Manuel is a traditional Hopi Katsina doll carver from near Polacca, near 1st Mesa. He was taught and influenced by his grandparents and by carvers Walter Howato and Manfred Susunkewa.

Beautiful Jemez Pueblo Pottery Polychrome Bowl by Mary Small. Measures 5.5" in width and 4.5" in height. Mary Small (1940-2024) was an acclaimed Native American potter and sculptor who won many awards. Her work is featured in many internationally recognized collections including the Smithsonian. Mary's work is unique and identifiable because she used a gray slip made from vegetable dyes and gypsum that was created by her and her husband, Ivan. She used only the traditional methods of hand coiling local clay and outdoor firing over cottonwood coals. While other artisans who cater to the tourist trade may use molds, potters wheels, kilns, poster and acrylic paints, Mary's works are products of the historic Pueblo traditions. This is a very desirable piece for those who appreciate true traditional Pueblo craftsmanship.

Spanning nearly 1,000 years of artistic creativity, this wide-ranging volume brings together 206 artworks that exemplify both exquisite aesthetics and rich cultural histories. The majority of the collection is from the American Southwest—19th-century Navajo weavings, ancestral and historical Pueblo pottery, Hopi and Zuni carved figures, and Yavapai and Apache basketry—along with art from the Pacific Northwest and the first Plains ledger drawings to enter the museums' collections. This book, which features new research and specially commissioned essays and extended captions, developed in collaboration with cultural advisors, reflects the complex and multilayered nature of the artworks in the field of Native American art. Contributions from more than 80 authors from different disciplines and cultural backgrounds, including scholars, culture-bearers, artists, collectors and museum professionals, illuminate details about the living histories of the works. With striking new photography and full-color reproductions, this is a cornerstone publication in the field of Native American art history. Edited by Bruce Bernstein, Hillary C. Olcott, Christina Hellmich, Deana Dartt, with Jill D'Alessandro Designed by James Williams, The Common Ear Published by Delmonico Books, 2023 Hardcover, 432 pages, 381 color images, 11 × 12 inches ISBN: 978-1-63-681096-6

An impressive survey of more than 100 pieces of historic Pueblo pottery, Grounded in Clay is remarkable for the fact that its content has been selected by Pueblo community members. Rather than relying on Anglo-American art historical interpretations, this book foregrounds Native American voices and perspectives. More than 60 participants from 21 Pueblo communities in the Southwest – among them potters and other artists, as well as writers, curators and community leaders – chose one or two pieces from the collections of the Indian Arts Research Center at the School of Advanced Research in Santa Fe, New Mexico, and the Vilcek Collection in New York. They were then given the freedom to express their thoughts in whichever written form they wished, prose or poem. Their lively, varied contributions reveal the pottery to be not only a utilitarian art form but also a powerfully intangible element that sits at the heart of Pueblo cultures. With magnificent photography throughout, Grounded in Clay showcases the extraordinary history and beauty of Pueblo pottery while bringing to life the complex narratives and stories of this most essential of Native American arts.

Shop our large selections of fine Native American Indian jewelry, Pueblo pottery, Zuni fetishes, and more! From the Pueblo, Direct to You.

Old Native American Hopi Redware Pueblo Pottery Plate Wall Hanging with geometric abstract eagle. Circa Mid 20th century . Measures 4 1/2 " across Pueblo pottery is made using a coiled technique that came into northern Arizona and New Mexico from the south, some 1500 years ago. In the four-corners region of the US, nineteen pueblos and villages have historically produced pottery. Although each of these pueblos use similar traditional methods of coiling, shaping, finishing and firing, the pottery from each is distinctive. Various clays gathered from each pueblo’s local sources produce pottery colors that range from buff to earthy yellows, oranges, and reds, as well as black.

1885 Zuni Polychrome Historic Jar. This jar is an excellent example of early traditional Zuni pottery. The jar is made of native clay and fired traditionally out of doors in cedar wood and sheep manure. The design features the traditional drawing of heart-line deer in their houses separated by rows of spirit birds. Two side panels depict coiled versions of pahoes (prayer feathers) that are used in prayer ceremonies. The Zuni saw their water jars as prayer offerings to the spirits for rain and moisture in all its forms. Size: 12 1/2" Diameter by 11" Height Condition: Excellent, with no repairs or restoration Provenance: Erie County Historical Society of New York State

A massive panorama of Native American art from Navajo weaving to Apache basketry Spanning nearly 1,000 years of artistic creativity, this wide-ranging volume brings together 206 artworks that exemplify both exquisite aesthetics and rich cultural histories. The majority of the collection is from the American Southwest―19th-century Navajo weavings, ancestral and historical Pueblo pottery, Hopi and Zuni carved figures, and Yavapai and Apache basketry―along with art from the Pacific Northwest and the first Plains ledger drawings to enter the museums' collections.This book, which features new research and specially commissioned essays and extended captions, developed in collaboration with cultural advisors, reflects the complex and multilayered nature of the artworks in the field of Native American art. Contributions from more than 80 authors from different disciplines and cultural backgrounds, including scholars, culture-bearers, artists, collectors and museum professionals, illuminate details about the living histories of the works. With striking new photography and full-color reproductions, this is a cornerstone publication in the field of Native American art history. Publisher ‏ : ‎ DelMonico Books/Fine Arts Museums of San Francisco (April 25, 2023) Language ‏ : ‎ English Hardcover ‏ : ‎ 431 pages ISBN-10 ‏ : ‎ 1636810969 ISBN-13 ‏ : ‎ 978-1636810966 Item Weight ‏ : ‎ 7.81 pounds Dimensions ‏ : ‎ 10.5 x 2 x 11.5 inches

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A Pueblo pottery project for kids to make with real clay: fun way to learn about artifacts from the American Indians of New Mexico.

I believe this eye-catching, little Acoma Pueblo Pottery Pitcher dates from the Historic era (made before 1950) in pueblo pottery. The condition of the piece, style of motif and aged patina of the paint are all consistent with a piece from the late 1930's early 1940's. The pitcher stands approx. 3 inches tall from the base to the peak of the handle, diameter of the lip is approx. 1 1/2 inches, diameter of the base is approx. 1 inch. This piece was made for sale to the tourist trade. Pueblo peoples did not use pitchers, these pieces were made in response to requests from tourists. What makes this little piece unique is the fact that it is signed. Most pieces from this era in Pueblo pottery were not signed. The artwork is more intricately executed than many tourist pieces, suggesting that this was a more expensive piece. For its age, the pitcher is in good condition. Running my fingers over the lip I feel some roughness and it is possible there is a very small chip. There is age-appropriate paint loss and the signature on the base is difficult to make out. I believe is says "Acoma N. M." identifying the pueblo of origin, not the artist. It would be after 1950 before artisans began consistently identifying their pieces by signing their names. The paint remains clear with a nice patina of age, the colors are consistent with traditional Acoma red, white and black. Please carefully review photos for full perspective. The Acoma Pueblo in New Mexico is one of the oldest pueblo's, referred to as "Sky City" it has been populated since at least 1100. These first nations peoples made pit fired pottery vessels for use in everyday life for centuries, decorating them with designs that have passed to current generations of pueblo artists. In the 1920-1930's the American West became a popular destination for those able to travel. The arrival of tourists opened markets for Acoma potters to sell pieces that had previously been utilitarian as collectible art. Places like the Fred Harvey Hotel at the train station in Albuquerque provided a captive market for sales of these pieces. Artists responded to tourist requests for types of pieces and a industry was born creating pieces that are sought around the world today. As always, thank you for stopping by the shop and for your interest in this piece, please do not hesitate to contact us with any questions you may have.