Early 1900's beading style cotton eyelet insertion style lace trim, with raw fabric edges. It is in excellent condition, and looks to have been cut off the start of a roll. It measures 1" wide, by 3 yds long. We have a variety of other antique/vintage sewing notions/trims, so if looking for something specific, please contact us. *Please note that these items are vintage, and therefore have a history. They may show signs of previous love/wear which will be noted in the listing. Please keep this in mind when purchasing* Website: https://www.pincushioncostuming.com Instagram: https://www.instagram.com/pincushion_costuming/
We're so excited to debut the highly requested Anthea Milkmaid Dress free sewing pattern, perfect for cottagecore sewing projects!
40s Slip Pattern An interesting statement; seen on this sewing pattern: Professional dressmakers are re-minded that they must comply with the Making of Civilian Clothing (Restriction) Orders.” Offered here as: Paper Pattern and the Original pattern. https://www.etsy.com/uk/shop/VintagePatternsSewBI?ref=seller-platform-mcnav&search_query=4643 Skill Level: Intermediate Size Guide: Bust Sizes: 34” (86.4cm) Sewing Notions: Matching thread. Fabric Amount Guide: Cut on bias 36” Material, 1 3/8 yds. Cut on Straight 36” Material, 1 3/8 yds. Lace for top 1” wide, 1 3/8 yds. Lace for Lower Edge ½” wide, 2 yds. Ribbon for Shoulder strap 3/8”, 1 yd. Finished back length, 33” (83.8cm) ½” seam allowance on all seams. 5 pieces pattern Recommended Fabrics: Rayons, Washing Silks, Satin, Celanese, Voile, Fine Cottons. What You Will Receive: If you select a Paper Pattern, you will receive a true to scale reproduction sewing pattern printed on A0 premium paper, along with instructions and a full colour front cover. Your pattern will arrive in a clear re-sealable envelope for easy storage. If you choose to purchase the original pattern, you receive a piece of history which may include age related wear and tear. Please note the original pattern has a black and white cover.
A great mix of smart and casual style shirts. The small collar looks great with the buttons fastened to the top, or you can leave the top button open for a faux Cuban style collar look. Flattering slim fit and double chest pockets, with top stitch detail, complete the shirt. This pattern includes both short sleeves with a folded hem and long, cuffed sleeves. Offered here as: Paper Pattern or the Original pattern. Skill Level: Intermediate Size Guide: Chest: 38"/ 96.5cm Neck: 15"/ 38cm Sewing Notions: Fine linen or firm cotton for interlining. Buttons to requirements. Fabric Amount Guide: Short Sleeve yds. of 36” (91.5cm) Chest 32”/ 36” Neck 14”, 2 ¾ yds. Chest 36”/ 40” Neck 15”, 3 yds. Chest 40”/ 44” Neck 16”, 3 ¼ yds. Long Sleeve yds. of 36” (91.5cm) Chest 32”/ 36” Neck 14”, 3 1/8 yds. Chest 36”/ 40” Neck 15”, 3 3/8 yds. Chest 40”/ 44” Neck 16”, 3 ½ yds. Allow extra yardage for matching plaids or stripes. Recommended Fabrics: Linen, Cotton, Towelling, Poplin, Bushbaby, Flannel, Laundered Cottons, Baby Cord, Broadcloth, Chambray. What You Will Receive: If you select a Paper Pattern, you will receive a true to scale reproduction sewing pattern printed on A0 premium paper, along with instructions, and a full-colour front cover. Your pattern will arrive, in a clear resealable envelope for easy storage. If you choose to purchase the original pattern, you receive a piece of history which will include age-related wear and tear.
"Every child who sews with a will should have a wee birdie to help with his bill."I have long been fascinated with some of the clever inventions of the past, the sewing bird being one of them. The sewing bird, also known as a sewing clamp, hemming clamp, or third hand, was used in the 18th and early 19th centuries to attach one end of a piece of cloth firmly to a table to enable the seamstress to hold her sewing taut with one hand while stitching with the other.(Image Source) Commonly used in the Victorian home, this third hand clamps to a table while the beak holds the fabric to be sewn. Depressing the tail releases the beak enabling the fabric to be repositioned or removed. Before the invention of the sewing machine, clothing, sheets, and other household items were sewn by hand, this handy little clamp was often used for hemming. (Reproduction Sewing Bird for sale at Victorian Trading Company) Early clamps can be traced to the late 17th century. The "sewing bird" came into fashion early in the 18th century. Invented in the Georgian period in England, it was the first device that allowed the material to be moved without having to loosen the clamp. Many were made for the travel trade and were used for advertisements. Most were made of polished and turned wood or iron. Victorian clamps were made of brass, iron, steel and painted wood. (Image Source) In America the first sewing birds were called "grippers." Not used widely until mid-19th century, they became popular as a luxury item, which a young man would present to his intended bride months before the wedding. These were made in many varieties; birds with or without a pin cushion, on a spindle or not, deer, dogs, fish, frogs, snakes, dolphins, cherubs and people. Small thread winders, spool holders, netting hooks and rug braiders were also common. (Antique Sewing Bird) After the invention of the sewing machine the need for grippers was diminished but they were still manufactured as novelties. The Singer Sewing Machine Company produced a few as late as 1980. These original inexpensive novelties of yesteryear are expensive antique collectibles today. (Reproduction Sewing Birds sold at My Secret Shelf) I have seen these marvels in antique stores but don't actually own one, however, I had a need for making my own version of a "sewing bird". I found myself frustrated at always have to run to my sewing basket while crafting when I needed a handy pin, needle, or thread. I began my solution with a faded pale blue feed sack, an old cork/metal bottle stopper, and a vintage iron receipt holder found at a flea market... I sketched a little bird body, tail, and wings onto the feed sack with a Mark-B-Gone marker adding detail lines to the body, tail, and wings, which I then stitched over in brown embroidery floss... After the pieces were stitched together and stuffed, I removed the marker lines with a damp cloth and then used Fabri-tac to attach the tail and wings... I used a strong glue (E-6000) to glue the bottle stopper to the bottom of a small purchased twig and moss nest... And then I glued the bird into the nest, tacking the wings to the sides of the nest... I slipped spools of thread onto the receipt holder and pushed the cork bottle stopper down onto the sharp tip of the holder, then filling my sewing birds nest with needful supplies, like a mini scissor tucked under one wing (These were a gift from my sweet friend Pam and they are so sturdy and cut so well)... A large needle and thimble under the other wing... Pins and needles perch on the back of the bird... A little surprise pocket in the tail conceals a needle threader (I hate to admit that my eyes are just not what they used to the and I actually need one of these now!)... Here is my new sewing bird sitting on the worktable and all ready for service with no more running to the sewing basket! (For more great sewing ideas visit http://topreveal.com/diy-sewing-craft-ideas) They say that necessity is the mother of invention. I truly believe that and I am very happy with how my little version of a handy and helpful "sewing bird" turned out. "Sew", if you could create a needful invention to solve one of your problems, what would it be? ""Blessings, Miss Sandy
Make our 1930s Sundress and add style to your game! Based on an original pattern from the mid-1930s, this sport dress is pretty and light for sports wear. Dress closes center back with buttons. Fits busts 30" to 50". All sizes in one envelope. Also included are assembly instructions, embellishment suggestions, and the extensive historical notes you've come to expect from Reconstructing History. Suggested Fabrics: rayon, linen, cotton, etc.Notions: hook and eye, snaps (zipper optional)Yardage Requirements: 3.5 yards 45" wide
What Can You Learn About Your Ancestor from a Box of Old Buttons and Keys? Quite a bit. Lately I’ve been spending more time in my home archive, photographing and cataloging assorted objects that really need a little attention. Like this metal tin box of assorted buttons and other bits collected and saved by my Grandmother Arline.…
Learn everything you ever wanted to know about quilting fabric. We will teach you how to choose your fabric, how to care for it, what to do with it, and all about the different types of fabric you can use in quilting. We have articles on Caring for Your Fabric, Color Theory, Scrap Fabric and What to Do with It, and Types of Fabric. Not sure about color theory? We cover it! Need to know how to manage all of your scrap fabric? We cover that too, plus lots more about quilting fabric. No matter your skill level, you are sure to learn something new about quilting fabric right here on Nancy’s Notions.
MAN’s or BOY’s ‘CAT-SHIRT’ MAN’s or BOY’s ‘CAT-SHIRT’ for Latin-America Dancing, Skating AND ideal for ‘Show-biz’ people. Choice of two entirely different styles. Offered here as: Paper Pattern and the Original pattern. This pattern is also available as a PDF download here: https://www.etsy.com/uk/listing/1318226303/pdf-vintage-1960s-pattern-mens-cat? Skill Level: Intermediate/Advanced Size Guide: CHEST: 36” (91.4cm) NECK: 14 ½” (36.8cm) Sewing Notions: Matching thread, Buttons Fabric Amount Guide: METRES required in 90 cm (36”) wide materials: - VIEW No. 1, 3 meters (3 1/4yds) VIEW No. 2, 3 .25 meters (3 ½ yds) METRES required in 140-155cm (54” – 66”) wide materials: - VIEW No. 1, 2 Meters (2 1/8 yds) VIEW No. 2, 1.85 Meters (2 yds) AND Zip for VIEW 2, .55 Meters (22”) or (55.9cm) INTERFACING, 90 cm (36”) wide for VIEW No. 1; .80m (7.8yd.). VIEW No. 2; 25m (1/4 yd.). VIEW No 1 requires 12 buttons. TURNING ARE ALLOWED FOR ON THIS PATTERN Recommended Fabrics: METRES required in 90 cm (36”) wide materials: - VIEW No. 1, 3 meters (3 1/4yds) VIEW No. 2, 3 .25 meters (3 ½ yds) METRES required in 140-155cm (54” – 66”) wide materials: - VIEW No. 1, 2 Meters (2 1/8 yds) VIEW No. 2, 1.85 Meters (2 yds) AND Zip for VIEW 2, .55 Meters (22”) or (55.9cm) INTERFACING, 90 cm (36”) wide for VIEW No. 1; .80m (7.8yd.). VIEW No. 2; 25m (1/4 yd.). VIEW No 1 requires 1 button. TURNING ARE ALLOWED FOR ON THIS PATTERN What You Will Receive: If you select a Paper Pattern, you will receive a true to scale reproduction sewing pattern printed on A0 premium paper, along with instructions and a full colour front cover. Your pattern will arrive in a clear re-sealable envelope for easy storage. If you choose to purchase the original pattern, you receive a piece of history which may include age related wear and tear.
Oh, we simply just adore this panda bear soft toy! This cute little fellow would be the perfect gift for a loved one, or even a nice little treat to sew for yourself. Make him up in traditional black and white or go wild and make yourself a fun, colourful little panda bear! Either way he's sure to delight. Offered here as: Paper Pattern or the Original Pattern. Skill Level: Beginner Size Guide: Size: 14” (35.6cm) High Sewing Notions: Feathers, Kapok or Wadding Fabric Amount Guide: 0.25 yards of 36" wide black material. 0.25 yards of 44" white material. Stuffing - Feathers, Kapok or Wadding. Recommended Fabrics: Scraps of fabric. What You Will Receive: If you select a Paper Pattern, you will receive a true to scale reproduction sewing pattern printed on A0 premium paper, along with instructions and a full colour front cover. Your pattern will arrive in a clear re-sealable envelope for easy storage. If you choose to purchase the original pattern, you receive a piece of history which may include age related wear and tear.
Fabulous, rare, men's boxer shorts or swimming trunks. Can be made with or without fly front as boxer shorts or as swim trunks. Including an elastic waist for a comfortable fit, and buttoned flap pocket on trunks. Offered here as: Paper Pattern or the Original Pattern. This pattern is also available as a a PDF Download. https://www.etsy.com/uk/listing/1030064014/pdf-1950s-sewing-pattern-mens-boxer Skill Level: Beginner Size Guide: Waist: 32" (81cm) Sewing Notions: Matching thread Fabric Amount Guide: With or without fly front Buttoned flap pocket on trunks. Elastic waistband. YARDAGE WAIST MEASURE: 32" (81cm) VIEW A - 35” Without Nap, 1 ¼ 39” Without Nap, 1 ¼ VIEW B - 35” Without Nap, 1 1/8 39” Without Nap, 1 1/8 42” Without Nap, 1 1/8 1 ½” Elastic Webbing for View A or B, 7/8 Length of View A at side (“), 18 ¼ Length of View B at side (“), 15 ¼ Width at lower edge of shorts or trunks in size 38 is 29 ½”. Hems allowed. | Without nap or pile, or with design in both directions. Above requirements do not allow for shrinkage. Yardage does not allow for matching plaid or stripes. Recommended Fabrics: Cotton broadcloth, Poplin, Percale, Chambray, Gingham, Madras, Spun Rayon, Calico View B also: Denim, Seersucker, Shantung See our Fabric Partners What You Will Receive: If you select a Paper Pattern, you will receive a true to scale reproduction sewing pattern printed on A0 premium paper, along with instructions, and a full-colour front cover. Your pattern will arrive, in a clear resealable envelope for easy storage. If you choose to purchase the original pattern, you receive a piece of history which will include age-related wear and tear.
Tacony Corporation announced today that it has sold Nancy's Notions to Missouri Star Quilt Company.
Get yourself some Knickerbockers! You need our pattern for ladies’ knickerbockers from the 1910s through the 1930s based on an original pattern and extant garments. Fits waists 24" through 48", hips 36" through 60", and small of calf from 10.5" to 18.5". All sizes are included in one pattern. Also included are assembly instructions, embellishment suggestions, and the extensive historical notes you've come to expect from Reconstructing History. Suggested Fabrics: worsted wool, heavy linen, heavy cotton twill Notions: thread, buttons for side closures, buttons for leg closure Yardage Requirements: 2 yards at least 60” wide
It's time to head to the beach in style, so grab your sunscreen and don't forget your cover-up! The Callisia Cover-up free sewing pattern is so versatile, there are endless ways to wear it. Full-length, with double puff bishop sleeves, it can drape beautifully over any swimsuit or a pair of jeans. This beautiful semi-sheer cotton will keep you cute and cool as you sit by the pool! Looking for fabric options with drape? While I used Mood's exclusive Ishvara's Wisdom floral cotton voile for my cover-up, try using silk chiffon or poly charmeuse for a version that will truly flow. How do you plan to style your Callisia Cover-up? Let us know!
175 pages : 25 cm +
1950s Skirt Two extremely smart wiggle skirts. View A has two pleats and View B a deep vent to enable easy measurement. A versatile skirt that is a classic staple to your wardrobe. Offered here as: Paper Pattern and the Original pattern. This pattern is also available as a PDF Download HERE. https://www.etsy.com/uk/shop/VintagePatternsSewBI?ref=seller-platform-mcnav&search_query=622 Skill Level: Beginner / Intermediate Size Guide: To fit: Waist: 32” (81.3cm) Hips: 41” (104cm) Sewing Notions: About 2 1/8 yds. ½” Seam Binding. ¼ yd. Feather Boning. Matching Sewing Cotton, Mercerised Machine Twist, Silk or Nylon Thread (according to the material used). View A – Purchased Belt. View B – Seam Tape. Fabric Amount Guide: With Nap or up or down Design. Waist Size: 32” (81.3cm) View A 54” Material, 1 7/8 yds. View A 36” Material, 2 1/8 yds. View B 362 Material, 1 7/8 yds. Without Nap or up or down Design. View B 54” Material, 1 1/8 yds. View B Petersham 1” wide, 1 yd. Finished Length from Back Waist to Hem, 30 ½” Width round edge of skirt, size 36”, when pleated is about 3 yds. View A – Width of pleat is 2 ½”. (6.3cm) View B – Width of Vent is 4”. (10.2cm) 2” Hem allowed. ½” turnings allowed on all seams. 5 pieces pattern Recommended Fabrics: Barathea, Woolens, Fine Worsteds, Gaberdine, Linens What You Will Receive: If you select a Paper Pattern, you will receive a true to scale reproduction sewing pattern printed on A0 premium paper, along with instructions, and a full-colour front cover. Your pattern will arrive, in a clear resealable envelope for easy storage. If you choose to purchase the original pattern, you receive a piece of history which will include age-related wear and tear.
Hand Sewing: An Engaging Resource for FACS and FCS Education This resource informs about the rich history of hand sewing, essential sewing tools and notions, and includes informative handouts and interactive video clips to enhance learning. With 26 detailed slides and 2 practical handouts, learners will explore everything from the evolution of fabrics and fibers to the invention of the cotton gin and the spinning wheel. This resource offers hands-on activities for students to identify and draw various sewing tools, accompanied by an answer key for reinforcement. Definitions and uses of key tools and notions, such as pins, needles, thread, patterns, shears, scissors, and stitches like the running stitch and appliqué, are clearly explained, along with tips for distinguishing the right side of the fabric from the wrong. Recommended Resources Hand Sewing Project Examples Hand Sewing Pillow Instruction and Grading Rubric All About Sewing | Life Skills, FACS, FCS, After School Club ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ⭐ Check out my collection of over 300+ resources, designed to enrich teaching and enhance student learning! ✔️ Free Newsletter ✔️ Free Resources ✔️ Resources in My Store ✔️ Facebook ✔️ Pinterest ✔️ Instagram ❤️ Your Opinion is Invaluable! I'm dedicated to providing high-quality, impactful resources. Your feedback is essential and greatly appreciated. Please consider leaving a review for the resources you use. If you have any questions or suggestions, contact me at [email protected] I'm always here to help! ⭐ Stay in the Loop: Don't miss the latest sales and resource updates! Follow me (look for the green star on my homepage) for the newest in All About Food and Life Skills. ©All About Food and Life Skills | All Rights Reserved | For Single Teacher Classroom Use Only Keywords: Family and Consumer Science, FCS, FACS, nutrition, financial literacy, parenting, child development, cooking, interior design, consumer education, home management, textiles, family relations, personal finance, health, wellness, work-life balance
We’ve chatted on it before – the lack of whimsy in modern design. Yet my recent introduction to the Disney Dress Shop has restored my faith in fanciful and fun fashion. The bright and cheerful fabrics are so delightful and I found myself thinking, where have I felt this gravitating force before? Oh yes – […]
McCall's Pattern M6124 provides templates for women's shirts in 3 lengths and with 5 detail variations. This Size RR pattern template covers women's sizes 18w, 20w, 22w and 24w (with U.S. sizing). Fabrics recommended for these projects include light-weight options such as cottons, cotton blends, challis, crepes, silk rayons, linen blends and chambrays. Shirts A, B, C, D and E have princess seams, side slit openings, a front band, collars, stitched hems and sleeve variations. Shirt E's length rests above the middle of one's knee. Notions required for each shirt include thread and 1-2" buttons. Shirts A and B require 6 buttons, shirt C requires 8, shirt D requires 10 and shirt E requires 11.
A great mix of smart and casual style shirts. The small collar looks great with the buttons fastened to the top, or you can leave the top button open for a faux Cuban style collar look. Flattering slim fit and double chest pockets, with top stitch detail, complete the shirt. This pattern includes both short sleeves with a folded hem and long, cuffed sleeves. Offered here as: Paper Pattern or the Original pattern. Skill Level: Intermediate Size Guide: Chest: 38"/ 96.5cm Neck: 15"/ 38cm Sewing Notions: Fine linen or firm cotton for interlining. Buttons to requirements. Fabric Amount Guide: Short Sleeve yds. of 36” (91.5cm) Chest 32”/ 36” Neck 14”, 2 ¾ yds. Chest 36”/ 40” Neck 15”, 3 yds. Chest 40”/ 44” Neck 16”, 3 ¼ yds. Long Sleeve yds. of 36” (91.5cm) Chest 32”/ 36” Neck 14”, 3 1/8 yds. Chest 36”/ 40” Neck 15”, 3 3/8 yds. Chest 40”/ 44” Neck 16”, 3 ½ yds. Allow extra yardage for matching plaids or stripes. Recommended Fabrics: Linen, Cotton, Towelling, Poplin, Bushbaby, Flannel, Laundered Cottons, Baby Cord, Broadcloth, Chambray. What You Will Receive: If you select a Paper Pattern, you will receive a true to scale reproduction sewing pattern printed on A0 premium paper, along with instructions, and a full-colour front cover. Your pattern will arrive, in a clear resealable envelope for easy storage. If you choose to purchase the original pattern, you receive a piece of history which will include age-related wear and tear.
Butterick B5509 Historical Vintage-style Edwardian House-Hold Servant Uniform Downton Abbey Butterick Making History Full-Length and Waist Aprons Retail: $18.95 Sewing Rating: Average Package includes patterns and instructions for aprons A, B, C, D, E. A: Half apron. B: Attached bib. C: Collar and bib with purchased eyelet ruffling. D: Gathers and back/waist ties. E: Pockets, back straps and ties. FABRICS: Cotton and Cotton Blends. Unsuitable for obvious diagonals or uneven plaids. NOTIONS: B: Two Medium Safety Pins. C: 33/4 yds. of 1/2" - 1" Pre-gathered Eyelet and Two 3/4" Buttons. Size Combinations: XY (S-M-L) All Sizes in One Envelope. ABOUT THIS PATTERN LISTING 1. Listing is for a sewing pattern, not a completed item. 2. ALL our patterns are NEW, factory folded, and UNCUT. 3. Some pattern envelopes may differ from pictured, but IN NO WAY are the patterns different. 4. The pattern envelope may have some storage wear, with no effect on the instructions or pattern pieces. FREE PDF Size Charts for Simplicity, Butterick, McCall's and Vogue just request in Conversations! ADDITIONAL INFORMATION YOU SHOULD KNOW Pattern Sizes are not the same as Retail Sizes. Patterns have consistent, standardized sizing from pattern brand to pattern brand. To figure out your starting pattern size, compare your body measurements with the pattern Measurement Charts. Match as many measurements as possible to find your pattern size. All patterns are Multi-Sized to help you get a custom fit. Most likely your pattern size will not be the same number as your dress size. Please refer to the above link to view the pattern envelope to see further size information. All sewing patterns are STORED and shipped to you in a poly-resealable bag and are further shipped First-Class via USPS in a sealed Easy Open Poly Bubble Padded Mailer to help protect them while on their way to you. Ask any questions you may have, happy to supply an answer if I can. All items are sold as is. I take pride in every item that I sell do my best to insure that all transactions go smoothly. I typically respond to all messages within a couple hours. I strive to accurately give descriptions on all items, in a clear and simple manner. If something is unclear please ask questions before making a purchase. Returns & Exchanges Patterns cannot be returned once they have been unfolded, used or cut into under any circumstances. Please note, sample and download products are non returnable and non refundable. A WORD ABOUT SHIPPING PLEASE CONFIRM YOUR SHIPPING ADDRESS, make sure it conforms to USPS recommendations. Any order that is shipped with an "Etsy/USSP" questionable address will not be refunded if lost and if the USPS then can not locate, return or deliver it. If your unsure what address form you should use to ensure accurate mail delivery just refer to any UTILITY BILL. You know they got your address right. (LOL) If a package is returned due to a wrong address supplied by the customer additional shipping must be paid to our PayPal account before the package can be reshipped. If you are purchasing multiple items from my shop, please know that they WILL BE combined to insure you a better shipping rate. Any difference will be refunded. I ship as soon as I can usually within a few hours when possible. In the event of a holiday/bad weather or such within 2 (two) business days. US Postal Service, and Weather conditions are not within my control. Sometimes actual delivery can be slightly longer than expected, I ask for your understanding and patience. Thank you for shopping with me! Please visit again, Antonio proprietor A.J. Winkies & Co. 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Amy Barickman and Nancy Zieman and Amy's book Vintage Notions. Find it here! Hi all, welcome to our new Designer Spotlight series featuring one of our favorite friends, Amy Barickman. You might recognize Amy as she has a long history as a guest on Sewing with Nancy. Amy also has a long history with MSQC...
You need this pants pattern! Get our full-size paper patterns with complete instructions and historical notes for man's breeches circa 1610s-20s. Perfect for fencers! Fits waists 28"-50". All sizes included in one envelope. Also included are assembly instructions, embellishment suggestions, and the extensive historical notes you've come to expect from Reconstructing History. Suggested Fabrics: wool, heavyweight silk, lightweight silk or linen for liningYardage Requirements: outer material & interlining: 4 yds at least 60" wide; lining: 3 yds at least 60" wide Notions: thread, 5-5/8" buttons for fly closure (optional), buttonhole floss, silk ribbon (optional)
40's Unisex Pants with Turn-Ups These flannel trousers are perfect for those who love retro slacks and wearing a piece of social history! With front pleats, a fly fastening, pockets and turn-ups. This rare pattern captures the essence of vintage sewing. Offered here as: Digital Download (how to print and assemble). This pattern is also available as a Paper Pattern
This is a Vogue sewing pattern offering instructions for women's pants with three style variations. The pattern is uncut and factory folded. DETAILS: Sew Rating: Easy Loose-fitting, wide-leg pants have waistband, pleats, side pockets, and back zipper. A, B: Ruched waistband, and lining with tapered legs. C: Attached tie ends. FABRIC SUGGESTIONS: A, B: Chiffon, Georgette, Burnout Wovens. C: Crepe de Chine, Challis. Lining A, B: Lining Fabrics, Georgette. Unsuitable for obvious diagonals. NOTIONS: 12" Zipper, 1/2 yd. of 1/4" Covered Boning and Hook & Eye. SIZING: 6 to 14 Bust: 30.5 to 36 Waist: 23 to 28 Hips: 32.5 to 38 SIZING: 14-16-18-20-22 Bust: 36 to 44 Waist: 28 to 37 Hip: 38 to 46 All patterns are shipped in bubble mailers for quality assurance. Thanks for visiting my shop! Feel free to send me a message if you have any questions!
The history behind development of cotton thread is more interesting than you might think! With spools of vintage thread as our muse, let's learn together.
Boned Corsets with Lacing and Ruffle Variations, Sewing Pattern Butterick B5935, Making History 150th Anniversary Pattern Close-fitting, lined, boned corset has bias binding finish, seam detail, extension, shaped hemline, and front or back lacing. D: Ruffles and off-the-shoulder sleeves. Purchased lacing for all views, ribbon for bows A, B, and trim for C. Designed for lightweight to medium-weight woven fabrics. FABRICS: Wool, Velveteen, Brocade, Satin, Taffeta, Chintz, Cotton/Cotton Blends. Unsuitable for obvious diagonals. NOTIONS: A, B, C, D: Twenty eight 1/4" Opening Two-part Eyelets. 1/4" Boning with Casing: 4 yds. for Sizes 4-8; 4 1/2 yds for Sizes 10-20. 1/4" - 3/8" Cord or Ribbon: 2 yds. for A, C, D; 4 yds. for B. A: 1 1/2 yd. of 5/8" Ribbon. B: Twelve 1/4" Opening Decorative Rings. C: 4" Lace Trim: 1 yd. for Sizes 4-10, 1 1/2 yd. for Sizes 12-20. Optional: 3/8" - 3/4" Lace Edging: 2 yds. for Sizes 4-10; 3 yds. for Sizes 12-20. Size: AX5(4-6-8-10-12) Bust 29 1/2"-34", waist 22"-26 1/2", hip 31 1/2"-36 ✂️New Pattern is complete, uncut and factory folded. ✂️Envelope may have some storage wear. ✂️This listing is for a sewing pattern, NOT a completed item. ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ Thank you for looking and please feel free to ask me any questions you may have. https://tlcstreasures.etsy.com
Amy Barickman and Nancy Zieman and Amy's book Vintage Notions. Find it here! Hi all, welcome to our new Designer Spotlight series featuring one of our favorite friends, Amy Barickman. You might recognize Amy as she has a long history as a guest on Sewing with Nancy. Amy also has a long history with MSQC...
Metal pins are an invaluable tool for today’s seamstress, and they were no less so for sewers throughout history. With pins came a variety of ways to store them, including boxes, cases and cushions.
You need a 1630s Doublet! Buy our full-size paper patterns with complete instructions and historical notes for man's doublet circa 1630. Included are instructions for optional paning. Upper class and lower class instructions included. Fits chests 34"-54". All sizes included in one envelope. Also included are assembly instructions, embellishment suggestions, and the extensive historical notes you've come to expect from Reconstructing History. Suggested Fabrics: wool, heavyweight silk; lightweight silk or linen for lining; heavy linen or canvas for interlining Yardage Requirements: 3 yds at least 45" wide Notions: thread, buckram, wool felt or padding for shoulders, up to 30-5/8" buttons for front closure, buttonhole floss, thin cardboard (optional), corset boning or reeds (optional), 7-5/8" buttons for arm closure (optional), silk ribbon (optional)
Breech Thyself the 17th century way! Get our full-size paper patterns with complete instructions and historical notes for man's breeches circa 1630. Included are instructions for optional paning. Upper class and lower class instructions included. Fits waists 28"-50". All sizes included in one envelope. Also included are assembly instructions, embellishment suggestions, and the extensive historical notes you've come to expect from Reconstructing History. Suggested Fabrics: wool, heavyweight silk, lightweight silk or linen for liningYardage Requirements: 3 yds at least 36" wide Notions: thread, 10-5/8" buttons for fly closure, 8-12 1" coat hooks, buttonhole floss, hooks and eyes, no. 1 or 2 (optional), 10-5/8" buttons for leg closure (optional), silk ribbon (optional)
Versatility in a 1740s Waistcoat? Absolutely! Our easy-to-use pattern makes a Men's Waistcoat, circa 1740s-1760s, sleeved or sleeveless. In the early 18th century, frock coats began to be worn open, showing off the waistcoat beneath more and more. We used extant garments and the pictorial record to make our pattern. Put our knowledge to work! Fits chests 34" to 54". All sizes in one envelope. Also included are assembly instructions, embellishment suggestions, and the extensive historical notes you've come to expect from Reconstructing History. Suggested Fabrics: wool, heavyweight silk; lightweight silk or linen for lining; heavy linen or canvas for interlining Notions: thread; up to 20 buttons for front closure; buttonhole floss Yardage Requirements: 3 yds at least 45" wide
This is an excellent hand-sewing activity for students! Hand Sewing Activity Bundle! FACS, FCS, Family and Consumer Science Are you teaching elementary or middle school students how to hand sew? You’ve come to the right place! My hand-sewing resources are the perfect resource for teachers to use as a resource to teach their students the basics of hand sewing. With easy-to-follow instructions and helpful pictures, you can be sure that your students can learn hand sewing confidently. Great for a FACS, FCS, Life Skills, or after-school program! Students love the hands-on unit and are so proud of their sewing creations! This bundle consists of sewing guidelines, directions for a hand-sewing project, practice sheets, a rubric, the history of sewing, tools and notions, and project examples. Resource Information Includes History of sewing Fabrics Fibers Cotton Gin Spinning Wheel (video clip) Loom (video clip) Why Hand Sew? Sewing Objective Tools and Notions Definitions: Pins, Needle, Thread, Pattern, Shears, Scissors, Running Stitch Applique, Right Side of Fabric, Wrong Side of Fabric Hand-sewing Directions Pillow Ideas Following Directions Assessment/Rubric Recommended Resource Industrial Revolution BrainPop (Resource not included, the subscription needs to be purchased from BrainPop) A bonus file includes daily goals, a plan for the day, and pictures of the resources needed for the lesson. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ⭐ Check out my collection of over 300+ resources, designed to enrich teaching and enhance student learning! ✔️ Free Newsletter ✔️ Free Resources ✔️ Resources in My Store ✔️ Facebook ✔️ Pinterest ✔️ Instagram ❤️ Your Opinion is Invaluable! I'm dedicated to providing high-quality, impactful resources. Your feedback is essential and greatly appreciated. Please consider leaving a review for the resources you use ⭐ Stay in the Loop: Don't miss the latest sales and resource updates! Follow me (look for the green star on my homepage) for the newest in All About Food and Life Skills. ©All About Food and Life Skills | All Rights Reserved | For Single Teacher Classroom Use Only
Pattern for a plain slip-on blouse, panties and bra. Enjoy!
With our guild's upcoming 18th C Picnic in Balboa Park this coming Saturday I finally kicked myself in the butt last month to replace my earlier red floral linen caraco that was too short-waisted for me. Every time I raised my arms or stood up from a chair, there was a gap between the jacket and the skirt. I actually tried to find some more of the linen to remake one but had no luck since I bought it about 5 years ago. I had lucked out buying this fabric while at Michael Levine's in the LA Garment District after Costume College. Sally Queen was there giving a private shopping tour of 18th C fabrics and overheard her saying this was perfect. So after they left I bought some. And I bought the solid red linen to go with it for a petticoat aka skirt. For this picnic I wanted something quick to make and my new JP Ryan short jacket pattern fit the bill. I'd seen a couple of them with the lacing in front and thought that might help with some of the fitting problems I've had with those front closures. I've made a couple versions where I used hooks & eyes on the side or in the center but always had to cover it with ruching. I'm also not a pinner, ie pinning it closed as you historically would. I like the varieties on this jacket that are possible of using different colored ribbons, a contrasting stomacher, or a reversible one. So I chose the pattern pieces to do View B but with the ribbon closure that shows on D. I'm going to wear my red linen skirt and hope to use it multiple times with other fabrics. I decided to use the cotton fabrics I bought in Williamsburg a couple years ago, both of which will go with my red petticoat. After checking the fabric amounts, I had 3 yds of the blue and 5 yds of the red. Obviously I bought the red to make another longer caraco or Anglaise. So instead of wasting that on a short jacket, I decided to just do the blue one. And whenever I get a brown or blue petticoat done, I can wear it with that too. At the bottom of this page on the Silly Sisters site you can see some other lovely fabrics to educate your eye on what to look for while searching for your own. http://www.sillysisters.com/clothing2.htm I've seen similiar fabric patterns at Michael Levines in the LA Garment District where I bought this blue and brown floral patterned cotton. If I ever get a blue petticoat made I can wear both the blue jacket and this with it. I found this beautiful 1770s short jacket in the Cora Ginsburg Collection and this would be an easy fabric to find if you wanted to copy it. I liked both the short jackets and caracos (they're longer) because they use less fabric than the Anglaise or polonaise, are less work and time consuming, and you can use them with different colored petticoats for a variety of looks. *Edited to add- I recently learned that both the short jacket and caraco are used interchangeably with caraco being the French term.* This pattern only had three main pieces plus the stomacher (the center panel that is separate from the bodice) and the sleeves. How much easier is that? I didn't have to alter the waist length on this one like I did on my previous Period Impressions caraco. In fact the only alteration I did was my usual enlarging the upper arm portion. I made my muslin first out of a good cotton muslin and decided to use that also to flatline my bodice. With it being so horribly hot lately I just wasn't feeling like cutting another flatlining fabric out, plus another lining. Yes, I am lining this because it needs a little more body and for once I'm going to bag-line it. I know, I always say I won't do that and just do facings all around. But this time I'm going for quick and easy. It's also closer to the period correct way of finishing it. Even with the three layers of cotton it's not bulky. My first caraco was made with my Victorian-bodice-mindset and I flatlined it in twill and put boning in the seams. I was a real newbie at Georgian/Colonial fashion. This was also the one I wore to Colonial Williamsburg and was told that the neckline should be just above the nipple line, not halfway up my neck. This pattern was the generic size and you were expected to alter it to your own body. So I can thank Janea Whitacre there for that wonderful bit of advice. And then seeing my friend Barbee Mullin's bodices that were wafer-thin set me on a different path too. I have to say going to Colonial Williamsburg was a great learning location for my costuming. So no more binding myself in the dress. I'll let the stays (corset) do that. The three pieces sewed together very quickly although the pattern doesn't have the usual notches that I'm used to. It does have little lines that I'm assuming are for matching the pieces because it was a little confusing as to what side of each piece went to what. You'd think with only three pattern pieces it wouldn't be that hard. but if you've separated them and set them aside and then later pick them up, they're not very obvious as to what they are or what side they belong on. So here's my tip: make a light pen or pencil mark in your seam allowance telling you that it's a center back seam or side back to center panel, etc. Or maybe make up your own notches. Ok, so all pieces were sewn together and my shoulder seams were wider on the front bodice on the armhole side. I just trued it up cutting off a little wedge. This pattern has two back styles so I'm thinking the front bodice portion is the generic size for them. When I sewed the muslin together all the pieces lined up properly but after I sewed the fashion fabric and flatlining together both sides of the lower portion of the jacket was longer than the front portions. Stretch issues?? Maybe, because I'm sure I did stretch the muslin down to get the ends to fit and ease them in. But the final length on the bottom was a 3" difference. Because I'm doing the baglining of the jacket, it will at least make it easier to deal with finishing those edges. I'm guessing this is just part of the style or maybe I'm supposed to trim it because the pattern doesn't say anything about it. The directions are minimal. The pattern is mostly a no-brainer on construction other than a few things you obviously are already supposed to know. I may have to wait for another trip to Williamsburg for some more great tips. In the meantime, I'm leaving that 3" difference alone and letting it be part of the jacket. It kind of folds into the flared portions. I'm doing View B as opposed to View D. *Now that I'm writing this, I again remembered that the front of the jacket is the generic one because this pattern has two lengths so maybe I was supposed to trim off that extra? But I wanted the longer length. Honestly I don't know. I'm not really that knowledgeable in Georgian fashion. While looking at some other short jackets I noticed a similar uneven bit. So I'm rationalizing that it's part of the way it pleats. At least until I learn otherwise let's call it done. * I took this to a sewing workshop with Shelley Peters to work on the sleeves there and once again had issues with them fitting my upper arms. I had enlarged it but I still had too much fullness in the sleeve caps. Shelley tried a few different things but in the end she asked why do I try to pleat the fullness in and it never gets it spread out smoothly when I could just gather them and ease it around. ?? Umm, I don't know, I guess because I thought it was easier than having to run it through the sewing machine twice on each side to gather it? Maybe leftovers from working on later time periods? So I basted a gathering stitch and guess what? They went in much better~ Not perfect but better. And they're done. Now I have to decide if I'm going to do sleeve ruffs to go with the cuffs I made next. Next up were the eyelets on the front that I'll be running my ribbon through. I think I read somewhere that people are using grosgrain ribbon for extra strength but I don't think I'll be able to find a blue or red one. I had all intentions of putting grommets in while at Shelley's class using her grommet setter but on asking one of my friends online, I was quickly chastised that grommets weren't used back then and I had to do handsewn eyelets. Darn. So I dug up a video online on how to do them. http://www.ehow.com/video_12303912_make-handsewn-eyelet-fabric.html And found a photo tutorial also. http://www.elvenhippiegypsy.com/Eyelets.html One of my blogging friends, Laurie, who often goes to Williamsburg, had a couple posts on making her 18th C jacket and I picked up a couple ideas from her, like her eyelets and how they looked on the inside. Notice there's no cut thread between each eyelet? Not sure why but methinks maybe so you don't have knots and makes it look cleaner. To read more on her jacket- http://teacupsinthegarden.blogspot.com/2014/03/pink-floral-on-blue-18th-century-jacket.html I was finally down to two weeks before the picnic and still had to do those eyelets. I started making the holes with my awl and stitching them with two strands of embroidery floss but as fast as I stitched, the holes closed up. I have arthritis in my thumb and the more I fought this, the more it hurt. After getting two finally done and putting some Fray Check on so the holes would stop shrinking, I had to set it aside. It just hurt too much. And I still had 8 more to go. One evening Shelley stopped by on her way home with her grommet setter and we did it. Then I covered them with my embroidery floss stitches so they wouldn't show. I'm sorry all you historically correct people but I have my limits. I put it on my dressform to see if it’s going to work. I think so. I bought some royal blue 5/8" ribbon and pulled out my bodkins I bought a few years ago from Silly Sisters and laced it up. Umm, no. Not going to work with a ladder lacing. It needs to tie at the top with a pretty bow, darn it. So I did a crisscross lacing starting at the bottom and was able to lace it on top. Historically the stomacher is pinned to the stays to hold it in place and you wear your jacket over it. I'm a newbie and that's not working for me. I won't tell you what I'm doing to do that but you won't be able to see it, and right now that's all that's important to me. I get to wear it. Photos of it on me and everyone else at the picnic will be forthcoming next week. ~~Val~~
Buy the Victoria Top sewing pattern from Fibre Mood. Don’t be afraid to take the leap and dress up with the Victoria Top, a romantic vision of Victorian fashion. This top is an absolute must, with its long sleeves and ruffle collar. This sewing pattern is available to buy in the following formats: – PDF (available to download immediately after purchase). What is a PDF? – PDF pattern + Printed A0 copy shop (We print out the A0 pattern sheets, but you'll need to download the digital instructions, as we don't print these. The PDF files will be emailed immediately after purchase, and the A0 pattern sheets will be dispatched next working day). What is Copy Shop? Suggested fabrics: Embroidered fabric (whitework embroidered fabric in cotton or cotton-polyester mix) is the perfect complement to the Victoria Top. The gentle, airy and natural look of this fabric matches the top’s romantic style exquisitely. You could also go for a cotton solid or a viscose fabric in a light, bright colour or combine one of these fabrics with lace. Fabric requirements: 140 cm wide fabric: 135 - 200 cm. Sizing: EU 32 – 54 (approx. UK 6 – 22/24). Please check the size chart and finished garment measurements. Notions: Thread; iron-on interfacing, 25 cm; 2 hook-and-eye closures; 1 snap, 0.8 cm diameter. PDF pattern includes: Step-by-step illustrated instructions; A4/US letter print-at-home pattern (29 pages); A0 copy shop pattern (2 sheets). Note: Seam allowances are included in this pattern. The copy shop file we print for you shows the cutting lines only (not cutting lines and stitching lines) to make it easier to know what size to cut out. If you’re looking for more maker inspiration, check out the latest sewing pattern reviews from the sewing community. We also have a sewing blog to keep you up to date with all the news from the world of sewing.
WWII Retro design for a Child's dungarees with a hood and straps that cross over and button at back. Offered here as: Paper Pattern and the Original pattern. This pattern is also available as a PDf pattern herehttps://www.etsy.com/uk/shop/VintagePatternsSewBI?ref=seller-platform-mcnav&search_query=135551 Skill Level: Intermediate Size Guide: Years: 5-6 Chest: 23” (58cm) Length: 35” (88.9cm) Sewing Notions: Matching Thread Fabric Amount Guide: MATERIAL QUANTITIES LENGTHS ARE FROM FRONT OF SHOULDER TO FINISHED HEM. 36” MATERIAL, 1 ¾ YDS. Recommended Fabrics: Cottons, Wools, corduroy, denim, poplin, canvas. See our Fabric Partners What You Will Receive: If you select a Paper Pattern, you will receive a true to scale reproduction sewing pattern printed on A0 premium paper, along with instructions, and a full-colour front cover. Your pattern will arrive, in a clear resealable envelope for easy storage. If you choose to purchase the original pattern, you receive a piece of history which will include age-related wear and tear.
Make these beautiful 17th-century stays! Our late 17th-century stays (corsets) pattern is based on two extant English examples. View A, based on the stays in the Museum of London, are fully-boned, five-piece stays featuring an optional front busk, integral shoulder straps, back laced closure, and integral tabs at the waist. View B, based on the pink stays in the Victoria and Albert Museum and the red satin stays in the Manchester Gallery of Costume, features a front-laced opening, stomacher, integral waist tabs and optional sleeves. Fits busts 28"-48" and waists 20"-40". All sizes in one envelope. Or order a Made to Measure pattern in your personal measurements. Also included are assembly instructions, embellishment suggestions, and the extensive historical notes you've come to expect from Reconstructing History. Suggested Fabrics: plain or twill weave linen or silk, lightweight silk or fine linen for lining, 5oz. linen for interlining Notions: thread; 7mm or ¼" half oval or round reeds or ¼" corset boning; silk ribbon, cloth tape or leather for binding; wood or horn busk; corset lacing; ribbon or metallic braid trim to taste Yardage Requirements:Outer Material 1 yd at least 45" wideLining 1 yd at least 45" wideInterlining 2 yds at least 45" wideSleeves (optional) 2 yds at least 45" wide
