the University of New Hampshire, Abeles works full-time in his NYC and upstate NY studios. He is the recipient of numerous grants and awards for printmaking, drawing, painting, and sculpture, including Pastel Society of America Hall of Fame honoree in 2004 and most recently the Artists' Fellowship 2017 Benjamin West Clinedinst Medal. His work can be found in many public institutions including the Museum of Fine Arts, Boston, Art Institute of Chicago, Metropolitan Museum of Art, Philadelphia Museum of Art, and the Whitney Museum of American Art. Abeles was one of three artists featured in Manfred Kirchheimer's 2012 feature-length independent film Art Is... The Permanent Revolution, on the history of the art of protest in prints. Born in Brooklyn, New York City, Abeles grew up in Myrtle Beach, South Carolina. The only child of Samuel and Henrietta Abeles, he was named after his grandfather, a renowned Orthodox rabbi who immigrated to the United States from Hungary in 1901. His father, a Hungarian Jew, was a decorated World War I veteran who used his pension to open up a retail business in Sheeps Head Bay. His mother was of Polish-Jewish descent and worked as a librarian before her marriage. After his parents divorced early on in his life, he moved to Myrtle Beach with his mother where she started a new life by opening up a rooming house called Paul's Guest House on US Highway 17. Spending a great deal of time alone in the rooming house, Sigmund grew a fascination for how many types of people occupy the same domain which had a huge impact and direction on his artwork took. Sigmund Abeles received no formal art training in the public schools at Myrtle Beach. Searching for inspiration, Abeles found Brookgreen Gardens, an outdoor sculpture park, which provided him with a multitude of beautiful bronze and marble figures to sketch; years later, as an established artist, he had his life-sized bronze sculpture, " Kaethe, age 9" (modeled in 1968 and later cast in Bronze in 2006), placed in Brookgreen's permanent collection. Abeles was invited later to hold a major solo exhibition there in 2015 called "Carolina Roots".Shortly after graduating, Abeles was drafted into the army in 1957. He was posted to Heidelberg, Germany where he worked as a technical illustrator in a cartography workshop at the US Headquarters Army where he made charts and maps for top secret nuclear war plans. There he rented a house off base in nearby Neckargemünd that belonged to a sculptor. It was here he developed a renewed interest in creating sculptures. After serving two years in the army, he was discharged in Europe and spent the next year touring Italy, Greece and Israel with his then first wife, Gina Godwin. They raised two children, David Paul and Shoshanna Lynn upon coming back to the US. During his high school years, Sigmund was mentored by Truman Moore Sr., a wood sculptor, who pointed him towards the Boston artist Gerard Francis Tempest whom he later apprenticed with. Abeles attended the University of South Carolina, initially for pre-medical studies to appease his mother but he later switched to art studies. There he met Jasper Johns, an upper classman and became long term acquaintances. They shared the same art professors, Edmund Yaghijian and Catharine Rembert. In 1952, Abeles attended Pratt Institute in Brooklyn for only one semester because his mother would only allow him to study commercial art. In the summer of 1954, determined to pursue his love for fine arts and figurative study, he attended the Art Students League of New York where he was taught by Reginald Marsh, Morris Kantor and Harry Sternberg. In 1955, he received a scholarship to the Skowhegan School of Painting and Sculpture in Maine. He worked under Edwin Dickinson and Isabel Bishop. There he also made lifelong friendships with fellow students Sidney Hurwitz, Philip Grausman, Jerome Witkin and Ashley Bryan. In 1957, he received another scholarship to study at Columbia University where he received his MFA in Painting in just one year. Shortly after graduating, Abeles was drafted into the army in 1957. He was posted to Heidelberg, Germany where he worked as a technical illustrator in a cartography workshop at the US Headquarters Army where he made charts and maps for top secret nuclear war plans. There he rented a house off base in nearby Neckargemünd that belonged to a sculptor. It was here he developed a renewed interest in creating sculptures. After serving two years in the army, he was discharged in Europe and spent the next year touring Italy, Greece and Israel with his then first wife, Gina Godwin. They raised two children, David Paul and Shoshanna Lynn upon coming back to the US. In 1960, Abeles returned to Columbia, SC and found himself without a job. He briefly taught adults at a local community art center until a position opened up at the Swain School of Design in New Bedford, MA recommended to him. It was his first full time teaching job, which was to last three years. The year 1965 was Abeles' strongest New York art world year as a recognized artist there. He was included in that year’s Whitney Annual which was devoted to his prints and sculpture. Then the Museum of Modern Art bought his etching “ Self Portrait with Cats”. That was the only time both his estranged parents attended an art event he was included in. That same year, the National Institute of Arts and Letters awarded Abeles a grant and honor. His early anti war work in drypoint and etching was introduced there by Lewis Mumford. From 1964 to 1969, he was resident artist at Wellesley College which, despite not offering a studio art major at the time, had some of the brightest students the artist recalls having taught. In 1967, Abeles was awarded a sabbatical grant from teaching at Wellesley College by the newly founded National Council of Arts and Humanities which is now called the National Endowment for the Arts. He spent that year making large anti Vietnam war color prints as well as a body of terra cotta sculptures from the figure. In his first 20 years as an artist, Abeles mostly worked in black and white etchings, drawings and sculpture. Color was reintroduced into his works when he discovered pastel which was an extension of his drawings beginning in 1979. (sorce: wikipedia.org)
New Metal Furniture Exhibition Neue Metallmobel Zurich Museum Of Design
A calm moment in a sea of darkness 8×10 oil painting on illustration board Framed
A unique, original gouache on paper, created in 1958 by Erté, also known as Romain de Tirtoff. Erté was a vastly diverse artist who excelled in an array of fields including fashion, jewelry, graphic arts, costume and set design for film, theatre, opera, and interior decor. Erté designed over 200 covers for the popular magazine, Harper's Bazaar, as well as many others including Illustrated London News, Cosmopolitan, Ladies's Home Journal, and Vogue. Created as a costume design for a cabaret show, from the private collection of Hélène Martini, the famed cabaret owner. Martini is best known for her involvement with the Parisian cabarets and owns 10 nightspots and cabarets all over the city like The Folies Bergère, The Folies Pigalle and Rasputin. Erté was such great friends with Martini that he left his entire collection to her after he passed. This piece is hand signed on the front and also bears the title, artist stamp, and registration number, No. 15451, on the backside. This piece is unframed and measures 14.5 x 10.6 inches. Note: This piece has a small tear in bottom right corner. Please see image.
Voir l’article pour en savoir plus.
