This is my first ever Picrew! I kept it simple so I could learn how everything works, but I still wanted to publish it for people to enjoy :3 This is for NON-COMMERCIAL USE only! You can use it as a profile picture on social media accounts, but please credit me (especially if you can't see the watermark anymore). And of course: don't claim it as your own art. Send it to your friends and see what kind of kitty they make <3
Mr. Bean is probably one of the funniest faces of all time. I mean, the character barely talks yet still manages to make us laugh all the time. There are rumors that he may return, but we don't know for sure. Until then, let's enjoy some funny pictures of him to brighten this dull day at work.
Retro Mascot Parts BUNDLE Retro Mascot Parts Bundle includes all current and future volumes of the product. Buy once and get updates for free ! Easily create your own retro-style cartoon characters and mascots, using these pre-made face, hand and boot graphics. Add these assets on top of existing graphic assets or photographs of objects, to bring them to life! Perfect for a retro logo or poster designs. What is included in the bundle ? The bundle currently includes these volumes ( more to be added in the future) : Volume 1 : https://creativemarket.com/mdlne/5145900-Retro-Mascot-Parts-Faces-Limbs Volume 2 : https://creativemarket.com/mdlne/6626541-Retro-Mascot-Parts-VOL-2 Volume 3 : https://creativemarket.com/mdlne/7021793-Retro-Mascot-Parts-VOL-3 Volume 4 https://creativemarket.com/mdlne/7091566-35-Retro-Mascot-Parts-VOL-4
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Get Part 2 of your FREE children’s book illustration assignment from art agent Lilla Rogers and learn how you can build a successful career in children's book illustration.
“Mr.Lucifer,” who also goes by the pseudonym "no0tahuman" on social media, is an artist who uses pictures of pets as a reference to create adorable illustrations with their colorful and cartoon-like style. Their work is very expressive; the artist manages to capture the facial features of wholesome animal images and make them look even more adorable.
In this activity children will create feelings faces to explore different feelings to build their emotional intelligence... Did you know that including social emotional learning activities when teaching can lead to better academic performance? For so long, schools focused only on teaching academics, but with more and more research, people are understanding the value in
An exclusive interview with Garis Edelweiss, winner of the Beautiful Bizarre Art Prize: iCanvas Digital Art Award 2023 for his artwork "The Healer".
One could easily devote a long, joyful lifetime to cataloging the differences between men and women without pausing once to consider the significance of those differences. That would certainly be the safest way to do it. But as the astute Goethe noted, "Nothing is harder to take than a succession of fair days," and every once in a while (usually at the end of a year in which one hasn't met his full quota of foolhardy behavior) a person will deliberately risk life and limb by exploring the significance of those differences out loud. It is in that spirit that I set out today to consider why it is more difficult to draw women's faces than men's faces. Artists quickly learn that men's faces are easier to draw because men have bone structures and muscle groupings that are more pronounced than women's. Male heads are generally more blocky and angular; they tend to have stronger jaws, square chins and prominent brows. These features provide artists with easy opportunities to employ distinctive lines, strong shadows and recognizable shapes to achieve a resemblance. From the Famous Artists School course materials, "Constructing the Head and Hands." Women's faces, on the other hand, tend to be smoother and softer, with rounder shapes and subtler, more delicate features which require greater restraint. Another difference that makes men's faces easier to draw is that, "as the man matures he develops larger, deeper wrinkles while the woman develops smaller ones because her skin is finer textured and her bones and muscles are less prominent." If an artist wants to capture a likeness using lines, it is much easier if the subject has lines that were already mapped by nature. Note in the following examples how men's sharper angles, prominent facial muscles and deeper wrinkles have provided artists with more tools for describing a form. Here, Mort Drucker sculpts the male face, but on the woman's face he stops with just the outline. Her features can't be rendered effectively using the same kind of approach, and must be implied instead. Here, Leonard Starr puts a strong chin, nose, cheekbones and brow on the man (while making it clear from facial expressions that the woman has the stronger mind). Here, Norman Lindsay tries to deal with the difference between men and women by using small dots to convey the woman's features, while using lines for the man. The special challenge of a woman's face is that it compels artists to describe subtler forms with fewer lines and less obvious shapes, depriving artists of some of the most fundamental tools in their tool kit. In the following image, Leonard Starr limits himself to little more than an outline of the face but nevertheless gives us important information about the contour of her cheek simply by leaning more heavily on his brush on portions of the right side of her face. So what is the larger significance of these observations about the differences in drawing the faces of men and women? Part of the magical power of drawing is that it can lead us unexpectedly to larger truths. The principles we encounter in drawing the faces of men and women often seem rooted in fundamental realities about the sexes: Like their faces, men's personalities are more easily reduced to a line than women's personalities. Like their facial features, men tend to be more obvious than women. (Artists frequently bear witness to such triumphs of physiognomy!) Women, on the other hand, are sometimes best understood implicitly and indirectly; the discipline of describing form without heavy reliance on lines requires subtlety, appreciation and restraint but you can sometimes achieve a far better likeness that way. Regardless of whether these larger principles resonate with you, I am sure we can all agree that if an artist lacks the patience for the complexity of ambiguity, you can't compensate for that lack by substituting more (or more emphatic) lines of the type that you use for a man's face. In such situations, "more" will invariably turn out to be "less."
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Sketching my life and sharing the experience
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We're back with another important post featuring relatable illustrations by Lainey Molnar. Many of you may already be familiar with this artist. However, for those of you who need to catch up with her previous work, we recommend checking out our earlier Bored Panda posts where we shared Lainey's best illustrations.
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