Todos los trucos y secretos de la Repostería en prácticos Tutoriales

Richard Zakin discusses what to look for when buying an electric pottery kiln, as well as explains the different types of electric pottery kilns.

Inspiring creativity with Latina style and sparkle - crafts, DIY, recipes, and storytelling by Kathy Cano-Murillo, The Crafty Chica!

An ‘A’ grade, AS Level Ceramics Coursework project by Shawn Kwan, of Mayfield School, United Kingdom. The level of detail and insight provided by Shawn makes this a valuable read for anyone considering undertaking a ceramic project themselves.

Es un libro que explica todas las técnicas decorativas básicas para la cerámica cocida a baja temperatura. Comienza con la descripción de los diferentes tipos de arcilla, las formas de manipularla y las herramientas que se han de utilizar para ello. Asímismo, se incluyen ejercicios prácticos que ilustran, paso a paso, estos procesos de creación, así como los problemas más frecuentes y como evitarlos. La última pagina contiene un glosario con el significado de diferentes términos útiles para el lector.

For every traditional pottery tool I have in my studio, I have probably just as many that are a little more out of the ordinary. Here are some of my favourites.

Australia has so much creative talent. We are kicking off Australia Week on We Are Scout with our top 20 Australian Ceramic artists.

El disco de Sabú y su utilidad. ¿Una Herramienta avanzada?. A estas alturas ya resulta algo muy repetitivo hablar de los famosos "oop...

Si están buscando un pasatiempo de calidad, les comporta algunas instrucciones de cómo pueden comenzar a tener un taller profesional o semiprofesional en casa, y así dedicarse a hacer creaciones en…

17 images about pottery templates on pinterest from Pottery Templates Free

Bokmässan 2012 Ja jösses - det är så roligt. Goda nyheter har nått mig från mitt förlag Tukan att Fabulös keramik nu är såld till Tysk...

Learning how to make ceramic teapots is a big milestone in any potter’s ceramic development. From handles to spouts, teapots have multiple components and

粘土の接着の際、接着面を針で傷をつけてから水やドベを使い接着することが多いのですが、普通の針を使っていると効率が悪くもたもたするので４本針を作って...

Each piece with impressed artist’s monogram.

Watch this brilliant documentary by Goldmark on Lee Kang-Hyo, one of Korea's finest living potters, where they visit his studio where he creates a mixture of tableware and sculpture.

CHERS CLIENTS ! En faisant vos achats dans mon magasin, vous soutenez ma famille et mon pays 🇺🇦, qui est en état de guerre et tous ses citoyens sont désormais en grand danger. Soyez avec nous et priez pour la paix en Ukraine ! Un lot de 3 tampons double embout en biscuit sculpté à la main, exactement comme vous le voyez sur la photo. Chaque tampon est fait main en argile rouge et comporte deux extrémités. L'idée du tampon à deux côtés est que vous avez deux mêmes motifs ornementaux qui diffèrent par la taille ou certains éléments. Vous pouvez utiliser différentes forces de pression et de rotation du tampon pour obtenir divers dessins ornementaux. La longueur et la taille des tampons les rendent ergonomiques et confortables à utiliser. Elles sont cuites à basse température, ce qui vous permet de faire ressortir facilement la surface humide de votre oeuvre d'art. Ces tampons peuvent être utilisés sur de la pâte à modeler, de la pâte métallique et de la pâte polymère. Vous pouvez les réutiliser plusieurs fois et il suffit de les laver à l'eau tiède après utilisation. ATTENTION : ne pas jeter, utilisez des surfaces douces pour le stockage des tampons. ATTENTION ! Il existe des variantes d'ensembles disponibles. Veuillez regarder les photos et sélectionner le jeu de tampons que vous préférez dans un menu déroulant. Sur commande : je peux en fabriquer autant que vous le souhaitez. Il faut 3-4 semaines jusqu'à ce qu'il soit prêt à être expédié. Matériaux : argile rouge. Dimensions : entre 5,3 et 4,3 cm (2 - 1,6 po.) Pour voir d'autres séries de timbres, suivez ce lien : https://www.etsy.com/listing/691856290/set-of-ceramic-stamps-clay-stamps-tools Fabriqué en argile naturelle. Cuite au four. Fabriqué à la main en Ukraine. Expédition internationale. Tous les articles sont emballés avec un soin particulier pour garantir leur arrivée en toute sécurité, car ils sont fragiles et expédiés d'Ukraine. LIVRAISON. L'expédition aux États-Unis prendra environ 12 à 20 jours, mais il peut y avoir des retards dans la livraison de vos commandes. J'espère sincèrement de votre compréhension en cas de retard de livraison de la commande🤗

Een overzicht van 3 simpele maar doeltreffende opslag methodes die een groot verschil hebben gemaakt in ons atelier.

Till workshopen på lördag har jag tillverkat keramikverktyg. Blompinnar och andra tunna träbitar är lätt att tälja till i ändarna och blir bra modelleringspinnar. En trasig tumstock blev passare..... Skärtråd att dela leran med är enkelt att göra genom att ta isär en tvättklämma och knyta fast stark fiskelina i spåret där metallklämman suttit. Sen har jag samlat ihop diverse spik, skruv, muttrar mm. som jag tänker kan användas till att göra mönster i leran med, genom att rista, göra hål eller stämpla.

Maschine Keramik Werfen Arbeit Clay Shaping Tool 220 V EU Elektrische Keramik DIY Clay Tool mitFach für Keramik Maschine (EU Plug)

INTRODUCTION This post is intended for the beginner interested in Roman pottery as an outline to pottery forms and fabrics most widely distributed in Roman Britain. Pottery is undoubtedly the most …

Hola, estoy trabajando en una colección de cuadros de texturas que pronto estará aquí expuesta, pero me gustaría compartir algunas sugerencias que he ido recopilando tanto para mi trabajo personal,…

Bokmässan 2012 Ja jösses - det är så roligt. Goda nyheter har nått mig från mitt förlag Tukan att Fabulös keramik nu är såld till Tyskland, England och USA. Redan nu kan man hitta min bok i Finland och Holland och till hösten 2013 dyker den alltså upp även på engelska och lite senare också på tyska. Vansinnigt roligt! För att fira det hela visar jag några stegförsteg-bilder från boken hur man enkelt fixar sig en liten kanna i keramik: Javisst! Lätt som plätt. Jag har dekorerat den här kannan med engobe och ljuvliga magnoliablommor (visar hur i boken) och glaserat med transparent glasyr. Klart! Fyll genast kannan med Champagne eller blommor. Fotat har Andreas Hylthén gjort och för formgivningen av boken står Sofia Brolin. Tack för det!

Without risking oversimplifying the matter, I think I can safely say that one of the many appealing aspects of raku pottery is its accessibility, especially in terms of equipment. A raku firing need only achieve 1000°C, which is at the low end of the potter's temperature scale, and easily achieved in a homemade kiln fueled, for instance, by a propane bottle. The raku kiln pictured here...

I’ve decided to clean the studio this weekend. It’s been a busy summer and at the moment the studio feels like a dumping ground for boxes, bubblewrap and other show-related paraphernalia. I’m actually looking forward to sorting through everything and finding out what’s left in stock. I have two big Christmas shows planned for November (the first of which is only 7 weeks away) so I’m already trying to make a list of all the stock I need to make before then. Christmas decorations are high on that list… In the meantime though I found this photo on my computer from the last time I managed to clean the studio – which was (shockingly) way back in March this year. It’s a shot I took of all my pottery tools freshly cleaned and laid out to dry. I remember thinking how nice they looked (I suppose I have a thing for tools!) so I decided to arrange them a bit and take a photo: I thought maybe other people would be interested to see what tools I use for making my pots. So here’s a quick run down of what they are and what I use them for. Running roughly from top to bottom and generally from left to right: Small hand mirror (for seeing the other side of the pot when throwing) Big sponge (for big spills) Bowl of slops in water (excess clay goes in here for reclaiming) Three fine-pointed decorating brushes (for glazing) A metal awl, wooden stick and a nail (for making holes in buttons etc) Wooden triangular rib and metal kidney (for shaping pots while throwing) Small piece of sandpaper (for smoothing bisque ware before glazing) Long sponge on a stick (for soaking up water inside a tall pot when throwing) Various round and small sponges (for every possible purpose imaginable) A metal ribbon tool (for turning excess clay at the base of a pot) Rubber slip trailer (for decorating with glaze or slip) Wooden stick (for making holes in beads) Three metal hole makers (for making various sized holes in pots) Wooden pointy hand-building tool (for shaping hand-built pots or throwing) Small sponge on a stick (for soaking water inside narrow pots when throwing) Rubber kidney (for shaping pots while throwing) Two-ended ribbon tool (for turning excess clay at the base of a pot) Piece of chamois leather (used wet to smooth the rim of a pot when throwing) Plastic stick (makes good holes in card to sew finished buttons onto) Three bisque fired seals (to stamp my initials into wet clay) Metal wire (for cutting pots off the wheel) Metal pin (So many uses…) Metal turning tool (for turning) Metal ruler (to measure things!) Two-ended blade tool (for cutting leatherhard clay) Brush (for cleaning and attaching handles) Calipers (for measuring pots) Hope all of that makes sense! Anyway, unfortunately all of these tools are currently lying jumbled up in a box covered in dried clay. So tomorrow I hope to get them all looking as clean as they were back in March!

Depending on the size of your studio and the requirements of your system this list will change but here are the basics going right from the bottom drain of the sink to the exit drain of the system.…

The one thing I’ve always missed in my studio is an effective way of dealing with all that gloopy clay water. Cue drum roll….a cheap and very easy to make under sink clay trap. Its bas…