Friedrich Nietzsche was one of the most significant philosophers of the 19th century. His works challenged the conventional notions of morality and beliefs of his time, urging a re-evaluation of commonly held values and embracing a more self-determined way of life. Nietzsche's works profoundly influ

This book introduces methodological concepts aimed at including women in the canon of the history of philosophy. The history of women philosophers is as long and strong as the history of philosophy, and this holds true not only for the European tradition, as the research of women philosophers of the past shows. The phenomenon of ignoring and excluding women in 19th and 20th century views on the history of philosophy was a result of the patriarchal tradition that ostracized women in general. In this book, leading feminist philosophers discuss methodologies for including women thinkers in the canon and curricula of philosophy. How does the recovery of women thinkers and their philosophies change our view of the past, and how does a different view of the past affect us in the present? Studying a richer and more pluralistic history of philosophy presents us with worlds we have never entered and have never been able to approach. This book will appeal to philosophers and intellectual historians wanting to view the history of philosophy in a new light and who are in favor of an inclusive perspective on that history.

About the Book "Andrew Shanks brings together a grand narrative of theology and continental philosophy to argue that the 'solidarity of the shaken' is the kingdom of God in secular dress. Using Jan Patocka's concept of the 'solidarity of the shaken', he explores mystical theology, gnosticism and ethical phenomenology through a set of key 19th- and 20th-century thinkers that exemplified the 'pathos of shakenness'"-- Book Synopsis Andrew Shanks brings together a grand narrative of theology and continental philosophy to argue that the 'solidarity of the shaken' is the kingdom of God in secular dress. Shanks engages with the philosophy of Jan Patocka; specifically, his Heretical Essays in the Philosophy of History, which culminate in the concept of the 'solidarity of the shaken'. Such solidarity is quite simply that which empowers the most radically thoughtful openness to others, embattled against even the most repressive closure; a solidarity without any other essential qualification.Split into three distinct parts, Shanks begins by discussing Patocka's philosophico-centric grand narrative, and drawing wider reference to the pre-philosophic origins of Abrahamic religious tradition. This is followed by an exploration of mystical theology, Christian and Islamic; of its decay into 'mysticism', and its influence on Christian and Jewish gnostic traditions. The final third presents a discussion on ethical phenomenology. Analysing the proponents of a 'pathos of shakenness' such as Kierkegaard, Levinas, Løgstrup, he juxtaposes 19th-century thinkers such as Arendt and Hegel with Heidegger and Strauss as he moves through the century, and eventually to the rise of secular public conscience movement. About the Author Andrew Shanks is the former Canon Emeritus of Manchester Cathedral, UK. He also held various academic teaching roles: including at the universities of Lancaster, Leeds, and Manchester. He is the author of twelve books, including Theodicy Beyond the Death of 'God': the Persisting Problem of Evil and Hegel Versus 'Inter-Faith Dialogue': a General Theory of True Xenophilia.

Intentionally erased from history until the 19th century, Egyptian pharaoh Akhenaten established the first known monotheistic religion called Atenism, which was rediscovered in the late 18th century and integrated by 19th and 20th century religious philosophers into the histories of the three Abrahamic religions.

【SEVENTY FIVE（セヴンティーファイブ）】Seventy FiveはJanny Jingyi Yeによって設立された職人的ファッションブランド。ノースロンドンのスタジオでデザイン、制作、生産を行っている。Seventy Fiveは、中国の美意識の歴史に根ざした現代の中国ファッションがどのようなものかを考えており、19世紀末から20世紀初頭の中国の記録写真、雑誌、イラストレーション、そして家族の写真やオーラルヒストリーと私たち自身の家族の歴史を組み合わせることで、中国の美学とアイデンティティを表現している。Seventy Fiveはスローファッションの哲学を実践に取り入れている。ヴィンテージやアップサイクルの生地を使い、自社で天然染料を使用し、倫理的に調達された素材を使用し、長持ちする服を生産している。そうすることで、インスピレーションの源となった人々や思い出と同じくらい長く生き続ける服を作ろうとしている。 【商品詳細】サイズ(cm)1 着丈119/身幅59/裄丈83素材 表地  WOOL 100%裏地  COTTON 80％　WOOL 20％MADE IN UK当社品番/u23bs19240606 ＊こちらの商品は店頭でも販売中のため、ご注文頂いた際にすでに完売している可能性がございます。予めご了承ください。

Vitalism is understood as impacting the history of the life sciences, medicine and philosophy, representing an epistemological challenge to the dominance of materialistic mechanism in the last 200 years. The contributions in this volume describe the history of vitalism from the end of the Enlightenment to the modern day. It includes a wide range of material, employing both historical and philosophical methodologies, and it is divided fairly evenly between 19th and 20th century historical treatments and more contemporary analysis. As such, this volume presents a significant contribution to the current literature in the history and philosophy of science and the history of medicine.

This book is a guide to freemasonry, and provides an overview of the history, philosophy, and rituals of the organization. The author, Louis Travenol, was a French writer and freemason who was active in the late 19th and early 20th centuries. The book includes a detailed explanation of the ceremonies that are involved in becoming a master freemason, and provides insights into the symbolism and mythology of the organization. Whether you're a freemason or simply interested in the history and philosophy of fraternal organizations, this book is a fascinating read.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the \"public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This framed poster features a portrait of John D. Rockefeller, one of the most influential figures in American history and a key figure in the development of the modern oil industry. As the founder of Standard Oil, Rockefeller became the world's first billionaire and a pivotal figure in the American economy during the late 19th and early 20th centuries. The portrait captures Rockefeller in a dignified and authoritative pose, reflecting his immense impact on industry and philanthropy. The high-quality frame enhances the clarity and detail of the portrait, providing a sophisticated and elegant presentation. This treatment not only preserves the historical and cultural significance of the image but also adds a touch of refinement, making it a striking piece of decor. Ideal for history enthusiasts, admirers of industrial pioneers, or anyone inspired by the legacy of John D. Rockefeller, this framed poster is a compelling addition to any collection. It serves both as a piece of art and as a reminder of the enduring influence of one of America's most significant business magnates. Perfect for display in offices, libraries, or educational settings, this framed poster invites reflection on the life and achievements of John D. Rockefeller. Make a statement in any room with this framed poster, printed on thick matte paper. The matte black frame that's made from wood from renewable forests adds an extra touch of class. • Ayous wood .75″ (1.9 cm) thick frame from renewable forests • Paper thickness: 10.3 mil (0.26 mm) • Paper weight: 189 g/m² • Lightweight • Acrylite front protector • Hanging hardware included • Blank product components in the US sourced from Japan and the US • Blank product components in the EU sourced from Japan and Latvia How to attach hooks on 24″ × 36″ horizontal frames: Place each of the mounting hooks 1 inch (2.5 cm) from frame corners when hanging horizontally. This product is made especially for you as soon as you place an order, which is why it takes us a bit longer to deliver it to you. Making products on demand instead of in bulk helps reduce overproduction, so thank you for making thoughtful purchasing decisions!

【SEVENTY FIVE（セヴンティーファイブ）】Seventy FiveはJanny Jingyi Yeによって設立された職人的ファッションブランド。ノースロンドンのスタジオでデザイン、制作、生産を行っている。Seventy Fiveは、中国の美意識の歴史に根ざした現代の中国ファッションがどのようなものかを考えており、19世紀末から20世紀初頭の中国の記録写真、雑誌、イラストレーション、そして家族の写真やオーラルヒストリーと私たち自身の家族の歴史を組み合わせることで、中国の美学とアイデンティティを表現している。Seventy Fiveはスローファッションの哲学を実践に取り入れている。ヴィンテージやアップサイクルの生地を使い、自社で天然染料を使用し、倫理的に調達された素材を使用し、長持ちする服を生産している。そうすることで、インスピレーションの源となった人々や思い出と同じくらい長く生き続ける服を作ろうとしている。 【商品詳細】サイズ(cm)1 ウエスト72/股上37/股下65/ワタリ32.5素材 COTTON 100%MADE IN UK当社品番/u23bs19320451 ＊こちらの商品は店頭でも販売中のため、ご注文頂いた際にすでに完売している可能性がございます。予めご了承ください。

Book Synopsis Through a focus on the contributions of pioneers such as Motora Yujiro (1858-1912) and Matsumoto Matataro (1865-1943), this book explores the origins of Japanese psychology, charting cross-cultural connections, commonalities, and the transition from religious-moralistic to secular-scientific definitions of human nature. Emerging at the intersection of philosophy, pedagogy, physiology, and physics, psychology in the late 19th and early 20th centuries confronted the pressures of industrialization and became allied with attempts to integrate individual subjectivities into larger institutions and organizations. Such social management was accomplished through Japan's establishment of a schooling system that incorporated psychological research, making educational practices both products of and the driving force behind changing notions of selfhood. In response to new forms of labor and loyalty, applied psychology led to or became implicated in personality tests, personnel selection, therapy, counseling, military science, colonial policies, and "national spirit." The birth of Japanese psychology, however, was more than a mere adaptation to the challenges of modernity: it heralded a transformation of the very mental processes it claimed to be exploring. With detailed appendices, tables and charts to provide readers with a meticulous and thorough exploration of the subject and adopting a truly comparative perspective, The History of Japanese Psychology is a unique study that will be valuable to students and scholars of Japanese intellectual history and the history of psychology. Review Quotes "The History of Japanese Psychology is a landmark piece that will come in handy for a reader interested in the history of psychology, Japanese psychology, or Buddhist philosophy, or anyone interested in this specific slice of evolution of social science in comparison with Western psychology." --H-Japan "Provides a present-centered, Westernized view of psychology in Japan, and a source collection which privileges those "national heroes" who fit a positivist conception of engaging with the "psychological."" --Journal of the International Research Center for Japanese Studies "McVeigh's History of Japanese Psychology is nothing short of a landmark achievement in the history of psychology. He is both detailed and comprehensive in providing a rich understanding the historical, cultural, and social forces that colluded to bring about the "interiorization" of the person, and thus the emergence of a modern Psychology in Japan. Spanning over 1,000 years of history, he illustrates not only an evolution of concepts dealing with subjectivity, but how the consumer of psychological knowledge, on a more practical level, is also affected." --Scott Greer, University of Prince Edward Island, USA About the Author Brian J. McVeigh received his PhD in anthropology from Princeton University, USA and is now training in mental health counseling at the University at Albany, SUNY, USA. The author of twelve books, his latest publications include Nationalisms of Japan: Managing and Mystifying Identity (2003), Interpreting Japan: Approaches and Applications for the Classroom (2014), and How Religion Evolved: Explaining the Living Dead, Talking Idols, and Mesmerizing Monuments (2016).

How many posts on this blog and others have been written about the heretical, and schismatic stench coming from what seems to be the majority of Bishops of Germany. Maria Meaney has addressed the "German Effect" a number of times at the aptly named Crisis Magazine and writes today that: "Friedrich Nietzsche prophesied the death of God with empty churches as a consequence. But it didn’t take outsiders to kill God. His people and especially his apostles are perfectly capable. For by hitting marriage in its center, we kill love itself. It is absolutely central to our lives, to our salvation, to our society and for the well-being of our children. A Christianity that pretends it can do without marriage while claiming to be acting out of compassion, has taken on the trappings of Christianity while leaving us with an empty shell. This is one of the faces of the anti-Christ rearing its ugly head as it has throughout history. Our society has already fallen for it hook, line and sinker. We abort our children in the name of compassion, and kill the elderly out of mercy. We produce children for the infertile while killing the imperfect in the process. We call for mercy for the divorced and remarried, yet throw the children of the original marriage together with the abandoned spouse under the bus. This is the nasty underbelly of a false kind of compassion and mercy. By their fruits you shall know them. The signs, I think, are clear for those who are willing to see." We must wake up the realisation of what is on our doorstep in a few short months. When we examine how the German bishops have betrayed the faith and we consider the latest from rogue priests who prefer sodomy to Christ we can know that the path is clear for us to discern our duty. Let us take the Light of Christ out the cave of our minds and hearts and proclaim it to the world.

This book deals with the evolution of mathematical thought during the 20th century. Representing a unique point of view combining mathematics, philosophy and history on this issue, it presents an original analysis of key authors, for example Bourbaki, Grothendieck and Husserl. As a product of 19th and early 20th century science, a canon of knowledge or a scientific ideology, mathematical structuralism had to give way. The succession is difficult, still in progress, and uncertain. To understand contemporary mathematics, its progressive liberation from the slogans of \"modern mathematics\" and the paths that remain open today, it is first necessary to deconstruct the history of this long dominant current. Another conception of mathematical thought emerged in the work of mathematicians such as Hilbert or Weyl, which went beyond the narrow epistemological paths of science in the making. In this tradition, mathematical thought was accompanied by a philosophical requirement. Modernity teaches us to revive it. The book is intended for a varied public: mathematicians concerned with understanding their discipline, philosophers of science, and the erudite public curious about the progress of mathematics.

Like their predecessors, and like their male counterparts, most women philosophers of the 20th century have significant expertise in several specialities. Moreover, their work represents the gamut of 20th century philosophy's interests in moral pragmatism, logical positivism, philosophy of mathematics, of psychology, and of mind. Their writings include feminist philosophy, classical moral theory reevaluated in light of Kant, Mill, and the 19th century feminist and abolitionist movements, and issues in logic and perception. Included in the fourth volume of the series are discussions of L. Susan Stebbing, Edith Stein, Hedwig Conrad Martius, Simone de Beauvoir, Simone Weil, Mary Whiton Calkins, Gerda Walther, and others. While pre-20th century women philosophers were usually self-educated, those of the 20th century had greater access to academic preparation in philosophy. Yet, for all the advances made by women philosophers over two and a half millennia, the philosophers discussed in this volume were sometimes excluded from full participation in academic life, and sometimes denied full professional academic status.

The MUDLARK 1940s-pattern French Worker's Cap in c.1940s French Corduroy and c.1850s Calico Liner Presenting The Mudlark - an exact reproduction of a fantastic French utility cap from the 1940s. This fabric set-up combines luxurious c.1940s French multi-wale cotton corduroy with a liner made of rare-as-hens-teeth mid-19th-century cotton calico, rescued from a quilt-backing from that time. The crown buttons are early 20th-century corozo tailor's buttons from Melbourne Australian origin. Only a few can be made of this cloth selection. The scarcity of this fabric/button combination makes this cap more expensive, but you truly get what you pay for here. It's a lifetime workwear staple for your collection. Own a piece of European workwear history, right from the Well Dressed Head atelier! For information on measuring your head, please visit this chart: http://www.lobue-art.com/headsize.html Cap dimensions: 9 1/2" diameter / Brim length at center: 2 1/2" Note: This cap will not come with a cap keeper pillow. ************************** **************** NOTE ***************** Please contact me before ordering a cap and I’ll let you know the turnaround time, which can be several weeks, depending on my workload - I am generally running with about 10 caps in my production queue at any given time. ***************************************** A few words about what I make and my philosophy here at The Well-Dressed Head: For several years now I have been an enthusiast and collector of early men's newsboy, cabbie and golf/sporting caps from the 1910s through the 1930s. It always surprised me that for a fashion item that was SO ubiquitous in its time, so little knowledge of the caps has survived. Heck, so few of the caps themselves have survived! Their big brothers, fedoras and other forms of felt and straw hat, are much easier to follow across the historical timeline. And though I do love those lids, I'm a guy who tends to go for the underdog. So many caps didn't survive the ravages of moths, hard labor or simply the passage of time. It seems beyond my understanding that headwear so beautiful in design, so flattering to a man's look, would fade into obscurity in favor of the baseball cap. It was indeed the baseball cap that gradually over took these magnificent designs and became the cloth cap of choice for a majority of men. Even the recent reappearance of flat caps with the hipster crowd have very little to do with their forebears, and at best are mediocre designs aesthetically. It is therefore my humble mission (along with a small handful of other talented bespoke makers) to reeducate the public about these elegant yet practical pieces of clothing that can complement the vintage or even the most contemporary wardrobe. The Well Dressed Head will keep a selection of true vintage caps for sale dating from the late 1910's through the 1930's, with occasional later examples when appropriate. Now, about the caps I build. There are several elements for me to consider when pricing these caps. I can hardly factor in the time spent in fabrication - some of these caps can take three days to create - so other considerations are important. I spend a lot of time and money collecting extraordinary fabrics from around the world that have a quality I feel are outstanding and unique, while paying homage to the historical examples in photographs and collections. Many of these antique cloths are in small pieces that may yield only one or two caps, ensuring the product is as unique and bespoke as possible. Those caps that have leather sweatbands feature only top-quality Australian leathers, and under the 'hood' of the fabric, each visor is hand-cut from Australian leather, with a special compressed stiffening material to give it the ability to bend, yet hold its shape. No plastics are used in my visors. Certain styles are made with grosgrain ribbon sweatbands, and for these I use NOS (new old stock) ribbon from France dating from the 1910s to the '20s. Finally, a word about imperfection. This is a handmade object, lovingly built with special and sometimes rare and delicate materials. There will be slight inconsistencies in the materials, weaves and stitching, These are considered the mark of the hand and intrinsic to the design. I'll leave you with a favorite quote by Charles Eames: "You wouldn’t say an axe handle has style to it. It has beauty, and an appropriateness of form, and a “this-is-how-it-should-be-ness.” But it has no style because it has no mistakes. Style reflects one’s idiosyncracies."

Booker T. Washington was the first African American whose likeness appeared on a United States postage stamp. Washington also was thus honored a quarter century after his death. In 1946 he also became the first black with his image on a coin, a 50-cent piece. The Tuskegee Institute, which Washington started at the age of

【SEVENTY FIVE（セヴンティーファイブ）】Seventy FiveはJanny Jingyi Yeによって設立された職人的ファッションブランド。ノースロンドンのスタジオでデザイン、制作、生産を行っている。Seventy Fiveは、中国の美意識の歴史に根ざした現代の中国ファッションがどのようなものかを考えており、19世紀末から20世紀初頭の中国の記録写真、雑誌、イラストレーション、そして家族の写真やオーラルヒストリーと私たち自身の家族の歴史を組み合わせることで、中国の美学とアイデンティティを表現している。Seventy Fiveはスローファッションの哲学を実践に取り入れている。ヴィンテージやアップサイクルの生地を使い、自社で天然染料を使用し、倫理的に調達された素材を使用し、長持ちする服を生産している。そうすることで、インスピレーションの源となった人々や思い出と同じくらい長く生き続ける服を作ろうとしている。 【商品詳細】サイズ(cm)1 着丈119/身幅59/裄丈83素材 表地  WOOL 100%裏地  COTTON 80％　WOOL 20％MADE IN UK当社品番/u23bs19240606 ＊こちらの商品は店頭でも販売中のため、ご注文頂いた際にすでに完売している可能性がございます。予めご了承ください。

The MUDLARK 1940s-pattern French Worker's Cap in c.1940s French Corduroy and c.1850s Calico Liner Presenting The Mudlark - an exact reproduction of a fantastic French utility cap from the 1940s. This fabric set-up combines luxurious c.1940s French multi-wale cotton corduroy with a liner made of rare-as-hens-teeth mid-19th-century cotton calico, rescued from a quilt-backing from that time. The crown buttons are early 20th-century corozo tailor's buttons from Melbourne Australian origin. Only a few can be made of this cloth selection. The scarcity of this fabric/button combination makes this cap more expensive, but you truly get what you pay for here. It's a lifetime workwear staple for your collection. Own a piece of European workwear history, right from the Well Dressed Head atelier! For information on measuring your head, please visit this chart: http://www.lobue-art.com/headsize.html Cap dimensions: 9 1/2" diameter / Brim length at center: 2 1/2" Note: This cap will not come with a cap keeper pillow. ************************** **************** NOTE ***************** Please contact me before ordering a cap and I’ll let you know the turnaround time, which can be several weeks, depending on my workload - I am generally running with about 10 caps in my production queue at any given time. ***************************************** A few words about what I make and my philosophy here at The Well-Dressed Head: For several years now I have been an enthusiast and collector of early men's newsboy, cabbie and golf/sporting caps from the 1910s through the 1930s. It always surprised me that for a fashion item that was SO ubiquitous in its time, so little knowledge of the caps has survived. Heck, so few of the caps themselves have survived! Their big brothers, fedoras and other forms of felt and straw hat, are much easier to follow across the historical timeline. And though I do love those lids, I'm a guy who tends to go for the underdog. So many caps didn't survive the ravages of moths, hard labor or simply the passage of time. It seems beyond my understanding that headwear so beautiful in design, so flattering to a man's look, would fade into obscurity in favor of the baseball cap. It was indeed the baseball cap that gradually over took these magnificent designs and became the cloth cap of choice for a majority of men. Even the recent reappearance of flat caps with the hipster crowd have very little to do with their forebears, and at best are mediocre designs aesthetically. It is therefore my humble mission (along with a small handful of other talented bespoke makers) to reeducate the public about these elegant yet practical pieces of clothing that can complement the vintage or even the most contemporary wardrobe. The Well Dressed Head will keep a selection of true vintage caps for sale dating from the late 1910's through the 1930's, with occasional later examples when appropriate. Now, about the caps I build. There are several elements for me to consider when pricing these caps. I can hardly factor in the time spent in fabrication - some of these caps can take three days to create - so other considerations are important. I spend a lot of time and money collecting extraordinary fabrics from around the world that have a quality I feel are outstanding and unique, while paying homage to the historical examples in photographs and collections. Many of these antique cloths are in small pieces that may yield only one or two caps, ensuring the product is as unique and bespoke as possible. Those caps that have leather sweatbands feature only top-quality Australian leathers, and under the 'hood' of the fabric, each visor is hand-cut from Australian leather, with a special compressed stiffening material to give it the ability to bend, yet hold its shape. No plastics are used in my visors. Certain styles are made with grosgrain ribbon sweatbands, and for these I use NOS (new old stock) ribbon from France dating from the 1910s to the '20s. Finally, a word about imperfection. This is a handmade object, lovingly built with special and sometimes rare and delicate materials. There will be slight inconsistencies in the materials, weaves and stitching, These are considered the mark of the hand and intrinsic to the design. I'll leave you with a favorite quote by Charles Eames: "You wouldn’t say an axe handle has style to it. It has beauty, and an appropriateness of form, and a “this-is-how-it-should-be-ness.” But it has no style because it has no mistakes. Style reflects one’s idiosyncracies."

This book provides an account of the Cambridge University Extension movement, which played a key role in the dissemination of knowledge and education to the masses in Great Britain in the late 19th and early 20th century. It highlights the philosophy, methodology, and impact of the movement on education and society. It is an informative and important contribution to the history of education.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the \"public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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Murilo Ferraz e Marcos Carvalho Lopes recebem Felipe Ferrari, doutorando em Filosofia pela Universidade de Nagoya no Japão para falar sobre Filosofia Japonesa. A ideia do podcast Filosofia Pop é trazer discussões filosóficas com pitadas de referências culturais. Se você não conhece ainda a mídia podcast e tem dúvidas sobre como acompanhar o programa, veja este

【SEVENTY FIVE（セヴンティーファイブ）】Seventy FiveはJanny Jingyi Yeによって設立された職人的ファッションブランド。ノースロンドンのスタジオでデザイン、制作、生産を行っている。Seventy Fiveは、中国の美意識の歴史に根ざした現代の中国ファッションがどのようなものかを考えており、19世紀末から20世紀初頭の中国の記録写真、雑誌、イラストレーション、そして家族の写真やオーラルヒストリーと私たち自身の家族の歴史を組み合わせることで、中国の美学とアイデンティティを表現している。Seventy Fiveはスローファッションの哲学を実践に取り入れている。ヴィンテージやアップサイクルの生地を使い、自社で天然染料を使用し、倫理的に調達された素材を使用し、長持ちする服を生産している。そうすることで、インスピレーションの源となった人々や思い出と同じくらい長く生き続ける服を作ろうとしている。 【商品詳細】サイズ(cm)1 着丈83.5/身幅59/裄丈78素材 SILK 100%MADE IN UK当社品番/u23bs19120109 ＊こちらの商品は店頭でも販売中のため、ご注文頂いた際にすでに完売している可能性がございます。予めご了承ください。

This book provides a historical overview of modern philosophy, focusing on the major movements and thinkers of the 19th and 20th centuries. Written by Edgar Arthur Singer, a renowned philosopher and scholar, it provides an accessible and engaging introduction to this complex field of study. Whether you are a student of philosophy or simply interested in learning more about this fascinating subject, this book is an excellent resource.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the \"public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The splendid achievements of Japanese mathematics and natural sciences during the second half of our 20th century have been a revival, a Renaissance, of the practical sciences developed along with the turn toward Western thinking in the late 19th century. The equally admirable results of Japanese philosophers (and historians) of science in our time followed upon a period less congenial to Western interests in the philosophical questions linked to modern science; and this reluctance to confront the epistemology, not even the humane significance, of the sciences went along with devotion to other Western trends. Thus, with the 'new' Japan of the Meiji restoration of 1868, and the early introduction of Western philosophy in the subsequent decade by Nishi Amane, a period of intellectual attraction to utilitarian, positivist, evolutionary, even materialist outlooks was soon replaced by devotion to scholarly work on Kant and Hegel, on ethical and general philosophical idealism. These studies often could emulate the critical spirit (the philosopher Onishe Hajime, praised for his own critical independence, was known as the Japanese Kant) but the neo- Kantian and neo-Hegelian developments were not much affected by either empirical sciences or theoretical speculations about Nature. The pre-eminent philosopher of Japan ofthe first half of our century was Nishida Kitaro, with a pioneering treatise A Study of the Good, who, with his leading student Tanabe Hajime, formed the 'Kyoto School' of pre-war philosophy.

Hermann Lotze was a key figure in the philosophy of the second half of the 19th century, influencing practically all leading philosophical schools of the late 19th and the early 20th century: (i) the neo-Kantians; (ii) Brentano and his school of descriptive psychology; (iii) the British idealists; (iv) Husserl's phenomenology; (v) Dilthey's philosophy of life; (vi) Frege's new logic; (vii) the early Cambridge analytic philosophy; (viii) William James's pragmatism. The book first presents the main ideas of Hermann Lotze's philosophy (Part I), and then traces his influence on the descriptive psychology of Franz Brentano and Carl Stumpf (Part 2) and Cambridge analytic philosophy (Part 3). In addition, the book includes Bertrand Russell's conspectus of J. E. McTaggart's 1898 lectures on Lotze.

How the Danish philosopher takes an idea that’s congenial to modern ears and turns it upside down.

【SEVENTY FIVE（セヴンティーファイブ）】Seventy FiveはJanny Jingyi Yeによって設立された職人的ファッションブランド。ノースロンドンのスタジオでデザイン、制作、生産を行っている。Seventy Fiveは、中国の美意識の歴史に根ざした現代の中国ファッションがどのようなものかを考えており、19世紀末から20世紀初頭の中国の記録写真、雑誌、イラストレーション、そして家族の写真やオーラルヒストリーと私たち自身の家族の歴史を組み合わせることで、中国の美学とアイデンティティを表現している。Seventy Fiveはスローファッションの哲学を実践に取り入れている。ヴィンテージやアップサイクルの生地を使い、自社