Photography: Decisive Moment - Henri Cartier Bresson Henri Cartier Bresson’s interest in photography began as a young boy. He was...
Magnum photographer and co-founder Henri Cartier-Bresson's portrait of Europeans in Europe
Photograph by Henri Cartier-Bresson depicting two women seated on a cafe terrasse at the Brasserie Lipp, Saint Germain des Prés. Paris, 1969.
Discover the essential photography books for building your photo library. From Berenice Abbott to Henri Cartier-Bresson, explore the world of photo books.
Add this gorgeous book of Henri Cartier-Bresson photography to your coffee table to show off how refined you are!
"The decisive moment" popularized by street photography pioneer Henri-Cartier Bresson is widely misunderstood. Here's what he meant.
In November 1948, the great photographer went to shoot ‘the last days of Beijing’. He returned to China in 1958 to capture the results of the Maoist revolution. Images from both visits are brought together for the first time in an exhibition in Paris
Unwrapping the best of Arts, Culture & Travel
Presentamos una galería con la obra fotográfica de Henri Cartier-Bresson, uno de los fotógrafos más importantes del siglo XX.
As the Giacometti Institute opens a new space on the 21 June, we examine the artist and his atelier as seen through the lenses of Magnum photographers
Since 1992, Amedeo Turello has collected photographs of women by the likes of Cecil Beaton, Helmut Newton and Henri Cartier-Bresson
Aperture - On Location With: Henri Cartier-Bresson, Graciela Iturbide, Barbara Kruger, Sally Mann, Andres Serrano, Clarissa Sligh - Softcover Aperture; Henri Cartier-Bresson, Graciela Iturbide, Barbara Kruger, Sally Mann, Andres Serrano, Clarissa Sligh, Et Al. Published by Aperture, New York, New York, U.S.A., 1995. Larger paperbound wraps very good condition clean; Reproduces the work, singly and in collection, of well-known and beginning photographers and prints commentaries on individual photographers, photographic theory and practice, and related topics
Albert Camus, Paris, 1944. Coney Island, New York, 1946. Romania, 1975. Naples, Italy, 1960. A football game, Michigan vs. Northwestern, 1960. At the Le Mans Auto Race, France, 1966. Uzbekistan, 1954. Visitors from kolkhozy to the eleventh-century Alaverdi monastery, 1972. Improvised canteen for…
As the Giacometti Institute opens a new space on the 21 June, we examine the artist and his atelier as seen through the lenses of Magnum photographers
Pensieri, frasi, citazioni, fotografie e immagini
Presentamos una galería con la obra fotográfica de Henri Cartier-Bresson, uno de los fotógrafos más importantes del siglo XX.
Robert Bresson, the director of such cinematic master-pieces as Pickpocket, A Man Escaped Mouchette, and L’Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the “advances” of Cinerama and Cinema-Scope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing—in his view—art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work. Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the sound track, and to Bresson’s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” Bresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.
Explore Sebastian J.'s 335 photos on Flickr!
The Museum of Fine Arts in Boston has acquired Howard Greenberg’s extensive collection of photographs, including 447 works by 191 artists capturing defining images of the Great Depression and many original prints used for publication in Life magazine
Remembering French photographer, Henri Cartier-Bresson, founding member of Magnum Photos, on the anniversary of his passing: 3 August 2004
A major collection of photojournalistic works by major figures including Henri Cartier-Bresson, Robert Frank and Irving Penn have been gifted to the Tate.
Henri Cartier-Bresson Grand Street, Brooklyn 1947
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